Here are 100 books that Picture Us in the Light fans have personally recommended if you like
Picture Us in the Light.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I like happy endings. There, I’ve said it. I love books. I’ve written more than sixty to date, and I read all the time in every genre. I also love history, and World War II is a particular passion. It was an era rich with drama, horror, and heroism, with stories begging to be told. So many of those stories, real and fictional, end in heartbreak. But the great thing about being a writer is that I can take the characters I love through hell and back, then, in the end, have them come shining through. That’s what I want as a reader, too.
A British spy plane crashes in Nazi-occupied France with two girls on board, Maddie, the pilot, and Verity. Leaving Maddie behind in the wreckage, secret agent Verity is captured by the Nazis and told that she will be executed unless she reveals her mission.
This heart-stopping tale of spies, deception, and true friendship will have you reading through the night—and cheering for Verity.
'I have two weeks. You'll shoot me at the end no matter what I do.'
Shortlisted for the Carnegie Medal, Code Name Verity is a bestselling tale of friendship and courage set against the backdrop of World War Two.
Only in wartime could a stalwart lass from Manchester rub shoulders with a Scottish aristocrat, one a pilot, the other a special operations executive. When a vital mission goes wrong, and one of the friends has to bail out of a faulty plane over France, she is captured by the Gestapo and becomes a prisoner of war. The story begins in…
“Rowdy” Randy Cox, a woman staring down the barrel of retirement, is a curmudgeonly blue-collar butch lesbian who has been single for twenty years and is trying to date again.
At the end of a long, exhausting shift, Randy finds her supervisor, Bryant, pinned and near death at the warehouse…
I came to the U.S. in my early twenties to pursue a PhD, trading the familiar for the unknown. I am a scientist, an immigrant, and a daughter whose life was irrevocably fractured when my mother passed away in India while I was navigating the demands of graduate school. Grappling with grief, identity, and belonging in a foreign land shaped me to my core. The books on this list, centered on themes of family, loss, and the search for home, resonated with my experiences in profound ways. They offered me hope and a vital sense of connection, and I hope they speak to you just as powerfully.
Michelle made me laugh, made me cry, and made me feel the full weight of reconnecting with a mother only to lose her.
I related deeply to her sense of self unraveling after losing the person who anchored her world—I lost my own mother in my late twenties. Through her vivid memories of time spent with her mother and grandmother, and her journey of reclaiming herself through the foods of her childhood, Michelle pulled me in and carried me forward.
The New York Times bestseller from the Grammy-nominated indie rockstar Japanese Breakfast, an unflinching, deeply moving memoir about growing up mixed-race, Korean food, losing her Korean mother, and forging her own identity in the wake of her loss.
'As good as everyone says it is and, yes, it will have you in tears. An essential read for anybody who has lost a loved one, as well as those who haven't' - Marie-Claire
In this exquisite story of family, food, grief, and endurance, Michelle Zauner proves herself far more than a dazzling singer,…
I’ve always been a big fan of sci-fi and fantasy, especially anything involving superheroes or D&D-style adventure. For the longest time, I had to find queer representation through subtle glances and creative readings of characters. I loved these stories for the sci-fi and fantasy elements, but it was frustrating that every love story that came up was straight. It didn’t feel possible for queer love to be a part of a plot, and even when there was a queer character it had a “very special episode” vibe to it. Finally, queer characters are becoming part of the story, and it doesn’t have to be a “big deal.”
I love a soft sci-fi and Adam Silvera knows how to deliver.
What makes his world different from ours is a technology that can let people know the day they are going to die, on that day, so they have a chance to say goodbye. It provides such potential for deep introspection (for his readers as much as his characters) and heartbreak.
From the author of the INTERNATIONAL NO. 1 BESTSELLER THEY BOTH DIE AT THE END comes an explosive examination of grief, mental illness, and the devastating consequences of refusing to let go of the past.
Please note that covers may vary.
You're still alive in alternate universes, Theo, but I live in the real world where this morning you're having an open casket funeral. I know you're out there, listening. And you should know I'm really pissed because you swore you would never die and yet here we are. It hurts even more because this isn't the first promise you've…
I’ve always been drawn to stories about daughters coming home to complicated mothers and the unfinished versions of themselves they left behind. As an immigrant who moved from India to the U.S. at thirteen, and now as a physician and mother, I live in that in-between space where past and present, duty and desire constantly collide. Reading great novels that explored these tensions was the spark that pushed me to start writing my own. I gravitate toward books where family love is real but messy, home is both refuge and trigger, and women are allowed to be imperfect, angry, tender, and still deeply human.
