100 Books Like The Memoirs of Christopher Columbus

It’s not Hadrian’s love affair with the beautiful boy Antinous that swept me off my feet, nor the way Hadrian makes him a god after his mysterious death and builds a city dedicated to worshiping him.

That’s only a small part of a book overflowing with the emperor’s interior life, his fears and doubts and dreams. Yourcenar spent most of her life on and off writing this book, her life’s work. Filled with the exhilaration and perplexity of achieving absolute power and then holding onto it, we experience Hadrian as a profoundly paradoxical genius from the inside out. 

The short reign of Julian the Apostate is one of the “what ifs” of history. Raised as a Christian, Julian was a secret pagan. When he unexpectedly became emperor, he reversed the privileges of the Church and promoted his own Neo-Platonist cult, intending to restore paganism. Even though we know how things really turned out, it is fascinating to speculate about what might have happened if he had succeeded. 

Gore Vidal has filled this novel with war, politics, sex, religion, heresy, and philosophy. I have tried to follow his example (though I have been more sympathetic to eunuchs than he was).

Boldly venturing into territory already claimed by Robert Graves, Allan Massie gives us the life of Augustus, the first Roman emperor. Full of authentic detail, both witty and serious, bawdy and censorious, this book makes ancient Rome thoroughly believable to modern readers. Augustus vividly describes his ruthless rise to power following the assassination of Julius Caesar, and reflects on his life and achievements, justifying his schemes, deceptions and crimes. Would we have done the same in his place? Maybe, if civilization depended on it.

I particularly like the two Prefaces, in which author, citing fake scholars and non-existent institutions, persuades us that this work of fiction has been translated from an ancient manuscript found in a monastery. I have used the same trick myself.

Here’s another true story written as a novel, this time an autobiography, which I love. Again, the locations are fantastic,  it’s something of a travelogue, and there’s a strong element of cross-cultural fluidity.

The hero of the book is a Muslim exile from Granada who was brought up in Fez and became an itinerant merchant, journeying through the Sahara and what is now Sudan before settling in Cairo. On his way back to Fez, he was captured by pirates, sent to Rome, converted to Christianity, became a translator and researcher for the Pope, and wrote a description of Africa. Oh, and then he goes back to North Africa and converts back to Islam.

Brilliant!

If I want to read a more recent narrative of the Four Voyages, without caring if its details are well-evidenced or drawn from Columbiana mythology, I’ll turn to a lively book like Lawrence Bergreen’s Columbus.

But for one that finds a middle ground between Bergreen and Fernández-Armesto, telling a good tale while also paying close attention to historical evidence, I turn to this book by the Phillipses.

I especially value and enjoy how the authors emphasize and explain Columbus’s contexts, bringing us along with Columbus into the worlds of Genoa, Portugal, Spain, and then the Caribbean. I also appreciate how hard the Phillipses try to avoid overtly condemning or defending Columbus in a general way—not an easy path to stay on!  

Gary Barwin had to make this list. He’s a Prospero of historical weirdness. I was torn between this book and his more recent novel Nothing the Same, Everything Haunted: The Ballad of Motl the Cowboy, which follows its titular character on a harrowing journey across Nazi-infested Europe to retrieve his shot-off-by-a-Dadaist testicles from a Swiss glacier. But Yiddish for Pirates wins the toss because it’s narrated by a parrot.

Aharon, a Yiddish-idiom-spouting 500-year-old ship’s parrot, traces the life of his Captain, Moishe, from a shtetl near Vilnius through Torquemada’s Inquisition and Columbus’ brutal conquest of the Caribbean to an eventual erratic career in piracy, with a couple of quests along the way. What makes Barwin’s work sing is the tragic humanity within the swirl of its jaw-dropping narrative ridiculousness.

Another unnamed narrator visits Roderick Usher, an old friend, in yet another decaying mansion that houses an isolated, disturbed family—Roderick and his twin sister, Madeline. They are the last of the Ushers, but she has fallen into a cataleptic state—one of Poe’s treasured themes! The manse itself is surrounded by a lake, and a crack runs the length of the house. Roderick tells his friend that the house is alive and entwined with his and Madeline’s fate. Madeline dies and is entombed in the family vault, but Roderick fears that she’s not really dead. During a cataclysmic storm, Madeline has indeed clawed her way out of her tomb and she attacks her brother. The narrator flees into the night, looking back to see the house split in two and crumble into fragments, becoming the final tomb for Roderick and his sister. Dark!  

This is a lapidary introduction to the stories and ideas that prompted Columbus to sail away from Europe into the Atlantic in search of a direct sea route to Asia—and that determined how he interpreted what he came across after making landfall in the Americas. In just 200 pages, Flint nimbly covers all sorts of material: Christian theories of cosmology and eschatology; medieval conceptions of geography; the travel stories of St. Brendan, Sinbad the Sailor, Sir John Mandeville, and Marco Polo; the books that Columbus read, and the notes he made in them to himself; and more. In doing so, she reanimates a fascinating landscape of the imagination.

This is one of the least-known books by science fiction writer Orson Scott Card, but it’s my favorite. In a dying future, scientists are sent back to the past to initially transcribe history and later to change it when they discover that possibility.

Time travel books can either be an interesting intellectual exercise or a jumble of logical impossibilities. This is the former, but it is also a great historical description of the discovery of the New World, including all of the wonders and atrocities.

It confronts the disturbing roots of European and American slavery as well as the barbarism of Native American cultures. It is a well-written, exciting, emotional experience full of fascinating personalities, high adventure, historical narratives, and serious questions about morality.

One of my favorite novels is Herman Wouk’s Marjorie Morningstar, a coming of age story of Marjorie and Mrs Morgenster, a/k/a the original helicopter mom.

This Pulitzer Prize-winning author was male but managed to get into the head of both teenage girl and indomitable mother–and the results are funny and poignant. There’s all kinds of bonus detail about 1930s-1940s NYC: college, dating, and theater scenes.

As someone who is fascinated by mom culture, I like to recommend mother-daughter stories that illustrate how parenting styles and family relationships have changed over time. While it all started with Marmee, Louisa May Alcott (Jo’s) idealized supermom, I have a fondness for the ambivalently modern struggles between Mrs. Morgenstern and Marjorie, the female leads in Herman Wouk’s classic novel, Marjorie Morningstar. 

This is a coming of age story that has it all: beautiful and ambitious heroine, handsome love interest, colorful best friend, and the… show more.