100 Books Like Aleister Crowley and the Hidden God

Aleister Crowley (1875-1947) remains understudied and misunderstood. His colorful and often scandalous biography still occludes his intellectual and spiritual brilliance. Crowley robustly argued a deep commonality between Western ritual magick and Indian Yoga.

This book is his magnum opus; the first part, “Mysticism,” deals with the “eight limbs of Yoga.” Crowley’s argument is that a pursuit of magic and meditation, which he sees as two sides of the same coin, should manifest one’s inner genius and lead to a purposeful life aligned with one’s true will.   

Urban was among the first scholars who took seriously connections between Indian Tantra and some strands of Western occultism, even while remaining critical of the latter’s take on the former.

This book is a study of Western fascinations with (often amounting to a series of misunderstandings about) Tantra and its conflation with sex, in the process of which it is misconstrued as “the cult of ecstasy.” Urban applies to the Victorian discovery and captivation with Tantra, the well-known Foucault’s contention about sexuality–that, far from being repressed by a scandalized silence, it is, in fact, incessantly and obsessively talked about. 

This book is based on the series of articles that Dion Fortune (1890-1946) originally published in The Inner Light Magazine in 1939-1940. It was published in a book format with an added contribution by Gareth Knight (1930-2022), who continued and made more widely known Fortune’s work and ideas.

Fortune is mostly associated with championing the “Western Esoteric Tradition,” and she was critical of those Westerners practicing foreign spiritual systems, such as Indian Yoga, arguing that cultures should not mix. Nevertheless, this particular series of essays on “the circuit of force" displays her deep familiarity with Yoga, in particular as it concerns subjects such as the kuṇḍalinī and prāṇa. “I have tried both methods,” wrote she somewhat surprisingly, “and in my opinion, the Eastern method is incomparably the more efficacious.”

Knight’s comments benefit the book, as is usual, because they are based on his deeply personal experience with the subject matter… show more.

This book chronicles the changing landscape of Western spirituality as it encounters “the wisdom of the East,” primarily India’s religious heritage, alongside its fascination with and assumed similarity to the archaic and “pagan” European past.

The ideas of the primacy of solar worship are entertained side by side with the notions of the importance of phallic worship and fertility cults. The title of the book is a tip of the hat to Frances Yates’ study of Rosicrucian Enlightenment–in both cases, the suggestion is that the project of Enlightenment does not consist of the “cult of reason” exclusively but that it contains important undercurrents best described as esoteric, which in Godwin’s book have their focus on the Theosophical Society of Madame Blavatsky and its many associated propagators. 

I love compilation books, as this style of book works fantastically well for horror. In a short period of time, you can be transported from London to the Black Forest, from deepest Africa to the frozen climes of the Arctic. This book does not disappoint in this respect, taking the reader on a discovery of differing locations and also styles of horror writing. As you read this book of David’s, he takes you through a deeply reflective journey of horror writing genres, from Lovecraft to Poe and beyond. With great artwork to boot. Utterly fantastic!

This is an excellent, yet brief history of the Black Arts and the famous (or infamous) people who practiced them. It was while reading this book, particularly the chapter on LaVoisin, that inspired the story of Christina Lafage, the main character in Widdershins. The book also describes other interesting practitioners, such as Dr. John Dee, Eliphas Levi, Nostradamus, Aleister Crowley, and many more. The chapters on Black Magic and Sorcery and Raising the Dead also contributed to my ideas for my book. I often find myself referring to this book over and over again for great source material.

An atmospheric biography—a book you can curl up with—by British occultist King (not to be confused with the more ‘literary establishment’ Francis King, a respected gay novelist; our man sometimes called himself Francis X King to distinguish between them). King was a quietly eccentric character who had been traumatized by his experiences in the Korean War, and at one stage sold ice cream on Bournemouth beach. Steeped in the Golden Dawn tradition, his other books include works on alchemy, Western esotericism, tantra, and more, and he was a friend of Crowley’s friend Gerald Yorke, who also wrote on those subjects. I’ve always had a soft spot for their charmingly old-school, gentlemanly style of bygone British occult scholarship.

The most serious and culturally informed of the modern biographies, but still enthusiastic and enjoyable. Sutin is particularly good on Crowley’s religious and political aspects, and it reads unmistakably like a book by what a friend of mine would call “a real grown-up,” which isn’t always the case with books on occult subjects. Sutin makes a strong case for Crowley’s importance and larger significance, and the book’s wider perspective can be gauged by the spread of his solid, quality books on other subjects, including Buddhism and Philip K Dick.  

I find myself drawn to books that span multiple genres, and Dead Egyptians is one of my favorites.

Is it historical fiction, paranormal fantasy, magical realism, or homoerotic thriller? Yes, yes it is. Add in some (spoiler alert) really kinky sex between two gods, and boy, is this a book that defies easy categorization. 

Weighing in at somewhere over 300,00 words across over 700 pages, this is the most comprehensive Crowley biography. Stylistically is it no great treat for the reader, but it was obviously a staggering amount of work and demands respect: assembling this much material is an achievement. The effect—with generous backup detail on minor figures—is often like a gigantic Wikipedia entry. Kaczynski is one of the Crowley faithful, and he tends to look on the bright side. Consequently the book can be rather pious, as well as occasionally naive (Kaczynski quotes Freud’s supposed lauding of occult artist Austin Osman Spare, for example—one of Spare’s tall tales—as if he really said it, to which you can only say “As if…”). Still a very useful work of reference.