Here are 90 books that Suicide fans have personally recommended if you like
Suicide.
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What is my passion? Why sociology? I love sociology for several reasons: first, because you study everything, and I mean everything can be “the sociology of….” Second, because it uncovers the layers of deceit, image, and make-up that cover the surface; third, because it deals with deviance and deviant behavior (see my other Five Best on Deviance); and fourth, it explains social conflict. I’m always learning something new, and I love to impart that love of the unknown and the everyday to my thousands of students.
One of the few true geniuses in sociology, he lifted the field up into new and innovation dimensions. If there were a Nobel Prize in sociology, he would most likely get it, followed by the three people above (Merton, Mills, and Gouldner). I knew him well. He could walk into a room and an hour later tell you all the power plays, conflicts, and inside dope.
Some of his terms have entered our language: front-stage, back stage (meaning what goes on in front of an audience, meaning your social interactions) are different from what goes on backstage, behind the scenes, kind of like a play. His book, Stigma, is used in many fascinating ways; not just someone blind or disfigured but also a Black person, a gay person, or a hippy; but mostly he shows in terrifying ways, how people hide or cope with their “stigma”—the subtitle tells it all…
One of the defining works of twentieth-century sociology: a revelatory analysis of how we present ourselves to others
'The self, then, as a performed character, is not an organic thing ... it is a dramatic effect'
How do we communicate who we are to other people? This landmark work by one of the twentieth century's most influential sociologists argues that our behaviour in social situations is defined by how we wish to be perceived - resulting in displays startlingly similar to those of actors in a theatrical performance. From the houses and clothes that we use as 'fixed props' to…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
What is my passion? Why sociology? I love sociology for several reasons: first, because you study everything, and I mean everything can be “the sociology of….” Second, because it uncovers the layers of deceit, image, and make-up that cover the surface; third, because it deals with deviance and deviant behavior (see my other Five Best on Deviance); and fourth, it explains social conflict. I’m always learning something new, and I love to impart that love of the unknown and the everyday to my thousands of students.
I could easily have chosen The Power Elite, White Collar, or The Causes of World War Three; in fact, this list could have been composed of just books by Mills. Mills came along when the dominant theoretical outlook was a kind of conservative “functionalism” led by a now somewhat neglected Harvard sociologist named Talcott Parsons and his “grand theories” that could explain “everything."
These have fallen by the wayside and been replaced by Robert Merton's “theories of the middle range” and micro-theories. More powerfully, grand theory and functionalism were replaced by conflict theory; that is, we learn more about a society from its conflicts than from its harmony. But in truth, one needs both perspectives to understand society.
C. Wright Mills is best remembered for his highly acclaimed work The Sociological Imagination, in which he set forth his views on how social science should be pursued. Hailed upon publication as a cogent and hard-hitting critique, The Sociological Imagination took issue with the ascendant schools of sociology in the United States, calling for a humanist sociology connecting the social, personal, and historical dimensions of our lives. The sociological imagination Mills calls for is a sociological vision, a way of looking at the world that can see links between the apparently private problems of the individual and important social issues. …
What is my passion? Why sociology? I love sociology for several reasons: first, because you study everything, and I mean everything can be “the sociology of….” Second, because it uncovers the layers of deceit, image, and make-up that cover the surface; third, because it deals with deviance and deviant behavior (see my other Five Best on Deviance); and fourth, it explains social conflict. I’m always learning something new, and I love to impart that love of the unknown and the everyday to my thousands of students.
In fact several of his other books are classics like Enter Plato or For Sociology. I knew Gouldner. Gouldner felt you could not have remote sociology, that sociology has its subjective aspects, and that one’s biases must be spoken and told upfront and will always be there.
Furthermore, sociologists whether Marxist or liberal academic can never be purely “value-free” but are necessarily political and ideological. This may not be a surprise today in 2025, but back in 1970, it was a bombshell since sociology was supposed to be like all sciences: totally objective, impartial, and detached.
The student and Black protests of the late 1960s changed all that.
In the social sciences, at least, no group of academics has been more sympathetic to the students of the New Left than have sociologists, and David Riesman has even contended that the profession has contributed in some measure to the development of the movement. Ironically, New Left students who are now becoming New Left Ph.D.’s in sociology have begun to rebel against what they consider the “conservatism” of some of their ex-professors. Alvin Gouldner’s book argues that all of this presages the emergence of a new “radical” sociology, and he tries to create a theoretical framework to serve as its…
Coyote weather is the feral, hungry season, drought-stricken, and ready to catch fire. It’s 1967, and the American culture is violently remaking itself while the country is forcibly sending its young men to fight in a deeply unpopular war.
Jerry has stubbornly made no plans for the future because he…
What is my passion? Why sociology? I love sociology for several reasons: first, because you study everything, and I mean everything can be “the sociology of….” Second, because it uncovers the layers of deceit, image, and make-up that cover the surface; third, because it deals with deviance and deviant behavior (see my other Five Best on Deviance); and fourth, it explains social conflict. I’m always learning something new, and I love to impart that love of the unknown and the everyday to my thousands of students.
