Here are 100 books that Alias Grace fans have personally recommended if you like
Alias Grace.
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I came to Montgomery, Alabama, in 1988 to serve as a law clerk for a prominent federal judge (played by Martin Sheen in the movie Selma). I was convinced that the death penalty could be justly administered, and seeing Ted Bundy’s final appeal did little to change my mind. Subsequent cases, however, slowly worked a change in my attitude as I saw an execution’s effect on everyone involved in the process. My passion comes from this behind-the-scenes look at capital punishment in America.
I was shaken to my core not only by Capote’s character study of two different yet partnered killers but also by his behind-the-scenes depiction of the death penalty process. For the first time, I began to see how capital punishment affects all those involved in its machinations.
The chilling true crime 'non-fiction novel' that made Truman Capote's name, In Cold Blood is a seminal work of modern prose, a remarkable synthesis of journalistic skill and powerfully evocative narrative published in Penguin Modern Classics.
Controversial and compelling, In Cold Blood reconstructs the murder in 1959 of a Kansas farmer, his wife and both their children. Truman Capote's comprehensive study of the killings and subsequent investigation explores the circumstances surrounding this terrible crime and the effect it had on those involved. At the centre of his study are the amoral young killers Perry Smith and Dick Hickcock, who, vividly…
Jo Jackson believes she has put behind her difficult childhood with a charismatic but sometimes violent father. One day, however, out of the blue, she is moved to write about him. Immediately she comes unstuck, face to face with things that don't add up, and a growing sense of mystery…
I came to Montgomery, Alabama, in 1988 to serve as a law clerk for a prominent federal judge (played by Martin Sheen in the movie Selma). I was convinced that the death penalty could be justly administered, and seeing Ted Bundy’s final appeal did little to change my mind. Subsequent cases, however, slowly worked a change in my attitude as I saw an execution’s effect on everyone involved in the process. My passion comes from this behind-the-scenes look at capital punishment in America.
I loved the balance between the anguish of the family of Gary Gilmore’s victims and his desire to be executed as soon as possible. I was moved by the desperate attempts of his self-appointed lawyers to delay his death, and I’m not sure I’ve ever answered the question for myself whether a killer’s wish to die should be respected.
Wouldn’t a life sentence be an even greater punishment?
In the summer of 1976 Gary Gilmore robbed two men. Then he shot them in cold blood. For those murders Gilmore was sent to languish on Death Row - and could confidently expect his sentence to be commuted to life imprisonment. In America, no one had been executed for ten years.
But Gary Gilmore wanted to die, and his ensuing battle with the authorities for the right to do so made him into a world-wide celebrity - and ensured that his execution turned into the most gruesome media event of the decade.
Maybe it’s something about my training as a newspaper journalist, but I have a real affinity for the untold story and the wrongly accused. I wrote many stories as a cops and courts reporter, and profiled both saints and sinners. I learned that it’s easy for the outsider to be made into the villain. (Cue: “When You’re Strange” by The Doors.) I’m particularly interested in historical fiction where we can reconsider people who’ve been turned into monsters. When I learned that the Macbeth play that I loved was far from the truth, I was launched into a decades-long writing project.
I became enthralled by Claudius through the TV drama starring Derek Jacobi, but later came to the novels.
A stammering, reclusive young man dismissed as a fool, the bookish Claudius is all of us who watch from the wings, hoping not to draw attention to ourselves. He manages to outlive others, including Tacitus and Caligula, to succeed to the imperial purple.
Graves is a noted historian who drew on Plutarch, Suetonius, and Tacitus for his portrayal. His books on ancient cultures and religions were among many that I devoured in my research.
A work of historical fiction which recreates the life and times of Emperor Claudius, who lived from 10 BC to AD 41, a time when poisoning, blasphemy, treachery, incest and unnatural vice were commonplace. From the author of CLAUDIUS THE GOD AND HIS WIFE MESSALINA.
Lerner's memoir of approaching adulthood in the mid-sixties is deliciously readable, but deceptively breezy. His family is affluent, his school engaging, his friends smart and fun. He has his first car, and drives with abandon. The American moment promises unlimited possibility. But political and cultural upheavals are emerging, and irresistible.…
I am a romantic; I live to love. My books Eve’s Blessing and Subjectified both help women build great sex and love lives. As a therapist and sex educator, I help people connect with their partners and build the relationships of their dreams. I am currently working on a romance novel with spiritual and psychedelic themes. I love books that introduce us to new worlds as we explore the inner world of each character.
This 1937 novel centers on a Black woman in the contemporary American South seeking to find freedom and love as she leaves her grandmother's farm to explore three romances.
