Books like Drive Your Plow Over the Bones of the Dead — picked by fans

This book helped me release shame after a colleague of mine told me my work wasn’t “science.”

Here’s the truth: to create a healing platform, I needed to tap into ways of thinking that academia sees as “woo woo” and “savage.” I looked to the stars. I meditated. I did rituals and read myths.

Dr. Kimmerer, trained as a traditional botanist, realized that the Indigenous myths and stories she was told as a child contained scientific knowledge passed down for generations by her tribe.

She realized there were scientific truths her community knew for millennia that traditional scientists only discovered within the last 100 years. This is the power of Ancestral Intelligence, disregarded by the same science that ultimately created AI.

What stories, fables, and myths have taught you valuable lessons about the world?

This one is different from the others because everyone loves a story, don’t they? Through Keiko, Sayaka Murata explores what it means to find stability within a clearly defined role while showing how quickly systems and social expectations question anything outside the norm. 

There is a terrific, palpable tension: a system that rewards conformity set against an individual making deliberate choices about how to live within or alongside it. I applaud Murata’s deft hand to expose how social pressure can determine identity, labour, and belonging, making Keiko’s small acts feel both radical and painfully ordinary. The novel asks a simple, urgent question: who decides what a meaningful working life looks like?

As the song goes: “It ain’t whacha say, it’s the way how’s ya say it.” And that’s what I love about all five of these books. It isn’t exactly the place, or the time, or a particular character; it’s the style. 

Joyce’s early stories, though, do cast magic over a certain time and place and make them come alive as if they were written yesterday.

The Dead, probably the best known of them, and made into a touching movie (John Houston’s last), is a great example of the feeling Joyce could evoke in us, the readers, with the carefully chosen words of a poet.

The film adaptations make True Grit look like a Western. It is not.

It is an Arkansas book, and Mattie Ross is an Arkansas character: fourteen years old, tiny, and completely on board with the violence she knows avenging her father's murder will require. She has courage and goal-oriented ruthlessness.

Mattie’s fortitude underlines the gap between what my characters can see for themselves and what they can actually reach. That gap is at the heart of what my novella is about.

This novel about a fifteen-year-old girl’s affair with an older, wealthy man is a provocative exploration of memory. The novel’s language is arch and lyric, always making me feel as if I’ve been hypnotized.

The book is a love story, but in this story, love doesn’t lead to salvation. Still, the splendid, haunting language lifts the tale into the realm of the mythic.

A controversial play because of its end. Nora Helmer is the main character, a Norwegian married woman, wife of a bank manager, and a mother of three. Her life elapses day after day without opportunities for self-fulfillment in the last decades of the 19th century. I can’t say this female character is a feminist for its time, because she lives in a world full of laws made by men; so, in this sense she is like a doll, a superficial and wasteful person, and she changes slowly from act to act; she feels empty, she contemplates killing herself and at the end of the play Nora leaves her husband and family trying to escape from a stifling male-dominated society. Although this play was not intended written as a feminist, it has a great historical value in this field. If after reading you try to imagine what kind of life… show more.

Elfriede Jelinek has many anti-heroines in novels and plays, but I pick Erika Kohut, a repressed Austrian piano teacher who in her late thirties is still living under the power of her stifling elderly mother. Vienna, the city of music and great composers like Franz Schubert, is seen not only through the Vienna Conservatory but inside peep-shops that Erika frequently visits to escape from her mother. Although she is a masochist and self-mutilates, she begins a relationship with Walter, a new student, and gives him the instructions through an atypical letter. Jelinek's work makes me feel many things, not only due to her stories and characters but also the depth of her writing! The importance of her voices in novels and plays is extraordinary, her prose is satirical and very critical. She looks at their characters psychologically, from the deep of human behavior.

There’s a driving intensity to this book's narrative and atmosphere, which remains as compelling and fresh today as when I first read it years ago. Part of its power derives from Eugenides’ use of first-person plural narration through the collective voice of a group of neighborhood boys still haunted, years later in adulthood, by the untimely deaths of five adolescent sisters in 1970s suburban Michigan.

Part-detectives, part-elegists, they piece together their memories of not only the girls but of a particular place and time now vanished. I’m always struck by the book’s deft melding of pathos and humor and by the way that what is essentially a personal suburban tragedy gradually begins to speak to a wider malaise that calls into question the American dream itself.

The Tourist Trail is an eco-thriller featuring an unlikely but thoroughly entertaining cast of characters—among them a whale rescuer, a penguin researcher, an FBI agent, a computer tech, and an animal-rights activist—whose lives come together in the wild and dangerous waters of the Southern Ocean. All of these characters have secrets that are slowly revealed, and the alternating points of view pull readers toward a cinematic ending. The Tourist Trail is about endangered species and oceans at risk, but most of all, it’s about animals and the human heroes who devote their lives toward saving them—it’s not only an unputdownable mystery but a compassionate and heartfelt ode to our oceanic animals who need saving.

Billed as YA lit, don’t let that stop you. It is an auto-fictional account of a young boy refugee from Iran who suddenly finds himself in the middle of Oklahoma: malls and milkshakes. I was in fits of laughter throughout because the narrator's voice is so unique and charming, a much more optimistic Holden Caulfield. But the themes can also be hard, and therein lies the magic.

I loved the unique story structure of telling his stories in the format of 1001 Nights. This validated my own choice to structure my book in the format of The Little Match Girl, striking matches in a snowstorm. I loved this book for its swirl of myth, magical realism, and family stories that weave seamlessly through a modern-day exploration of refugee identity and belonging.