Here are 100 books that The Talented Mr. Ripley fans have personally recommended if you like
The Talented Mr. Ripley.
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I’ve written and script edited in a lot of different genres, from factual drama to sitcom, children’s TV to fantasy. I’ve always loved spy stories, and I’ve always wanted to write one. Recently, at the University of East Anglia I studied for an MA in Crime Fiction, and that’s where I finally got the chance to study espionage and write a spy novel myself. I hope you enjoy my selection of books if you haven’t already read them. Or even if you have. They’re all so good that I feel like re-reading them right now.
This is a non-fiction book but it reads like a novel and explores one of the great mysteries of the spy world: how on earth did Kim Philby manage to betray not only his country but also his friends over so many years?
A former spy I had the privilege of interviewing described Philby as a shit, so maybe there’s the answer. I think this is a terrific read, and although Macintyre probably isn’t a spy, like Deighton, he knows them.
Kim Philby was the most notorious British defector and Soviet mole in history. Agent, double agent, traitor and enigma, he betrayed every secret of Allied operations to the Russians in the early years of the Cold War.
Philby's two closest friends in the intelligence world, Nicholas Elliott of MI6 and James Jesus Angleton, the CIA intelligence chief, thought they knew Philby better than anyone, and then discovered they had not known him at all. This is a story of intimate duplicity; of loyalty, trust and treachery, class and conscience; of an ideological battle waged by men with cut-glass accents…
Hired to track down Finley, the missing boyfriend of tech worker Truax, investigator Slater Ibáñez soon discovers that the job isn’t really what he was asked to do.
The search for Finley leads him to an arcane book and the flying-saucer subculture, where a deep dive takes Slater out into…
I am a professor of history who specializes in the United States and the Cold War. A large part of my job involves choosing books that are informative, but that the students will actually want to read. That means I often select novels, memoirs, and works of history that have compelling figures or an entertaining narrative. After more than twenty years of teaching, I’ve assigned many different books in my classes. These are the ones that my students enjoyed the most.
I was immediately drawn to the suspense of this book. The novel begins at the Berlin Wall, where British intelligence agent Alec Leamas helplessly watches as East German guards murder his colleague.
As I followed the elaborate British plan to get revenge on an East German official, I had the nagging feeling that I was missing something. When I finally got to the end, I realized that I had been duped—much like many of the characters in the novel.
From the New York Times bestselling author of Tinker, Tailor, Soldier, Spy; Our Kind of Traitor; and The Night Manager, now a television series starring Tom Hiddleston.
The 50th-anniversary edition of the bestselling novel that launched John le Carre's career worldwide
In the shadow of the newly erected Berlin Wall, Alec Leamas watches as his last agent is shot dead by East German sentries. For Leamas, the head of Berlin Station, the Cold War is over. As he faces the prospect of retirement or worse-a desk job-Control offers him a unique opportunity for revenge. Assuming the guise of an embittered…
I started reading thrillers when I was twelve—Grisham, Patterson, anything I could get my hands on. I learned quickly that in those stories, men were the ones doing the saving. They had the adventures; women were either the obstacle or the one being rescued. That’s why I love where the genre is now. I get to read stories where women take control—sometimes saving the day, sometimes going further than they probably should. It’s changed how I read, and honestly, it’s shaped how I think about storytelling. These are the kinds of books that made me want more—and made me want to be part of that shift.
I have a sister—a twin, actually—and I would do anything for her.
But if she murdered someone… would I cover it up? I couldn’t stop asking myself that while reading this, even as I found myself laughing at how effortlessly funny it is. Ayoola’s total indifference is what hooked me—she doesn’t question herself, doesn’t spiral, she just acts, and there’s something unsettlingly magnetic about that.
And Korede, fully aware and still complicit, pushed me to think about how far love can stretch before it turns into something else entirely. It’s bright, biting, and way more layered than it first appears, and I couldn’t get enough of that tension between devotion and control.
Sunday Times bestseller and The Times #1 bestseller
Longlisted for the Booker Prize 2019 Shortlisted for the Women's Prize for Fiction 2019 Winner of the 2019 LA Times Award for Best Crime Thriller Capital Crime Debut Author of the Year 2019 __________
'A literary sensation' Guardian
'A bombshell of a book... Sharp, explosive, hilarious' New York Times
'Glittering and funny... A stiletto slipped between the ribs and through the left ventricle of the heart' Financial Times __________
When Korede's dinner is interrupted one night by a distress call from her sister, Ayoola, she knows what's expected of her: bleach, rubber…
If you’re intrigued by the psychology of relationships this is the novel for you.
