100 Books Like Foe

Much of the story unfolds in China during the Cultural Revolution, then shifts into realms of imagination, physics, and mathematics. Concepts like stretching a proton to planetary dimensions, encoding information within it, and compressing it back into a spy particle are astounding.

I resonate with the author’s insight: our civilization itself may be the root of humanity's eventual downfall. Politics, religions, culture, and beliefs—rarely sources of pride—are more often causes for shame, a testament to human folly above all else. Breaking free from these constructs is no easy task.

I was moved and delighted by this highly original novel, which blends murder-mystery with heartfelt philosophical explorations into animal rights, mysticism, existential anxiety, and our own humanity.

Narrator-protagonist Janina, a woman who translates Blake, studies horoscopes and feels a deep connection to the animals around her; she tells the story of what happens one winter when a series of men in her Polish village are murdered by a culprit yet to be found.

I adored this book’s intelligence and blending of tragedy and humor. Its narrative combines a compelling plot with a distinctive first-person voice and deeply thoughtful reflections about the beauty, cruelty, and wonder of life.

Daniel Quinn’s award-winning novel illuminates the historical roots of our consumer culture from the perspective of a gorilla who teaches a human the lessons of sustainability.

Before he died, Daniel would meet with my students to discuss sustainability and the lessons of Ishmael. His wisdom comes through clearly in this well-told tale of how Homo sapiens become a species of unsustainable “takers” and what the consequences are of a global consumer culture.

This book didn’t start out in the usual way. That in itself grabbed my attention. It’s a thriller, so I expect the first paragraph at least to pull me in. It didn’t grab me the way most do; it slowly sucked me in until I found myself not wanting to put it down.

The two main characters seemed to be at odds. One wanting to help and one refusing to speak. I don’t understand not trying to find answers that keep me silent. It must be the curiosity that kept me reading. Because the woman could speak. At least she could at one time. Either it was something traumatic, or it was just plain stubbornness. Or was I missing the entire point? Always an option. 

This is a sci-fi book from famous sci-fi author Phillip K. Dick. Besides suggesting some big, scary questions, it didn't exactly stick to what I usually go for in a sci-fi book.

For a while, it involved this product, Ubik, which has so many uses that it's everywhere. But the story drew me in with a relatively everyman-type guy on a team of psionic corporate spies—and then things get weird. It's the kind of weird like when I was struggling to remember this amazing horror movie I had seen, only to realize the media in question had actually been this unforgettable book.

This series is set 6 million years in the future. In a universe entirely peopled by humanity and various iterations of human evolutions. Only one of which seems to be immune to the inevitable failure of their society that plagues literally every other outpost of humanity in existence. This world is rich, layered, and complex. It makes you wonder about what it means to be human and makes you fear. It definitely makes you fear. Shatterlings, man just typing the word makes me clench my teeth. I enjoyed this book and loved the rich world and vastness of the thought put into the creation of a universe that is empty but full at the same time. If you’ve made it this far down my list and have liked the others so far this is definitely in your lane.

It’s the voice that gets me with We Have Always Lived in the Castle.

Merricat Blackwood is such a strange, chilling young narrator. Mysterious and vaguely unsettling, I could never be sure whether to believe her version of events. Or not.

Plus, it has some of my favourite story ingredients: a family tragedy, a murder trial, an unwelcome visitor, and a little bit of magic. 

I find it interesting when first-person unreliable narrators pose a moral dilemma for the reader: how far we sympathise with a character who may or may not be culpable of a crime.

From the very opening of the novel, we are told, "Tonight will be my first night under house arrest." Ruth Ardingly has just been released from prison to serve out a sentence of house arrest for arson and suspected murder (after the death of her seven-year-old grandson) at her farm, The Well. Returning to The Well, Ruth must piece together the tragedy that shattered her marriage and tore her family apart, amid the backdrop of a drought-ridden country, where, miraculously, The Well has water.

The novel is told retrospectively by Grandmother Ruth, whose narrative reliability is impacted by both memory and grief. 

This is an entertaining and lighter read than my other recommendations about AI. It is specifically about chatbots trying to pass the Turing Test, and ultimately is a witty story of what it means to be human. For anyone who has ever mistaken an answerphone for a person, or a person for an answerphone!

What is creativity, and what makes it possible? If a new idea came from nothing, would it be magic? If a new idea were generated by recombining old ones, would it really be “creative”? In this book, Margaret Boden, a distinguished philosopher of science, thinks through what creativity really is, whether it takes the form of a world-altering advance in science or a novel jazz improvisation. To help understand human creativity, the book compares it to the workings of computer programs—ones capable of generating art or music that at least appears creative. Readers who have followed more recent developments in artificial intelligence will be able to consider for themselves whether machine creativity is, or could be, a reality. The book helped me think about what it means to create an “authentic” poem.