Here are 100 books that The Fall of the House of Usher fans have personally recommended if you like
The Fall of the House of Usher.
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I was twelve years old when I first read Jane Eyre, the beginning of my love for gothic fiction. Murder mysteries are fine, but add a remote location, a decaying old house, some tormented characters, ancient family secrets, and I’m all in. Traditional Gothic, American Gothic (love this painting), Australian Gothic, Mexican Gothic (perfect title by the way), I love them all. The setting in gothic fiction is like a character in itself, and wherever I travel, I’m drawn to these locations, all food for my own writing.
So much so that I’ve read it several times since I first encountered it as a teenager. (Plus watched both movie versions, twice each.)
The first line, "Last night I dreamt I went to Manderley again," drew me in and refused to let go. I wanted to return to Manderley. I wanted to find out what dark secrets would be revealed there. The unnamed, naive young heroine is haunted by the all-pervading presence of her husband’s first wife, Rebecca… and so was I.
And although some of the social attitudes are jarring to a 21st-century reader, and although I know the plot by heart now… I will still return to it.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’ve been fascinated by how people behave and how in-group bias can change who they are. That interest led me into computational sociology (I study human behavior for a living), with my work appearing in The New York Times, USA Today, WIRED, and more. But my deepest fascination has always been with people’s propensity for the horrific. I LOVE the liminal space where fear, secrecy, and belonging collide. Being neurodivergent, living in a small Virginia town with my wife and our neurodivergent, queer son, I see how communities can both shelter and suffocate. That tension is why I’m drawn to stories saturated in dread, beauty, and what lives in the shadows.
This is the book that taught me how powerful loneliness can be.
Every time I return to it, I feel one character’s ache settle into me, that desperate want to belong somewhere, even if it’s a house that doesn’t love you back. I recommend it because it still feels as if I’m attempting to figure out what is happening alongside the characters, the way only great writing can.
Jackson makes you realize that the scariest hauntings aren’t in the walls, they’re the ones we carry within us.
Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and stories…
I have always loved novels and stories in which houses have a strong presence, beginning with Nathanial Hawthorne’s House of the Seven Gables, Edgar Allan Poe’s The Fall of the Houses of Usher, and Charlotte Bronte’s Jane Eyre. In tales like these, the family home — whether a birthright or an accidental place of abode — not only provides a shivery, Gothic atmosphere but also stands as a metaphor for the sicknesses that can sometimes fester in families -- paranoia, isolation, emotional incest. Belle Reve, Blanche, and Stella's decaying and sold-off ancestral home, hovers over “A Streetcar Named Desire.” My favorite house-themed books begin with two works by the incomparable Shirley Jackson.
I read all of Blackwood’s novels and stories when researching my first biography, on the life of Caroline Blackwood. This is the one that stayed with me, Blackwood’s semi-autobiographical novella of Dunmartin Manor, housing three generations of Websters and Dunmartins. From the cold cruelty of the narrator’s great grandmother, to the fairy-like madness of her grandmother, and the tragedy of her fun-loving but suicidal Aunt Lavinia, all seem like extensions of the mansion—a decaying, grand old house, freezing in the winter, sweltering in the summer, and given to flooding. Like the house itself, the characters are trapped by the weight of their own Anglo-Irish, aristocratic history. No conflagration here, except for the cremation of Great Granny Webster.
A “shocking, brilliant, and wickedly funny” novel that offers a behind-the-scenes look at the lives of eccentric aristocrats (Jonathan Raban, author of Bad Land)
Great Granny Webster is Caroline Blackwood’s masterpiece. Heiress to the Guinness fortune, Blackwood was celebrated as a great beauty and dazzling raconteur long before she made her name as a strikingly original writer. This macabre, mordantly funny, partly auto-biographical novel reveals the gothic craziness behind the scenes in the great houses of the aristocracy, as witnessed through the unsparing eyes of an orphaned teenage girl. Great Granny Webster herself is a fabulous monster, the chilliest of…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I was twelve years old when I first read Jane Eyre, the beginning of my love for gothic fiction. Murder mysteries are fine, but add a remote location, a decaying old house, some tormented characters, ancient family secrets, and I’m all in. Traditional Gothic, American Gothic (love this painting), Australian Gothic, Mexican Gothic (perfect title by the way), I love them all. The setting in gothic fiction is like a character in itself, and wherever I travel, I’m drawn to these locations, all food for my own writing.
