Here are 52 books that The Last Witch of Scotland fans have personally recommended if you like
The Last Witch of Scotland.
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Maybe it’s something about my training as a newspaper journalist, but I have a real affinity for the untold story and the wrongly accused. I wrote many stories as a cops and courts reporter, and profiled both saints and sinners. I learned that it’s easy for the outsider to be made into the villain. (Cue: “When You’re Strange” by The Doors.) I’m particularly interested in historical fiction where we can reconsider people who’ve been turned into monsters. When I learned that the Macbeth play that I loved was far from the truth, I was launched into a decades-long writing project.
I became enthralled by Claudius through the TV drama starring Derek Jacobi, but later came to the novels.
A stammering, reclusive young man dismissed as a fool, the bookish Claudius is all of us who watch from the wings, hoping not to draw attention to ourselves. He manages to outlive others, including Tacitus and Caligula, to succeed to the imperial purple.
Graves is a noted historian who drew on Plutarch, Suetonius, and Tacitus for his portrayal. His books on ancient cultures and religions were among many that I devoured in my research.
A work of historical fiction which recreates the life and times of Emperor Claudius, who lived from 10 BC to AD 41, a time when poisoning, blasphemy, treachery, incest and unnatural vice were commonplace. From the author of CLAUDIUS THE GOD AND HIS WIFE MESSALINA.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Maybe it’s something about my training as a newspaper journalist, but I have a real affinity for the untold story and the wrongly accused. I wrote many stories as a cops and courts reporter, and profiled both saints and sinners. I learned that it’s easy for the outsider to be made into the villain. (Cue: “When You’re Strange” by The Doors.) I’m particularly interested in historical fiction where we can reconsider people who’ve been turned into monsters. When I learned that the Macbeth play that I loved was far from the truth, I was launched into a decades-long writing project.
I had the great pleasure of studying with Jane Alison during my MFA at Queens University of Charlotte, and so as a diligent student, I, of course, read her books. As a poet as well as a novelist, I was captivated by the lyricism in this depiction of the Roman poet who gave us the Metamorphoses.
A different twist on historical retelling, this book is based on Ovid’s banishment to a miserable backwater far from his beloved Rome and his encounter with a fictional Black Sea enchantress. Alison built an incredible character in Xenia, a woman of power, a muse, and maybe Ovid’s match.
A darkly brilliant first novel imagines a missing chapter in the life of Ovid. Why was Ovid, the most popular author of his day, banished to the edges of the Roman Empire? Why do only two lines survive of his play Medea, reputedly his most passionate work, and perhaps his most accomplished? Between the known details of the poets life and these enigmas, Jane Alison has interpolated a haunting drama of passion and psychological manipulation. On holiday in the Black Sea, on the fringes of the Empire, Ovid encounters an almost otherworldly woman who seems to embody the fictitious creations…
I grew up without a TV (well, we had a monitor for movies), so we spent a lot of time as a family reading. And the novels that I gravitated more and more towards were ones with psychological themes. It didn’t matter if they were modern or ancient; if they got at something unexplainable (or even explainable) about the human psyche, about what motivates us to behave in the ways that we do—especially if those behaviors are self-destructive—I wanted to read them. And I still do.
It’s rare that I find a book that plunges me so deeply into the psychology of a character.
Grace is the protagonist of Alias Grace. She’s cunning. She’s bold. She’s possibly a murderess. The most fascinating aspect of Grace to me is that she is based on a real-life character from Canada in the mid-1800s.
Throughout the whole book, I kept wondering about her—not just the fictional character, but the real one too—was this what she was really thinking? Was this how she really behaved?
I found her voice in the novel to be absolutely undeniable. You want to believe everything she says, but at the same time, you mistrust her...
Sometimes I whisper it over to myself: Murderess. Murderess. It rustles, like a taffeta skirt along the floor.' Grace Marks. Female fiend? Femme fatale? Or weak and unwilling victim? Around the true story of one of the most enigmatic and notorious women of the 1840s, Margaret Atwood has created an extraordinarily potent tale of sexuality, cruelty and mystery.
'Brilliant... Atwood's prose is searching. So intimate it seems to be written on the skin' Hilary Mantel
'The outstanding novelist of our age' Sunday Times
Trapped in our world, the fae are dying from drugs, contaminants, and hopelessness. Kicked out of the dark fae court for tainting his body and magic, Riasg only wants one thing: to die a bit faster. It’s already the end of his world, after all.