I also knew Merton, and he praised my book The Jew as Outsider, which I based on his essay Insiders and Outsiders.
He was an assimilated Jew; few knew he was Jewish; this tall, elegant man looked more like a WASP from Philadelphia but no one aside from Mills introduced more terms into sociology that have become common parlance: anticipatory socializations, dysfunctional roles, manifest and latent function, theories of the middle range, The Mathew Effect (from the Bible—“those who get, get more, and those who don’t get, get less; in short, the rich get richer and the poor get poorer).
Containing the most systematic statement of the theoretical foundations and framework of functional sociology, the essays included in this edition provide an authoritative approach to the functional analysis of social structures.
Featuring two new chapters that form an introduction to the three essays publishing in part one of Social Theory and Social Structure, Robert K. Merton reflects on some of the most important thinking in contemporary sociology.
On Theoretical Sociology presents a clear and precise overview of basic concepts and serves as an introduction to the unique intellectual achievements of one of America's foremost scholars.
One of my favourite sounds is teens interacting—especially when they are throwing shade. I spent twenty-five years as a junior and senior high teacher, and I miss rocking and rolling during class discussions with my students. As a writer of contemporary fiction (actually in anything I write), I work hard at using dialogue as an engine to drive each scene. Each line needs to be refined to ensure that it’s snappy, engaging, and real. I’m a writer from southeast Saskatchewan, Canada, where there’s no shortage of great one-liners to use. I hope you enjoy the dialogue in these five recommendations as much as I did.
You Don’t Have to Die in the Endis just the sort of book I’d hand to a student who struggled with finding anything relatable. Eugenia Grimm could be down to her last chance when she is sent to Reason’s Wait, a facility for troubled teens. Because of her troubled past, she has programmed herself to lock horns with any adult who tries to cross—or help—her. I cringed during her tempestuous exchanges with social workers, staff, and fellow “inmates”—hoping one of them would find a way to save this bitter, angry girl from herself. Spoiler alert: As Daher’s title suggests, Eugenia’s train wreck of a life is salvaged in the end.
Eugenia Grimm is a tough girl living in a tough town at the foothills of the Rocky Mountains. She drinks and fights and pushes against expectations. She is also hurting. After her father died by suicide on her eighth birthday, her older brothers drifted away and her mother up and left when she turned 14, Eugenia has not made the best choices. After a last-straw violent incident and faced with the possibility of incarceration, she is sentenced to time at an Intensive Support and Supervision Program located at a remote mountain ranch. There, she begins to makeconnections, explore difficult truths,…
Ever since watching Sliding Doors back in the late 90s, I’ve been fascinated by forking narratives. I don’t know if I’ve yet to meet anyone who doesn’t love that “what-if” spark–what if I chose this job over that one? Who would I have met? Who would I have married? Who would I be? That last question, I believe, is the kicker–we all only get to live this one life, so our choices are our choices. Only in the realm of fiction can we really be in someone else’s head, and writing my fifth novel, Lines, and its twinned/entwined plots was doubling the fun.
This book is categorized as a young adult novel, but I read it as a fully grown adult and was able to snap right into my angsty teenage years.
This book gives the protagonist, Ephraim, a good amount of agency, as it’s the flip of a coin that fulfills his desires–basically, it’s a wishing well. But the different versions of his life that spring forth are what makes this story intriguing and often quite moving.
The coin changed Ephraim's life. But how can he change it back?
Sixteen-year-old Ephraim Scott is horrified when he comes home from school and finds his mother unconscious at the kitchen table, clutching a bottle of pills. The reason for her suicide attempt is even more disturbing: she thought she'd identified Ephraim's body at the hospital that day.
Among his dead double's belongings, Ephraim finds a strange coin--a coin that grants wishes when he flips it. With a flick of his thumb, he can turn his alcoholic mother into a model parent and catch the eye of the girl he's…
Homeless following the death of his adoptive parents in a car crash and the subsequent loss of their farm tenancy, Seb decides to enrol as a residential student at the Asklepios Foundation, a College of Natural Medicine, boasting a sanctuary modelled on an ancient Greek healing temple. Spending a night…
When I finally accepted that I’m analytical, it was surprisingly liberating. I think that’s why I enjoy trying to figure out a story and its characters and what will happen next. Because of this, it’s delightful when a story genuinely surprises me. I especially appreciate magical elements that defy reality. I’m also a motivational speaker and filmmaker, two powerful story-telling mediums, so I love books that inspire me in some way, challenge my perspectives, and leave me thinking about them for days. When a book is so well written that I can turn off my brain and lose myself in the story, it’s a fabulous escape for me.
I was first attracted to this book because it begins with a suicide. I have written about suicide, so I’m interested in how others view it and how it can be used as a catalyst to drive a story.
In this case, a dear friend’s suicide becomes pivotal to the evolution and development of the other three main characters. Whenever someone ends their life, those left behind begin to question everything and often suffer from feelings of guilt. This book shows how the other characters coped, moving forward, along with fabulous, colorful memories from when the four friends were together.
I love that it made me laugh and cry. I found myself wishing that I had three dear friends like the ladies in this story.