It’s the voice that gets me with We Have Always Lived in the Castle.
Merricat Blackwood is such a strange, chilling young narrator. Mysterious and vaguely unsettling, I could never be sure whether to believe her version of events. Or not.
Plus, it has some of my favourite story ingredients: a family tragedy, a murder trial, an unwelcome visitor, and a little bit of magic.
Living in the Blackwood family home with only her sister, Constance, and her Uncle Julian for company, Merricat just wants to preserve their delicate way of life. But ever since Constance was acquitted of murdering the rest of the family, the world isn't leaving the Blackwoods alone. And when Cousin Charles arrives, armed with overtures of friendship and a desperate need to get into the safe, Merricat must do everything in her power to protect the remaining family.
I’ve been fascinated with the future ever since I watched 2001 Space Odyssey. An amazing spaceship that could help us explore other planets! Then all that weird stuff about an A.I. gone crazy and apes banging sticks around monoliths. What the…? That curiosity smashed into a major concern at the age of fifteen on a canoe trip where I was trying to work out how to live and work closely with other humans - and failing. It turns out humans are crazy creatures. We love being together, and doing amazing things together, but that can be really hard. So leadership and the future fused into a lifelong passionate pursuit.
This is a smart and broad analysis of global economies and cultures being affected by the collision of emerging technologies.
What’s amazing about this book is its scope, its wry humour, and its balanced approach to solutions.
They showcase very well current global challenges: the pyramid of inequality, climate change chaos, tech trillionnaires taking over where governments leave huge holes, and the failure of capitalism to deliver on its promised golden land.
It’s not just throwing rocks and wringing hands. The authors provide a pathway through that will mitigate the worst of these threats.
These include taxing robots and A.I. to provide a Universal Basic Income for the technologically displaced. It was the first time I have truly understood how UBI might actually work and be funded properly.
From a leadership point of view, some important shifts need to happen, and technology will pressure some of these to occur.
What is the impact of COVID-19 on world economies? If the cost of providing universal health care is lower than the cost of building a political movement to prevent it, would politicians still view it as socialism? In a world where algorithms and robots take the jobs of immigrants and citizens alike, are border controls an effective response? If unemployment skyrockets due to automation, would conservative governments rather battle long-term social unrest, or could they agree on something like universal basic income? When renewable energy sources are a fraction of the cost of coal generated electricity, should lobbyists be able…
I’m mostly known for my zombie/post-apocalypse novels and being a prepper. So why did I choose the revenge topic and what qualifies me as an expert? Zombies and apocalypse storytelling were never my first love. My first has always been reading stories of revenge both true-life and fictional. This helped inspire and drive me as a writer in my early days in this genre. The stories by the authors I have listed here not only influenced me in my writing style but also fueled me to write my own revenge story anthology. But mostly, I have a very twisted mind!
Poe was the first writer I read as a kid, and “The Cask of Amontillado,” to me is the penultimate story of jealousy and revenge that is as suspenseful as it is horrifying. Plus, there are two other tales of revenge and painstaking cruelty within this anthology: “Hop-Frog” and “The Fall of the House of Usher”.
This is classic revenge writing from the Gothic master, no offense Guy de Maupassant.
A chronological collection of all of Poe's poems and stories includes tales of adventure, farce, science fiction, black humor, and romance, as well as horror
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’ve been fascinated by how people behave and how in-group bias can change who they are. That interest led me into computational sociology (I study human behavior for a living), with my work appearing in The New York Times, USA Today, WIRED, and more. But my deepest fascination has always been with people’s propensity for the horrific. I LOVE the liminal space where fear, secrecy, and belonging collide. Being neurodivergent, living in a small Virginia town with my wife and our neurodivergent, queer son, I see how communities can both shelter and suffocate. That tension is why I’m drawn to stories saturated in dread, beauty, and what lives in the shadows.
I love this book because it made me laugh when I least expected it.
The wit is so sharp it almost feels like a weapon against the darkness creeping in at the edges. I remember grinning at one line and then, two pages later, feeling the walls closing in.
That balance of humor and horror made me feel like the story was written for someone like me, someone who finds the grotesque easier to face when it comes with a crooked smile.
From the Nebula and Hugo award-winning author of The Twisted Ones, comes What Moves the Dead, a gripping and atmospheric retelling of Edgar Allan Poe's classic "The Fall of the House of Usher."
When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruritania.
