Here are 100 books that Alive in Necropolis fans have personally recommended if you like
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I’ve written and published one hundred very short ghost stories, plus a handful of longer ones, and have spent a lifetime reading and watching and thinking about stories of ghosts and the afterlife. My expertise, such as it is, involves ghosts as beings of narrative and metaphor. I’ve encountered great numbers of them on the page and on the screen—nowhere else—but I confess that I would love someday (though don’t expect) to encounter them in the flesh. My flesh, that is to say; their fleshlessness.
Aira is one of the most interesting novelists alive today, a writer whose wit, energy, and unfailingly restless imagination ensure that his books never follow a straightforward path, and thus always surprise you. Ghosts, my favorite of those books, presents the story of a half-constructed luxury apartment complex, the ghosts who wander its beams and its floors, and the adolescent girl to whom they call. Recommended if you like your ghosts circumambulating and avant-garde.
"On a building site of a new, luxury apartment building, visitors looked up at the strange, irregular form of the water tank that crowned the edifice, and the big parabolic dish that would supply television images to all the floors. On the edge of the dish, a sharp metallic edge on which no bird would have dared to perch, three completely naked men were sitting, with their faces turned up to the midday sun; no one saw them, of course." - from Ghosts
Ghosts is about a construction worker's family squatting on a building site. They all see large and…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
In almost all of my eighteen published novels, animals have played a central role. When my first novel (No Sign of Murder) was published, The NY Times gave it a standalone review with the headline, “Even the Gorilla is a Suspect.” My wife was working with gorillas when I wrote the book. In Multiple Wounds, I cribbed a real-life experience of a double-homicide in our neighborhood, with the only survivor being a cat. We adopted that cat, and I had my protagonist do the same in telling the circumstances of her story to the world. Because animals play a big part in my own life, I feel the need to incorporate them into my words.
Yes, this novel is about life, death, and love, but if you’re envisioning a Bergman film full of angst, think again. For nineteen years, Jonathan Rebeck has been living in an abandoned mausoleum at Bronx’s Yorkchester Cemetery. Finding a way home has been as challenging for Rebeck as it was for Odysseus. Rebeck has spent his time at the cemetery talking to ghosts, and to a raven quite the opposite of Poe’s. Usually, the human sees to the needs of the animal. In this instance, it is the raven who brings Rebeck pilfered food, and his unique wisdom.
As a romance blossoms between two of the ghosts at the cemetery, Rebeck and a widow he has become friendly with, try to help the spirits belatedly find love, and give Rebeck his own way back to life.
A kindly raven brings food to and is the companion of a man who has taken refuge in an abandoned mausoleum in a New York City cemetery for nineteen years. Title: A Fine & Private Place Author: Beagle, Peter S. Publisher: Tachyon Publications Publication Date: 2007/05/28 Number of Pages: 264 Binding Type: PAPERBACK Library of Congress: bl2007019271
I’ve written and published one hundred very short ghost stories, plus a handful of longer ones, and have spent a lifetime reading and watching and thinking about stories of ghosts and the afterlife. My expertise, such as it is, involves ghosts as beings of narrative and metaphor. I’ve encountered great numbers of them on the page and on the screen—nowhere else—but I confess that I would love someday (though don’t expect) to encounter them in the flesh. My flesh, that is to say; their fleshlessness.
Harington was one of the great unheralded—or at least under heralded—novelists of the last fifty years, bursting with stories and whole populations of flawlessly captured human voices, and With was one of his highest achievements. It follows the fortunes of a kidnapped girl in the Arkansas Ozarks who befriends the woods’ menagerie of animals, as well as the ghost (or, as Harington would style it, the “in-habit”) of a twelve-year-old boy whose body did not die but moved away and abandoned him. Recommended if you like your ghosts warm-hearted and aching for home.
With is the sensual, suspenseful and irresistible tale of Robin Kerr, a young girl abducted from her family and brought to a remote Ozark mountaintop, where she is left to fend for herself. Over the course of a decade, Robin grows up without human relationship, but with the company of animals and an inhabit, the half-living ghost of a young boy. In this magical novel in the Stay More series, Harington gives us one of the most original survival, coming-of-age, and love stories ever told.
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
I’ve written and published one hundred very short ghost stories, plus a handful of longer ones, and have spent a lifetime reading and watching and thinking about stories of ghosts and the afterlife. My expertise, such as it is, involves ghosts as beings of narrative and metaphor. I’ve encountered great numbers of them on the page and on the screen—nowhere else—but I confess that I would love someday (though don’t expect) to encounter them in the flesh. My flesh, that is to say; their fleshlessness.
