100 Books Like Tarot Symbolism

When I started a serious study of Tarot, there were very few substantive books on the topic—and barely anything had been written about the history and scope of Tarot art. But, that changed dramatically when collector and publisher Stuart Kaplan began the Encyclopedia of Tarot; over the years between 1978 and 2005, the series grew to four volumes and 1,584 pages, documenting every Tarot deck he could find out about.

However, the first volume stands alone as a turning point in the modern history of Tarot. In almost 400 oversized pages, it discusses artifacts that range from 15th-century museum pieces to esoteric decks designed by 19th-century enthusiasts to hand-made creations of adventurous 20th-century artists. Most of the book’s pages display black-and-white photographs of cards from various decks, but there are also scholarly essays illuminating the many aspects of Tarot history and art.

Kaplan’s Encyclopedia encouraged me to take Tarot seriously,… show more.

This is probably the least-known and most surprising book ever written about Tarot. And yes, the author was pop culture icon Timothy Leary—Harvard psychologist turned apostle of psychedelic experimentation. I discovered this book more than a decade after it was published in 1979 and was amazed to realize it had come out just a year after Volume One of Kaplan’s meticulous Encyclopedia of Tarot. It’s impossible to imagine two more different authors or two more different books!  

It’s equally impossible to explain what Leary’s 288-page, large-format book is ”about” since it was deliberately composed as a mix of ideas, themes, and graphic illustrations that would challenge our normal expectations of intellectual order. However, you can get a flavor of Leary’s approach from this chapter title:  “Tower portrays your self-actualized brain-control-reality-director neuro-technology.”

Opening this book, I revisit a time when the “counter-culture” movement surfaced wildly exploratory questions, and Tarot was being… show more.

When this book was published in 1979, mythologist Joseph Campbell was not yet a media celebrity—just a noted scholar. But poets and artists had already begun to engage with his exploration of the “hero’s journey.” As a student of archetypal psychology, I was initially excited to discover that Campbell had written about the Tarot.

I say “initially” because I was soon put off by the fact that Campbell had placed the origin of Tarot around 1350—a hundred years too early. But since then, I’ve become enthusiastic about his commentary, which draws associations between Tarot and Dante Alighieri’s 1332 epic poem, the Divina Commedia. Although 1450 (the probable timeframe of the earliest Tarot) was a transitional space between the periods designated as the “Middle Ages” and “Renaissance,” my research and experience suggest that Tarot is most closely tied to a medieval worldview and best understood in that context.

The other… show more.

For this ambitious 1992 anthology, anthropologist Angeles Arrien and political scientist James Wanless collected twenty-two pathbreaking articles from an assortment of contributors that included two physicists, half a dozen practicing psychologists, a social worker, an ordained minister, and an assortment of writers and artists who had integrated Tarot into their professional and/or creative practices. I’m still fascinated by the different perspectives displayed in this collection and its surprisingly wide range of topics:  parapsychology, dance, relationship therapy, self-transformation, nature symbolism, the poetry of T.S. Eliot, and much more.

Looking back at this book, it seems important in (at least) two ways. For one thing, it’s a snapshot of certain cultural/intellectual trends that were converging in the later 20th century: consciousness research, “new age” philosophies, and cross-cultural and alternative approaches to psychotherapy. For another, it represents the first serious attempt to treat Tarot as a subject matter, bringing together various disciplines and… show more.

Witches everywhere are rejoicing the fact that Pamela Coleman Smith is finally being celebrated. If you don’t know (but I’m sure you do,) Coleman Smith illustrated the most iconic tarot deck that exists, which used to be referred to only as the Rider-Waite deck (Waite directed the project and Ryder was the company that published it). Now the decks are being renamed after their creator, a fascinating woman who went by “Pixie” and hung out with Bram Stoker and William Butler Yates. This book is the most beautiful tribute, thick with her illustrations and writings. A deep dive into the life of an important and most magical witch. 

Another series, and this is because the series covers a single story. The 1980s didn’t like huge books very much, so a story was often split into the much more economical (space-wise and financially) trilogy. This story shows a future that regressed into old, sustainable technology because we learned how to get to the stars and had to conserve our resources. It also follows one man who is sent to a planet to find out which religions god has appeared on that world. It’s an incredible blend of science, society, and character that has become a book I’ve recommended my entire life.

As a poet, I love the Poet Tarot, for which Two Sylvias Press matched Major Arcana and Court Cards with deceased British and American poets. The Guidebook offers a mini history lesson about each poet’s strengths and weaknesses, including psychological wellbeing, journey to publication, and sources of inspiration. Each chapter ends with suggested actions: “Remember and honor the inspirational women in your life,” (Gwendolyn Brooks as the Queen of Muses / Cups) and prompts: “Is there a project I’ve been afraid to undertake—why?” (ee cummings as The Fool). Taken collectively, the prompts provide a roadmap for a rich self-reflective inventory and the chance to write new poems based on the themes of each poet’s work. I love to use the exercises in the poetry workshops I teach.

This is one of the most useful books in my collection, as evidenced by the lines that I’ve color-coded with highlighters and the comments I’ve scribbled in the margins.

The author belongs to a magical order that ascribes different occult associations (i.e. “mysteries”) to all 78 tarot cards, so even the sections for the minor cards can feature extensive magical discussions. For example, Willis explains how the Three of Disks (aka Pentacles) relate to the trade secrets of smithcraft and masonry and then gets into how this relates to using different-shaped altar stones in Earth Magic for crop growth, animal fertility, finding a mate, and monetary gain.

The broad array of both folk magic and ceremonial magic techniques makes this book a magical education in itself.

This book has a high-spirited, sprightly energy to it, and it is interesting how the author treats tarot cards and characters as entities that you can identify with and engage with. This is an especially good book for beginners because it’s an easy read and often seems to have been written in a spirit of fun. The first part of the book provides some basics, plus a section relating tarot to magical numerology as part of “the self-discovery process,” while the second half is devoted to tarot spells.

These spells are quite simple, though some call for accessories like candles, herbs, and gemstones. The main part of the spells are rhyming incantations, which Morrison often infuses with a bit of whimsy,--though that does not detract from their psychological efficacy!

I define a “spell” as a multi-media affirmation, and as there is no limit to the number of positive affirmations you can recite, there is also no limit to the number of spells you could perform if so inclined. As this book offers a spell for each day of the year, you can use it to add dimension to daily life.

Although these spells can help you work toward important goals, they also guide you to interact with the tarot’s archetypal personalities by imaginatively entering their picture space and moving around in the environments that they inhabit. I also appreciate that Graham provides “connection” rites for each of the 78 cards, as the Minor Arcana are often overlooked, even though they address the sort of daily life issues that dominate our attention.