100 Books Like Dead Egyptians

Another fantasy novel that defies expectations.

Is it historical fantasy, urban fantasy, magical realism, or queer romantasy? Once again, the answer is yes. When I try to explain this book to someone, I find myself stuck between what it is and what it is not.

It is simultaneously unrealistic, oddly relatable, and weird. Very, very weird. It is not predictable. That is why I love it.

While not a fantasy, this book is another genre-bending novel that I could not put down.

It starts out as a straightforward psychological thriller, but quickly expands to include discussions of religion, mental illness, and (no kidding) a treatise on quantum field theory. How it manages to do this while maintaining the tension of a thriller is quite a feat.

Fair warning, the end is very brutal.

What I loved most about this book is its unusual approach to story structure.

The first chapter read like the script for an indie arthouse film, a monologue that was disconnected to the point of incoherence. Some readers gave up on the book at that point, but I’m so glad I didn’t.

By the end, the author sharpens the image, pulls together all the various subplots, and provides a deeply satisfying conclusion. I am ready to fall into the next book in the series.

Again, not a fantasy, but I still think it fits the category because it defies easy categorization.

What separates this from the standard noir thriller are the wacky characters and whip-smart plot – part Dashiell Hammet, part Carl Hiassen.

What elevates it is the author’s willingness to explore how his protagonist can stop evil without compromising his basic human values in the process. Another deeply weird, deeply satisfying read. 

I bought this catalogue many years ago in the crowded, chaotic store that used to sell books just inside the front door of the Egyptian Museum in Cairo.

It remains one of the best sources for descriptions of artifacts displayed in the museum for many decades—everything from King Tut’s gold mask to lifelike statues of scribes, detailed models of boats, and illustrated passages from the Book of the Dead on sheets of papyrus.

Many of these artifacts have recently been transferred to the new Grand Egyptian Museum (GEM) and other state-of-the-art facilities. I’m going to have to start noting in this book where my favorite things have ended up.

I loved this quirky, surreal novel, which is set in Cairo during the time of the Mamluks. Alternating between dreams and fables, the novel also takes us on a tour of Cairo. He uses the mock diary of a traveler for every section of old Cairo, but then diverges into the individual stories of characters in the city. 

Balian, a British pilgrim who has come to visit St. Catherine’s Monastery in Sinai, is really a spy sent by European powers to scout out the power of the Mamluk force, as well as the political intentions of the Sultan. Soon over his head, he finds himself meeting a variety of flamboyant characters. An Italian spy, Giancristoforo, is soon arrested and disappears into state custody. Balian has bizarre dreams at night, but even during the daytime he can’t distinguish between dream and reality.

Arabian Nightmare is a book which has hung around… show more.

In writing my own crime novels set in 1920s British India, I am always looking for other series that take me into “Other” places, and the Makan series that starts with this book is a wonderful model. This is the pen name for Jamal Mahjoub, a Sudanese-British writer who gives real insights into cultural differences and practices. His protagonist is a Sudanese working as a cop in Cairo, and the adventures roam far and wide across the city and its people.

For me, the word pictures created here help inspire my own writing aspirations, there is always much to learn.

The book gives the reader a deep layered understanding of Egypt before the 2011 uprising to look at the state of the nation and into the heart of Cairo, an ancient city but now a metropolis of over 20 million. Written with a novelist's flare this is an intimate portrait of the lives of Cairenes that explores hidden aspects of this mysterious city. The author builds an intriguing story on the religious beliefs, family values, negotiating tactics, driving habits, and attitudes towards foreigners. This is a reflection on a wonderous city, a place of sadness and of hope, which uses the metaphor of Saharan desert sand blowing in to shape the sand castle politics of the Mubarak era that would come crashing down in the 2011 Revolution.

When I first decided to write a historical novel that takes place in Egypt, I stopped by my local falafel joint in Brooklyn and asked the owner for pointers. He said, “Read Mahfouz, that’s all you need.” These are three interconnected stories that span the period from World War I to World War II. Without getting too deeply into the plot, I’d say they do what all the best historical novels do; they give you a sense of life’s movement, with the specifics that allow you to enter another time and place.

I met Mahfouz on my first trip to Egypt in 2005, shortly before he died, and asked him something about the country’s late leader Gamal Abdel Nasser. Mahfouz said he didn’t know the immediate answer himself, but “when I see Nasser, I’ll ask him.”

I've chosen this one not only because it's about growing up in Cairo, where I spent five years of my adult life as a teacher in an international school, but also for its astute analysis of how and why the memories we form in childhood differ fundamentally from those we acquire as adults. Another reason for its inclusion on my list is that it belongs to two childhood memoir subgenres for which I have a particular penchant, those by authors raised by people who were neither their biological nor adoptive parents and those by under-appreciated women novelists.