Here are 80 books that Everything's Eventual fans have personally recommended if you like
Everything's Eventual.
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I’m a fiction and humor writer whose imagination was initially sparked by superheroes and comic books. The idea of an otherwise average person who could turn themselves into a superbeing was transformative and powerful. As a teenager, these early heroes faded, and I became fascinated by The Twilight Zone’s compact and poignant storytelling that contained moral messages. This eventually led me to the fiction of Stephen King where the idea of average people encountering the supernatural and overcoming obstacles was a recurring theme. In my own work, I have tried to carry forward the idea that our everyday lives are more absurd, complex, and magical than they appear.
A master class on “less is more,” the stories in this collection are set in everyday, locations: a suburban front yard, an airport lounge, a kitchen, and are populated by working-class people in the midst of one or more traumas such as alcoholism, divorce, or financial trouble.
Though Carver doesn’t employ fantasy, the tight, accessible writing lures you in and immerses you in a comic-tragic world that is uniquely his own. This collection taught me the power of economical prose and that writing about the kinds of people you encounter at the supermarket can be just as transportive and resonant as stories that involve characters who live in exotic places, or universes.
This powerful collection of stories, set in the mid-West among the lonely men and women who drink, fish and play cards to ease the passing of time, was the first by Raymond Carver to be published in the UK. With its spare, colloquial narration and razor-sharp sense of how people really communicate, the collection was to become one of the most influential literary works of the 1980s.
Joth Proctor is an under-employed, criminal defense lawyer based in Arlington, Virginia, where a mix of southern charm, shady business dealings, and Washington, D.C. intrigue pervade the story. Upon the suspicious death of the wife of a close friend, Proctor enters a tangled web of drug and alcohol abuse, real…
I’m a fiction and humor writer whose imagination was initially sparked by superheroes and comic books. The idea of an otherwise average person who could turn themselves into a superbeing was transformative and powerful. As a teenager, these early heroes faded, and I became fascinated by The Twilight Zone’s compact and poignant storytelling that contained moral messages. This eventually led me to the fiction of Stephen King where the idea of average people encountering the supernatural and overcoming obstacles was a recurring theme. In my own work, I have tried to carry forward the idea that our everyday lives are more absurd, complex, and magical than they appear.
What I love about this collection is the elastic nature of the stories. Though most of the entries in this collection are dark, most contain a lighthearted energy and playfulness. They are quirky, loose, and not afraid to turn the stereo up and dance. This book taught me that fiction can be fun and still pack a powerful punch. It also encouraged me to try out experimental story ideas that may seem absurd at first. The story may not work out, but when it does, you can end up in surprising places. “The Ape Lady in Retirement” is a perfect example of this.
In sixteen stories, T.C. Boyle tears through the walls of contemporary society to reveal a world at once comic and tragic, droll and horrific. Boyle introduces us to a death-defying stuntman who rides across the country strapped to the axle of a Peterbilt, and to a retired primatologist who can’t adjust to the “civilized” world. He chronicles the state of romance that requires full-body protection in a disease-conscious age and depicts with aching tenderness the relationship between a young boy and his alcoholic father. These magical and provocative stories mark yet another virtuoso performance from one of America’s most supple…
I’m a fiction and humor writer whose imagination was initially sparked by superheroes and comic books. The idea of an otherwise average person who could turn themselves into a superbeing was transformative and powerful. As a teenager, these early heroes faded, and I became fascinated by The Twilight Zone’s compact and poignant storytelling that contained moral messages. This eventually led me to the fiction of Stephen King where the idea of average people encountering the supernatural and overcoming obstacles was a recurring theme. In my own work, I have tried to carry forward the idea that our everyday lives are more absurd, complex, and magical than they appear.
Adler’s book depicts a woman’s life through a series of moments, incidents, bits of speech that come at the journalist narrator. The short passages perfectly capture the neurotic energy, humor, and horror of New York City. When I first read it, I was blown away. It showed there is great latitude in ways to approach writing. The short, choppy format is the closest a book has come to mirror my experience as a writer who seeks to find meaning and/or humor in everyday life. It’s a jagged mosaic of a book when put together is a delightful treasure.
When Speedboat burst on the scene in the late ’70s it was like nothing readers had encountered before. It seemed to disregard the rules of the novel, but it wore its unconventionality with ease. Reading it was a pleasure of a new, unexpected kind. Above all, there was its voice, ambivalent, curious, wry, the voice of Jen Fain, a journalist negotiating the fraught landscape of contemporary urban America. Party guests, taxi drivers, brownstone dwellers, professors, journalists, presidents, and debutantes fill these dispatches from the world as Jen finds it.
A touchstone over the years for writers as different as David…
I’m a fiction and humor writer whose imagination was initially sparked by superheroes and comic books. The idea of an otherwise average person who could turn themselves into a superbeing was transformative and powerful. As a teenager, these early heroes faded, and I became fascinated by The Twilight Zone’s compact and poignant storytelling that contained moral messages. This eventually led me to the fiction of Stephen King where the idea of average people encountering the supernatural and overcoming obstacles was a recurring theme. In my own work, I have tried to carry forward the idea that our everyday lives are more absurd, complex, and magical than they appear.
