36 Books Like The Town House

I’ve become fascinated with the unconventional tumultuous world of the 1920s ever since I discovered my grandmother’s box of mementos that led to my debut historical fiction, Whistling Women and Crowing Hens. The lesser-known parts of our country’s history draw me in, and the potential for strong female characters keeps me writing. Before I fell down many research rabbit holes, I thought the 1920s were just speakeasies, fringed flappers, and bathtub gin—while entertaining, it’s only the “big city” side of this transformative decade. I’ve found I prefer reading what everyday townspeople experienced, or how “normal” women became unexpected heroes, or ways people persevered after the turmoil WWI caused. There are so many undiscovered stories to be told!

I’ve been an avid reader since I was a child, and my favorite protagonists are readers and writers. The Kansas tallgrass prairie horizons where I grew up fueled my imagination, and I wanted to write like the girls in my novels. I discovered Anne of Green Gables as a teen, and since then, I’ve researched, published, and presented on the book as a quixotic novel. As a creative writer, my own characters are often readers, writers, librarians, book club members, and anyone who loves a good tale. I hope you enjoy the books on my list as much as I do each time I return to them.

When I started writing historical mysteries, I made my sleuth posh so she would have the spare time and the spare money to go racketing about solving crimes. But I’m not posh (at all) and so, when I’m thinking about earlier times, I never imagine I’d be in the fringed flapper dress, or on the fainting couch. I always assume I’d be down in the basement, grating a block of lye soap to scrub the soot off something. I think that’s why I’m so endlessly interested in how the grunt work gets done.

When I started writing historical mysteries, I made my sleuth posh so she would have the spare time and the spare money to go racketing about solving crimes. But I’m not posh (at all) and so, when I’m thinking about earlier times, I never imagine I’d be in the fringed flapper dress, or on the fainting couch. I always assume I’d be down in the basement, grating a block of lye soap to scrub the soot off something. I think that’s why I’m so endlessly interested in how the grunt work gets done.

I’ve been fascinated by haunted houses and the lore behind them ever since childhood. I spent my summers walking our neighborhood cemetery and devouring novels by Stephen King, Dean Koontz, and Shirley Jackson. It was only natural, then, that my debut novel had to be a haunted house story—my own love letter to the genre. Having lived in a haunted house myself, the experiences I had within those walls did little to discourage my fascination with the paranormal. While I may have left my ghosts behind me, you can still sense their lingering presence inside Parting the Veil.

I didn’t enjoy my first degree in Modern History and Political Science and it took twenty-five years and another MA in Women’s History, Gender, and Society, before my enthusiasm was rekindled. I’ve always believed it’s important to know where we come from, as well as the history of our country, and I don’t just mean wars, laws, and politics – but the lives of ordinary people, men, women, and children, because finally, we discover that our hopes, aspirations, and challenges are not so very different to the people who lived 500 years ago. I’m also passionate about the reality of women’s lived experience in all periods of history.

Ever since I can remember, I wanted to be a ghostbuster. I was the kid with the stack of ghost books and horror film obsession, sparked full of adrenaline and excitement. I knew about ouija boards and poltergeists before I knew my times tables and even now - older, more cynical, less drawn to graveyards - I still feel that same thrill when I am holding a horror novel in my hands. I write about discomfort, about fear. I’m well-acquainted with it. I like the feeling of being unnerved and want to evoke that in the stories I tell and the ones I read, like the books below. Hope you enjoy! 

I have lived in North Norfolk for more than thirty years and grown to love its creeks, dunes, crumbling cliffs, and atmospheric church towers. I’ve spent years working in a shed in the garden of my remote flint cottage (originally built as a hovel), writing features for national newspapers and magazines. I’ve visited grand old mansions with eccentric aristocratic owners; become familiar with the setting for L.P. Harley’s The Go-Between; been fascinated by the steam trains and railways that once linked ocean and fen; listened to skeins of geese flying overhead each winter; and been transported by the spiritual dimension in the vast horizontals of land, sea, and sky. 

I am a registered nurse, author, and dementia daughter. As a nurse and hospital case manager, I spent many years caring for people living with dementia and their families. This inspired me to write a novel, Blue Hydrangeas, an Alzheimer’s love story. I soon encountered difficulties marketing my book. I reached out to two other dementia daughters I’d met online who had also written books on the subject from personal experience and together we founded the non-profit organization AlzAuthors.com. Our mission is to carefully vet resources – stories of personal caregiving – to help busy caregivers find the information and inspiration they need for their own journeys. To date, we are 300+ authors strong.

Atmosphere can play a critical role in crime fiction, and I always find the most satisfying and memorable stories convey a strong sense of place. My own mysteries are set in the Thousand Islands, where many residents live in island homes built by gilded age titans of industry, and this setting is integral to Death in the Family and the entire Shana Merchant series. For twenty years I’ve been a regular visitor to the area, which extends from Upstate New York to Ontario, Canada. The human dangers in my books may be imagined, but the remote and rugged nature of the region always contributes to my contemporary, Agatha Christie-style plots.