Maybe it’s something about my training as a newspaper journalist, but I have a real affinity for the untold story and the wrongly accused. I wrote many stories as a cops and courts reporter, and profiled both saints and sinners. I learned that it’s easy for the outsider to be made into the villain. (Cue: “When You’re Strange” by The Doors.) I’m particularly interested in historical fiction where we can reconsider people who’ve been turned into monsters. When I learned that the Macbeth play that I loved was far from the truth, I was launched into a decades-long writing project.
Among the many detective shows, I’ve loved “Murdoch Mysteries” for its cheeky take on Canadian history and policing. You’ll find that this story collection for Young Adult readers takes a similar approach.
The fictional detective is shown in his youth, already solving mysteries and interacting with both famous fictional villains and historical figures. I read many of these stories–nearly all published in Black Cat Weekly–in manuscript, returning the favor as Sirois is a writing friend, a longtime beta reader, and even designed a cover for one of my novels.
Sherlock Holmes is one of the most famous characters in literature, but Conan Doyle told us essentially nothing about him as a child and teenager. Drawing on canon (and adding some new things), I have in these stories speculated about his formative years and what events might have led him to devote his life to becoming a consulting detective. Being a fantasist by nature, I’ve indulged myself by bringing in characters and “history” from works by other authors. I can’t tell you how much fun it was to write these stories.
When I first visited Scotland, I drove north from Edinburgh, driving through much of the country to catch a ferry to Orkney. This northern archipelago is certainly one of the most magical places I’ve ever been to; the steep sea cliffs and standing stones, windblown grasses, and violent waves put me in a gothic state of mind. I moved to Scotland a few years later to live by the sea. Since that first visit to Orkney, I’ve written my own Scottish gothic novels, as well as presented research on the gothic at various academic conferences. It’s a topic that I’m certain will compel me for a long time to come.
Fray is such an unexpected novel. It’s presented as a sort of ‘missing person mystery,’ but it’s actually quite an experimental and literary novel.
The whole story, written in often surreal fragments, takes place in the Scottish wilderness and is rife with unforgettable imagery. Ultimately, it’s a story about grief, and the fragmented narrative style perfectly suits this theme.
I’m a Professor of Creative Writing at York St John’s University in York, UK. I’ve been published as a poet, novelist, and nonfiction writer. My list reflects perhaps some eclectic tastes, but what unites these books is a fascination with engaging with the world in a way that de-centers the human, and I have done this throughout my writing career. I love the natural world, growing plants, and watching the seasons change. I am also curious about time and memory and how we perceive these. I am drawn towards science fiction, but more the speculative end of that spectrum, where writers explore otherness and possible worlds.
Another alien novel, but one of the strangest and most profound I’ve read. Isserly drives around in her van in the wilds of Scotland, picking up hitchhikers. But she is no ordinary woman; in fact, she isn’t human at all, but a modified alien tasked with finding humans to be turned into fast food for an alien world.
It is a darkly ironic, strange, and disturbing novel that asks questions about how we treat animals, cleverly reversing its language to refer to humans as aliens and aliens as humans. It felt to me that this book was able to touch on many of the evils of capitalism, not just mass farming but also the treatment of women and women’s bodies. But it doesn’t do this in an obvious way.
It’s an alien novel that’s low on overt science fiction; it’s gritty and real, emotional and lonely. I wasn’t the same…
Everyday Medical Miracles
by
Joseph S. Sanfilippo (editor),
Frontiers of Women from the healthcare perspective. A compilation of 60 true short stories written by an extensive array of healthcare providers, physicians, and advanced practice providers.
All designed to give you, the reader, a glimpse into the day-to-day activities of all of us who provide your health care. Come…
There’s nothing I love more than a good thriller, especially one with a locked room setting. I’m fascinated by how people react to psychological pressure, and what it would take for any of us to behave in extreme ways. With The Elevator, I wanted to push that locked room scenario to its limits: two characters, trapped together in a tiny space. This might also be the book that’s been gestating inside me for longest – my mum was trapped in a lift when she was pregnant with me! I hope some of the books on this list appeal to you, and that you enjoy them as much as I did.
This is another chiller thriller, set in a remote hotel in the Scottish Highlands. (Note to self: only holiday in Scotland in the summer!)
The hotel is closed to guests, and Rennie Yorke is working what should be her final shift when a storm blows in and seals off her exit. But she’s not alone for long – an injured man arrives at the door, claiming to be a police officer who was transporting a dangerous prisoner when his car crashed, and the prisoner escaped. Rennie lets him in – but shortly afterward another man arrives, making the same claim.
It’s a brilliant hook, and I was completely immersed in trying to work out who was telling the truth and who was lying.
