Here are 84 books that Wonderlands fans have personally recommended if you like
Wonderlands.
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I believe in the power of personal narratives and the memoir genre as tools to foster healing and forgiveness. As a licensed professional counselor with a doctorate in adult education, I devoted years toward better understanding the fractured relationship I had with my mother, eventually uncovering the source of her pain and trauma. My mother’s mental health and addiction issues were muddied by the shame she carried for years, as a terrified secret keeper, full of self-loathing. Although I was often the target of her anger, I found a pathway to compassion that mended my heart and provided an example of intergenerational healing for my own daughter.
Melissa Febos’ book Body Work provides encouragement to writers who are considering the memoir genre by highlighting the importance of storytelling as central to human experience.
Memoir writing is like magic; unique in its ability to shine a light on stories of survival, perseverance, and resilience. Febos’ book beautifully portrays the power of memoir as a tool to prompt growth, pulling back façades in ways that are both personally empowering and enriching for readers and writers alike.
“We are telling the stories that no one else can tell, and we are giving this proof of our survival to each other.” (p. 27)
Memoir meets craft master class in this “daring, honest, psychologically insightful” exploration of how we think and write about intimate experiences—“a must read for anybody shoving a pen across paper or staring into a screen or a past" (Mary Karr)
In this bold and exhilarating mix of memoir and master class, Melissa Febos tackles the emotional, psychological, and physical work of writing intimately while offering an utterly fresh examination of the storyteller’s life and the questions which run through it.
How might we go about capturing on the page the relationships that have formed us? How…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I teach and publish short stories, novels, and flash fiction. I’m also interested in the language people use to critique writing. Concepts (suspense, for example) can be helpful, but they often co-opt the imagination and become gold standards for what good fiction should be. In addition to the writer’s voice, I’m interested in the alchemy of the story, which is always greater than the sum of its parts. Right now, I’m writing a book called Accordion Fiction. It's about the shape and rhythm of stories—how they contract and expand like an accordion.
I admire the way this book jumps out of the box and debunks the emphasis on “pure craft”—a term that grew out of the hero’s journey. (Basically the “Horatio Alger” story about a character going from rags to riches.)
This model stifles the voices of writers from other cultures.
Salesses’ techniques help writers mine their cultural background and discover stories only they can tell. It also frees all writers from the model of the hero’s journey.
This national bestseller is "a significant contribution to discussions of the art of fiction and a necessary challenge to received views about whose stories are told, how they are told and for whom they are intended" (Laila Lalami, The New York Times Book Review).
The traditional writing workshop was established with white male writers in mind; what we call craft is informed by their cultural values. In this bold and original examination of elements of writing—including plot, character, conflict, structure, and believability—and aspects of workshop—including the silenced writer and the imagined reader—Matthew Salesses asks questions to invigorate these familiar concepts.…
I grew up in the Scottish countryside, reading passionately. When adults asked what I wanted to be when I grew up, the answer came from my latest book: a nun, an outlaw, a queen, or an explorer. Not until I was in my twenties did I realise that I wanted to be the person behind the covers of a book, not between them. My early stories, written between waitressing shifts, were bafflingly bad. Gradually I began to understand that the fiction I loved was driven by a hidden machinery. I now teach at the Iowa Writers’ Workshop and have been lucky enough to explore this idea with many talented students.
Le Guin is a star in fiction’s firmament but in this book she’s also a wonderfully modest practitioner of the art of writing. She discusses the sound of your prose, naming characters, repetition, and point of view. I found her chapter on crowding and leaping especially helpful. Crowding is when you follow Keats’ advice to load every rift with ore; leaping is when you skillfully leave things out—two invaluable skills in fiction, and in life.
From the celebrated Ursula K. Le Guin, "a writer of enormous intelligence and wit, a master storyteller" (Boston Globe), the revised and updated edition of her classic guide to the essentials of a writer's craft.
Completely revised and rewritten to address modern challenges and opportunities, this handbook is a short, deceptively simple guide to the craft of writing.
Le Guin lays out ten chapters that address the most fundamental components of narrative, from the sound of language to sentence construction to point of view. Each chapter combines illustrative examples from the global canon with Le Guin’s own witty commentary and…
Trapped in our world, the fae are dying from drugs, contaminants, and hopelessness. Kicked out of the dark fae court for tainting his body and magic, Riasg only wants one thing: to die a bit faster. It’s already the end of his world, after all.
I grew up in the Scottish countryside, reading passionately. When adults asked what I wanted to be when I grew up, the answer came from my latest book: a nun, an outlaw, a queen, or an explorer. Not until I was in my twenties did I realise that I wanted to be the person behind the covers of a book, not between them. My early stories, written between waitressing shifts, were bafflingly bad. Gradually I began to understand that the fiction I loved was driven by a hidden machinery. I now teach at the Iowa Writers’ Workshop and have been lucky enough to explore this idea with many talented students.
