Here are 73 books that The Paying Guests fans have personally recommended if you like
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I like fiction which makes a character confront what the poet Thom Gunn called ‘the blackmail of his circumstances’: where you are born, the expectations of you. I like to think I am very much a self-created individual, but I can never escape what I was born into; the self is a prison that the will is trying to break out of. I like literature which reflects that challenge.
I find Tom Ripley such a wonderful character—a con man who commits crimes under the guise of someone else, a male protagonist written by a lesbian.
I love the levels of deception the reader is pulled in, so is on the side of the criminal throughout, hoping for him not to get caught in his awful, amoral behaviour.
It is a masterful use of the narrative voice in crime fiction at its best.
It's here, in the first volume of Patricia Highsmith's five-book Ripley series, that we are introduced to the suave Tom Ripley, a young striver seeking to leave behind his past as an orphan bullied for being a "sissy." Newly arrived in the heady world of Manhattan, Ripley meets a wealthy industrialist who hires him to bring his playboy son, Dickie Greenleaf, back from gallivanting in Italy. Soon Ripley's fascination with Dickie's debonair lifestyle turns obsessive as he finds himself enraged by Dickie's ambivalent affections for Marge, a charming American dilettante, and Ripley begins a deadly game. "Sinister and strangely alluring"…
A wind sorcerer. A dark spirit. An unsolved murder.
On the haunted Draakensky Windmill Estate, sketch artist Charlotte Knight arrives to live on the property, hired to illustrate the poetry of Rainer Maria Rilke—a bright and lucrative opportunity to boost her struggling art career.
I am a queer writer who lovers to read and write mystery and crime fiction. The history of these genres is often full of homophobic stereotypes and scapegoating of queer characters. While I think it’s important to show queer characters as flawed, I also want to make sure to celebrate the contributions of queer writers to these messy, wonderful genres.
This book deserves all the comparisons to Patricia Highsmith’s The Talented Mr. Ripley—but despite the similarities of the setting and genre, it’s so much more than an imitation.
The story is unique and unbearably tense. While I read, I felt like I was watching a Hitchcock movie: the dread and apprehension felt so palpable and painful that I had to keep reading because I couldn’t stand not knowing how it would turn out.
An L.A. Times Book Prize Finalist | An O Magazine Best Book of the Year
“Stylish… a compelling take on the eternal question of how good people morph into criminals. Terrific.”—People, Book of the Week
From the author of The Destroyers comes an "intricately plotted and elegantly structured" (Newsday) story of intrigue and deception, set in contemporary Venice and featuring a young American couple who have set their sights on a risky con.
When Nick Brink and his boyfriend Clay Guillory meet up on the Grand Canal in Venice, they have a plan in mind—and it doesn’t involve a vacation.…
I’m a historical mystery writer, English teacher, and book reviewer for Lambda Literary. I love to write and explore buried and forgotten histories, particularly those of the LGBTQ+ community. Equally, I’m fascinated by the ways in which self-understanding eludes us and is a life-long pursuit. For that reason, as a reader, I’m attracted to slow burn psychological suspense in which underlying, even subconscious, motivations play a role. I also love it when I fall for a character who, in life, I’d find corrupt or repulsive.
One of the qualities of mystery fiction that continues to draw me to the genre is the complex interplay between past and present. Nava’s 8th Rios novel utilizes separate narrative lines that resonate and then, like a parallel perspective drawing, converge in a powerful emotional twist. The first line is the story of Bill Ryan, a young gay man who, after being cast out of his home in Illinois, flees to 1970s San Francisco to discover himself and the gay community. The second line is Rios’s recovery from alcoholism and his investigation of Ryan’s suspicious death during the beginning of the AIDS epidemic. Ryan and Rios serve as foils: Ryan is a man losing the war with his self-loathing. Rios, in contrast, is winning his war.
November, 1984. Criminal defense lawyer Henry Rios, fresh out of rehab and picking up the pieces of his life, reluctantly accepts work as an insurance claims investigator and is immediately is assigned to investigate the apparently accidental death of Bill Ryan. Ryan, part of the great gay migration into San Francisco in the 1970s, has died in his flat of carbon monoxide poisoning from a faulty gas line, his young lover barely surviving. Rios’s investigation into Ryan’s death–which Rios becomes convinced was no accident–tracks Ryan’s life from his arrival in San Francisco as a terrified 18-year-old to his transformation into…
Elsie has two feet in the 20th century. Smith has one foot in the 19th. Their marriage, founded on physical attraction, is built on sand as all around them the earth of Europe also starts to quake. Prised apart by emotional conflict and the loss of two children they are…
I was born and grew up in Seoul. My bestselling debut novel has been longlisted for the 2024 Women’s Prize for Fiction and the 2024 Wilbur Smith Adventure Writing Prize and shortlisted for the 2024 William Saroyan International Prize for Writing. My book is inspired by my great-aunt, one of the oldest women who had escaped alone from North Korea. It is available from Harper Perennial in the U.S. and Virago in the UK. The novel’s translations continue to meet readers worldwide, including in Italy, Romania, Greece, Denmark, Spain, Switzerland, and South Korea.
