Here are 100 books that The Well fans have personally recommended if you like
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I’ve always been preoccupied with how personal tragedy, loss, and grief can ultimately teach us truths about existence and our own strength that we might never have learned otherwise. As a child, I was confounded by the fact of death and the transience of life, and as an adult, I’ve spent much time contemplating how literature is able to testify to the magnitude of these things in ways that ordinary language cannot. This interest led me to complete a PhD on the topic of elegiac literature and has also influenced the themes of my own fiction. I hope you find connection and inspiration in the books on this list!
I was moved and delighted by this highly original novel, which blends murder-mystery with heartfelt philosophical explorations into animal rights, mysticism, existential anxiety, and our own humanity.
Narrator-protagonist Janina, a woman who translates Blake, studies horoscopes and feels a deep connection to the animals around her; she tells the story of what happens one winter when a series of men in her Polish village are murdered by a culprit yet to be found.
I adored this book’s intelligence and blending of tragedy and humor. Its narrative combines a compelling plot with a distinctive first-person voice and deeply thoughtful reflections about the beauty, cruelty, and wonder of life.
With DRIVE YOUR PLOW OVER THE BONES OF THE DEAD, Nobel Prize in Literature laureate Olga Tokarczuk returns with a subversive, entertaining noir novel. In a remote Polish village, Janina Duszejko, an eccentric woman in her sixties, recounts the events surrounding the disappearance of her two dogs. She is reclusive, preferring the company of animals to people; she's unconventional, believing in the stars; and she is fond of the poetry of William Blake, from whose work the title of the book is taken. When members of a local hunting club are found murdered, Duszejko becomes involved in the investigation. By…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I have been fascinated with people’s minds since probably my second psychology class in college. It was when I heard a professor say that all creatives were crazy. I argued that one with her. You don’t have to be creative to be crazy; trust me on this, I was right. Yes, many gifted people are borderline, and there really are savants in this world, but I truly believe they are rare. So, I have studied and been up close and personal with people who have psychological issues. I’ve also met some fascinating people who have managed to become successful. Others, not so much.
This book didn’t start out in the usual way. That in itself grabbed my attention. It’s a thriller, so I expect the first paragraph at least to pull me in. It didn’t grab me the way most do; it slowly sucked me in until I found myself not wanting to put it down.
The two main characters seemed to be at odds. One wanting to help and one refusing to speak. I don’t understand not trying to find answers that keep me silent. It must be the curiosity that kept me reading. Because the woman could speak. At least she could at one time. Either it was something traumatic, or it was just plain stubbornness. Or was I missing the entire point? Always an option.
"An unforgettable―and Hollywood-bound―new thriller... A mix of Hitchcockian suspense, Agatha Christie plotting, and Greek tragedy." ―Entertainment Weekly
The Silent Patient is a shocking psychological thriller of a woman’s act of violence against her husband―and of the therapist obsessed with uncovering her motive.
Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five…
I’ve always loved unreliable narrators and how they place us as readers into the role of detectives, piecing the "truth" of a story together. The narrators I’ve picked below vary in their intent: some deliberately deceive, and others do so unconsciously or through omission. In several, the twist hinges on the use of an unreliable narrator, while in others, narrative unreliability poses a moral dilemma for the reader. In a few, an added layer of unreliability emerges: the narrator’s perception is distorted by technology. In an age of AI, simulations, and deep fakes, the unreliable narrator is arguably more needed than ever, holding a mirror up to the unreliability of our own world.
I recently discovered Reid’s writing and I love the slow literary suspense of Foe, his twist relying upon an unreliable first-person narrator.
Farmer Junior is selected by lottery as a possible candidate for an off-world workforce colonising space. The narrative takes place on earth, however, and it is a domestic portrait of a marriage as much as it is science fiction. Junior is a transparent and sincere narrator. His unreliability comes from what he himself does not know and his hazy memory of his own past. ("Everything blends into a nebulous fog.")
His narrative reveals more than he realises, including through his treatment of a horned beetle in their closet. As with the best fiction, it holds a mirror up to our own humanity.
“Foe is a tale of implacably mounting peril that feels all the more terrifying for being told in such a quiet, elegantly stripped-down voice. Iain Reid knows how to do ‘ominous’ as well as anyone I’ve ever read.” —Scott Smith, author of The Ruins and A Simple Plan
A taut, psychological mind-bender from the bestselling author of I’m Thinking of Ending Things.
We don’t get visitors. Not out here. We never have.