Peter Turchi is an amazing guide to writing which is to say he is an amazing guide to reading. This book explores fiction in terms of power dynamics, imagery, digressions—think Tristram Shandy—and story-telling, (among other topics). Turchi argues passionately for the pleasures of close reading. I especially love his chapter on characters who tell stories—why do they tell them, what if we want them to shut up?
In (Don't) Stop Me If You've Heard This Before, Peter Turchi combines personal narrative and close reading of a wide range of stories and novels to reveal how writers create the fiction that matters to us. Building on his much-loved Maps of the Imagination: The Writer as Cartographer, Turchi leads readers and writers to an understanding of how the intricate mechanics of storytelling-including shifts in characters' authority, the subtle manipulation of images, careful attention to point of view, the strategic release of information, and even digressing from the (apparent) story-can create powerful effects.
Using examples from Dickens, Chekhov, and Salinger,…
As a middle grade horror writer, I attribute my love of everything spooky to my early obsession with reading. Of course, my little brain was twisted already, but I found a perfect home in the monsters and ghouls of the library. These are the five books that inspired me to become a writer who scares children in the best possible way.
These fall more in the young adult world rather than middle grade because of the sexual situations. With that being said, I totally devoured them in middle school.
In my opinion, there is no greater master of the end of chapter cliffhanger than R.L. Stine, which keeps you frantically turning the page waaaaay after lights out. I carried these books around with me in my grandmother’s huge makeup case like my spooky book security blanket. And yes, my family was concerned.
FEAR STREET -- WHERE YOUR WORST NIGHTMARES LIVE...
The new girl is as pale as a ghost, blond, and eerily beautiful -- and she seems to need him as much as he wants her. Cory Brooks hungers for Anna Corwin's kisses, drowns in her light blue eyes. He can't get her out of his mind. He has been loosing sleep, ditching his friends...and everyone has noticed.
Then as suddenly as she came to Shadyside High, Anna disappears. To find a cure for his obsession, Cory must go to Anna's house on Fear Street -- no matter what the consequences.
As a kid I loved visiting the local history museum, wandering through the dusty displays of taxidermy buffalo and medieval helmets. I enjoyed the creepy feeling I’d get when I stood next to the wax figures and looked at their frozen faces and not-quite-right hair. As I grew older, I became more interested in seeking out weird and unusual history, and it became a passion throughout my teenage years and into adulthood. Now, I’m able to combine my love of the creepy and occult with historical research. I teach U.S. history at SUNY Brockport, I co-produced Dig: A History Podcast, and I am the co-author of my new book (below).
I really love this book because I have been known to go on a “haunted” history tour now and again and I love a good ghost story. However, I realize that sometimes the true stories from our past are more scary than the fantastic ones.
This book particularly hit home because it covers quite a few ghost stories from New Orleans that I am very familiar with. However, those “spooky” ghost stories become truly frightening when contextualized by Miles.
In this book Tiya Miles explores the popular yet troubling phenomenon of ""ghost tours,"" frequently promoted and experienced at plantations, urban manor homes, and cemeteries throughout the South. As a staple of the tours, guides entertain paying customers by routinely relying on stories of enslaved black specters. But who are these ghosts? Examining popular sites and stories from these tours, Miles shows that haunted tales routinely appropriate and skew African American history to produce representations of slavery for commercial gain. ""Dark tourism"" often highlights the most sensationalist and macabre aspects of slavery, from salacious sexual ties between white masters and…
Everyday Medical Miracles
by
Joseph S. Sanfilippo (editor),
Frontiers of Women from the healthcare perspective. A compilation of 60 true short stories written by an extensive array of healthcare providers, physicians, and advanced practice providers.
All designed to give you, the reader, a glimpse into the day-to-day activities of all of us who provide your health care. Come…
I often refer to myself as a haunted body. Death is something that has fascinated and alarmed me since I can remember. I’ve even had a spooky experience or five that I can’t explain. But to write a ghost story is akin to making someone fall in love with you, or lean in close to hear a secret. I love the intrigue and power of that kind of tale. Our oldest stories are ghost stories and the biggest and most enduring mystery for the entirety of humanity is: Is there life after death?
Helen has been haunting the English classroom for 130 years and has never, not once, been seen. And then she feels his eyes on her. Seeing her, reallyseeing her like she hasn’t been seen in decades. Without wanting to be, Helen is drawn to him. That he has a body and she doesn’t is nothing in the face of their growing love, and the two form a bond that defies death. Let me tell you this book had me in tears. I read it years ago and still think of it with deep affection. I even wrote a song about it when I was far younger and far less self-conscious than I am now!
