Here are 92 books that Magick fans have personally recommended if you like
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I discovered Indian Yoga and Western occultism as a teenager, and it turned into a lifelong obsession. I tend to relate to various forms of esotericism more naturally than to established religions; I find the lack of rigidity in the former’s metaphysical and ethical constructs more appealing. I obtained a Ph.D. in Asian Studies with a Thesis on the Nāth Yogis and pursued my interest in Aleister Crowley, his religious movement of Thelema, and Western occultism. What I find attractive in these systems is the vision of the human potential that promises to be able to transcend limitations associated with the consensus reality.
Urban was among the first scholars who took seriously connections between Indian Tantra and some strands of Western occultism, even while remaining critical of the latter’s take on the former.
This book is a study of Western fascinations with (often amounting to a series of misunderstandings about) Tantra and its conflation with sex, in the process of which it is misconstrued as “the cult of ecstasy.” Urban applies to the Victorian discovery and captivation with Tantra, the well-known Foucault’s contention about sexuality–that, far from being repressed by a scandalized silence, it is, in fact, incessantly and obsessively talked about.
A complex body of religious practices that spread throughout the Hindu, Buddhist, and Jain traditions; a form of spirituality that seemingly combines sexuality, sensual pleasure, and the full range of physical experience with the religious life - Tantra has held a central yet conflicted role within the Western imagination ever since the first 'discovery' of Indian religions by European scholars. Always radical, always extremely Other, Tantra has proven a key factor in the imagining of India. This book offers a critical account of how the phenomenon has come to be. Tracing the complex genealogy of Tantra as a category within…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I discovered Indian Yoga and Western occultism as a teenager, and it turned into a lifelong obsession. I tend to relate to various forms of esotericism more naturally than to established religions; I find the lack of rigidity in the former’s metaphysical and ethical constructs more appealing. I obtained a Ph.D. in Asian Studies with a Thesis on the Nāth Yogis and pursued my interest in Aleister Crowley, his religious movement of Thelema, and Western occultism. What I find attractive in these systems is the vision of the human potential that promises to be able to transcend limitations associated with the consensus reality.
To say that Kenneth Grant’s (1924-2011) writing style is idiosyncratic would be a huge understatement, for to read him often equals entering into a dream state shot through with sinister overtones and illumined by the morbid light of witch’s Moon. Grant is mostly known for his “Typhonian Trilogies”–nine volumes that explore Crowley’s Thelema in connection with Lovecraftian mythos, Haitian Vodou, Austin Osman Spare’s art and sigil magic, Asian Tantra, and a number of related subjects.
Grant casts a wide conceptual net over the topics he explores by integrating them as aspects of a putative “Typhonian” or “Draconian” tradition, with its roots in pre-dynastic Egypt, that focuses on the mysteries of sexual magic and gives preeminence to the mystical power of female sexual vibrations. His argument is that this tradition often glossed over as the “left-hand path” sans negative moral connotations in its nomenclature, suffered historical repercussions by the representatives of…
In this study of Aleister Crowley's system of sexual magic, Kenneth Grant reveals the occult workings of the Fire Snake or Kundalini-Goddess the cosmic power that when awakened by magical means assumes the form that Crowley called the Scarlet Woman. Grant also describes a method of dream control that Crowley and others used to establish contact with extraterrestrial and non-human beings and to prepare themselves for the realization of true cosmic consciousness.
I discovered Indian Yoga and Western occultism as a teenager, and it turned into a lifelong obsession. I tend to relate to various forms of esotericism more naturally than to established religions; I find the lack of rigidity in the former’s metaphysical and ethical constructs more appealing. I obtained a Ph.D. in Asian Studies with a Thesis on the Nāth Yogis and pursued my interest in Aleister Crowley, his religious movement of Thelema, and Western occultism. What I find attractive in these systems is the vision of the human potential that promises to be able to transcend limitations associated with the consensus reality.
This book is based on the series of articles that Dion Fortune (1890-1946) originally published in The Inner Light Magazine in 1939-1940. It was published in a book format with an added contribution by Gareth Knight (1930-2022), who continued and made more widely known Fortune’s work and ideas.
Fortune is mostly associated with championing the “Western Esoteric Tradition,” and she was critical of those Westerners practicing foreign spiritual systems, such as Indian Yoga, arguing that cultures should not mix. Nevertheless, this particular series of essays on “the circuit of force" displays her deep familiarity with Yoga, in particular as it concerns subjects such as the kuṇḍalinī and prāṇa. “I have tried both methods,” wrote she somewhat surprisingly, “and in my opinion, the Eastern method is incomparably the more efficacious.”