People like Feeney Simms don't commit suicide. Beautiful, charismatic, mother of two, wife to a handsome, successful husband, beloved by her friends-this is not the typical picture of a tortured soul. But one summer night, Feeney drives to the beach and swallows a handful of pills. No note, no explanation, nothing. Like that, she's gone.
Faced with this loss, Ali, Max, and Liddy, Feeney's closest friends, are left reeling, grappling with the devastating cocktail of grief, guilt, and anger that's left in the wake of a suicide. In a desperate attempt to avoid further loss, the three women make the…
PoppyHarp has at its heart the mystery of a forgotten children’s TV show from the 70s, so I wanted to share books that explore a similar idea–the fiction in fiction–be it an invented book, movie, or TV show that drives the narrative in some way. These five books all feature the enigmatic quality of something lost or some kind of age-old mystery waiting to be unraveled by its protagonists. They are also five books that I absolutely adore.
I absolutely fell for and into this seductive and sublimely entertaining book about a journalist investigating the enigma of Stanislas Cordova, an infamous and reclusive horror movie director. Nobody knows where he is or even if he’s still alive.
The invention of Cordova’s legend in the book is inspired; I love how Pessl builds layers of fake pop culture references and internet rabbit holes that feel so real you can almost hear the flicker of celluloid of one of Cordova’s movies playing out in your head. Even years after reading this book, I still recall it vividly in my mind’s eye.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • Cosmopolitan • Kirkus Reviews • BookPage
A page-turning thriller for readers of Stephen King, Gillian Flynn, and Stieg Larsson, Night Film tells the haunting story of a journalist who becomes obsessed with the mysterious death of a troubled prodigy—the daughter of an iconic, reclusive filmmaker.
On a damp October night, beautiful young Ashley Cordova is found dead in an abandoned warehouse in lower Manhattan. Though her death is ruled a suicide, veteran investigative journalist Scott McGrath suspects otherwise. As he probes the strange…
CDC statistics say that more teens and young adults die from suicide than from cancer, heart disease, AIDS, birth defects, stroke, pneumonia, flu, and chronic lung disease COMBINED. Each day in the US, there are an average of 5,400 suicide attempts by teens in grades 7-12. These statistics are frightening, and yet, as a high school teacher, I knew lecturing my students that suicide is NEVER the answer to problems wouldn't work. They'd have to see it for themselves. So that's what I tried to do as a writer. The poems in ANNA are short but penetrating, and combined with Anna's note at the book's end, I hope the point is made.
I think that every teen in school today has experienced a lockdown, hopefully just as a drill, but as school shootings continue, it’s a worry for every day of school. That’s why I think teens are so horrified as Emily Bean, the main character, sees her boyfriend bring a gun to school and kill himself.
I believe that reading about the depths of Emily’s agony reveals how devasting suicide can be for those who have had to live through its aftermath. In my author visits, I have met a number of those left behind by suicide, and I think it’s so important that this book ends with some hope for them.
A Michael L. Printz Honor Award Winner in the vein of This is Where It Ends
“A gentle, lyrical story of incomprehensible sorrow faced with quiet courage.”—ELIZABETH WEIN, New York Times bestselling author
“Hubbard treats tragedy and new beginnings with a skilled, delicate hand.”—JOHN COREY WHALEY, author of Where Things Come Back, winner of the Michael L. Printz Award
Senior Paul Wagoner walks into his school with a stolen gun, threatens his girlfriend, Emily Beam, and then takes his own life. Soon after, angry and guilt-ridden Emily is sent to a boarding school in Amherst, Massachusetts, where two quirky fellow…
Marriage and Fatherhood in the Nazi SS
by
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
I love a book that pulls you into the story, one where maybe you see yourself in the characters. As a boy, I loved to read and would lose myself in books. I find I am drawn to many different types and genres, but especially military or crime dramas. My favorites include historical references and in my own writing I often place characters in an actual historical event, but with a fictional outcome. The most important thing to me is creating a character who is interesting enough to make the reader want more. My personal military experiences were used to begin my first novel while the characters came to life.
Have you ever traveled somewhere, and something doesn’t feel right? There is a world of travelers, nomads, and homeless who live lives none of us can explain or understand. Their world includes strange disappearances or accidents, and authorities who ignore or hide the truth. If you start digging for answers, it might make some people uncomfortable. This is a riveting yarn of a sister who refuses to just let it go and move on with her life. Her fierce determination for answers leads her into her own fight for survival. A can’t put it down thrill ride.
From the author of the “full-throttle thriller” (A. J. Finn) No Exit—a riveting new psychological page-turner featuring a fierce and unforgettable heroine.
Three months ago, Lena Nguyen’s estranged twin sister, Cambry, drove to a remote bridge seventy miles outside of Missoula, Montana, and jumped two hundred feet to her death. At least, that is the official police version.
But Lena isn’t buying it.
Now she’s come to that very bridge, driving her dead twin’s car and armed with a cassette recorder, determined to find out what really happened by interviewing the highway patrolman who allegedly discovered her sister’s body.
