Book description
* 'The greatest psychological thriller of all time' ERIN KELLY
* 'One of the most influential novels of the twentieth century' SARAH WATERS
* 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's…
Why read it?
56 authors picked Rebecca as one of their favorite books. Why do they recommend it?
I first loved Rebecca for its atmosphere, but what stayed with me was something more unsettling: how completely another person’s version of the past can shape the present.
I remember finishing it and thinking about how easily we accept a story when everyone around us seems to believe it. As a writer, I keep returning to that idea.
Du Maurier showed me that an absence can dominate a novel as powerfully as a living character, and that what people refuse to say can matter as much as what they reveal. That has stayed with me in my own writing about…
"Last night I dreamt I went to Manderley again"—I read that line as a teenager first, and it still tickles my spine.
What haunts me most is that Rebecca herself never appears on a single page, yet she runs the entire novel from her grave: every room, the marriage, every secret bends around a dead woman's will.
And our narrator, so timid she isn't even given a first name, walks through it all while I gripped the book, whispering Get out, get out. Mrs Danvers would frighten a reader more than any knife-wielding villain in modern thrillers. No wonder…
From Arefa's list on Arefa Tehsin's favourite thrillers where women spin and plunge the plot.
I recommend this book because of its evident understanding of the psychology of fear.
From the very first, there is an ominous atmosphere—evil characters, and above all, misunderstanding. Everything in this novel is pointed toward a ambience of fright. The characters are, aside from Rebecca, who is quite innocent, mysterious and dark.
Everything in the novel, the house, the furnishings therein, the weather, everything is portrayed as sinister. This is a tour de force of maintaining a consistent and frightening atmosphere.
From James' list on James B. Gilbert's favorite classic American mystery books.
If you love Rebecca...
It starts with arguably the most famous first line any novelist has ever written, and I certainly couldn’t stop reading once I had absorbed that.
Rebecca is a classic for all sorts of great reasons. For me, the house is a character here. Manderley is as Gothic as I could ever wish for (and I LOVE Gothic).
Mrs. Danvers, the housekeeper, is one of the most sinister characters ever written. When this novel was first published (1938), certain subjects were pretty much taboo. In the light of today's increased awareness of people’s differing sexualities, I think it’s probably easier to…
From Catherine's list on Catherine Cavendish's favorite books to make you love haunted and sinister places.
This haunting, gothic masterpiece was also an immersive read for me for another reason.
A couple of years back, I was fortunate to be able to travel to Cornwall. I was in duMaurier country in the exact setting that inspired the author to pen Rebecca. I could even catch a glimpse in the distance of Menabilly, the real-life Manderley, in addition to walking the cove where Rebecca and her boat, Je reviens, vanished.
So, a fully immersive experience for me, along with relishing the gothic mastery that duMaurier brings to a reader. If you haven't read it yet...you should.
This is the first novel I ever loved.
I initially read the story in sixth grade, then again in high school, both as assignments. At the time, I didn’t consider why I loved the book. I only marveled that a novel could be enjoyable. Until then, they’d been homework (emphasis on work) to slog through, mountains to climb to make sure I got an A.
I’ve read Rebecca many times since. What I can see now is that this story speaks painful truths that, as a child, I was living: that poison can lurk behind a beautiful face and within…
If you love Daphne du Maurier...
Like many people, I’d heard so much about this classic that I was braced for disappointment the first time I read it.
But no, du Maurier’s rich, atmospheric prose gripped me from that famous first line. While I agree about the power of the iconic cast, such as the infamous Mrs. Danvers, I feel that the setting itself is just as powerful a character. I especially love du Maurier’s way of personifying the setting, so that things such as trees, and plants, and buildings come alive with malevolence.
The opening pages, for example, immediately fill you with unease despite the…
This book has haunted me for decades.
So much so that I’ve read it several times since I first encountered it as a teenager. (Plus watched both movie versions, twice each.)
The first line, "Last night I dreamt I went to Manderley again," drew me in and refused to let go. I wanted to return to Manderley. I wanted to find out what dark secrets would be revealed there. The unnamed, naive young heroine is haunted by the all-pervading presence of her husband’s first wife, Rebecca… and so was I.
And although some of the social attitudes are jarring to…
From Julie's list on The best books where a mystery from the past stalks the present.
From the famous opening dream sequence onwards, it’s impossible to come away from Rebecca without a vivid picture of Manderley in your mind.
Last summer, thanks to a fortuitous Airbnb mix-up, I ended up spending a holiday in a cottage on the Cornish estate where Daphne de Maurier lived, and which she used as the basis for Manderley. I can’t speak for the house itself, but I’m happy to report that the gardens – from the blue hydrangeas, to the rhododendrons and azaleas of Happy Valley, to the cove where Rebecca kept her boat – entirely lived up to what…
From Barney's list on The best books featuring houses you’ll want to move to.
If you love Rebecca...
Continuing with the Gothic theme, I have to mention one of my all-time favorite books. The estate of Manderley is almost another character in this novel, looming large over the story along with the legacy of its dead mistress. And the community poses an immediate threat to the book’s unnamed narrator, the new wife of the estate’s owner, when she comes in as an outsider and gets the cold shoulder from Manderley’s staff. Her desperate attempts to win everybody over lead to some gloriously nail-biting moments.
But what I adore about this novel is how it slowly reveals that the…
From Helen's list on The best thrillers set in close-knit communities.
If you love Rebecca...
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