100 Books Like Nothing but a Pack of Cards

This is one of the most useful books in my collection, as evidenced by the lines that I’ve color-coded with highlighters and the comments I’ve scribbled in the margins.

The author belongs to a magical order that ascribes different occult associations (i.e. “mysteries”) to all 78 tarot cards, so even the sections for the minor cards can feature extensive magical discussions. For example, Willis explains how the Three of Disks (aka Pentacles) relate to the trade secrets of smithcraft and masonry and then gets into how this relates to using different-shaped altar stones in Earth Magic for crop growth, animal fertility, finding a mate, and monetary gain.

The broad array of both folk magic and ceremonial magic techniques makes this book a magical education in itself.

This book has a high-spirited, sprightly energy to it, and it is interesting how the author treats tarot cards and characters as entities that you can identify with and engage with. This is an especially good book for beginners because it’s an easy read and often seems to have been written in a spirit of fun. The first part of the book provides some basics, plus a section relating tarot to magical numerology as part of “the self-discovery process,” while the second half is devoted to tarot spells.

These spells are quite simple, though some call for accessories like candles, herbs, and gemstones. The main part of the spells are rhyming incantations, which Morrison often infuses with a bit of whimsy,--though that does not detract from their psychological efficacy!

I define a “spell” as a multi-media affirmation, and as there is no limit to the number of positive affirmations you can recite, there is also no limit to the number of spells you could perform if so inclined. As this book offers a spell for each day of the year, you can use it to add dimension to daily life.

Although these spells can help you work toward important goals, they also guide you to interact with the tarot’s archetypal personalities by imaginatively entering their picture space and moving around in the environments that they inhabit. I also appreciate that Graham provides “connection” rites for each of the 78 cards, as the Minor Arcana are often overlooked, even though they address the sort of daily life issues that dominate our attention. 

Because Donald Michael Kraig sees magic as everyone’s birthright, he is enthusiastic about showing us how to program our subconscious minds to form templates on the astral plane that effect changes on the physical plane—with these generating additional positive changes, not just for yourself, but also for humanity, (as they influence our shared energy fields).  

Each chapter presents different approaches, with Kraig explaining not just how to use tarot spells and talismans but also how to practice astral projection, how to use both the Major and Minor Arcana cards as doorways to the astral plane and navigate the Kabalistic Tree of Life, how to dance the tarot, and even how to mix tarot with sex magic. Of special interest: he also brings in chaos science, using the cards as “strange attractors.” 

There are sooooooo many things to love about this book.

Personally, I love communicating with my ancestors via divination, and Nancy’s book is filled with magical ideas! Her suggestions on how to keep track of and journal the discoveries I’ve made were so helpful because I didn’t know how to organize what I was learning on my journey.

Finally, and most importantly, this book was a big validation that what I’m doing is real because others are doing the same work and having similar experiences. In other words, I’m not making it up.

When this book was published in 1979, mythologist Joseph Campbell was not yet a media celebrity—just a noted scholar. But poets and artists had already begun to engage with his exploration of the “hero’s journey.” As a student of archetypal psychology, I was initially excited to discover that Campbell had written about the Tarot.

I say “initially” because I was soon put off by the fact that Campbell had placed the origin of Tarot around 1350—a hundred years too early. But since then, I’ve become enthusiastic about his commentary, which draws associations between Tarot and Dante Alighieri’s 1332 epic poem, the Divina Commedia. Although 1450 (the probable timeframe of the earliest Tarot) was a transitional space between the periods designated as the “Middle Ages” and “Renaissance,” my research and experience suggest that Tarot is most closely tied to a medieval worldview and best understood in that context.

The other… show more.

I like many of Rachel Pollack's books, but this was one of the first tarot books I read. This kind of book is perfect for me to learn something. It reads very easily, more like a course than a book with pages full of text. The layout is light and each page is richly illustrated with colour photos including tarot cards from all over the world, so you can compare and get a good idea of ​​the character of each card.

All facets of tarot, which you can delve into later, are discussed: origin, history & the different traditions, symbols & colours, the Tree of Life & the Hebrew letters, numbers & the paths of the Sefiroth, Kabbalah & astrology, the journey of the fool through the Major Arcana, different readings & card spreads, different ways to use the tarot cards: to meditate, to work with dreams, games, storytelling and… show more.

As a poet, I love the Poet Tarot, for which Two Sylvias Press matched Major Arcana and Court Cards with deceased British and American poets. The Guidebook offers a mini history lesson about each poet’s strengths and weaknesses, including psychological wellbeing, journey to publication, and sources of inspiration. Each chapter ends with suggested actions: “Remember and honor the inspirational women in your life,” (Gwendolyn Brooks as the Queen of Muses / Cups) and prompts: “Is there a project I’ve been afraid to undertake—why?” (ee cummings as The Fool). Taken collectively, the prompts provide a roadmap for a rich self-reflective inventory and the chance to write new poems based on the themes of each poet’s work. I love to use the exercises in the poetry workshops I teach.

This is a Tarot how-to book with a difference: It organizes the cards by theme, making it way easier to understand and remember their meanings compared to the usual memorize-them-one-at-a-time approach. The book is really a Tarot course in 22 lessons (it’s no coincidence that there are 22 Major Arcana cards in a Tarot deck!). Tarot 101 is an excellent resource for demystifying the Tarot and breaking it down into manageable chunks that make sense and that you can remember and use for the long term.

As the title suggests, this is not just a book but a Workbook. With knowledge and curiosity, Maria Minnis’s book is written from a place of great generosity of spirit. Still, it demands that we take action as we confront racism and inspire collective healing. 

We can sense her love of the cards and her view of them as a safe place to return to in times of need. As Maria takes us through the archetypes of the Major Arcana of the Tarot, exploring reality and metaphor from an unapologetically Black perspective, she gives us useful and practical exercises to help foster our own growth and understanding.