100 Books Like The Poet Tarot Guidebook

As a lover of fairytales, I love the premise of The Castle of Crossed Destinies and that tarot cards appear visually down the margins of the pages. Novelist Italo Calvino places us in two settings: a castle, and a tavern. Guests traveling through the woods arrive to discover they have lost their ability to speak so they use tarot cards to “show” their stories. The narrator translates those cards (reliably or unreliably—you decide). A tarot card grid appears for the stories in the Tavern of Crossed Destinies section of the book that lays out plot possibilities. I love the visual “chess” concept and that you can use tarot card layouts to plot tales, novels, or a series of poems. 

Because I love understanding the roots of my present by looking at my past, I loved using Nancy Hendrickson’s Ancestral Tarot exercises to begin a relationship with my own ancestors. Hendrickson defines types of ancestors (blood, place, and time) and suggests practical ways to connect. Journaling prompts encourage you to create a paper trail of your journey. Hendrickson gives us layouts and delves into tools (sigils, moon energy, pendulums runes, oracles). You can dive deep to look at patterns surrounding addiction, generational incarnations, DNA, and more. As soon as I brought this book into my home (while preparing to teach a class with it) I had a powerful and moving dream that connected me to a loving ancestor.

Writer, photographer, and journalist William Cook Haigwood selected his own photos to create Journeying the Sixties: A Counterculture Tarot. The book helped me understand the context for my early childhood when my parents had an apartment in the Haight. Haigwood practically offers a graduate-level course in the Sixties by examining the major players, the opposing forces, and the gifts and wages of the unbridled idealism and enthusiasm characteristic for the times (love, religion, art, music, politics, law enforcement, war, drugs, feminism, poetry, revolution, and more). The Eight of Cups chapter looks at People’s Park in Berkeley; Mick Jagger represents the King of Pentacles; the Death card discussion explores Martin Luther King, Jr., Kennedy, and Vietnam. Haigwood’s interpretations make tarot’s archetypal energies relevant to the lessons of an entire generation. 

Jessa Crispin’s Creative Tarot suggests ways to connect to one’s muse through tarot. Crispin’s chapters match each tarot card’s essence to artists, thinkers, philosophers, and writers, looking at challenges and gifts each personality encountered over the course of their lifetime (and how they manifested in detriment or bloom). One of my favorite lines makes tarot card exploration forever relevant: Crispin writes, “It is about retelling the present.” And it is about how to ground tarot energy in specifics: what does it mean to be a King of Cups? Who has lived such an incarnation? Her “living examples” make tarot tangible for my students; I love her specific suggestions for how to explore the energy of each tarot card through music, film, paintings, art, and literature. 

When this book was published in 1979, mythologist Joseph Campbell was not yet a media celebrity—just a noted scholar. But poets and artists had already begun to engage with his exploration of the “hero’s journey.” As a student of archetypal psychology, I was initially excited to discover that Campbell had written about the Tarot.

I say “initially” because I was soon put off by the fact that Campbell had placed the origin of Tarot around 1350—a hundred years too early. But since then, I’ve become enthusiastic about his commentary, which draws associations between Tarot and Dante Alighieri’s 1332 epic poem, the Divina Commedia. Although 1450 (the probable timeframe of the earliest Tarot) was a transitional space between the periods designated as the “Middle Ages” and “Renaissance,” my research and experience suggest that Tarot is most closely tied to a medieval worldview and best understood in that context.

The other… show more.

I like many of Rachel Pollack's books, but this was one of the first tarot books I read. This kind of book is perfect for me to learn something. It reads very easily, more like a course than a book with pages full of text. The layout is light and each page is richly illustrated with colour photos including tarot cards from all over the world, so you can compare and get a good idea of ​​the character of each card.

All facets of tarot, which you can delve into later, are discussed: origin, history & the different traditions, symbols & colours, the Tree of Life & the Hebrew letters, numbers & the paths of the Sefiroth, Kabbalah & astrology, the journey of the fool through the Major Arcana, different readings & card spreads, different ways to use the tarot cards: to meditate, to work with dreams, games, storytelling and… show more.

As a designer of systems, I find this book intriguing because the author has created his own rather idiosyncratic system of sorcery. (The emphasis being on “sorcery,” written from a practicing sorcerer’s point of view.)  In addition to outlining his theories on rules of magic and providing new perspectives on magical tools, Emerson provides a section of tarot spells with rhyming incantations, unusual layouts, and diverse aims, including concealing a secret, conjuring an omen, seeing from afar, sequestering beyond time, drawing wayward souls, brewing a tempest, and more.

The spell layouts also have fanciful titles like “The Knight’s Vigil,” “The Queen’s Mirror,” “The Prison of Shadows,” and “The Shroud of Unseeing.” One warning, though: this book is not for people who are easily offended by any hint of manipulative magic.

This is a Tarot how-to book with a difference: It organizes the cards by theme, making it way easier to understand and remember their meanings compared to the usual memorize-them-one-at-a-time approach. The book is really a Tarot course in 22 lessons (it’s no coincidence that there are 22 Major Arcana cards in a Tarot deck!). Tarot 101 is an excellent resource for demystifying the Tarot and breaking it down into manageable chunks that make sense and that you can remember and use for the long term.

As the title suggests, this is not just a book but a Workbook. With knowledge and curiosity, Maria Minnis’s book is written from a place of great generosity of spirit. Still, it demands that we take action as we confront racism and inspire collective healing. 

We can sense her love of the cards and her view of them as a safe place to return to in times of need. As Maria takes us through the archetypes of the Major Arcana of the Tarot, exploring reality and metaphor from an unapologetically Black perspective, she gives us useful and practical exercises to help foster our own growth and understanding.  

The famed filmmaker and esotericist, Alejandro Jodorowsky, has poured decades of profound spiritual and divinatory understanding into this text to create one of the most significant systems for using the cards as a divinatory tool. Based on the Tarot d’Marseilles - arguably the stylistic form that constitutes the tarot’s most fundamental iconography - the text includes a comprehensive training system that can be used to provide a foundation for professional divinatory work.