One of the most inventive novels of recent years, Leanne Shapton’s Guestbook uses prose, photographs, and illustrations to find thirty-three ways of approaching the ghost story. The book moves swiftly and exhilaratingly through its pages, which are knit together by a sense of what it means for spirits to fasten themselves unexpectedly to people and what it means for people to feel haunted. Recommended if you like your ghosts both abundantly imagined and abundantly pictured.
'Shapton has created a mystical territory - a performance, an exhibition, a guestbook - in which I felt the ghost within myself; the thing that will outlive me. A fearless and exquisite book' Miranda July
Guestbook explores the glimmering, unsettling things that haunt us in the midst of life, combining stories, vignettes and an evocative curiosity cabinet of artifacts and images - found photographs, original paintings, Instagram-style portraits - to transform the traditional ghost story into something else entirely.
'Leanne Shapton has a way of making books entirely new, surreal, and uncanny ... Guestbook contains ghost stories for a world…
I have long been fascinated by how personal and singular the experience of grief is. There is something soothing and relatable about reading others’ experiences—the more strange, nonsensical, or even supernatural the better. My own novel, The Secret Garden of Yanagi Inn, is a retelling of The Secret Garden, but with an adult protagonist moving through grief over the death of her complicated mother, striving to see a bright ray of hope on the other side. Each of the books on my list about unusual manifestations of grief tackles this same concept in new and surprising ways, and I hope they touch you as they have touched me.
Don’t let the YA tag dissuade you if you don’t generally read books for that audience; Watch Over Me has definite appeal for an adult crowd.
The main character is an 18-year-old young woman who has aged out of foster care and is searching for her place in the world. A ghost-story-that-isn’t-a-ghost-story, Watch Over Me is a book about confronting our own ghosts—literally and figuratively.
La Cour’s arresting prose seamlessly inserts the speculative elements into an exploration of recovery from guilt and grief in a way I found breathtaking.
A modern ghost story about trauma and survival, Watch Over Me is the much-anticipated new novel from the Printz Award-winning author of We Are Okay
"Gripping; an emotion-packed must-read." -Kirkus, starred review "A painfully compelling gem from a masterful creator." -Booklist, starred review "Moving, unsettling, and full of atmospheric beauty." -SLJ, starred review
Mila is used to being alone.
Maybe that's why she said yes. Yes to a second chance in this remote place, among the flowers and the fog and the crash of waves far below.
I'm a speculative fiction writer who often works within the genre of "climate fiction." I grew up in southern Appalachia; my hometown is a lovely place, surrounded by the beauty and wildness of the Smoky Mountains. It also happens to be centered around a chemical company where a large portion of the town works, including my father and, for a brief time, myself. I've been fascinated with the dichotomy of nature and industry for a long time, and have spent years exploring these themes in my own work.
Another fire, another story, this one a graphic memoir about the 2017 wildfires that ravaged Northern California, claiming dozens of lives and destroying the author's home. It's a beautiful book, illustrated with a simplicity and starkness that pulls you inexorably forward. The night of the fire itself is present in the narrative, but the majority of the book is occupied with what comes after: the unexpected kindness of friends and strangers, the nonlinear progression of grief, the bureaucracy and absurdism of tragedy, and all the questions of how you begin to rebuild.
Early morning on Monday, October 9, 2017, wildfires burned through Northern California, resulting in 44 fatalities. In addition, 6,200 homes and 8,900 structures and were destroyed. Author Brian Fies's firsthand account of this tragic event is an honest, unflinching depiction of his personal experiences, including losing his house and every possession he and his wife had that didn't fit into the back of their car. In the days that followed, as the fires continued to burn through the area, Brian hastily pulled together A Fire Story and posted it online-it immediately went viral. He is now expanding his original webcomic…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
I grew up near the coasts of New York and Connecticut, and since an early age I was fascinated by the natural world, especially the ocean. I have held a variety of jobs, including stints as a fisheries policy analyst at the National Marine Fisheries Service, a program manager at the U.S. Environmental Protection Agency, and an environmental consultant stateside and in London. Throughout my career, one thing remained constant: I enjoyed writing and telling stories. I am the author of 14 non-fiction books on American history, including Black Flags, Blue Waters: The Epic History of America’s Most Notorious Pirates, and Leviathan: The History of American Whaling.
St. George Reef Lighthouse is located about six miles off Point St. George on the coast of Northern California, not far from the Oregon border. It is built atop, and partly chiseled into, a massive wave-swept rock. Finished in 1892, St. George Reef took roughly a decade to build, at a cost of $752,000, making it far and away the most expensive lighthouse ever built in the United States. The dramatic history of this iconic lighthouse—replete with engineering feats and tragic deaths—is well-told by Powers, who provides one of the best profiles of a single lighthouse ever written.