Eileen is one of the most twisted and unconventional literary heroines I’ve ever read. Behind her quiet demeanor and dull face hides her mind, which is like a killer’s, always furious and seething.
While working at a juvenile correctional facility, Eileen meets Rebecca, another key character far removed from most women of their generation. Seductive and deceitful, Rebecca cajoles Eileen into joining her act of crime–a violent, underhanded plan to restore her idea of justice.
Shortlisted for the 2016 Man Booker Prize and chosen by David Sedaris as his recommended book for his Fall 2016 tour.
So here we are. My name was Eileen Dunlop. Now you know me. I was twenty-four years old then, and had a job that paid fifty-seven dollars a week as a kind of secretary at a private juvenile correctional facility for teenage boys. I think of it now as what it really was for all intents and purposes-a prison for boys. I will call it Moorehead. Delvin Moorehead was a terrible landlord I had years later, and so to…
As an author, I love reading books that feature writers and explore their daily ups and downs as well as their larger successes and failures. Working on a novel or an article is already a harrowing task, but throw in other complications like writer’s block, dangerous fans, and sources who won’t give you the information you need, and life gets a lot more challenging. These twisty tomes explore what happens when these writers find their own stories taking some perilous turns.
When novelist Paul Sheldon suffers a terrible car accident, he finds himself in the care of Annie Wilkes, a woman who claims to be his biggest fan and wants to nurse him back to health. But Annie isn’t pleased with the way Paul has brought his beloved series featuring Misery Chastain to a close.
I love that we get a front-row seat to this unhinged author-fan encounter. Despite the horror that’s inflicted, readers—especially ones who are also writers—may take a perverse pleasure in seeing a fan have such strong feelings about a fictional character.
Another component I adore is the way an author’s ego often causes them to overlook warning signs that would set off alarm bells in others who have a clearer picture of what’s really going on.
I have researched and observed attempts to map, enhance, and control biological human bodies since I was a teenager. I was always interested in how people described and related to themselves as biological creatures. As part of that, I was fascinated by attempts to talk about the human body with other words than the strict biological, both by poets, artists and by, entrepreneurs, and scientists. As a researcher in cultural studies, I concentrate on different ways to understand ourselves as biological creatures and on imaginaries about (bio)technology and how these dreams about what technology can do affect our self-understanding.
The book is better than the movie, and the movie is amazing. I love how the author manages to create a dense feeling of female suffocation, gaslighting, hallucination, panic, satanism, conspiracies, deception, and paranoia while simultaneously describing the ordered and neat lives of New York City's emerging glitterati through detailed descriptions of the housewife’s sphere of choosing the right material of towels and the right hue of wallpaper when nesting.
Rosemary’s personal limits and borders, both physical and psychological, are challenged as she becomes a vessel of something unknown, but only unknown to her. An amazingly dense yet easily accessible book.
'The Swiss watchmaker of the suspense novel' Stephen King
Rosemary Woodhouse and her struggling actor-husband, Guy, move into the Bramford, an old New York City apartment building with an ominous reputation and only elderly residents. Neighbours Roman and Minnie Castavet soon come nosing around to welcome them; despite Rosemary's reservations about their eccentricity and the weird noises that she keeps hearing, her husband starts spending time with them. Shortly after Guy lands a plum Broadway role, Rosemary becomes pregnant, and the Castavets start taking a special interest in her welfare.
As the sickened Rosemary becomes increasingly isolated, she begins to…
This book is a literary historical novel. It is set in Britain immediately after World War II, when people – gay, straight, young, and old - are struggling to get back on track with their lives, including their love lives. Because of the turmoil of the times, the number of…
I’ve been an avid reader since I was a child, and my favorite protagonists are readers and writers. The Kansas tallgrass prairie horizons where I grew up fueled my imagination, and I wanted to write like the girls in my novels. I discovered Anne of Green Gables as a teen, and since then, I’ve researched, published, and presented on the book as a quixotic novel. As a creative writer, my own characters are often readers, writers, librarians, book club members, and anyone who loves a good tale. I hope you enjoy the books on my list as much as I do each time I return to them.
This book has so many different elements—humor, the struggles of poverty, Cassandra’s dreams of success as a writer, quirky family members, and a tumbledown castle where the Mortmain family lives.