In the process, she finds herself—and recovers it as a dark, shocking twist at the end creates a stumbling block she triumphantly surmounts.
Cover design by Harlem renaissance artist Lois Mailou Jones
When Janie, at sixteen, is caught kissing shiftless Johnny Taylor, her grandmother swiftly marries her off to an old man with sixty acres. Janie endures two stifling marriages before meeting the man of her dreams, who offers not diamonds, but a packet of flowering seeds ...
'For me, THEIR EYES WERE WATCHING GOD is one of the very greatest American novels of the 20th century. It is so lyrical it should be sentimental; it is so passionate it should be overwrought, but it is instead a rigorous, convincing and dazzling piece…
My interest in kids running their own world largely free of adult intervention probably began with reading Swallows and Amazons and carried on into writing my own book. I love how the kids become important, standing figures, taking on the role of adults while still being kids. It offers the kids an opportunity to take leading roles in their society while also becoming a vehicle by which to potentially explore the true nature of young people. There aren’t very many books that actually do this, and some of them are fairly obscure.
I read the entire series growing up, starting with this one, and to this day, I consider it the best book ever written. The story was so realistic yet exciting and had a wholesome family dynamic. It sparked an enthusiasm towards sailboats among me and my siblings.
The kids, leaving their parents behind to camp on an island, sailing across the lake, fighting mock wars—it was thrilling, and everything worked and made sense. The characters are distinctive and memorable, and all important to the story. Ransome is a genius, and every now and then, I return to this book and revel in my imagination once again.
The ultimate children's classic - long summer days filled with adventure.
John, Susan, Titty and Roger sail their boat, Swallow, to a deserted island for a summer camping trip. Exploring and playing sailors is an adventure in itself but the island holds more excitement in store. Two fierce Amazon pirates, Nancy and Peggy, challenge them to war and a summer of battles and alliances ensues.
'My childhood simply would not have been the same without this book. It created a whole world to explore, one that lasted long in the imagination after the final page had been read' - Marcus…
Ever had anyone say something about you with utter conviction that isn’t true? Have you ever looked at someone famous and thought their life looked perfect? Ever felt not enough because of the way you look? As a former Miss Universe, international model, fashion editor, and entertainment journalist with a degree in psychology, I’ve lived these truths vicariously. I’m fascinated with image, perception, and truth. What’s behind the smile? What happens when the lights dim? Who are you when no one is watching? What secrets do you hide, how do they damage you, and what will you do to keep them hidden? I’ve been the target. I know the cost.
Illusion. Women’s framing. Adrift in a world everyone thinks is perfect. Living the glamorous life others want. Being the thing men desire to have, to own, as long as the veneer holds. Dealing with mental illness that people explain away because all the tinsel is just dressing and sparkles, but if you lean on it, it parts, and you find yourself falling through the space.
Although ‘they’ say they care, they don’t, and no one wants to hear the truth, they only want pretend. Within the first five pages, we understand what’s going on inside her, that she has something to hide, and that she’s willing to lie about who she really is. In chapter one, we discover that her best friend, Doreen, doesn’t really know her name. We see the world through her eyes, interspaced with an actual conversation that calls the world a lie and her own framing…
When Esther Greenwood wins an internship on a New York fashion magazine in 1953, she is elated, believing she will finally realise her dream to become a writer. But in between the cocktail parties and piles of manuscripts, Esther's life begins to slide out of control. She finds herself spiralling into depression and eventually a suicide attempt, as she grapples with difficult relationships and a society which refuses to take women's aspirations seriously.
The Bell Jar, Sylvia Plath's only novel, was originally published in 1963 under the pseudonym Victoria…
A decades-old secret. A missing woman. A private investigator with everything to prove.
Newly minted PI Paula Moore takes on her first case: find Marion Taylor, who vanished from Portsmouth, England, years ago. Paula’s search leads her across the ocean to San Francisco—only to discover Marion has changed her name,…
Maybe it’s something about my training as a newspaper journalist, but I have a real affinity for the untold story and the wrongly accused. I wrote many stories as a cops and courts reporter, and profiled both saints and sinners. I learned that it’s easy for the outsider to be made into the villain. (Cue: “When You’re Strange” by The Doors.) I’m particularly interested in historical fiction where we can reconsider people who’ve been turned into monsters. When I learned that the Macbeth play that I loved was far from the truth, I was launched into a decades-long writing project.
I had the great pleasure of studying with Jane Alison during my MFA at Queens University of Charlotte, and so as a diligent student, I, of course, read her books. As a poet as well as a novelist, I was captivated by the lyricism in this depiction of the Roman poet who gave us the Metamorphoses.