Knight’s comments benefit the book, as is usual, because they are based on his deeply personal experience with the subject matter…
Dion Fortune describes techniques for raising the personal magnetic forces within the human aura and their control and direction in magic and in life, which she regards as 'the Lost Secrets of the Western Esoteric Tradition'. Gareth Knight provides subject commentaries on various aspects of the etheric vehicle, filling in some of the practical details and implications that she left unsaid in the more secretive esoteric climate of the times in which she wrote.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I discovered Indian Yoga and Western occultism as a teenager, and it turned into a lifelong obsession. I tend to relate to various forms of esotericism more naturally than to established religions; I find the lack of rigidity in the former’s metaphysical and ethical constructs more appealing. I obtained a Ph.D. in Asian Studies with a Thesis on the Nāth Yogis and pursued my interest in Aleister Crowley, his religious movement of Thelema, and Western occultism. What I find attractive in these systems is the vision of the human potential that promises to be able to transcend limitations associated with the consensus reality.
This book chronicles the changing landscape of Western spirituality as it encounters “the wisdom of the East,” primarily India’s religious heritage, alongside its fascination with and assumed similarity to the archaic and “pagan” European past.
The ideas of the primacy of solar worship are entertained side by side with the notions of the importance of phallic worship and fertility cults. The title of the book is a tip of the hat to Frances Yates’ study of Rosicrucian Enlightenment–in both cases, the suggestion is that the project of Enlightenment does not consist of the “cult of reason” exclusively but that it contains important undercurrents best described as esoteric, which in Godwin’s book have their focus on the Theosophical Society of Madame Blavatsky and its many associated propagators.
This is an intellectual history of occult and esoteric currents in the English-speaking world from the early Romantic period to the early twentieth century. The Theosophical Society, founded in 1875 by Helena P. Blavatsky, holds a crucial position as the place where all these currents temporarily united, before again diverging. The book's ambiguous title points to the author's thesis that Theosophy owed as much to the skeptical Enlightenment of the eighteenth century as it did to the concept of spiritual enlightenment with which it is more readily associated.
The author respects his sources sufficiently to allow that their world, so…
I’ve always loved history, whether ancient or “modern.” Past societies and how humanity has changed over the years has always fascinated me. As a young mystery reader, I began with Nancy Drew and then quickly graduated to Victoria Holt. I’m not sure there’s a gothic fiction reader out there who won’t be familiar with that name. The stories are a wonderful blend of mystery, history, and a dash of the supernatural. Decades later, I’d write my fourth series, Duchess of Blackmoore Mysteries, in true gothic Victorian style.
This book is a wonderful blending of historical fiction and fantasy. With an intriguing mystery that isn’t the standard “murder mystery” fair, this book sets up for a fantastical series that will lead the reader deeper and deeper into mystery and magic. I love the mixing of genres and the historical setting.
India Steele is desperate. Her father is dead, her fiancé took her inheritance, and no one will employ her, despite years working for her watchmaker father. Indeed, the other London watchmakers seem frightened of her. Alone, poor, and at the end of her tether, India takes employment with the only person who'll accept her - an enigmatic and mysterious man from America. A man who possesses a strange watch that rejuvenates him when he's ill.
Matthew Glass must find a particular watchmaker, but he won't tell India why any old one won't do. Nor will he…
The only thing I love reading more than books about myth and legend are books you’re not supposed to read. George Bataille once wrote that if you ever caught him producing a book that he risked nothing to write, you should throw it away, and I take that to heart. Every book should be dangerous, because only danger makes you think. I hope every book I’ve written is, in some sense, dangerous, although of course I also hope my readers do not get ripped to pieces by the devil. That’s a little too dangerous.
Some guy in Egypt realized long ago that you can create illusions, fly through the air, change your body into whatever you want, or “demolish buildings and castles,” all by writing out little crossword puzzles.
Like a fool, he recorded his method and handed it to some German dude, who passed the information along, and now it’s just in a book anyone can buy? All those secret crossword puzzles of power? Oh, man, if they catch you with this one, watch out, because people are really fond of their buildings and castles, and they do not have a sense of humor about their unscheduled demolition.
Around the turn of the century, when Aleister Crowley was working out his system of Magick, the source that he turned to for basics was the system of Abramelin of Egypt. From Abramelin he took his concepts of protections, purifications, evocations, vestments, and dromena down to specific details. This system of Abramelin the Mage is known from a unique fifteenth century manuscript preserved in the Bibliothèque de L'Arsenal in Paris. In it, Abraham of Würzburg, a cabalist and connoisseur of magics, describes a tour that he made of the then civilized world, visiting sorcerers, magicians, and cabalists, estimating their powers…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I have been studying American styles of magic for more than 30 years. Having received a Ph.D. in Religious Studies, I have explored the idea of magic as a natural counterpart to both religious thought and scientific theory. After teaching courses on this subject to college undergraduates, I recommend these books based on what I have found to be the favorites of students and peers
as the most accessible, enjoyable, and practical sources for beginners.