Described as a modern-day Rebecca, this is a story of a bereaved man’s obsession with his deceased married lover, Michelle. Determined to find out all he can about Michelle’s life when she wasn’t with him,…
I write thrillers full-time these days, but for many years, I was a writer and editor at publications that take reporting and fact-checking seriously. I still strive for accuracy in my novels—which always involve violence. As a Brazilian Jiu Jitsu black belt, the mechanics and psychology of close-quarters combat are things I think about daily. This is not to say that you need to rob banks to write a heist scene. And while technical knowledge is helpful, there’s no substitute for close noticing of what happens to our bodies and minds in extreme situations. Here are some books (and one screenplay) which do that incredibly well.
This is the book that made me want to be a novelist. I stole it off my dad’s shelf when I was 11—way too young to be reading about the seedy, violent, sex-fueled underbelly of 1970s counterculture. It’s the story of the an American journalist covering the war in Vietnam who gets the bright idea to smuggle heroin to California. I read it at least once a year, and it gets better every time.
Near the end of the book, an ex-Marine named Ray Hicks flees into the desert with the heroin on his back, gut-shot and bleeding out. The scene, masterfully intercut with hallucinations and memories from Hicks’s childhood, was clearly the inspiration for Frank Semyon’s death in Season Two of True Detective. My advice? Read this book instead.
In Saigon during the last stages of the Vietnam War, a small-time journalist named John Converse thinks he'll find action - and profit - by getting involved in a big-time drug deal. But back in the States, things go horribly wrong. His courier disappears, probably with his wife, and a corrupt Fed wants Converse to find him the drugs, or else.
Dog Soldiers is a frightening, powerful, intense novel that perfectly captures the underground mood of the United States in the 1970s, when amateur drug dealers and hippies encountered the violent world of cops on the make and professional killers.
I’ve been hooked on crime fiction since I was old enough to heft around the collected adventures of Sherlock Holmes, and the older I get, the more I appreciate funny books about the excruciating ways that people interact with each other. I also love a book that does two things well, so a crime novel/comedy of manners is about the best reading experience I can imagine.
I’ve read this book multiple times over various stages of my life, and I find it funnier and funnier (and more and more impressive) the older I get.
This novel has so much going on: yes, technically it’s a Western, but it’s also a crime novel about the corrosive power of revenge, a buddy comedy about a fourteen-year-old girl and an over-the-hill U.S. Marshal, an oddball historical novel, and a meditation on youth and morality.
And more things, probably, that I’ll spot next time I inevitably pick it up again.
There is no knowing what lies in a man's heart. On a trip to buy ponies, Frank Ross is killed by one of his own workers. Tom Chaney shoots him down in the street for a horse, $150 cash, and two Californian gold pieces. Ross's unusually mature and single-minded fourteen-year-old daughter Mattie travels to claim his body, and finds that the authorities are doing nothing to find Chaney. Then she hears of Rooster - a man, she's told, who has grit - and convinces him to join her in a quest into dark, dangerous Indian territory to hunt Chaney down…
My favorite novels explore the workings of the human psyche. I want to finish a book thinking Damn, that was a good read—and realize only later that I learned something about psychology, medicine, or history. There are dozens of writers I'd like to add to my list, but these are the five I'd choose if I were stranded on a desert island and allowed to take just five books. Sure, I go dark—the human mind is dark; human history is dark. But there must be beauty to balance the darkness, whether that beauty is in the plot and characterizations, or simply in the elegant use of language.
Everything Sarah Waters writes is great, but this one is my favorite.
Waters is highly literary—her command of language and vocabulary is impressive—yet she is not afraid to roll around in the mud as her characters engage in petty deception, then...larger crimes.
Set in the early 1920's, the story is as alive and real and immediate as if it were happening right now. I love the way Waters includes plenty of historical details, from language to furniture and architecture, but she never gets lost in it—her characters are real and nuanced and very human. They are driven by need, greed, lust, anger—the real emotions that often trigger violent crimes.
This novel from the internationally bestselling author of The Little Stranger, is a brilliant 'page-turning melodrama and a fascinating portrait of London of the verge of great change' (Guardian)
It is 1922, and London is tense. Ex-servicemen are disillusioned, the out-of-work and the hungry are demanding change. And in South London, in a genteel Camberwell villa, a large silent house now bereft of brothers, husband and even servants, life is about to be transformed, as impoverished widow Mrs Wray and her spinster daughter, Frances, are obliged to take in lodgers.
I am a queer writer who lovers to read and write mystery and crime fiction. The history of these genres is often full of homophobic stereotypes and scapegoating of queer characters. While I think it’s important to show queer characters as flawed, I also want to make sure to celebrate the contributions of queer writers to these messy, wonderful genres.
This book deserves all the comparisons to Patricia Highsmith’s The Talented Mr. Ripley—but despite the similarities of the setting and genre, it’s so much more than an imitation.