A different twist on historical retelling, this book is based on Ovid’s banishment to a miserable backwater far from his beloved Rome and his encounter with a fictional Black Sea enchantress. Alison built an incredible character in Xenia, a woman of power, a muse, and maybe Ovid’s match.
A darkly brilliant first novel imagines a missing chapter in the life of Ovid. Why was Ovid, the most popular author of his day, banished to the edges of the Roman Empire? Why do only two lines survive of his play Medea, reputedly his most passionate work, and perhaps his most accomplished? Between the known details of the poets life and these enigmas, Jane Alison has interpolated a haunting drama of passion and psychological manipulation. On holiday in the Black Sea, on the fringes of the Empire, Ovid encounters an almost otherworldly woman who seems to embody the fictitious creations…
I grew up without a TV (well, we had a monitor for movies), so we spent a lot of time as a family reading. And the novels that I gravitated more and more towards were ones with psychological themes. It didn’t matter if they were modern or ancient; if they got at something unexplainable (or even explainable) about the human psyche, about what motivates us to behave in the ways that we do—especially if those behaviors are self-destructive—I wanted to read them. And I still do.
The writing itself is so stunning that I could get lost in the words themselves. But at its heart, the novel captures something about mistakes and ego and lifelong consequences that makes me want to cry. The progression over the course of the protagonist Briony’s life is painfully beautiful.
It’s one of those books that are so great that it’s hard for me to even describe how it makes me feel.
On the hottest day of the summer of 1934, thirteen-year-old Briony Tallis sees her sister Cecilia strip off her clothes and plunge into the fountain in the garden of their country house. Watching her is Robbie Turner, her childhood friend who, like Cecilia, has recently come down from Cambridge. By the end of that day, the lives of all three will have been changed for ever. Robbie and Cecilia will have crossed a boundary they had not even imagined at its start, and will have become victims of the younger girl's imagination. Briony will have witnessed mysteries, and committed a…
Growing up as a bi-racial Malay Filipina in a country that only recognizes my Malay-Muslim heritage, I have always inadvertently never quite met the standards of what constitutes a “good Malay Muslim woman.” My circumstances have meant I am always drawn to stories of women who strain against the confines of their societies and desire more for themselves than what is considered acceptable by polite society. Whether they achieve their goals by coloring within the lines or straying outside them, their journeys are what continue to inspire me to live my own life as authentically as possible.
This is hands-down a standout for me in its unique portrayal of the Asian-American immigrant story. Set during the California Gold Rush, the novel tells the tale of Lucy, a young, orphaned Chinese-American woman, and the adventure she and her sister embark on to carve a new, secure future for themselves.
It is at once an unforgettable adventure and an unflinching exploration of sisterhood that made me consider how the female bildungsroman is often not so much about a woman growing up but rather growing into the self she wants to be, despite the confines of the society in which she lives. Plus, Zhang’s original, gleaming prose is just a delight to read.
If the future can be edited—who decides what gets erased? Broken Code is a high-stakes biotech conspiracy thriller where power isn’t seized—it’s engineered.
Harper “Brass” Brasfield, a Memphis attorney barely holding her life together, stumbles onto a case that exposes a disturbing experiment: behavior-altering gene edits designed to control who…
I’ve always been fascinated by books that explore the slow, painful unraveling of the human psyche. In part, I think because it’s something so many more of us either fear or experience (at least to some degree) than anyone really wants to admit—but it’s also just such rich material for literary unpacking. I also love books with strong, angry female protagonists who fight back against oppression in all of its forms, so books about pissed-off madwomen are a natural go-to for me. Extra points if they teach me something I didn’t know before-which is almost always the case with historical novels in this genre.
I love this book first and foremost because it is essentially the OG of madwomen narratives. Written in 1892, it is a super-creepy, sensory, trippy exploration of one woman’s sanity slowly being shredded by male medical “expertise”—in this case, a doctor’s prescription for postpartum depression: utter isolation in a bedroom with no intellectual stimulation... in order to alleviate postpartum depression (?!). Unsurprisingly, rather than “recovering,” the heroine drags readers down a terrifying rabbit hole of hallucination, self-destruction, and—ultimately—murder.
It’s a masterful, Hitchcockian deep dive into psychosis written over a half-century before Psycho. But it’s also an extremely satisfying example of feminist revenge-writing; Perkins not only drew on her own experience after suffering this “treatment” but sent a copy directly to her practitioner after its publication. Pow!
The Yellow Wallpaper (original title: "The Yellow Wall-paper. A Story") is a 6,000-word short story by the American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine. It is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's health, both physical and mental.
Presented in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Forgoing other rooms in the house, the couple moves into the upstairs nursery. As…