My favorite of Miller’s books, Tropic of Capricornis based on Miller’s life in Brooklyn in the 1920s. It’s a dizzying stream-of-consciousness array that sweeps you along. Miller’s occasional poignant reminiscences about the magic of his boyhood and friendships contrast with the soul-sucking realities of adulthood and workplace bureaucracy that try to stamp out the embers of wonder and passion like a boot heel. Like most of his books, Capricorncelebrates the absurd miracle of consciousness. Miller’s influence on my education as a writer was indispensable. His books didn’t serve so much as a template as how to write, as how to be a writer, specifically how to observe and appreciate the vast madness of the world, reject conformity, and the embrace the anarchist spirit of artistic creation.
A cult modern classic, Tropic of Capricorn is as daring, frank and influential as Henry Miller first novel, Tropic of Cancer -- new to Penguin Modern Classics with a cover by Tracey Emin
A story of sexual and spiritual awakening, Tropic of Capricorn shocked readers when it was published in 1939. A mixture of fiction and autobiography, it is the story of Henry V. Miller who works for the Cosmodemonic telegraph company in New York in the 1920s and tries to write the most important work of literature that was ever published. Tropic of Capricorn paints a dazzling picture of…
Though I’ve always found the idea of survival after death fascinating, it was my interest in Modern Spiritualism that really sparked the desire to write Chasing Ghosts. That era (mid-1800s to the early 1900s) was a time when millions confidently believed they could communicate with the dead. Of course, this was only the tip of the paranormal iceberg. So I continued the journey into the lore of haunted places, ancient cultural beliefs, and scientific endeavors to find evidence for paranormal experiences or to debunk it. As a historian of the weirder pages of the past, this topic endlessly fascinates me. I hope it will for you as well.
Like Spirit Slate Writing and Kindred Phenomena, this 1897 book exposes the various ways that Spiritualist mediums manifest ghosts. Henry Ridgely Evans was a magician and historian who took on the Spiritualist movement, much like Harry Houdini would in the decades that followed. Filled with wondrous stories, secrets, and illustrations, this book is a must for any fan of Spiritualism and/or magic.
Spirit World Unmasked is an unchanged, high-quality reprint of the original edition of 1897. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres.As a publisher we focus on the preservation of historical literature.Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Maybe it was too much reality TV growing up, especially being raised on figures like Tiffany "New York" Pollard or A Different World's Whitley Gilbert, but bad girl protagonists are insta-buys for me. I love them, and I have a particular fondness for when they're black girls. We're already seen as so angry, but bad girl books show you not only why a girl could get to be so angry but also that you ain't seen nothing yet. I need more people to see how much joy there is in rage, and I chose to explain it with YA horror because it's a genre so driven by catharsis and mood that it's a perfect fit.
Katrell is none other than THEE most QUEEN bitch. Even I, a personal bad girl connoisseur, wouldn't pick a fight with her. When Katrell learns she can resurrect the dead, she's immediately thinking about her and hers – specifically her dog and her pockets.
She has a harsh, frustrating family situation, but this book surprised me with the moment she decided to take her life into her own hands.
That's when I knew I was in the presence of a bad bitch. Katrell does need saving, but that does not make her weak. It makes her that much more merciless to threats if they dare get in her way, and we love that for her!
For fans of Lovecraft Country and Candyman comes a witchy story full of Black girl magic! One girl′s dark ability to summon the dead offers her a chance at a new life, while revealing to her an even darker future.
“Practical Magic meets Black Girl Magic in this powerful addition to the YA canon. I couldn′t put it down.” —#1 New York Times Bestselling Author Victoria Schwab
Katrell can talk to the dead. And she wishes it made more money. She’s been able to support her unemployed mother—and Mom’s deadbeat-boyfriend-of-the-week—so far, but it isn’t enough. Money’s still tight, and to…
Former model Kira McGovern picks up the paint brushes of her youth and through an unexpected epiphany she decides to mix ashes of the deceased with her paints to produce tributes for grieving families.
Unexpectedly this leads to visions and images of the subjects of her work and terrifying changes…
I’m a retired teacher. I’m fascinated with stories of scary creatures, especially vampires. As a child, I stayed up late watching Draculamovies. As I got older, my love for vampire movies continued. Some were scary. Some were comical. I enjoyed them all, well, at least most of them. I love stories about traditional vampires as well as those about vampires who are different from the typical stereotype. Vampire hunter stories also intrigue me. When I wrote The Voinico’s Daughter, I wanted to put my own unique twist on the vampire legends as it had been a dream of mine for a long time to write my own vampire story!
