Here are 100 books that We Have Always Lived in the Castle fans have personally recommended if you like
We Have Always Lived in the Castle.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Growing up in Philadelphia, with school and family visits to landmarks like Independence Hall and Betsy Ross’s house, I’ve long been interested in American history. That led me, eventually, to graduate school and my profession as a historian. At the same time, I have greatly enjoyed reading American novelists, such as Nathaniel Hawthorne, Willa Cather, and James Baldwin, as well as the works of thinkers like Ralph Waldo Emerson and W.E.B. DuBois. The sweet spot combining those two interests has been American intellectual history.
This is my candidate for the Great American Novel. Read it for its storyline and its fascinating chapters on whales. Along the way, you’ll encounter discussions about race, religion, friendship, and the virtuous life.
Some of my students ask, “Why does Melville digress so much?” My response: persist in reading this work. What at first seems extraneous becomes vital. You’ll discover a masterpiece.
Melville's tale of the whaling industry, and one captain's obsession with revenge against the Great White Whale that took his leg. Classics Illustrated tells this wonderful tale in colourful comic strip form, offering an excellent introduction for younger readers. This edition also includes a biography of Herman Melville and study questions, which can be used both in the classroom or at home to further engage the reader in the work at hand.
Artist Nilda Ricci could use a stroke of luck. She seems to get it when she inherits a shadowy Victorian, built by an architect whose houses were said to influence the mind—supposedly, in beneficial ways. At first, Nilda’s new home delivers, with the help of its longtime housekeeper. And Nilda…
France claimed me early, when I was a teenager. A French major, a Rotary scholarship year in the Loire Valley, and decades of return visits later, I'm still not done with this gorgeous country. Since retirement, my husband and I spend at least several weeks there every year, and in 2011, we lived in France for three months during an adult gap year. My third book, a novel set in Paris and Normandy, is the most recent evidence that France and her food, wine, culture, literature, art and landscapes, have never loosened their hold on me.
This book was my introduction to Kristin Hannah, and she has had me hooked ever since.
The novel follows two sisters in occupied France during World War II. They live separate lives, make impossible choices, but each finds a way to resist. Just when you think the story cannot demand more of these women, it does. I read with my heart in my throat.
The book feels achingly current. Authoritarianism, the fear it manufactures and the humanity it tries to grind down, is as recognizable now as it was in 1940s France.
I loved that the characters weren’t passive victims. They push back at great cost, and the book makes a quiet, powerful argument that will stay with me: resistance is always possible, and that love has a way of outlasting even the worst of what human beings do to each other.
Soon to be a major motion picture, The Nightingale is a multi-million copy bestseller across the world. It is a heart-breakingly beautiful novel that celebrates the resilience of the human spirit and the endurance of women.
This story is about what it was like to be a woman during World War II when women's stories were all too often forgotten or overlooked . . . Vianne and Isabelle Mauriac are two sisters, separated by years and experience, by ideals and passion and circumstance, each embarking on her own dangerous path towards survival, love and freedom in war-torn France.
I started reading thrillers when I was twelve—Grisham, Patterson, anything I could get my hands on. I learned quickly that in those stories, men were the ones doing the saving. They had the adventures; women were either the obstacle or the one being rescued. That’s why I love where the genre is now. I get to read stories where women take control—sometimes saving the day, sometimes going further than they probably should. It’s changed how I read, and honestly, it’s shaped how I think about storytelling. These are the kinds of books that made me want more—and made me want to be part of that shift.
I have a sister—a twin, actually—and I would do anything for her.
But if she murdered someone… would I cover it up? I couldn’t stop asking myself that while reading this, even as I found myself laughing at how effortlessly funny it is. Ayoola’s total indifference is what hooked me—she doesn’t question herself, doesn’t spiral, she just acts, and there’s something unsettlingly magnetic about that.
And Korede, fully aware and still complicit, pushed me to think about how far love can stretch before it turns into something else entirely. It’s bright, biting, and way more layered than it first appears, and I couldn’t get enough of that tension between devotion and control.
Sunday Times bestseller and The Times #1 bestseller
Longlisted for the Booker Prize 2019 Shortlisted for the Women's Prize for Fiction 2019 Winner of the 2019 LA Times Award for Best Crime Thriller Capital Crime Debut Author of the Year 2019 __________
'A literary sensation' Guardian
'A bombshell of a book... Sharp, explosive, hilarious' New York Times
'Glittering and funny... A stiletto slipped between the ribs and through the left ventricle of the heart' Financial Times __________
When Korede's dinner is interrupted one night by a distress call from her sister, Ayoola, she knows what's expected of her: bleach, rubber…
Winter Journeys is a story of music, memory, and imagination.
