84 Books Like Wonderlands

I believe in the power of personal narratives and the memoir genre as tools to foster healing and forgiveness. As a licensed professional counselor with a doctorate in adult education, I devoted years toward better understanding the fractured relationship I had with my mother, eventually uncovering the source of her pain and trauma. My mother’s mental health and addiction issues were muddied by the shame she carried for years, as a terrified secret keeper, full of self-loathing. Although I was often the target of her anger, I found a pathway to compassion that mended my heart and provided an example of intergenerational healing for my own daughter.

I teach and publish short stories, novels, and flash fiction. I’m also interested in the language people use to critique writing. Concepts (suspense, for example) can be helpful, but they often co-opt the imagination and become gold standards for what good fiction should be. In addition to the writer’s voice, I’m interested in the alchemy of the story, which is always greater than the sum of its parts. Right now, I’m writing a book called Accordion Fiction. It's about the shape and rhythm of stories—how they contract and expand like an accordion.

I grew up in the Scottish countryside, reading passionately. When adults asked what I wanted to be when I grew up, the answer came from my latest book: a nun, an outlaw, a queen, or an explorer. Not until I was in my twenties did I realise that I wanted to be the person behind the covers of a book, not between them. My early stories, written between waitressing shifts, were bafflingly bad. Gradually I began to understand that the fiction I loved was driven by a hidden machinery. I now teach at the Iowa Writers’ Workshop and have been lucky enough to explore this idea with many talented students.

I grew up in the Scottish countryside, reading passionately. When adults asked what I wanted to be when I grew up, the answer came from my latest book: a nun, an outlaw, a queen, or an explorer. Not until I was in my twenties did I realise that I wanted to be the person behind the covers of a book, not between them. My early stories, written between waitressing shifts, were bafflingly bad. Gradually I began to understand that the fiction I loved was driven by a hidden machinery. I now teach at the Iowa Writers’ Workshop and have been lucky enough to explore this idea with many talented students.

One of the gifts of the horror genre is that the stories use metaphor to examine human behaviors that defy understanding. My favorite horror novels, novellas, and short stories can be read again and again. While my Feral graphic novel series is for middle school readers, I wanted to provide grey areas, perhaps more than the editor always liked! I wanted the adventure, the scares, the questions, the uncertainty that would let the small town of Feral take on a larger-than-life presence for a reader and encourage revisiting it whenever the mood strikes. It's almost pleasant, the rhythm, the anticipation. A little unnerving too.

The things that I am most interested in are books that are deliciously fun to read and books that pick you up out of your comfortable chair and drag you across a fantastic landscape. What does that require? Three Ws for starters. Wit: both on the part of the characters and the author—I like smart characters, biting banter, and clever turns of phrase and story. Weird: in the sense of the unusual and mysterious—good world-building coupled with mysteries meant to be unraveled by the reader as much as by the characters. Wild: fast-paced action filled with sudden turns and unexpected drops and conversations that are three parts well-written words and two parts fencing without a blade. 

I spent all my teenage years daydreaming about being magical (cue a handful of sparkling glitter). Even as an adult, those daydreams haven’t stopped. Magic promises the ability to change the story. I revisit those teen years when I can because ultimately, what each of these stories of magic offer is a coming-of-age story. The struggle of being pulled between two different worlds has always felt familiar to me, whether those worlds are literally different worlds (magical vs non-magical) or figurative (childhood vs adulthood). I’ve felt some version of that struggle my whole life, and I think I always will, which is why these stories will always feel like home. 

I find the archaeology of here to be just as interesting and enlightening as any faraway land. For those of us at universities, that means that the campus itself is worthy of historical, archaeological, and anthropological study. I have been San Diego State’s University History Curator for decades and never tire of uncovering new insights into an institution with a 125-year history, nearly 500,000 alumni, and a bevy of bizarre tales. Whether it be hidden student murals, supernatural claims from the gridiron, or disputed dinosaur footprints, the immediate landscape of our workplace is often full of historical treasures.

My interest in ghosts is partly due to growing up in York, which is one of the most haunted cities in the UK. In that city, I think that pretty much every pub has its own ghost, and if you’re unlucky (or lucky) enough, you stand a good chance of spotting long-dead Roman soldiers, plague victims, or ghostly dogs as you walk the streets. This atmosphere has seeped into my fiction; I have written two novels of the supernatural and am currently working on a third. I’ve also made a study of the grim and gothic in fiction; my Ph.D. thesis was largely about vampires (especially Dracula) but also strayed into other monsters and uncanny stories over the past two centuries. 

I was invited to travel to Africa and the Mid East on a job and I started to say, “I’m not that kind of guy.” Then I realized I am. I‘d already traveled around the world and even off it, reading. I’ve been happy and sad in books, victorious, scared, in love, survived storms and fierce wars, mourned valiant friends, and even space traveled. Books add dimension to life. What is dimension? Simply more. Like frosting on cake, hot sauce on fries, ice cubes in soda... fudge sauce on ice cream...  I read daily, get great ideas and feelings from books, still make new friends asking, “Have you read this?” Well, have you?