I have researched and observed attempts to map, enhance, and control biological human bodies since I was a teenager. I was always interested in how people described and related to themselves as biological creatures. As part of that, I was fascinated by attempts to talk about the human body with other words than the strict biological, both by poets, artists and by, entrepreneurs, and scientists. As a researcher in cultural studies, I concentrate on different ways to understand ourselves as biological creatures and on imaginaries about (bio)technology and how these dreams about what technology can do affect our self-understanding.
The book is better than the movie, and the movie is amazing. I love how the author manages to create a dense feeling of female suffocation, gaslighting, hallucination, panic, satanism, conspiracies, deception, and paranoia while simultaneously describing the ordered and neat lives of New York City's emerging glitterati through detailed descriptions of the housewife’s sphere of choosing the right material of towels and the right hue of wallpaper when nesting.
Rosemary’s personal limits and borders, both physical and psychological, are challenged as she becomes a vessel of something unknown, but only unknown to her. An amazingly dense yet easily accessible book.
'The Swiss watchmaker of the suspense novel' Stephen King
Rosemary Woodhouse and her struggling actor-husband, Guy, move into the Bramford, an old New York City apartment building with an ominous reputation and only elderly residents. Neighbours Roman and Minnie Castavet soon come nosing around to welcome them; despite Rosemary's reservations about their eccentricity and the weird noises that she keeps hearing, her husband starts spending time with them. Shortly after Guy lands a plum Broadway role, Rosemary becomes pregnant, and the Castavets start taking a special interest in her welfare.
As the sickened Rosemary becomes increasingly isolated, she begins to…
When you finish the book, you may feel a bit unsure whether this was a magical tale or an account of reality. However, it is actually a rather detailed account of the period (1953–1970) in scientific history when the information age found its way into biology. This was a time when metaphors migrated from the realm of computing to descriptions of the human biological body.
Conducting new research requires new languages to test novel ideas and explore new perspectives. This fascinating subject is described in great detail in this book without ever becoming dry. As a researcher, I can attest that this is not easy to achieve.
This is a detailed history of one of the most important and dramatic episodes in modern science, recounted from the novel vantage point of the dawn of the information age and its impact on representations of nature, heredity, and society. Drawing on archives, published sources, and interviews, the author situates work on the genetic code (1953-70) within the history of life science, the rise of communication technosciences (cybernetics, information theory, and computers), the intersection of molecular biology with cryptanalysis and linguistics, and the social history of postwar Europe and the United States.
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
I love how the author’s biological poetry, saturated with dampness, meets the attempts to control deep fear in this book. Rational meets magic, science meets mystery, curiosity meets fear, and the reader is caught in between in a microclimate where it is hard to get oxygen through the thickets of words. It is a bit like walking in a terrarium of words where invisible fungi and spores affect you without your awareness of how and also not what it will lead to. The story is, in my opinion, subordinate to the brilliant use of words.
The most striking, long-lasting impression of the book is how the antagonists are forced into being parts of an ecosystem and gradually adapt to the location despite vain protests. As such, this book can also be read as an allegory of any situation where freedom is circumscribed, and you have to adapt against your will to survive.
THE FIRST VOLUME OF THE EXTRAORDINARY SOUTHERN REACH TRILOGY - NOW A MAJOR MOTION PICTURE WRITTEN AND DIRECTED BY ALEX GARLAND (EX MACHINA) AND STARRING NATALIE PORTMAN AND OSCAR ISAAC
For thirty years, Area X has remained mysterious and remote behind its intangible border - an environmental disaster zone, though to all appearances an abundant wilderness.
The Southern Reach, a secretive government agency, has sent eleven expeditions to investigate Area X. One has ended in mass suicide, another in a hail of gunfire, the eleventh in a fatal cancer epidemic.
I read this book as a teenager and had never read anything like it before. I did not even know it was possible to write books like this. Decades later, in 2025, you can read this as an example of the postmodernist, nonchalant assemblage style, an allegory of Russian politics in the 80s and early 90s, an absurdist Kafkaesque piece full of black humor—or best of all, as all three at the same time.
Regardless of how it is interpreted, the author's seamless transition between different scales is the most mind-opening aspect to me. The antagonists are first human but are seamlessly described as insects, and then the narrative seamlessly shifts back again.
Set in a crumbling Soviet Black Sea resort, The Life of Insects with its motley cast of characters who exist simultaneously as human beings (racketeers, mystics, drug addicts and prostitutes) and as insects, extended the surreal comic range for which Pelevin's first novel Omon Ra was acclaimed by critics. With consummate literary skill Pelevin creates a satirical bestiary which is as realistic as it is delirious - a bitter parable of contemporary Russia, full of the probing, disenchanted comedy that makes Pelevin a vital and altogether surprising writer.
This is the fourth book in the Joplin/Halloran forensic mystery series, which features Hollis Joplin, a death investigator, and Tom Halloran, an Atlanta attorney.
It's August of 2018, shortly after the Republican National Convention has nominated Donald Trump as its presidential candidate. Racial and political tensions are rising, and so…
If you want to keep abreast of the complex developments within recent biotechnology and especially synthetic biology, this is a very good read. In a comprehensive, informative, and yet personal manner, the authors give a recap and a diagnosis of the current status of this field and the emerging biotech market that they predict will be the next big business. And I agree.
The question is not if this will happen but how. This book comprehensively highlights some of the significant challenges that market-driven biological tinkering and data gathering will pose to humanity in terms of equality, ethics, human rights, and more.
As humans in 2025, we should all be aware of what is written in this book to have a chance to shape our lives as we wish or in order to understand the dilemmas our children will face.
Synthetic biology is the technique that enables us not just to read and edit but also write DNA to program living biological structures as though they were tiny computers. Unlike cloning Dolly the sheep-which cut and copied existing genetic material-the future of synthetic biology might be something like an app store, where you could download and add new capabilities into any cell, microbe, plant, or animal.
This breakthrough science has the potential to mitigate, perhaps solve, humanity's immediate and longer-term existential challenges: climate change; the feeding, clothing, housing, and caring for billions of humans; fighting the next viral outbreak before…
The biohacking and transhumanist communities are present in every country but look a little different depending on the culture in which they emerge. Sweden is an exceptionally techno-optimistic country, with little negative discussion about new technology and a strong willingness to adopt it early.
When the idea of implanting microchips in hands arrived in Sweden in 2014, it was immediately embraced by the transhumanist faction of the Swedish biohacker community and was broadly and uncritically presented in official discourse and in the media as a great technology of the future. This book tells the story of what happened in Sweden when the chips came, and politicians and enterprises capitalized on the buzz.
When an EMP brings down the power grid, Dr. Anna Hastings must learn what it means to be a doctor in a world deprived of almost all technology. She joins devoted father Mark Ryan and his young daughter on a perilous journey across a thousand miles of backcountry trails.
"Is this supposed to help? Christ, you've heard it a hundred times. You know the story as well as I do, and it's my story!" "Yeah, but right now it only has a middle. You can't remember how it begins, and no-one knows how it ends."