At summer’s end, Ilona Miller loses her job. Instead of adjusting her attitude and sending out resumes, she retreats into grief and paranoid imaginings by day and wanders the streets at night. A long-dormant alter ego awakes and prompts a…
I am a lifelong lover of books. As a child, one of my most prized possessions was my library card. It gave me entrance to a world of untold wonders from the past, present, and future. My love of reading sparked my imagination and led me to my own fledgling writing efforts. I come from a family of storytellers, my mother being the chief example. She delighted us with stories from her childhood and her maturation in the rural South. She was an excellent mimic, which added realism and humor to every tale.
This book is part odyssey, part ghost story, and part passion play. Toni Morrison is one of the patron saints of American literature whom I was fortunate to discover at an early age. This is her masterpiece, an example of what is possible when a writer’s heart, mind, and spirit are aligned.
The fact that the unfathomable sacrifice around which Beloved is imagined is based upon an actual event speaks volumes about the innate horrors of slavery. In matters of race, America’s skeletons are buried in shallow graves.
'Toni Morrison was a giant of her times and ours... Beloved is a heart-breaking testimony to the ongoing ravages of slavery, and should be read by all' Margaret Atwood, New York Times
Discover this beautiful gift edition of Toni Morrison's prize-winning contemporary classic Beloved
It is the mid-1800s and as slavery looks to be coming to an end, Sethe is haunted by the violent trauma it wrought on her former enslaved life at Sweet Home, Kentucky. Her dead baby daughter, whose tombstone bears the single word, Beloved, returns as a spectre to punish her mother, but also to elicit her…
I grew up in central Arkansas, which means I experienced first-hand the fiction I describe here. The South in these books - its religion, poverty, and beauty, not to mention its capacity for real ugliness - is not simply an atmosphere these authors have used to decorate their sets. The South in these books is a place where real people live, in exactly the ways these writers have described. My novella, Six Mile Store, is my own take on the real South. These are the books that showed me that these kinds of Southern stories are worth telling.
The Bundren family sets out across Mississippi to honor their dying matriarch's wish to be buried in her hometown, and nearly everything that can go wrong does. The ending is uneasy rather than truly resolved, and the landscape itself is a main character: it floods and burns and resists the Bundrens throughout.
Faulkner understood something crucial about the South, and Southerners by extension: it will not cooperate, and the people who love it regardless are complicated and oftentimes their own worst enemies.
I have been pressing this book into people’s hands since I studied it under the direction of Faulkner scholar Charles Chappell, and I aimed for my own book to sit in the same uneasy space.
The death and burial of Addie Bundren is told by members of her family, as they cart the coffin to Jefferson, Mississippi, to bury her among her people. And as the intense desires, fears and rivalries of the family are revealed in the vernacular of the Deep South, Faulkner presents a portrait of extraordinary power - as epic as the Old Testament, as American as Huckleberry Finn.
I was born and grew up in Seoul. My bestselling debut novel has been longlisted for the 2024 Women’s Prize for Fiction and the 2024 Wilbur Smith Adventure Writing Prize and shortlisted for the 2024 William Saroyan International Prize for Writing. My book is inspired by my great-aunt, one of the oldest women who had escaped alone from North Korea. It is available from Harper Perennial in the U.S. and Virago in the UK. The novel’s translations continue to meet readers worldwide, including in Italy, Romania, Greece, Denmark, Spain, Switzerland, and South Korea.
Eileen is one of the most twisted and unconventional literary heroines I’ve ever read. Behind her quiet demeanor and dull face hides her mind, which is like a killer’s, always furious and seething.
While working at a juvenile correctional facility, Eileen meets Rebecca, another key character far removed from most women of their generation. Seductive and deceitful, Rebecca cajoles Eileen into joining her act of crime–a violent, underhanded plan to restore her idea of justice.
Shortlisted for the 2016 Man Booker Prize and chosen by David Sedaris as his recommended book for his Fall 2016 tour.
So here we are. My name was Eileen Dunlop. Now you know me. I was twenty-four years old then, and had a job that paid fifty-seven dollars a week as a kind of secretary at a private juvenile correctional facility for teenage boys. I think of it now as what it really was for all intents and purposes-a prison for boys. I will call it Moorehead. Delvin Moorehead was a terrible landlord I had years later, and so to…
A wind sorcerer. A dark spirit. An unsolved murder.
On the haunted Draakensky Windmill Estate, sketch artist Charlotte Knight arrives to live on the property, hired to illustrate the poetry of Rainer Maria Rilke—a bright and lucrative opportunity to boost her struggling art career.
I’ve always been preoccupied with how personal tragedy, loss, and grief can ultimately teach us truths about existence and our own strength that we might never have learned otherwise. As a child, I was confounded by the fact of death and the transience of life, and as an adult, I’ve spent much time contemplating how literature is able to testify to the magnitude of these things in ways that ordinary language cannot. This interest led me to complete a PhD on the topic of elegiac literature and has also influenced the themes of my own fiction. I hope you find connection and inspiration in the books on this list!
