100 Books Like The Game of Life

When I started a serious study of Tarot, there were very few substantive books on the topic—and barely anything had been written about the history and scope of Tarot art. But, that changed dramatically when collector and publisher Stuart Kaplan began the Encyclopedia of Tarot; over the years between 1978 and 2005, the series grew to four volumes and 1,584 pages, documenting every Tarot deck he could find out about.

However, the first volume stands alone as a turning point in the modern history of Tarot. In almost 400 oversized pages, it discusses artifacts that range from 15th-century museum pieces to esoteric decks designed by 19th-century enthusiasts to hand-made creations of adventurous 20th-century artists. Most of the book’s pages display black-and-white photographs of cards from various decks, but there are also scholarly essays illuminating the many aspects of Tarot history and art.

Kaplan’s Encyclopedia encouraged me to take Tarot seriously,… show more.

When this book was published in 1979, mythologist Joseph Campbell was not yet a media celebrity—just a noted scholar. But poets and artists had already begun to engage with his exploration of the “hero’s journey.” As a student of archetypal psychology, I was initially excited to discover that Campbell had written about the Tarot.

I say “initially” because I was soon put off by the fact that Campbell had placed the origin of Tarot around 1350—a hundred years too early. But since then, I’ve become enthusiastic about his commentary, which draws associations between Tarot and Dante Alighieri’s 1332 epic poem, the Divina Commedia. Although 1450 (the probable timeframe of the earliest Tarot) was a transitional space between the periods designated as the “Middle Ages” and “Renaissance,” my research and experience suggest that Tarot is most closely tied to a medieval worldview and best understood in that context.

The other… show more.

Research scientist Robert O’Neill was the first to publish a rigorous, in-depth analysis of Tarot as a symbol system. However, his 1986 book was almost unknown to the Tarot community until he was invited to speak at the first International Tarot Symposium in 1992. Like everyone else who met him there, I was impressed by his scholarly knowledge and original ideas. O’Neill told us about his interest in Tarot, which began as soon as he saw the cards in the 1950s—around the same time a cadre of artists and poets on the West Coast started using Tarot in their creative work. 

As a scientist, O’Neill recognized that the symbolic dimensions of Tarot deserve serious study, so he spent years researching various topics and writing an almost 400-page account of his findings and interpretations. This work is a challenge to read—with very small type, no illustrations, and many footnotes! But every… show more.

For this ambitious 1992 anthology, anthropologist Angeles Arrien and political scientist James Wanless collected twenty-two pathbreaking articles from an assortment of contributors that included two physicists, half a dozen practicing psychologists, a social worker, an ordained minister, and an assortment of writers and artists who had integrated Tarot into their professional and/or creative practices. I’m still fascinated by the different perspectives displayed in this collection and its surprisingly wide range of topics:  parapsychology, dance, relationship therapy, self-transformation, nature symbolism, the poetry of T.S. Eliot, and much more.

Looking back at this book, it seems important in (at least) two ways. For one thing, it’s a snapshot of certain cultural/intellectual trends that were converging in the later 20th century: consciousness research, “new age” philosophies, and cross-cultural and alternative approaches to psychotherapy. For another, it represents the first serious attempt to treat Tarot as a subject matter, bringing together various disciplines and… show more.

Rachel Pollack’s classic guide to the tarot is a well-loved reference for me and for many.

While it’s a great next step to add depth of insight into the cards for the less experienced, it also continually serves up new insights to someone with more familiarity with the cards as well. She wrote it in the early eighties while living in Amsterdam and teaching tarot at the Kosmos Meditation Center.

I define a “spell” as a multi-media affirmation, and as there is no limit to the number of positive affirmations you can recite, there is also no limit to the number of spells you could perform if so inclined. As this book offers a spell for each day of the year, you can use it to add dimension to daily life.

Although these spells can help you work toward important goals, they also guide you to interact with the tarot’s archetypal personalities by imaginatively entering their picture space and moving around in the environments that they inhabit. I also appreciate that Graham provides “connection” rites for each of the 78 cards, as the Minor Arcana are often overlooked, even though they address the sort of daily life issues that dominate our attention. 

Today’s Tarot decks tend to be clones of one of the three main “models”: The Rider-Waite-Smith, the Marseille, and the Thoth Deck.

Most books on reading Tarot reference the former, the Rider-Waite-Smith. But if you’re going to get serious about reading, it’s useful to have an understanding of the Marseille deck.

When I first picked up a Marseille deck, however, I put it down pretty quickly. No symbols on the Minor Arcana? How was I supposed to read the cards without rote memorization (which I hate)?

But the Marseille style is based on the original Tarot decks from Renaissance Italy, and they’re more typically used in Europe. This deck is important. So when I found this book, despite my misgivings about ever understanding the deck, I decided to give it a read. 

What a revelation. There actually are symbols on the Minor Arcana—they’re just subtle. Using numerology and an explanation… show more.

I like many of Rachel Pollack's books, but this was one of the first tarot books I read. This kind of book is perfect for me to learn something. It reads very easily, more like a course than a book with pages full of text. The layout is light and each page is richly illustrated with colour photos including tarot cards from all over the world, so you can compare and get a good idea of ​​the character of each card.

All facets of tarot, which you can delve into later, are discussed: origin, history & the different traditions, symbols & colours, the Tree of Life & the Hebrew letters, numbers & the paths of the Sefiroth, Kabbalah & astrology, the journey of the fool through the Major Arcana, different readings & card spreads, different ways to use the tarot cards: to meditate, to work with dreams, games, storytelling and… show more.

Michelle Tea is an inspiration to witches and punk rockers alike, allowing us to delve into our magic without fear, shame, or submission to dogmatic religions. I would not have written a tarot deck without her inspiration and guidance, as it was originally a collaboration between us.

As Next World Tarot became more and more of a platform for my ancestral magic, Michelle Tea delved into this masterful text on Tarot itself. I love this book because it is a beacon for anyone who wants to access their intuition through tarot but does not find comfort or connection towards the gatekeeping culture behind it.

Tarot is complex and historical and feminist and revolutionary—and we do not learn that in most historical contexts. Luckily, Michelle Tea has both documented and exercised this truth for us. This book exposes Michelle’s unique experience and wisdom, merging humor, truth, grit, and tradition with our… show more.

This book has a high-spirited, sprightly energy to it, and it is interesting how the author treats tarot cards and characters as entities that you can identify with and engage with. This is an especially good book for beginners because it’s an easy read and often seems to have been written in a spirit of fun. The first part of the book provides some basics, plus a section relating tarot to magical numerology as part of “the self-discovery process,” while the second half is devoted to tarot spells.

These spells are quite simple, though some call for accessories like candles, herbs, and gemstones. The main part of the spells are rhyming incantations, which Morrison often infuses with a bit of whimsy,--though that does not detract from their psychological efficacy!