I identified with Cassandra’s efforts to keep a journal to hone her writing skills, having done so myself as a teen. I also enjoyed the unconventional take on a castle and Cassandra’s honesty in depicting (or “capturing”) it and its inhabitants with her words.
The dilapidated castle and the family’s foibles make this story approachable and enjoyable. It is one that invites the reader into the castle and the story as a welcome guest.
A wonderfully quirky coming-of-age story, I Capture the Castle by Dodie Smith, author of The Hundred and One Dalmatians is an affectionately drawn portrait of one of the funniest families in literature.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is illustrated by Ruth Steed, and features an afterword by publisher Anna South.
The eccentric Mortmain family have been rattling around in a…
I’ve been fascinated by how people behave and how in-group bias can change who they are. That interest led me into computational sociology (I study human behavior for a living), with my work appearing in The New York Times, USA Today, WIRED, and more. But my deepest fascination has always been with people’s propensity for the horrific. I LOVE the liminal space where fear, secrecy, and belonging collide. Being neurodivergent, living in a small Virginia town with my wife and our neurodivergent, queer son, I see how communities can both shelter and suffocate. That tension is why I’m drawn to stories saturated in dread, beauty, and what lives in the shadows.
This is the book that taught me how powerful loneliness can be.
Every time I return to it, I feel one character’s ache settle into me, that desperate want to belong somewhere, even if it’s a house that doesn’t love you back. I recommend it because it still feels as if I’m attempting to figure out what is happening alongside the characters, the way only great writing can.
Jackson makes you realize that the scariest hauntings aren’t in the walls, they’re the ones we carry within us.
Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and stories…
I’ve become fascinated with the unconventional tumultuous world of the 1920s ever since I discovered my grandmother’s box of mementos that led to my debut historical fiction, Whistling Women and Crowing Hens. The lesser-known parts of our country’s history draw me in, and the potential for strong female characters keeps me writing. Before I fell down many research rabbit holes, I thought the 1920s were just speakeasies, fringed flappers, and bathtub gin—while entertaining, it’s only the “big city” side of this transformative decade. I’ve found I prefer reading what everyday townspeople experienced, or how “normal” women became unexpected heroes, or ways people persevered after the turmoil WWI caused. There are so many undiscovered stories to be told!
Each time I read this American classic, it changes in meaning and relevance.
Told from Francie’s point of view, it’s a family’s coming-of-age story about overcoming personal and societal choices in order to persevere and grow, just like the tree in the title. Smith is one of the first authors to write about the real, human struggles of working-class Americans at the start of the 20th century.
A Tree Grows in Brooklyn is not a light, whimsical read but it’s one that sticks with me. I relate to Francie, a vulnerable, observant young woman who uses her writing as a way to process, explore, and eventually propel her into a different life, away from the trauma and poverty of her beloved Brooklyn.
This book is one that everyone needs to read and that I find myself going back to again and again.
A special 75th anniversary edition of the beloved American classic about a young girl's coming-of-age at the turn of the twentieth century.
From the moment she entered the world, Francie Nolan needed to be made of stern stuff, for growing up in the Williamsburg slums of Brooklyn, New York demanded fortitude, precocity, and strength of spirit. Often scorned by neighbors for her family’s erratic and eccentric behavior―such as her father Johnny’s taste for alcohol and Aunt Sissy’s habit of marrying serially without the formality of divorce―no one, least of all Francie, could…
Winter Journeys is a story of music, memory, and imagination.
At summer’s end, Ilona Miller loses her job. Instead of adjusting her attitude and sending out resumes, she retreats into grief and paranoid imaginings by day and wanders the streets at night. A long-dormant alter ego awakes and prompts a…
I’m a British author for children and young adults and have lost count of the number of books I’ve published. I’ve won awards, and my books have been translated into many languages. I’m also an avid reader: have been for almost all of my life. I know a good series when it hooks me in!
I read the books "because they were there," but I was soon a fan. Lofts came from an old farming family and had a deep sense of being rooted in a place. The Town House tells how "The Old Vine" came to be built. The House at Old Vine and The House at Sunset travel on through their history. Each book is a collection of longish short stories, spanning time from the 1400s to the 1950s (when the books were written).
Lofts shows heartbreak lingering for centuries, haunting the house. A later character feels despair in certain rooms. They don’t know why, but the reader is spookily aware of the reason. Books for everyone who’s ever wondered, "What happened here in this place?"
The first volume of a trilogy set in Suffolk and spanning five centuries of a family's history. In 1391 Martin Reed was bound to the soil by the feudal system, but his resentment flared in open defiance and, encouraged by the woman he loved, he broke free to begin a new life.