I was moved and delighted by this highly original novel, which blends murder-mystery with heartfelt philosophical explorations into animal rights, mysticism, existential anxiety, and our own humanity.
Narrator-protagonist Janina, a woman who translates Blake, studies horoscopes and feels a deep connection to the animals around her; she tells the story of what happens one winter when a series of men in her Polish village are murdered by a culprit yet to be found.
I adored this book’s intelligence and blending of tragedy and humor. Its narrative combines a compelling plot with a distinctive first-person voice and deeply thoughtful reflections about the beauty, cruelty, and wonder of life.
With DRIVE YOUR PLOW OVER THE BONES OF THE DEAD, Nobel Prize in Literature laureate Olga Tokarczuk returns with a subversive, entertaining noir novel. In a remote Polish village, Janina Duszejko, an eccentric woman in her sixties, recounts the events surrounding the disappearance of her two dogs. She is reclusive, preferring the company of animals to people; she's unconventional, believing in the stars; and she is fond of the poetry of William Blake, from whose work the title of the book is taken. When members of a local hunting club are found murdered, Duszejko becomes involved in the investigation. By…
I’ve always been preoccupied with how personal tragedy, loss, and grief can ultimately teach us truths about existence and our own strength that we might never have learned otherwise. As a child, I was confounded by the fact of death and the transience of life, and as an adult, I’ve spent much time contemplating how literature is able to testify to the magnitude of these things in ways that ordinary language cannot. This interest led me to complete a PhD on the topic of elegiac literature and has also influenced the themes of my own fiction. I hope you find connection and inspiration in the books on this list!
There’s a driving intensity to this book's narrative and atmosphere, which remains as compelling and fresh today as when I first read it years ago. Part of its power derives from Eugenides’ use of first-person plural narration through the collective voice of a group of neighborhood boys still haunted, years later in adulthood, by the untimely deaths of five adolescent sisters in 1970s suburban Michigan.
Part-detectives, part-elegists, they piece together their memories of not only the girls but of a particular place and time now vanished. I’m always struck by the book’s deft melding of pathos and humor and by the way that what is essentially a personal suburban tragedy gradually begins to speak to a wider malaise that calls into question the American dream itself.
Introducing the Collins Modern Classics, a series featuring some of the most significant books of recent times, books that shed light on the human experience - classics which will endure for generations to come.
That girl didn't want to die. She just wanted out of that house. She wanted out of that decorating scheme.
The five Lisbon sisters - beautiful, eccentric and, now, gone - had always been a point of obsession for the entire neighbourhood.
Although the boys that once loved them from afar have grown up, they remain determined to understand a tragedy that has…
I’m a writer who grew up in the Midwest, moved away for a while, and has now raised my own kids here. I love reading other writers' takes on what kinds of stories they see unfolding here. As I get older, I realize that great stories can grow out of the ground anywhere, with the right amount of sunshine, darkness, and water.
This is one of the seminal works of American literature, which happens to be set in the Midwest.
The characters' lives are filled with pointless rebellion and recreational drugs. For those of us who grew up in small-town Midwest in the 1980s, this dredges up a lot of nostalgia. We may not have been quite as debauched, but we all knew someone like Shithead, the main character, and remember them fondly.
Jesus' Son is a visionary chronicle of dreamers, addicts, and lost souls. These stories tell of spiralling grief and transcendence, of rock bottom and redemption, of getting lost and found and lost again. The narrator of these interlinked stories is a young, unnamed man, reeling from his addiction to heroin and alcohol, his mind at once clouded and made brilliantly lucid by these drugs. In the course of his adventures, he meets an assortment of people, who seem as alienated and confused as he; sinners, misfits, the lost, the damned, the desperate and the forgotten. Our of their bleak, seemingly…
I am a multi-published author of mainly Gothic, haunted house, and ghostly novels, novellas, and short stories. I love nothing more than exploring historic houses, ancient stone circles and places that are noted for having a certain atmosphere that hints – or, in some cases, screams – a macabre and interesting past. I am the person you will spot, hunched over an old gravestone peering at the much-degraded carving, searching for the name of its owner and a hint to their story. Why? I blame a childhood spent reading M.R. James.
It starts with arguably the most famous first line any novelist has ever written, and I certainly couldn’t stop reading once I had absorbed that.
Rebecca is a classic for all sorts of great reasons. For me, the house is a character here. Manderley is as Gothic as I could ever wish for (and I LOVE Gothic).
Mrs. Danvers, the housekeeper, is one of the most sinister characters ever written. When this novel was first published (1938), certain subjects were pretty much taboo. In the light of today's increased awareness of people’s differing sexualities, I think it’s probably easier to understand her motives – not that it makes her any less scary.
For me, this is a masterpiece of storytelling that defies genre categorization and puts du Maurier firmly in my top favourite authors list.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