Lahiri writes about immigrant families with a kind of quiet precision that always undoes me.
I love how this novel follows Gogol's uneasy relationship with his name, his parents, and the home they left behind. It's a beautiful exploration of how we inherit both love and loneliness from our families, and how long it can take to understand either.
'The Namesake' is the story of a boy brought up Indian in America.
'When her grandmother learned of Ashima's pregnancy, she was particularly thrilled at the prospect of naming the family's first sahib. And so Ashima and Ashoke have agreed to put off the decision of what to name the baby until a letter comes...'
For now, the label on his hospital cot reads simply BABY BOY GANGULI. But as time passes and still no letter arrives from India, American bureaucracy takes over and demands that 'baby boy Ganguli' be given a name. In a panic, his father decides to…
I’ve been reading YA since I was a young adult myself, and I’ve always favored stories with a strong romantic angle. As a kid, I loved The Baby-Sitters Club’s starry-eyed Stacey and Sweet Valley High’s boy-crazy Jessica; as an adult, I flock to the romance section of bookstores and libraries. When the urge to try my hand at writing struck, I drafted young adult romances without even considering other categories or genres. I will always choose a meet-cute, witty banter, and sizzling chemistry over fast-paced action, clever twists, and high-concepts plots. When it comes to reading and writing, I love love!
I read The Sky is Everywhere shortly after it was published in 2010, very early in my own pursuit to become a published author. So clearly, I remember absorbing the novel’s final words, closing its cover, and thinking I want people to feel like this after reading the stories I write. In other words: enchanted, affected, and wonderfully content. Lennie’s story of loss and recovery, punctuated by rash decisions, dreamy poetry, and swoony first love, is one that’s stayed with me for more than a decade.
For fans of Jojo Moyes, David Levithan and Rainbow Rowell. Seventeen-year-old Lennie Walker spends her time tucked safely and happily in the shadow of her fiery older sister, Bailey. But when Bailey dies abruptly, Lennie is catapulted to centre stage of her own life - and suddenly finds herself struggling to balance two boys. One boy takes Lennie out of her sorrow; the other comforts her in it. But the two can't collide without Lennie's world exploding...
A wise (and wily) Jedi once said that “many of the truths we cling to depend greatly on our own point of view,” and I’m fascinated by storytelling that gives you more than one point of view or voice to ponder. Even as a kid, I searched for books that delved into the minds of more than one character. I’ve explored this in my own writing but also as a teacher working with undergraduate students who were finding their own voices while exploring the literary voices of others. I also love so-called genre fiction—the fantasy, sci-fi, and romance of it all—which is definitely reflected in this list, well!
I’m going to start off by saying that this novel in verse had me in tears. Often. Camino and Yahaira live very different lives except for one thing: they share a father who dies in a tragic accident. What follows is an exploration of and window into grief from two very different perspectives, a reckoning with the truth, and a path forward for both girls that allows them to move forward with a sense of hope.
While reading it, I sometimes felt as if I was probing a wound, which I mean in the best way possible. It felt cathartic in a way I hadn’t expected when I began the book.
The stunning New York Times bestselling novel from the 2019 Carnegie Medal winning, Waterstones Book Prize shortlisted author of THE POET X. 2020 Goodreads Choice Award Winner of CLAP WHEN YOU LAND.
Camino Rios lives for the summers when her father visits her in the Dominican Republic. But this time, on the day when his plane is supposed to land, Camino arrives at the airport to see crowds of crying people...
In New York City, Yahaira Rios is called to the principal's office, where her mother is waiting to tell her that her father, her hero, has died in a…
The Not Quite Enlightened Sleuth
by
Verlin Darrow,
A Buddhist nun returns to her hometown and solves multiple murders while enduring her dysfunctional family.
Ivy Lutz leaves her life as a Buddhist nun in Sri Lanka and returns home to northern California when her elderly mother suffers a stroke. Her sheltered life is blasted apart by a series…
I am the Chief Legal Officer at a US publicly traded company. Although I was born in Iran, I immigrated to the US from Iran at age ten. When I was three years old, my father’s side of the family tried to take my brother and me away from my mother after my father passed away. She fought a custody battle and lawsuit and eventually was forced to flee Iran with us during the revolution. I am passionate about the Iranian Revolution, my relationship with my very strong and remarkable mother who has been a mentor to me, as well as family relationships within Iranian families.
I love “Persepolis” because the author very accurately and with a great amount of humor describes, and through graphics, portrays the very heavy topic of the 1979 Iranian Revolution.