I’ve read several books by this author. They are fairly short reads. The other books that I’ve read by this author are ghost stories. This one stood out because it wasn’t just a story about a ghost. It was also a story about a vampire. A young girl named Cynda goes to stay with her father and his new family in Maine. While there, she meets Vincent, an older man who turns out to be a vampire.
This book stayed true to the traditional image of evil vampires who prey on young women. There were times when I wanted to shout warnings to Cynda. The book was suspenseful. I was anxious to see how it would turn out. The ghost definitely added to the mystery of the story.
When Cynda goes to stay with her parents in their remote bed-and-breakfast on the coast, she finds that spooky legends abound there. However, when a mysterious stranger comes to stay, revealing himself to be a vampire, she realizes she will have to fight to save her family.
I've been a paranormal investigator (a paranormal reporter, actually) for over a decade. One of the very best parts of my job is that I get to gorge myself on books of true accounts of the paranormal. It's exciting to see what else is out there, and what other people have experienced – both historically, and personally. I'm so grateful for the chance to add to this body of work; there are many renowned investigators and writers out there, and I'm thrilled to be counted among them. And someday, someone will read about my experiences and be terrified and intrigued and inspired by them.
I will read absolutely anything that Richard Estep writes. He has written books about the Villisca Ax Murders, Malvern Manor, and other crazy-haunted places. This one, about a site in his native England, is utterly terrifying. Estep writes with a very straightforward, matter-of-fact style (his writing reminds me much of my own style), and the evidence he presents for this haunted site is deeply chilling -- especially since his team is one of the groups that has investigated the Cage.
When single mother Vanessa Mitchell moved into a historic cottage in Essex, she had no idea that a paranormal nightmare was about to unfold. The cottage, known as the Cage, used to imprison those accused of witchcraft back in the 1500s. From her first day living there, Vanessa saw apparitions walk through her room, heard ghostly growls, and was even slapped and pushed by invisible hands. Unable to handle the dark phenomena after three years, Vanessa moved out and paranormal investigator Richard Estep moved in. Spirits of the Cage chronicles the years that Vanessa and Richard spent in the Cage,…
I grew up listening to my family’s "true" ghost stories, each creepy tale ending with a declaration that "there are no such things as ghosts." As a teenager, I devoured books of folklore, with all their tales of ghosts, witches, and long-legetty beasties: and also many books about paranormal research. As an adult, I’m a complete unbeliever but still very fond of both reading and writing ghost stories!
I once made the mistake of reading several of James’ ghost stories, one after another, while alone in the house.
I was making a cup of coffee when something started scratching stealthily at the inside of a cupboard door. I had to lower myself from the ceiling before I discovered that some scrunched carrier bags hung inside the cupboard had unscrunched, causing the ghostly scratching. But that’s why I love James’ ghost stories.
The second in a series of republished classic literature, The Ghost Stories of M. R. James collects the tales that best illustrate his quiet mastery of the ghost story form. Running through each of these stories is a slowly escalating sense of unease and dread, which ultimately shifts into the wildly uncanny. James' characters exist in a world of ancient objects whose atrocious histories begin to repeat when they are disturbed, and the blinkered repression common to James' narratives only amplifies the shock of the spectral appearance.
Carol Golden isn't her real name. She doesn't remember her real name or anything that happened before she was found in a Dumpster, naked and unconscious, on the beautiful Palos Verdes Peninsula in Southern California.
After helping her get some initial medical treatment, government at all levels officially declares her…
During Covid, I gave myself the Story-a-Month Challenge. I started a story on the first day of each month and stopped on the last day. A subconscious theme emerged: the struggles of grown people and their parents, done fantastically. By year’s end, I had twelve stories, placed in magazines somewhere. I collected them, adding earlier stories, longer and with younger protagonists, but with the same theme of arrested development. I called the book “Adult Children,” a wry reference to offspring of alcoholics (I am one). Also subconscious: my inspiration from other authors of fantastical collections, some of whom I’ve included here.
These days, “folk horror” is a popular term for movies like Midsommer and The Witch.
In the early twentieth century, M. R. James is said to have invented this genre and revitalized the ghost story as a form. His memorably unsettling work often involves academics, scholars, and researchers confronting an uncanny, bucolic world.
The most renowned stories in this collection include “Casting the Runes” (a reviewer of an occult book learns an earlier critic died mysteriously), “The Mezzotint” (an upsetting engraving changes each time a curator looks at it), and “Oh Whistle, and I’ll Come to You, My Lad” (a professor dubious of the existence of ghosts fatefully finds an ancient whistle on vacation).
When we think of ghost stories, we tend to think of cub scouts cringing by a fire, s'mores at the ready, as some aging camp counselor tries to scare them witless with yet another tale from the crypt. But as Michael Chabon's marvelous introduction reminds us, the ghost story was once integral to the genre of the short story. Indeed, as he points out, it can be argued that the ghost story was the genre. Dickens's "A Christmas Carol," Henry James's "The Turn of the Screw"-most of the early short story writers wrote ghost stories as a matter of course.…