Remie Yorke has one shift left at the Mackinnon Hotel in the remote Scottish Highlands before she leaves for good. Then Storm Ezra hits.
As temperatures plummet and phone lines go down, an injured man stumbles inside. PC Don Gaines was in a terrible accident on the mountain road. The only other survivor: the prisoner his team was transporting.
When a second stranger arrives, Remie reluctantly lets him in from the blizzard. He, too, is hurt. He claims to be a police officer. His name is also Don Gaines.
Horror was never something that appealed to me when I was younger. However, in adulthood, I realised the fascination of the unsettling. As I began writing, I realised that true horror is not all about monsters and gore but about breaking our everyday complacency and realising the possibility that the world is bigger than us and how we are unprepared to deal with it. This is why I write horror. Not to shock you with a jump-scare, but you leave you thinking about my words long after the lights have gone out.
One night, a gaunt woman stumbles into the road in front of Lauren and her father. They take her home, but the next day she is gone, and only Lauren can remember she was ever there.
The best supernatural horror works because it reflects the terrors of real life. Francine Toon’s Pine is the story of Lauren, a young girl growing up in rural Scotland with an alcoholic father and only the memory of a mother who disappeared when she was a child.
And while the supernatural is always present, it is the isolation and actions of the living that create true horror.
WINNER of the McIlvanney Prize 2020 Shortlisted for Bloody Scotland's Scottish Crime Debut of the Year 2020 Longlisted for the Highland Book Prize 2020
'Hugely atmospheric, exquisitely written and utterly gripping' LUCY FOLEY, author of The Hunting Party 'It's both eerie and thrilling at once, and had me under its spell until the end' SOPHIE MACKINTOSH, author of Blue Ticket and The Water Cure ______________
They are driving home from the search party when they see her. The trees are coarse and tall in the winter light, standing like men.
Lauren and her father Niall live alone in the Highlands,…
I spent the majority of my twenties living and working abroad, and I've always been a sucker for a love story that crosses borders. I met my husband while living and working in Turkey, and now I write lighthearted romance novels inspired by the idea that you don't have to choose between catching flights or catching feelings - why not both? While I'm doing less traveling these days, I feel like I still get to experience different countries, cultures, and settings thanks to so many wonderful books that feel like vacations.
I adored the premise of this novel so much—a wee Scottish cafe needs a volunteer to come run it? Yes, please.
The setting was utterly delightful, and I just love a small town full of colorful characters. It made me want to travel back to Scotland as soon as possible.
In this steamy tale by USA Today bestselling author Meghan Quinn, an American searching for her purpose escapes to a Scottish town but finds more questions than answers when she meets a brooding yet handsome handyman.
Freshly fired from her third job in a row, Bonnie St. James has lost her way. So when she and her best friend stumble upon a "help wanted" post to run a coffee shop in the Scottish Highlands, they apply on a whim. Who knows? Maybe traveling to a new place is just what she needs to figure out her next move.
Karl's War is a coming-of-age-meets-thriller set in Germany on the eve of Hitler coming to power. Karl – a reluctant poster boy for the Nazis – meets Jewish Ben and his world is up-turned.
Ben and his family flee to France. Karl joins the German army but deserts and finds…
I am a Scottish writer and have long loved books from and about Scotland. But I would love to see more written about the working-class Scottish experience from women’s perspective as I think that would lead to less focus on the violence and poverty that is featured in so many contemporary Scottish books from male authors. There is so much joy in the Scottish working-class experience – a pot of soup always on the stove in someone’s kitchen, the stories, the laughter, a community that cares for their own. Let’s see more of that, and more stories from and about Scottish working-class women.
Scabby Queen opens with the death by suicide of Clio Campbell, at different times a popstar, a political activist, a lover of life.
The book stretches back five decades to tell her story, from different perspectives and jumping around between time periods. I really love that such a complicated, strong, and uncompromising woman gets to take centre stage in a story that is both political (poll tax riots, miners’ strikes, Brexit) and personal.
'Gripping and moving. A literary triumph' Nicola Sturgeon
'A humane and searching story' Ian Rankin
'Kirstin Innes is aiming high, writing for readers in the early days of a better nation' A.L. Kennedy
A NEW STATESMAN BOOK OF THE YEAR * A SCOTSMAN BOOK OF THE YEAR
Three days before her fifty-first birthday Clio Campbell - one-hit wonder, political activist, lifelong love and one-night-stand - kills herself in her friend Ruth's spare bedroom. And, as practical as she is, Ruth doesn't know what to do.
As the news spreads around Clio's collaborators and comrades, lovers and enemies, the story of…