In the class of the high school English teacher she has been haunting, Helen feels them: for the first time in 130 years, human eyes are looking at her. They belong to a boy, a boy who has not seemed remarkable until now. And Helen—terrified, but intrigued—is drawn to him. The fact that he is in a body and she is not presents this unlikely couple with their first challenge. But as the lovers struggle to find a way to be together, they begin to discover the secrets of their former lives and of the young people they come to…
I've been fascinated by cultures shrouded in secrets and mystery since childhood, a fascination that intensified when efforts to unravel the mystery and expose the truth were stonewalled, leading to frustrating dead-ends. I spent decades trying to uncover the truth history obscures through research that included travel to the lands of secrets, mystery, and sometimes outright lies. As a writer, I draw from experience, education, and imagination because I know it's sometimes necessary to wrap truth in fiction to protect it. The books I've selected speak to that reality.
I've had a fascination with small New England towns since childhood, intrigued by how they are portrayed as romantic yet forbidding if not outright hostile to outsiders.
Comes the Blind Fury beautifully satisfies this fascination as John masterfully weaves a tale of secrets small-town residents collude - willingly or not - to hide, uncovering a motivation that proves even one bad apple can destroy a crop and burying your head in the sand does not release you from guilt.
A riveting tale that leaves you guessing who is friend and who is foe right to the dramatic end.
A century ago, a gentle blind girl walked the cliffs of Paradise Point. Then the children came -- taunting, teasing -- until she lost her footing and fell, shrieking her rage to the drowning sea... Now Michelle has come from Boston to live in the big house on Paradise Point. She is excited about her new life, ready to make new friends... until a hand reaches out of the swirling mists -- the hand of blind child. She is asking for friendship... seeking revenge... whispering her name...
During Covid, I gave myself the Story-a-Month Challenge. I started a story on the first day of each month and stopped on the last day. A subconscious theme emerged: the struggles of grown people and their parents, done fantastically. By year’s end, I had twelve stories, placed in magazines somewhere. I collected them, adding earlier stories, longer and with younger protagonists, but with the same theme of arrested development. I called the book “Adult Children,” a wry reference to offspring of alcoholics (I am one). Also subconscious: my inspiration from other authors of fantastical collections, some of whom I’ve included here.
These days, “folk horror” is a popular term for movies like Midsommer and The Witch.
In the early twentieth century, M. R. James is said to have invented this genre and revitalized the ghost story as a form. His memorably unsettling work often involves academics, scholars, and researchers confronting an uncanny, bucolic world.
The most renowned stories in this collection include “Casting the Runes” (a reviewer of an occult book learns an earlier critic died mysteriously), “The Mezzotint” (an upsetting engraving changes each time a curator looks at it), and “Oh Whistle, and I’ll Come to You, My Lad” (a professor dubious of the existence of ghosts fatefully finds an ancient whistle on vacation).
When we think of ghost stories, we tend to think of cub scouts cringing by a fire, s'mores at the ready, as some aging camp counselor tries to scare them witless with yet another tale from the crypt. But as Michael Chabon's marvelous introduction reminds us, the ghost story was once integral to the genre of the short story. Indeed, as he points out, it can be argued that the ghost story was the genre. Dickens's "A Christmas Carol," Henry James's "The Turn of the Screw"-most of the early short story writers wrote ghost stories as a matter of course.…
Karl's War is a coming-of-age-meets-thriller set in Germany on the eve of Hitler coming to power. Karl – a reluctant poster boy for the Nazis – meets Jewish Ben and his world is up-turned.
Ben and his family flee to France. Karl joins the German army but deserts and finds…
I was invited to travel to Africa and the Mid East on a job and I started to say, “I’m not that kind of guy.” Then I realized I am. I‘d already traveled around the world and even off it, reading. I’ve been happy and sad in books, victorious, scared, in love, survived storms and fierce wars, mourned valiant friends, and even space traveled. Books add dimension to life. What is dimension? Simply more. Like frosting on cake, hot sauce on fries, ice cubes in soda... fudge sauce on ice cream... I read daily, get great ideas and feelings from books, still make new friends asking, “Have you read this?” Well, have you?
I originally found this book used, for a buck, read a few pages, and decided to chance it. I have now read it multiple times, loving the notion of ghostly beings among us, and of time shifts, in a context that really makes sense in a story. (It helps that I’m also a sucker for old spooky houses.) I quickly imagined myself in these pages, part of the fabric of risk, intrigue, and danger, never guessing where it all might end up. Let’s see if you do.
Lucy and her brother Jamie meet two mysterious figures in the garden, beginning a dangerous friendship with two children who had died a century earlier. Reprint.
