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I’ve written and published one hundred very short ghost stories, plus a handful of longer ones, and have spent a lifetime reading and watching and thinking about stories of ghosts and the afterlife. My expertise, such as it is, involves ghosts as beings of narrative and metaphor. I’ve encountered great numbers of them on the page and on the screen—nowhere else—but I confess that I would love someday (though don’t expect) to encounter them in the flesh. My flesh, that is to say; their fleshlessness.
Aira is one of the most interesting novelists alive today, a writer whose wit, energy, and unfailingly restless imagination ensure that his books never follow a straightforward path, and thus always surprise you. Ghosts, my favorite of those books, presents the story of a half-constructed luxury apartment complex, the ghosts who wander its beams and its floors, and the adolescent girl to whom they call. Recommended if you like your ghosts circumambulating and avant-garde.
"On a building site of a new, luxury apartment building, visitors looked up at the strange, irregular form of the water tank that crowned the edifice, and the big parabolic dish that would supply television images to all the floors. On the edge of the dish, a sharp metallic edge on which no bird would have dared to perch, three completely naked men were sitting, with their faces turned up to the midday sun; no one saw them, of course." - from Ghosts
Ghosts is about a construction worker's family squatting on a building site. They all see large and…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
In almost all of my eighteen published novels, animals have played a central role. When my first novel (No Sign of Murder) was published, The NY Times gave it a standalone review with the headline, “Even the Gorilla is a Suspect.” My wife was working with gorillas when I wrote the book. In Multiple Wounds, I cribbed a real-life experience of a double-homicide in our neighborhood, with the only survivor being a cat. We adopted that cat, and I had my protagonist do the same in telling the circumstances of her story to the world. Because animals play a big part in my own life, I feel the need to incorporate them into my words.
Yes, this novel is about life, death, and love, but if you’re envisioning a Bergman film full of angst, think again. For nineteen years, Jonathan Rebeck has been living in an abandoned mausoleum at Bronx’s Yorkchester Cemetery. Finding a way home has been as challenging for Rebeck as it was for Odysseus. Rebeck has spent his time at the cemetery talking to ghosts, and to a raven quite the opposite of Poe’s. Usually, the human sees to the needs of the animal. In this instance, it is the raven who brings Rebeck pilfered food, and his unique wisdom.
As a romance blossoms between two of the ghosts at the cemetery, Rebeck and a widow he has become friendly with, try to help the spirits belatedly find love, and give Rebeck his own way back to life.
A kindly raven brings food to and is the companion of a man who has taken refuge in an abandoned mausoleum in a New York City cemetery for nineteen years. Title: A Fine & Private Place Author: Beagle, Peter S. Publisher: Tachyon Publications Publication Date: 2007/05/28 Number of Pages: 264 Binding Type: PAPERBACK Library of Congress: bl2007019271
I’ve written and published one hundred very short ghost stories, plus a handful of longer ones, and have spent a lifetime reading and watching and thinking about stories of ghosts and the afterlife. My expertise, such as it is, involves ghosts as beings of narrative and metaphor. I’ve encountered great numbers of them on the page and on the screen—nowhere else—but I confess that I would love someday (though don’t expect) to encounter them in the flesh. My flesh, that is to say; their fleshlessness.
This, Dorst’s first novel, adopts the trappings of a police procedural but is at heart a character drama seasoned with elements of the supernatural. It follows the fortunes of a rookie cop in the “cemetery city” of Colma, California, whose charges, he quickly discovers, include both the living and the dead. Recommended if you like your ghosts eerie and your human beings haunted not only by wakeful spirits but by their own personal blunders and false starts.
A "dark and funny debut"(Seattle-Times) about a young police officer struggling to maintain a sense of reality in a town where the dead outnumber the living.
Colma, California, the "cemetery city" serving San Francisco, is the resting place of the likes of Joe DiMaggio, Wyatt Earp, and William Randolph Hearst. It is also the home of Michael Mercer, a by-the-book rookie cop struggling to settle comfortably into adult life. Instead, he becomes obsessed with the mysterious fate of his predecessor, Sergeant Wes Featherstone, who spent his last years policing the dead as well as the living. As Mercer attempts to…
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is real—but hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to act…
I’ve written and published one hundred very short ghost stories, plus a handful of longer ones, and have spent a lifetime reading and watching and thinking about stories of ghosts and the afterlife. My expertise, such as it is, involves ghosts as beings of narrative and metaphor. I’ve encountered great numbers of them on the page and on the screen—nowhere else—but I confess that I would love someday (though don’t expect) to encounter them in the flesh. My flesh, that is to say; their fleshlessness.