The story is unique and unbearably tense. While I read, I felt like I was watching a Hitchcock movie: the dread and apprehension felt so palpable and painful that I had to keep reading because I couldn’t stand not knowing how it would turn out.
An L.A. Times Book Prize Finalist | An O Magazine Best Book of the Year
“Stylish… a compelling take on the eternal question of how good people morph into criminals. Terrific.”—People, Book of the Week
From the author of The Destroyers comes an "intricately plotted and elegantly structured" (Newsday) story of intrigue and deception, set in contemporary Venice and featuring a young American couple who have set their sights on a risky con.
When Nick Brink and his boyfriend Clay Guillory meet up on the Grand Canal in Venice, they have a plan in mind—and it doesn’t involve a vacation.…
I’m a historical mystery writer, English teacher, and book reviewer for Lambda Literary. I love to write and explore buried and forgotten histories, particularly those of the LGBTQ+ community. Equally, I’m fascinated by the ways in which self-understanding eludes us and is a life-long pursuit. For that reason, as a reader, I’m attracted to slow burn psychological suspense in which underlying, even subconscious, motivations play a role. I also love it when I fall for a character who, in life, I’d find corrupt or repulsive.
One of the qualities of mystery fiction that continues to draw me to the genre is the complex interplay between past and present. Nava’s 8th Rios novel utilizes separate narrative lines that resonate and then, like a parallel perspective drawing, converge in a powerful emotional twist. The first line is the story of Bill Ryan, a young gay man who, after being cast out of his home in Illinois, flees to 1970s San Francisco to discover himself and the gay community. The second line is Rios’s recovery from alcoholism and his investigation of Ryan’s suspicious death during the beginning of the AIDS epidemic. Ryan and Rios serve as foils: Ryan is a man losing the war with his self-loathing. Rios, in contrast, is winning his war.
November, 1984. Criminal defense lawyer Henry Rios, fresh out of rehab and picking up the pieces of his life, reluctantly accepts work as an insurance claims investigator and is immediately is assigned to investigate the apparently accidental death of Bill Ryan. Ryan, part of the great gay migration into San Francisco in the 1970s, has died in his flat of carbon monoxide poisoning from a faulty gas line, his young lover barely surviving. Rios’s investigation into Ryan’s death–which Rios becomes convinced was no accident–tracks Ryan’s life from his arrival in San Francisco as a terrified 18-year-old to his transformation into…
I was born and grew up in Seoul. My bestselling debut novel has been longlisted for the 2024 Women’s Prize for Fiction and the 2024 Wilbur Smith Adventure Writing Prize and shortlisted for the 2024 William Saroyan International Prize for Writing. My book is inspired by my great-aunt, one of the oldest women who had escaped alone from North Korea. It is available from Harper Perennial in the U.S. and Virago in the UK. The novel’s translations continue to meet readers worldwide, including in Italy, Romania, Greece, Denmark, Spain, Switzerland, and South Korea.
Eileen is one of the most twisted and unconventional literary heroines I’ve ever read. Behind her quiet demeanor and dull face hides her mind, which is like a killer’s, always furious and seething.
While working at a juvenile correctional facility, Eileen meets Rebecca, another key character far removed from most women of their generation. Seductive and deceitful, Rebecca cajoles Eileen into joining her act of crime–a violent, underhanded plan to restore her idea of justice.
Shortlisted for the 2016 Man Booker Prize and chosen by David Sedaris as his recommended book for his Fall 2016 tour.
So here we are. My name was Eileen Dunlop. Now you know me. I was twenty-four years old then, and had a job that paid fifty-seven dollars a week as a kind of secretary at a private juvenile correctional facility for teenage boys. I think of it now as what it really was for all intents and purposes-a prison for boys. I will call it Moorehead. Delvin Moorehead was a terrible landlord I had years later, and so to…
I am drawn to books in which family history is never as simple as it first appears. I have always loved fiction about memory, silence, and the choices people make when they discover that something they believed about their past was not entirely true. As a novelist, I keep returning to these themes because I am fascinated by the way family stories shape who we become. I am especially interested in women who have to rebuild their sense of themselves when old explanations stop making sense. The books on this list stay with me because they do more than reveal secrets; they show what happens after the truth is known.
I first loved Rebecca for its atmosphere, but what stayed with me was something more unsettling: how completely another person’s version of the past can shape the present.
I remember finishing it and thinking about how easily we accept a story when everyone around us seems to believe it. As a writer, I keep returning to that idea.
Du Maurier showed me that an absence can dominate a novel as powerfully as a living character, and that what people refuse to say can matter as much as what they reveal. That has stayed with me in my own writing about memory, silence, and family secrets.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