In Iain Reid’s second haunting, philosophical puzzle of a novel, set in the near-future, Junior and Henrietta live a comfortable, solitary life on their farm, far from the…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I was twelve years old when I first read Jane Eyre, the beginning of my love for gothic fiction. Murder mysteries are fine, but add a remote location, a decaying old house, some tormented characters, ancient family secrets, and I’m all in. Traditional Gothic, American Gothic (love this painting), Australian Gothic, Mexican Gothic (perfect title by the way), I love them all. The setting in gothic fiction is like a character in itself, and wherever I travel, I’m drawn to these locations, all food for my own writing.
It’s the voice that gets me with We Have Always Lived in the Castle.
Merricat Blackwood is such a strange, chilling young narrator. Mysterious and vaguely unsettling, I could never be sure whether to believe her version of events. Or not.
Plus, it has some of my favourite story ingredients: a family tragedy, a murder trial, an unwelcome visitor, and a little bit of magic.
Living in the Blackwood family home with only her sister, Constance, and her Uncle Julian for company, Merricat just wants to preserve their delicate way of life. But ever since Constance was acquitted of murdering the rest of the family, the world isn't leaving the Blackwoods alone. And when Cousin Charles arrives, armed with overtures of friendship and a desperate need to get into the safe, Merricat must do everything in her power to protect the remaining family.
I gradually shifted my statistics teaching from significance testing — traditional but bamboozling — to estimation (confidence intervals), which I called "the new statistics" because, although not new, relying on it would, for many researchers, be very new. It’s more informative, makes sense, and is a pleasure to teach and use. I "retired" to write Understanding the New Statistics. Then Open Science arrived—hooray! Robert Calin-Jageman joined me for an intro textbook with Open Science and The New Statistics all through. Our first edition came out in 2017. The second edition has wonderful new open-source software (‘esci’), which is also ideal for more advanced students and researchers. Enjoy!
Charlotte Pennington eagerly started her PhD but became anxious and depressed when her experiments "didn’t work’" and were refused publication. She read about the replication crisis — many published studies won’t replicate—and Open Science. Soon, it was her passion to teach about Open Science and what’s needed to achieve efficient research and trustworthy research literature.
The result is A Student’s Guide to Open Science. It’s short, clear, and highly readable. She’s well-informed and covers the story in engaging detail. There are practical guides to using Open Science practices and numerous links to follow as you wish. Statistical issues are mentioned but are not her focus.
"Dr Charlotte R. Pennington has pulled off a remarkable trifecta of being clear, concise, and comprehensive in covering the origins of the open science movement and practical advice for adopting the behaviors"
Professor Brian Nosek, Executive Director, Center for Open Science; University of Virginia, US
"My hope is that every psychology student will finish their degree with a heavily annotated, well-thumbed copy of this important and timely book!"
Dr Madeleine Pownall, University of Leeds, UK
"This book should be on the reading list for all university science degrees and on all library bookshelves. It is concise, accessible, and remarkably interactive,…
Visiting journalists regularly misinterpret California. Outside politicians twist it into bizarre caricatures. I know because I have worked as a journalist in all parts of the state. I covered crime for the LA Herald Examiner, spent 27 years at the LA Times, was a columnist and editorial page editor at the Sacramento Bee and, finally, was senior editor of the nonprofit news organization, CalMatters. I’ve covered governors, wildfires, a major earthquake, politics, mass incarceration, mass shootings, an execution, and all manner of policy. There are many great nonfiction books about California, including Jim Newton’s biographies of Earl Warren and Jerry Brown, Randy Shilts’s The Mayor of Castro Street, and Gladwin Hill’s Dancing Bear.
Mark Arax is a lovely writer who tells a riveting story about the place he knows best, California’s Central Valley. He describes the flawed giants who carved up California’s water for their benefit and the workers who toiled to make their dreams happen. Mark makes his hometown of Fresno and the rest of the Valley a compelling character in the drama. His book as essential reading for anyone who hopes to understand California.
A vivid, searching journey into California's capture of water and soil—the epic story of a people's defiance of nature and the wonders, and ruin, it has wrought
Mark Arax is from a family of Central Valley farmers, a writer with deep ties to the land who has watched the battles over water intensify even as California lurches from drought to flood and back again. In The Dreamt Land, he travels the state to explore the one-of-a-kind distribution system, built in the 1940s, '50s and '60s, that is straining to keep up with California's relentless growth.
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I consider myself a topologist of story, ever fascinated by the shapes stories take, and how those underlying forms—as much as their specific content—guide our reactions and our emotions. In a social-media-saturated age, it’s more important than ever that we practice the skills of comprehending story landscapes so that we can understand who benefits from them—and who doesn’t. Ditch the GPS: whether memoir, reportage, or fiction, these books showcase some of the map-and-compass skills we all need to navigate a complicated new era.
