100 Books Like Tarot Revelations

When I started a serious study of Tarot, there were very few substantive books on the topic—and barely anything had been written about the history and scope of Tarot art. But, that changed dramatically when collector and publisher Stuart Kaplan began the Encyclopedia of Tarot; over the years between 1978 and 2005, the series grew to four volumes and 1,584 pages, documenting every Tarot deck he could find out about.

However, the first volume stands alone as a turning point in the modern history of Tarot. In almost 400 oversized pages, it discusses artifacts that range from 15th-century museum pieces to esoteric decks designed by 19th-century enthusiasts to hand-made creations of adventurous 20th-century artists. Most of the book’s pages display black-and-white photographs of cards from various decks, but there are also scholarly essays illuminating the many aspects of Tarot history and art.

Kaplan’s Encyclopedia encouraged me to take Tarot seriously,… show more.

This is probably the least-known and most surprising book ever written about Tarot. And yes, the author was pop culture icon Timothy Leary—Harvard psychologist turned apostle of psychedelic experimentation. I discovered this book more than a decade after it was published in 1979 and was amazed to realize it had come out just a year after Volume One of Kaplan’s meticulous Encyclopedia of Tarot. It’s impossible to imagine two more different authors or two more different books!  

It’s equally impossible to explain what Leary’s 288-page, large-format book is ”about” since it was deliberately composed as a mix of ideas, themes, and graphic illustrations that would challenge our normal expectations of intellectual order. However, you can get a flavor of Leary’s approach from this chapter title:  “Tower portrays your self-actualized brain-control-reality-director neuro-technology.”

Opening this book, I revisit a time when the “counter-culture” movement surfaced wildly exploratory questions, and Tarot was being… show more.

Research scientist Robert O’Neill was the first to publish a rigorous, in-depth analysis of Tarot as a symbol system. However, his 1986 book was almost unknown to the Tarot community until he was invited to speak at the first International Tarot Symposium in 1992. Like everyone else who met him there, I was impressed by his scholarly knowledge and original ideas. O’Neill told us about his interest in Tarot, which began as soon as he saw the cards in the 1950s—around the same time a cadre of artists and poets on the West Coast started using Tarot in their creative work. 

As a scientist, O’Neill recognized that the symbolic dimensions of Tarot deserve serious study, so he spent years researching various topics and writing an almost 400-page account of his findings and interpretations. This work is a challenge to read—with very small type, no illustrations, and many footnotes! But every… show more.

For this ambitious 1992 anthology, anthropologist Angeles Arrien and political scientist James Wanless collected twenty-two pathbreaking articles from an assortment of contributors that included two physicists, half a dozen practicing psychologists, a social worker, an ordained minister, and an assortment of writers and artists who had integrated Tarot into their professional and/or creative practices. I’m still fascinated by the different perspectives displayed in this collection and its surprisingly wide range of topics:  parapsychology, dance, relationship therapy, self-transformation, nature symbolism, the poetry of T.S. Eliot, and much more.

Looking back at this book, it seems important in (at least) two ways. For one thing, it’s a snapshot of certain cultural/intellectual trends that were converging in the later 20th century: consciousness research, “new age” philosophies, and cross-cultural and alternative approaches to psychotherapy. For another, it represents the first serious attempt to treat Tarot as a subject matter, bringing together various disciplines and… show more.

As a poet, I love the Poet Tarot, for which Two Sylvias Press matched Major Arcana and Court Cards with deceased British and American poets. The Guidebook offers a mini history lesson about each poet’s strengths and weaknesses, including psychological wellbeing, journey to publication, and sources of inspiration. Each chapter ends with suggested actions: “Remember and honor the inspirational women in your life,” (Gwendolyn Brooks as the Queen of Muses / Cups) and prompts: “Is there a project I’ve been afraid to undertake—why?” (ee cummings as The Fool). Taken collectively, the prompts provide a roadmap for a rich self-reflective inventory and the chance to write new poems based on the themes of each poet’s work. I love to use the exercises in the poetry workshops I teach.

I like many of Rachel Pollack's books, but this was one of the first tarot books I read. This kind of book is perfect for me to learn something. It reads very easily, more like a course than a book with pages full of text. The layout is light and each page is richly illustrated with colour photos including tarot cards from all over the world, so you can compare and get a good idea of ​​the character of each card.

All facets of tarot, which you can delve into later, are discussed: origin, history & the different traditions, symbols & colours, the Tree of Life & the Hebrew letters, numbers & the paths of the Sefiroth, Kabbalah & astrology, the journey of the fool through the Major Arcana, different readings & card spreads, different ways to use the tarot cards: to meditate, to work with dreams, games, storytelling and… show more.

As the title suggests, this is not just a book but a Workbook. With knowledge and curiosity, Maria Minnis’s book is written from a place of great generosity of spirit. Still, it demands that we take action as we confront racism and inspire collective healing. 

We can sense her love of the cards and her view of them as a safe place to return to in times of need. As Maria takes us through the archetypes of the Major Arcana of the Tarot, exploring reality and metaphor from an unapologetically Black perspective, she gives us useful and practical exercises to help foster our own growth and understanding.  

As a designer of systems, I find this book intriguing because the author has created his own rather idiosyncratic system of sorcery. (The emphasis being on “sorcery,” written from a practicing sorcerer’s point of view.)  In addition to outlining his theories on rules of magic and providing new perspectives on magical tools, Emerson provides a section of tarot spells with rhyming incantations, unusual layouts, and diverse aims, including concealing a secret, conjuring an omen, seeing from afar, sequestering beyond time, drawing wayward souls, brewing a tempest, and more.

The spell layouts also have fanciful titles like “The Knight’s Vigil,” “The Queen’s Mirror,” “The Prison of Shadows,” and “The Shroud of Unseeing.” One warning, though: this book is not for people who are easily offended by any hint of manipulative magic.

This is a Tarot how-to book with a difference: It organizes the cards by theme, making it way easier to understand and remember their meanings compared to the usual memorize-them-one-at-a-time approach. The book is really a Tarot course in 22 lessons (it’s no coincidence that there are 22 Major Arcana cards in a Tarot deck!). Tarot 101 is an excellent resource for demystifying the Tarot and breaking it down into manageable chunks that make sense and that you can remember and use for the long term.

The famed filmmaker and esotericist, Alejandro Jodorowsky, has poured decades of profound spiritual and divinatory understanding into this text to create one of the most significant systems for using the cards as a divinatory tool. Based on the Tarot d’Marseilles - arguably the stylistic form that constitutes the tarot’s most fundamental iconography - the text includes a comprehensive training system that can be used to provide a foundation for professional divinatory work.