One of the most inventive novels of recent years, Leanne Shapton’s Guestbook uses prose, photographs, and illustrations to find thirty-three ways of approaching the ghost story. The book moves swiftly and exhilaratingly through its pages, which are knit together by a sense of what it means for spirits to fasten themselves unexpectedly to people and what it means for people to feel haunted. Recommended if you like your ghosts both abundantly imagined and abundantly pictured.
'Shapton has created a mystical territory - a performance, an exhibition, a guestbook - in which I felt the ghost within myself; the thing that will outlive me. A fearless and exquisite book' Miranda July
Guestbook explores the glimmering, unsettling things that haunt us in the midst of life, combining stories, vignettes and an evocative curiosity cabinet of artifacts and images - found photographs, original paintings, Instagram-style portraits - to transform the traditional ghost story into something else entirely.
'Leanne Shapton has a way of making books entirely new, surreal, and uncanny ... Guestbook contains ghost stories for a world…
Growing up, I hardly ever saw books written by people who looked like me, about people who looked like me. When I did, the Asians were often side characters, typecast as nerds (and not in a good way). I didn’t get to see Asians being “cool” kids, and I definitely didn’t see them as love interests. When I went to a performing arts boarding school, it was the first time I wasn’t the only Asian student in my class, and it was life-changing. I think if I had had these books when I was a kid, it would’ve been easier to be confident about who I was.
I fell for this book because of its lyrical sentences, multiple narratives uncovering long-buried secrets, and exploration of the tensions and traumas of family, friendship, romantic love, and the immigrant experience. The people in this novel are all memorable and well-developed—even the adults, which can sometimes be hard to come by in YA books.
I was swept up in the world of the high-pressure Cupertino suburbs, and I love that nearly all the characters were Asian American. It also didn’t hurt that it’s narrated by a talented and troubled teen artist.
"Picture me madly in love with this moving, tender, unapologetically honest book."—Becky Albertalli, #1 best-selling author of Simon Vs. the Homo Sapiens Agenda
Danny Cheng has always known his parents have secrets. But when he discovers a taped-up box in his father's closet filled with old letters and a file on a powerful Bay Area family, he realizes there's much more to his family's past than he ever imagined.
Danny has been an artist for as long as he can remember and it seems his path is set, with a scholarship to RISD and his family's blessing to pursue the…
During the years that I have been writing ghost stories, many of them collected in The Haunted Heart and Other Tales, I have read a variety of classic and contemporary ghost stories, horror anthologies, and novels that included gay characters, written by authors who are also openly gay or whose legacy has identified the writer as homosexual. While there are a number of short stories that are personal favorites, this list focuses on novels.
Walking an empty stretch of New Jersey highway on an autumn night, a lonely gay teenaged boy meets a strange and beautiful guy who turns out to be a local legend who has haunted that stretch of road for decades. At the heart of this superb coming-of-age tale is the remarkable portrayal of the friendships of a group of Goth teens. This is an extraordinary, moving ghost story that will engage both young readers and adults.
On a chilly, autumn night, on a lonely New Jersey highway, a teenager meets the boy of his dreams dressed in vintage clothing. When the boy vanishes, the teenager discovers he’s encountered the local legend, the ghost of a young man who died four decades earlier and has haunted that stretch of road ever since. Curious and smitten, the next evening the teen returns with his best friend. So begins an unusual story of boy-meets-ghost complete with Ouija boards, hours spent in cemeteries, scares and macabre humor. This new edition of the book, to celebrate its thirteenth anniversary, features a…
Aury and Scott travel to the Finger Lakes in New York’s wine country to get to the bottom of the mysterious happenings at the Songscape Winery. Disturbed furniture and curious noises are one thing, but when a customer winds up dead, it’s time to dig into the details and see…
I've always been a fan of ghost stories. As a kid, I loved horror movies and the works of Edgar Allan Poe, Bram Stoker, and H. P. Lovecraft; later on, I discovered movies like The Innocents (based on Henry James's The Turn of the Screw) and The Haunting (adapted from Shirley Jackson's The Haunting of Hill House). As a ghost historian and editor, I've discovered dozens of brilliant tales from the nineteenth and early twentieth centuries; these are stories that remain relevant, entertaining, and frightening.