In the ancient Middle East Scheherazade had to begin a compelling story each night to stave off a bloodthirsty king’s tendency to murder his lovers. Journalist Lockwood traveled the world collecting the modern-day equivalent—myriad accounts of how climate change has already affected people living in numerous countries. The stories are simultaneously heartfelt and commonplace, out of this world and very much of it, perfect illustrations of how the global settles on the local like so much radioactive dust. If humanity is to have a vibrant future, the art of telling and listening to such stories will no doubt be as critical a life skill as Scheherazade’s was.
Join journalist Devi Lockwood as she bikes around the world collecting personal stories about how flood, fire, drought, and rising seas are changing communities.
It's official: 2020 will be remembered as the year when apocalyptic climate predictions finally came true. Catastrophic wildfires, relentless hurricanes, melting permafrost, and coastal flooding have given us a taste of what some communities have already been living with for far too long. Yet we don't often hear the voices of the people most affected. Journalist Devi Lockwood set out to change that.
In 1,001 Voices on Climate Change, Lockwood travels the world, often by bicycle,…
History is my passion as well as my profession. I love a good story! When I was teaching courses in environmental history and women’s history, I kept noticing the intriguing intersections, which inspired me to write Beyond Nature’s Housekeepers. Most of my work focuses on the Gilded Age and Progressive Era (1877-1920) and includes two award-winning biographies, Fighting Bob La Follette and Belle La Follette Progressive Era Reformer. I’m also the co-editor of A Companion to the Gilded Age and Progressive Era and have written dozens of op-eds and give public talks (some of which can be found in the C-SPAN online library and on YouTube).
This is a classic by a leader in the field. It’s a hefty tome combining philosophy, economics, and history, but is well worth the time and energy required. Worster emphasizes that lack of water resources is a massive problem for the modern American West, necessitating increasingly complex and far-reaching irrigation systems that come at high social and economic costs. The result is an “empire” whose power is based on who controls the water vital to the urban, suburban, and rural life of the hydraulic west.
Donald Worster examines the development history of the American West, identifying the elite of technology and wealth who have controlled its most essential resource: water.
I entered Tibet in 1985 on a mission to write the first English guidebook to the place. In the decades since then, I have embarked on a number of voyages across Tibet, as well as into the Tibetan-speaking regions of India, Nepal, Mongolia and Bhutan. Nothing beats boots on the ground to inspire passion—and an accurate reading of the situation. As a keen environmental activist, I have made five short documentaries, of which four are devoted to environment issues in Tibet, from China’s megadams on the rivers of Tibet to Chinese plundering of Tibet’s mineral wealth.
Author Brahma Chellaney is India’s most prominent geopolitical expert. He lives in Delhi, at the epicenter of the battle for water.
India’s water crises are numerous. For starters, India’s groundwater is running out, and there’s no way to replenish it. Water means survival, and across India, water shortages are critical, not just for people but also for agriculture and industry. Few solutions are in sight at this point.
Chellaney’s book considers the much larger picture of how Asian nations will "share" water sources—if that is at all possible. Due to flooding and sea-level rise, a third of Bangladesh may disappear in the coming decades.
This Book Is The Winner of the Asia Society's Bernard Schwartz 2012 Book Award. The battles of yesterday were fought over land. Those of today are over energy. But the battles of tomorrow may be over water. Nowhere is that danger greater than in water-distressed Asia. Water stress is set to become Asia's defining crisis of the twenty-first century, creating obstacles to continued rapid economic growth, stoking interstate tensions over shared resources, exacerbating long-time territorial disputes, and imposing further hardships on the poor. Asia is home to many of the world's great rivers and lakes, but its huge population and…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
Andreas Bieler’s main research focus has been on the possibilities of labour movements, broadly defined, to represent the interests of their members and wider societies in struggles against capitalist exploitation in times of neo-liberal globalisation. His research on water struggles in Europe was motivated by the fact that this has been one of the few areas, in which resistance has actually been successful. Understanding the reasons behind this success may help us understand what is necessary for success in other areas of resistance.
Coming from an anthropological, ethnographic approach, Andrea Muehlebach provides an illuminating account of the motives, hopes, and disappointments driving activists in their struggle against the financialization of water.
Through a close engagement with water struggles on the ground Muehlebach paints a rich picture of the large variety of forms of resistance in the very struggle over life itself.
In A Vital Frontier Andrea Muehlebach examines the work of activists across Europe as they organize to preserve water as a commons and public good in the face of privatization. Traversing social, political, legal, and hydrological terrains, Muehlebach situates water as a political fault line at the frontiers of financialization, showing how the seemingly relentless expansion of capital into public utilities is being challenged by an equally relentless and often successful insurgence of political organizing. Drawing on ethnographic research, Muehlebach presents water protests as a vital politics that comprises popular referenda, barricades in the streets, huge demonstrations, the burning of…