This is an easy-to-read introduction to magic for people who don’t want to join organized groups or participate in spiritual traditions in order to learn. It allows readers to experiment with practices and techniques on their own and includes everything a beginner needs to know about
the art and craft of magic, including visualization, ordinary ethics, ritual practices, and vital safety measures.
Many students don't want to be tied to a particular group or spiritual tradition, but prefer to search, experiment, and grow on their own/ this book is perfect for these people. Watson discusses the principles that underlie magical practice in a veryeasytounderstand manner. She includes information on affirmations, visualization, spiritual practices, folk magic, and ritual. Safety measures and ethical considerations are stressed throughout.
Since reading the Harry Potter series (I know, how original! But bear with me), I’d been searching for books that awoke the same feelings of awe, curiosity, and inspiration in me. It’s been my mission—to be on the dramatic side—to find books that make magic feel just within reach of our world, which is why I set out to write my own urban fantasy story, The Wise One. My creation process involved years of extensive research on esoteric topics and Celtic folklore, including visiting most of my story’s locations during my travels across Ireland and Scotland. What I can boldly say after immersing myself in the landscape and culture is this: magic totally does exist.
I'm always reluctant to recommend occult books (there's definitely a weirdness factor that will turn some off), but this isn't like any other. Don't worry: you don't have to purchase a wand, crystals, salts, oils, or herbs. Scott Cunningham was a widely respected practitioner that always advocated for age-old tools of natural magic—like water from a spring. For those interested in exploring the Craft, this is the perfect starting point because it reminds us of the fundamentals: nature is magic. It doesn't get more complicated than that.
"A treasure trove of practical magic for both novices and more experienced practitioners...beautifully crafted spells that invoke the alchemy of possibility."—PanGaia
A leaf from an oak tree...a wildflower...water from a sparkling stream...dirt from a cool dark cave—these are the age-old tools of natural magic. Born of the earth, possessing inherent power, they await only our touch and intention to bring their magical qualities to life.
The four elements are powerful magical tools. Using their energies, we can transform ourselves, our lives, and our world. This much-loved, classic guide offers more than seventy-five spells, rites, and simple rituals you can perform…
Since discovering the Enneagram a few years ago, I’ve been absolutely fascinated by the psychology behind personalities. Each one is unique, influenced by innumerable things from both nature and nurture. And the misunderstandings that come from different types of interaction have contributed significantly to challenges in my personal life. But they also make stories more interesting to read, especially when you get to see things from the perspective of multiple different characters. Nothing is juicier to me as a reader than watching characters initially misunderstand and dislike each other, but over time grow to understand and even respect each other as close friends and/or romantic interests as the story unfolds!
Told from a total of six perspectives, this book begins with the single most amazing prologue I’ve ever read. We learn that the clairvoyant family members of the FMC have predicted her whole life that one day, she will kill her true love. And it just so happens that a relative has come for a visit and immediately announces that this is the year the FMC will fall in love.
It’s so freaking good!
Of course watching that unfold from both the FMC and the MMC’s POVs kept me flipping pages fast, but I also enjoyed the other friendships, struggles, and romances happening in the other POVs. A solid multi-POV series I frequently recommend!
'There are only two reasons a non-seer would see a spirit on St. Mark's Eve,' Neeve said. 'Either you're his true love ... or you killed him.'Every year Blue Sargent stands next to her clairvoyant mother as the soon-to-be dead walk past. Blue never sees them - until this year, when a boy emerges from the dark and speaks to her.His name is Gansey, a rich student at Aglionby, the local private school. Blue has a policy of staying away from Aglionby boys. Known as Raven Boys, they can only mean trouble. But Blue is drawn to Gansey, in a…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
As a queer first-generation Cuban-American woman, reclaiming my magic from oppressive religious dogma and societal bigotry has been the foundation of my art practice since the mid-90s, when I started writing my fanzine, the Green’zine. Although my trajectory comes from punk rock, reactionary feminist art, and coming-of-age graphic memoirs about sex, drugs, and rock’n’roll—healing the soul is interwoven into all of my published works. When I eventually began work on the Next World Tarot, I knew I had to enrich my gritty soul with divine compassion; as well as forgiveness towards the versions of myself that did not accept ancestral magic and spirituality as part of my own healing.
Mya Spalter is a New York witch who learned the ropes by way of her ancestors as well as the Enchantments occult shop. Learning from both guides and NYC witches, I love the way this book shows how Spalter’s magic was conjured by personal connections to survival and home.
Gaining knowledge on both our magic and ancestral practices can be a difficult journey for queer folks, navigating the ultra-conservative laws of mainstream spirituality. However, magic is not conservative nor heterosexual—it is universal and a tool we can all access. This book showed me the divine connections between Wiccan history, self-care, and surviving as a queer person of Color in America.