What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her…
Like everybody else, I discovered Columbus as a child; I fully accepted the heroic figure that was presented to me in the 1970s. But by the time I received a PhD in Latin American History—in the very same year as the Quincentennial of Columbus’s First Voyage—I had learned how much more complicated was his life and the evolution of his posthumous reputation. For decades, as I wrote books and taught college classes on various topics adjacent to that of Columbus, I sought to make sense of the complicated cluster of stories that comprise what I call “Columbiana.” I am still enjoying that journey!
Among the great many books that simply narrate the Columbus story, this one stands out for its engaging writing style and—above all—for its interweaving of the Columbus story into the parallel (and, Boyle argues, closely overlapping) stories of Cabot and Vespucci. I found it a fun and fascinating reading.
That said, I do think Boyle deploys his imagination a little too freely at times. Some of the old myths and misconceptions about Columbus are nestled in here as facts—which is very much part of the Columbus tradition—and Boyle even adds some new ones. And yet that use of speculation and imagination is central to what makes the book so enjoyable.
The untold story of the rivalries and alliances between Christopher Columbus, Amerigo Vespucci, and John Cabot during the Age of Exploration.
When Constantinople fell to the Ottoman Empire in 1453, the long-established trade routes to the East became treacherous and expensive, forcing merchants of all sorts to find new ways of obtaining and trading their goods. Enterprising young men took to the sea in search of new lands, new routes, new markets, and of course the possibility of glory and vast fortunes. Offering an original vision of the race to discover America, David Boyle reveals…
I am a Professor of English at the University of Sussex. I have worked on a wide range of subjects over the years, mainly about the English Renaissance. I have a long-standing interest in travel and colonial writing, the ways in which the English interacted with other peoples and other places, which started with my interest in Ireland where I studied and which was the subject of my early books. I have broadened my perspective as I have read more on the Americas, Africa, Europe, and Asia, over the years and am committed to uncovering the truth of the uncomfortable, challenging, and fascinating history of the early British Empire.
A brilliant and incisive reading of European-Caribbean relations from the first encounters on Christopher Columbus’s voyages.
Peter Hulme shows how central the Caribbean was to English and European thinking about the world and how the region defined English approaches to the rest of the world in the first age of the British Empire.
Europe encountered America in 1492, a meeting of cultures graphically described in the log-book kept by Christopher Columbus. His stories of peaceful savages and cruel "cannibals" have formed the matrix for all subsequent descriptions of that native Caribbean society. The encounter itself has obsesssed colonialist writing. It reappears in the early 17th century in the story of John Smith and Pocahontas, and on the Jacobean stage in the figures of Prospero and Caliban. In the 18th century, over two hundred years after the European discovery of the Caribbean, the idea of a pristine encounter still permeated European literature through Robinson…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
Like everybody else, I discovered Columbus as a child; I fully accepted the heroic figure that was presented to me in the 1970s. But by the time I received a PhD in Latin American History—in the very same year as the Quincentennial of Columbus’s First Voyage—I had learned how much more complicated was his life and the evolution of his posthumous reputation. For decades, as I wrote books and taught college classes on various topics adjacent to that of Columbus, I sought to make sense of the complicated cluster of stories that comprise what I call “Columbiana.” I am still enjoying that journey!
If I want to read a more recent narrative of the Four Voyages, without caring if its details are well-evidenced or drawn from Columbiana mythology, I’ll turn to a lively book like Lawrence Bergreen’s Columbus.
But for one that finds a middle ground between Bergreen and Fernández-Armesto, telling a good tale while also paying close attention to historical evidence, I turn to this book by the Phillipses.
I especially value and enjoy how the authors emphasize and explain Columbus’s contexts, bringing us along with Columbus into the worlds of Genoa, Portugal, Spain, and then the Caribbean. I also appreciate how hard the Phillipses try to avoid overtly condemning or defending Columbus in a general way—not an easy path to stay on!
When Columbus was born in the mid-fifteenth century, Europe was largely isolated from the rest of the Old World - Africa and Asia - and ignorant of the existence of the world of the Western Hemisphere. The voyages of Christopher Columbus opened a period of European exploration and empire building that breached the boundaries of those isolated worlds and changed the course of human history. This book describes the life and times of Christopher Columbus on the 500th aniversary of his first voyage across the Atlantic Ocean in 1492. Since ancient times, Europeans had dreamed of discovering new routes to…