Ask any scholar of horror fiction to name the greatest ghost story writer of all time, and chances are good they'll come up with M. R. James (1862-1936). James, who is also highly regarded for his scholarly works and translations, was a provost at King's College, Cambridge who entertained students during the Christmas season with his ghost tales (honoring the old English tradition of telling ghost stories at Christmas). His classics include such justifiably famous stories as "Oh, Whistle, and I'll Come to You, My Lad" and "Casting the Runes" (which was adapted into the classic 1957 movie Curse of the Demon). This edition also includes a superb introduction by David Morrell.
Dive into this collection of exquisite, classic horror stories-just make sure to have the lights on and the doors locked! First published in 1904, Ghost Stories of an Antiquary contains eight tales of supernatural horror by genre master M.R. James. Highly regarded as a masterwork of horror, this collection is a must-have for fans of the frightful. The stories in this collection include: "Canon Alberic's Scrap-Book," "Lost Hearts," "The Mezzotint," "The Ash-Tree." "Number 13," "Count Magnus," "Oh, Whistle and I'll Come to You, My Lad," and "The Treasure of Abbot Thomas."
As a middle grade horror writer, I attribute my love of everything spooky to my early obsession with reading. Of course, my little brain was twisted already, but I found a perfect home in the monsters and ghouls of the library. These are the five books that inspired me to become a writer who scares children in the best possible way.
These fall more in the young adult world rather than middle grade because of the sexual situations. With that being said, I totally devoured them in middle school.
In my opinion, there is no greater master of the end of chapter cliffhanger than R.L. Stine, which keeps you frantically turning the page waaaaay after lights out. I carried these books around with me in my grandmother’s huge makeup case like my spooky book security blanket. And yes, my family was concerned.
FEAR STREET -- WHERE YOUR WORST NIGHTMARES LIVE...
The new girl is as pale as a ghost, blond, and eerily beautiful -- and she seems to need him as much as he wants her. Cory Brooks hungers for Anna Corwin's kisses, drowns in her light blue eyes. He can't get her out of his mind. He has been loosing sleep, ditching his friends...and everyone has noticed.
Then as suddenly as she came to Shadyside High, Anna disappears. To find a cure for his obsession, Cory must go to Anna's house on Fear Street -- no matter what the consequences.
I often refer to myself as a haunted body. Death is something that has fascinated and alarmed me since I can remember. I’ve even had a spooky experience or five that I can’t explain. But to write a ghost story is akin to making someone fall in love with you, or lean in close to hear a secret. I love the intrigue and power of that kind of tale. Our oldest stories are ghost stories and the biggest and most enduring mystery for the entirety of humanity is: Is there life after death?
Helen has been haunting the English classroom for 130 years and has never, not once, been seen. And then she feels his eyes on her. Seeing her, reallyseeing her like she hasn’t been seen in decades. Without wanting to be, Helen is drawn to him. That he has a body and she doesn’t is nothing in the face of their growing love, and the two form a bond that defies death. Let me tell you this book had me in tears. I read it years ago and still think of it with deep affection. I even wrote a song about it when I was far younger and far less self-conscious than I am now!
In the class of the high school English teacher she has been haunting, Helen feels them: for the first time in 130 years, human eyes are looking at her. They belong to a boy, a boy who has not seemed remarkable until now. And Helen—terrified, but intrigued—is drawn to him. The fact that he is in a body and she is not presents this unlikely couple with their first challenge. But as the lovers struggle to find a way to be together, they begin to discover the secrets of their former lives and of the young people they come to…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I grew up listening to my family’s "true" ghost stories, each creepy tale ending with a declaration that "there are no such things as ghosts." As a teenager, I devoured books of folklore, with all their tales of ghosts, witches, and long-legetty beasties: and also many books about paranormal research. As an adult, I’m a complete unbeliever but still very fond of both reading and writing ghost stories!
We all think we know "A Christmas Carol" but after the Muppet version, I find myself thinking of it as simply comical.
Until I re-read it, I forget just how chilling the ghosts who visit Scrooge are. And I love "Captain Murderer," Dickens’ account of how his nursemaid terrified him with scary tales, because it takes me back to my own childhood love of terrors.
Then there are stories like "The Signalman," which is not at all funny, darkened with the signalman’s dreadful loneliness and apprehension.
Dickens was a Master. Even his humorous ghost stories have an edge of fear.