She makes it easy for people who weren’t there at the time and are not a part of the culture or history to imagine what happened. I like how she describes family relationships, especially with her parents, in a tribal culture. In a very transparent way, she accurately describes the differences between private family life and the one that is portrayed publicly.
Wise, often funny, sometimes heart-breaking, Persepolis tells the story of Marjane Satrapi's life in Tehran from the ages of six to fourteen, growing up during the Iranian Revolution.
The intelligent and outspoken child of radical Marxists, and the great-grandaughter of Iran's last emperor, Satrapi bears witness to a childhood uniquely entwined with the history of her country. Persepolis paints an unforgettable portrait of daily life in Iran and of the bewildering contradictions between home life and public life.
Amidst the tragedy, Marjane's child's eye view adds immediacy and humour, and her story of a childhood at once outrageous and ordinary,…
Growing up, I hardly ever saw books written by people who looked like me, about people who looked like me. When I did, the Asians were often side characters, typecast as nerds (and not in a good way). I didn’t get to see Asians being “cool” kids, and I definitely didn’t see them as love interests. When I went to a performing arts boarding school, it was the first time I wasn’t the only Asian student in my class, and it was life-changing. I think if I had had these books when I was a kid, it would’ve been easier to be confident about who I was.
I savored every sentence of this book about Ruth, a thirty-something who moves back home to help care for her father with Alzheimer’s. Reading it made me feel like I was in the company of someone delightful: there’s humor and unexpected quirkiness on every page.
The book includes snippets of Ruth’s dad’s diary chronicling moments in her childhood, which are both winning and poignant. Khong is great at choosing moments and helping me see the hilarious or odd in the everyday.
'Khong is a magician ... Brilliant' Lauren Groff, author of Fates and Furies
'Khong's first novel sneaks up on you - just like life, illness and heartbreak. And love. A million small, human and often deeply funny details gather force to tell a tale that is ultimately, incredibly poignant' Miranda July, author of The First Bad Man
Ruth is thirty and her life is falling apart: she and her fiance are moving house, but he's moving out to live with another woman; her career is going nowhere; and then she learns…
Allan D. Hunter came out as genderqueer in 1980, more than 20 years before “genderqueer” was trending. His story is autobiographical: the story of a different kind of male hero, a genderqueer person's tale. It follows the author from his debut as an eighth grader in Los Alamos, New Mexico until his unorthodox coming out at the age of twenty-one on the University of New Mexico campus in Albuquerque.
In this autobiographical sketch, the author describes being assumed by people he meets on Grindr to be either a drag queen or a trans woman.
He is neither; Princess WaWa is femme. It’s different. The passion of his life is Derek Island, his romantic obsession. But caring about someone, or even caring about the outcome, is frightening when your primary way of coping with how life treats you is to refuse to care.
A loud-mouth, black, gay teenager struggles to find himself in rural America. After having realized his inability to attend his top-choice school, Waldell Goode embarks on a journey to reevaluate why the grand departure appealed to him in the first place. He learns that as much as he can control his nonexistent love life, there are other factors that aren’t as easily mutable. He comes to terms with his peculiar relationship with his mother, the inevitable heartbreak in store for him no matter how hard he’s tried avoiding it, and the voice of God, in all her beguiling glory.
Cleo Cooper is living the dream with ocean-dipping weekends, a good job, good friends, fair boyfriend, and a good dog. But, paradise is shaken when the body of a young woman is dragged onto a university research vessel during a class outing in Hilo Bay.
Allan D. Hunter came out as genderqueer in 1980, more than 20 years before “genderqueer” was trending. His story is autobiographical: the story of a different kind of male hero, a genderqueer person's tale. It follows the author from his debut as an eighth grader in Los Alamos, New Mexico until his unorthodox coming out at the age of twenty-one on the University of New Mexico campus in Albuquerque.
Here’s a story focused on a gender-atypical main character where the book isn’t about being genderqueer or being nonbinary or whatever.
Birdie’s gender characteristics are just there, the same way that a book set in Manhattan can have Manhattan in the foreground without being a book about Manhattan. I like the way that being gay and being trans are discarded as not really applicable to Birdie without some other replacement identity being pushed forward instead.
An emotional and uplifting debut about a girl named Jack and her gender creative little brother, Birdie, searching for the place where they can be their true and best selves.
After their mama dies, Jack and Birdie find themselves without a place to call home. And when Mama's two brothers each try to provide one--first sweet Uncle Carl, then gruff Uncle Patrick--the results are funny, tender, and tragic.
They're also somehow . . . spectacular.
With voices and characters that soar off the page, J. M. M. Nuanez's debut novel depicts an unlikely family caught in a situation none of…