Miles off the coast of northern California lies a mariner's nightmare. Concealed by roiling sea and thick fog, the jagged edges of a submerged volcanic mountain chain await approaching vessels like predators in the mist. This is one of the most hazardous reefs off the West Coast. And for over a century, it has been home to the most remote, most expensive, and most dangerous lighthouse ever built in America.
Called "Dragon Rocks" in 1792 by British explorer George Vancouver, the area became known as St. George Reef in the hope that its namesake might slay the dragon. But the…
I started climbing and running around the hills in my teens, got into boats, became a professional sailor for twenty years, then took up surfing at thirty and snowboarding at forty. There’s something special about playing with gravity, whether it’s sliding down hills or waves, or defying it on a mountain face. All these books capture the thrill and the dangers.
I discovered this book when I had just started surfing, and it blew me away – so there could be great fiction about extreme sports! I loved the grittiness, the foreboding noir feel, and the unusual setting. It was part of the inspiration for Powder Burn, although they are very different books.
Heart Attacks is California's last secret spot - the premier mysto surf haunt, the stuff of rumour and legend. The rumours say you must cross Indian land to get there. They tell of hostile locals and shark-infested waters where waves in excess of thirty feet break a mile from shore. For down-and-out photographer Jack Fletcher, the chance to shoot these waves in the company of surfing legend Drew Harmon offers the promise of new beginnings. But Drew is not alone in the northern reaches of the state. His young wife, Kendra, lives there with him. Obsessed with the unsolved murder…
My favorite books are funny/sad. In my own writing, I aspire for balance between satire and sympathy, going to dark places and shining a light of hilarity on them. I’m compelled by the psychological complexities of desire, particularly in female characters—flawed, average women, struggling for empowerment. For me, desire is inextricably bound with loss. I’m inspired by loss both superficial and profound, from misplaced keys to dying fathers. Many voices clamor in my head, vying for my attention. I’m interested in ambitious misfits, enraged neurotics, pagans, shamans, healers, dealers, grifters, and spiritual seekers who are forced to adapt, construct, reinvent and contort themselves as reality shifts around them.
This book is brilliant and heartbreaking. I’ve read everything by Gabrielle Bell. I marvel at her artistry, her linework, her drawing and composition and incisive visual storytelling. If I sound like a fangirl it’s because I am. Everything is Flammable is a dark, funny, brutal, honest story, full of heart and originality. When Gabrielle’s mother loses everything in a fire, Gabrielle uproots her east coast life and heads west to rural California to help. But she has her own issues, and the trip pulls her back to her semi-feral childhood as she and her mother try to build a new home on top of the ashes. It’s a searing examination of a mother-daughter love, with illuminating artwork, immediate and poignant visuals, and mordant observations.
"Bell's pen becomes a kind of laser, first illuminating the surface distractions of the world, then scorching them away to reveal a deeper reality that is almost too painful and too beautiful to bear."-- Alison Bechdel, Fun Home, Are You My Mother In Gabrielle Bell's much anticipated graphic memoir, she returns from New York to her childhood town in rural Northern California after her mother's home is destroyed by a fire. Acknowledging her issues with anxiety, financial hardships, memories of a semi-feral childhood, and a tenuous relationship with her mother, Bell helps her mother put together a new home on…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
I have been fascinated with the sixties and its counterculture ever since I was about eleven or twelve, and I found out that the summer I was born, 1967, was called the Summer of Love. Because of this fascination, I started reading writers like Jack Kerouac and Hunter S. Thompson at an early age. Then, I became a lover of the Grateful Dead and went on tour with them as a fan for a couple of years in my late teens. It was the best way remaining in this country, in the 1980s, to be a hippie in some real way. I still love the music and literature of that time.
This heavy, sardonic novel about a commune of hippies whose utopian dream is rapidly fraying kept me totally compelled and frequently laughing all the way through.
They find land in Alaska and try to move their scene to the great North, but the realities of weather and wilderness don’t conform to their plans.
It is 1970, and a down-at-the-heels California commune devoted to peace, free love, and the simple life has decided to relocate to the last frontier-the unforgiving landscape of interior Alaska-in the ultimate expression of going back to the land. Armed with the spirit of adventure and naive optimism, the inhabitants of "Drop City" arrive in the wilderness of Alaska only to find their utopia already populated by other young homesteaders. When the two communities collide, unexpected friendships and dangerous enmities are born as everyone struggles with the bare essentials of life: love, nourishment, and a roof over one's head. Rich,…
