Books like Guestbook — picked by fans

Aira is one of the most interesting novelists alive today, a writer whose wit, energy, and unfailingly restless imagination ensure that his books never follow a straightforward path, and thus always surprise you. Ghosts, my favorite of those books, presents the story of a half-constructed luxury apartment complex, the ghosts who wander its beams and its floors, and the adolescent girl to whom they call. Recommended if you like your ghosts circumambulating and avant-garde.

Yes, this novel is about life, death, and love, but if you’re envisioning a Bergman film full of angst, think again. For nineteen years, Jonathan Rebeck has been living in an abandoned mausoleum at Bronx’s Yorkchester Cemetery. Finding a way home has been as challenging for Rebeck as it was for Odysseus. Rebeck has spent his time at the cemetery talking to ghosts, and to a raven quite the opposite of Poe’s. Usually, the human sees to the needs of the animal. In this instance, it is the raven who brings Rebeck pilfered food, and his unique wisdom.

As a romance blossoms between two of the ghosts at the cemetery, Rebeck and a widow he has become friendly with, try to help the spirits belatedly find love, and give Rebeck his own way back to life. 

This, Dorst’s first novel, adopts the trappings of a police procedural but is at heart a character drama seasoned with elements of the supernatural. It follows the fortunes of a rookie cop in the “cemetery city” of Colma, California, whose charges, he quickly discovers, include both the living and the dead. Recommended if you like your ghosts eerie and your human beings haunted not only by wakeful spirits but by their own personal blunders and false starts.

Harington was one of the great unheralded—or at least under heralded—novelists of the last fifty years, bursting with stories and whole populations of flawlessly captured human voices, and With was one of his highest achievements. It follows the fortunes of a kidnapped girl in the Arkansas Ozarks who befriends the woods’ menagerie of animals, as well as the ghost (or, as Harington would style it, the “in-habit”) of a twelve-year-old boy whose body did not die but moved away and abandoned him. Recommended if you like your ghosts warm-hearted and aching for home.

Ask any scholar of horror fiction to name the greatest ghost story writer of all time, and chances are good they'll come up with M. R. James (1862-1936). James, who is also highly regarded for his scholarly works and translations, was a provost at King's College, Cambridge who entertained students during the Christmas season with his ghost tales (honoring the old English tradition of telling ghost stories at Christmas). His classics include such justifiably famous stories as "Oh, Whistle, and I'll Come to You, My Lad" and "Casting the Runes" (which was adapted into the classic 1957 movie Curse of the Demon). This edition also includes a superb introduction by David Morrell.

I love it when a story taps into my dream life when the author imagines a landscape that tickles my subconscious. Since the experience is so deeply personal, it obviously cannot be planned or market-tested, which makes it all the more thrilling when it happens.

That was my experience reading this book. As a boy, I often dreamed about my small town turning into a neighborhood full of ghosts overnight (Don’t ask me why. I was a strange child). This happens to be the exact premise of Velkwood. In Kiste’s narrative, a living woman must enter this literal ghost town at her own peril to uncover the secret behind a family tragedy, and the results are both philosophical and beautiful. 

The Saturday Night Ghost Club wraps a poignant story about grief and loss inside a nostalgic 1980s package that brings to mind the best of Steven Spielberg and Stephen King.

I’m always a sucker for a group of misfits who band together and learn some important life lessons, and Davidson takes that outline and fills it in with Uncle Calvin, Jake, Billy, and Dove. Uncle Calvin will break your heart, the boys’ friendship will warm it, but the real MVP for me is fierce, wild Dove.

The vibe of this book is sleepovers in wood-paneled game rooms, staying out past bedtime under a full moon, and being on the cusp of leaving childhood fears behind, while learning that the adult world sometimes holds more darkness than you knew. 

I loved this lyrical, finely-observed story and its many bloodcurdling moments. I felt nothing but sympathy and love for James Harrison as he settled into his new home in the village of Ledsham and was blamed for things he didn’t do.

The ghost of Thomas Kempe a 17th century apothecary truly haunts these pages and gave me a serious case of goosebumps. It’s also a gripping mystery as James tries to put the ghost to rest. 

Mr. Cat is a ride-or-die. Mr. Cat walks the line that all cats do in the real world, in that he doesn’t actually have magic powers and he can’t actually talk, he is at the end of the day a little animal that lives in Jenny’s house, but also he would bite a ghost without hesitation. It’s Peter S. Beagle’s complete mastery of voice and tone that enable Jenny and Mr. Cat to walk that line so effortlessly. Because the fantastical is grounded so deeply in the real world, the stakes feel so high that I first read this book in one breathless sitting, afraid to look away. 

These days, “folk horror” is a popular term for movies like Midsommer and The Witch.

In the early twentieth century, M. R. James is said to have invented this genre and revitalized the ghost story as a form. His memorably unsettling work often involves academics, scholars, and researchers confronting an uncanny, bucolic world.

The most renowned stories in this collection include “Casting the Runes” (a reviewer of an occult book learns an earlier critic died mysteriously), “The Mezzotint” (an upsetting engraving changes each time a curator looks at it), and “Oh Whistle, and I’ll Come to You, My Lad” (a professor dubious of the existence of ghosts fatefully finds an ancient whistle on vacation).