Here are 90 books that Suicide fans have personally recommended if you like
Suicide.
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What is my passion? Why sociology? I love sociology for several reasons: first, because you study everything, and I mean everything can be “the sociology of….” Second, because it uncovers the layers of deceit, image, and make-up that cover the surface; third, because it deals with deviance and deviant behavior (see my other Five Best on Deviance); and fourth, it explains social conflict. I’m always learning something new, and I love to impart that love of the unknown and the everyday to my thousands of students.
One of the few true geniuses in sociology, he lifted the field up into new and innovation dimensions. If there were a Nobel Prize in sociology, he would most likely get it, followed by the three people above (Merton, Mills, and Gouldner). I knew him well. He could walk into a room and an hour later tell you all the power plays, conflicts, and inside dope.
Some of his terms have entered our language: front-stage, back stage (meaning what goes on in front of an audience, meaning your social interactions) are different from what goes on backstage, behind the scenes, kind of like a play. His book, Stigma, is used in many fascinating ways; not just someone blind or disfigured but also a Black person, a gay person, or a hippy; but mostly he shows in terrifying ways, how people hide or cope with their “stigma”—the subtitle tells it all…
One of the defining works of twentieth-century sociology: a revelatory analysis of how we present ourselves to others
'The self, then, as a performed character, is not an organic thing ... it is a dramatic effect'
How do we communicate who we are to other people? This landmark work by one of the twentieth century's most influential sociologists argues that our behaviour in social situations is defined by how we wish to be perceived - resulting in displays startlingly similar to those of actors in a theatrical performance. From the houses and clothes that we use as 'fixed props' to…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
What is my passion? Why sociology? I love sociology for several reasons: first, because you study everything, and I mean everything can be “the sociology of….” Second, because it uncovers the layers of deceit, image, and make-up that cover the surface; third, because it deals with deviance and deviant behavior (see my other Five Best on Deviance); and fourth, it explains social conflict. I’m always learning something new, and I love to impart that love of the unknown and the everyday to my thousands of students.
I could easily have chosen The Power Elite, White Collar, or The Causes of World War Three; in fact, this list could have been composed of just books by Mills. Mills came along when the dominant theoretical outlook was a kind of conservative “functionalism” led by a now somewhat neglected Harvard sociologist named Talcott Parsons and his “grand theories” that could explain “everything."
These have fallen by the wayside and been replaced by Robert Merton's “theories of the middle range” and micro-theories. More powerfully, grand theory and functionalism were replaced by conflict theory; that is, we learn more about a society from its conflicts than from its harmony. But in truth, one needs both perspectives to understand society.
C. Wright Mills is best remembered for his highly acclaimed work The Sociological Imagination, in which he set forth his views on how social science should be pursued. Hailed upon publication as a cogent and hard-hitting critique, The Sociological Imagination took issue with the ascendant schools of sociology in the United States, calling for a humanist sociology connecting the social, personal, and historical dimensions of our lives. The sociological imagination Mills calls for is a sociological vision, a way of looking at the world that can see links between the apparently private problems of the individual and important social issues. …
What is my passion? Why sociology? I love sociology for several reasons: first, because you study everything, and I mean everything can be “the sociology of….” Second, because it uncovers the layers of deceit, image, and make-up that cover the surface; third, because it deals with deviance and deviant behavior (see my other Five Best on Deviance); and fourth, it explains social conflict. I’m always learning something new, and I love to impart that love of the unknown and the everyday to my thousands of students.
In fact several of his other books are classics like Enter Plato or For Sociology. I knew Gouldner. Gouldner felt you could not have remote sociology, that sociology has its subjective aspects, and that one’s biases must be spoken and told upfront and will always be there.
Furthermore, sociologists whether Marxist or liberal academic can never be purely “value-free” but are necessarily political and ideological. This may not be a surprise today in 2025, but back in 1970, it was a bombshell since sociology was supposed to be like all sciences: totally objective, impartial, and detached.
The student and Black protests of the late 1960s changed all that.
In the social sciences, at least, no group of academics has been more sympathetic to the students of the New Left than have sociologists, and David Riesman has even contended that the profession has contributed in some measure to the development of the movement. Ironically, New Left students who are now becoming New Left Ph.D.’s in sociology have begun to rebel against what they consider the “conservatism” of some of their ex-professors. Alvin Gouldner’s book argues that all of this presages the emergence of a new “radical” sociology, and he tries to create a theoretical framework to serve as its…
Mia Lark is running out of options. There is only one way to change the score: the fantasy planet Revivium.
Armed with the powerful magic in the helm and the friendly AI, Hex that goes with it, Mia throws caution out the window. It’s time to find the main guildhall…
What is my passion? Why sociology? I love sociology for several reasons: first, because you study everything, and I mean everything can be “the sociology of….” Second, because it uncovers the layers of deceit, image, and make-up that cover the surface; third, because it deals with deviance and deviant behavior (see my other Five Best on Deviance); and fourth, it explains social conflict. I’m always learning something new, and I love to impart that love of the unknown and the everyday to my thousands of students.
I also knew Merton, and he praised my book The Jew as Outsider, which I based on his essay Insiders and Outsiders.
He was an assimilated Jew; few knew he was Jewish; this tall, elegant man looked more like a WASP from Philadelphia but no one aside from Mills introduced more terms into sociology that have become common parlance: anticipatory socializations, dysfunctional roles, manifest and latent function, theories of the middle range, The Mathew Effect (from the Bible—“those who get, get more, and those who don’t get, get less; in short, the rich get richer and the poor get poorer).
Containing the most systematic statement of the theoretical foundations and framework of functional sociology, the essays included in this edition provide an authoritative approach to the functional analysis of social structures.
Featuring two new chapters that form an introduction to the three essays publishing in part one of Social Theory and Social Structure, Robert K. Merton reflects on some of the most important thinking in contemporary sociology.
On Theoretical Sociology presents a clear and precise overview of basic concepts and serves as an introduction to the unique intellectual achievements of one of America's foremost scholars.
One of my favourite sounds is teens interacting—especially when they are throwing shade. I spent twenty-five years as a junior and senior high teacher, and I miss rocking and rolling during class discussions with my students. As a writer of contemporary fiction (actually in anything I write), I work hard at using dialogue as an engine to drive each scene. Each line needs to be refined to ensure that it’s snappy, engaging, and real. I’m a writer from southeast Saskatchewan, Canada, where there’s no shortage of great one-liners to use. I hope you enjoy the dialogue in these five recommendations as much as I did.
You Don’t Have to Die in the Endis just the sort of book I’d hand to a student who struggled with finding anything relatable. Eugenia Grimm could be down to her last chance when she is sent to Reason’s Wait, a facility for troubled teens. Because of her troubled past, she has programmed herself to lock horns with any adult who tries to cross—or help—her. I cringed during her tempestuous exchanges with social workers, staff, and fellow “inmates”—hoping one of them would find a way to save this bitter, angry girl from herself. Spoiler alert: As Daher’s title suggests, Eugenia’s train wreck of a life is salvaged in the end.
Eugenia Grimm is a tough girl living in a tough town at the foothills of the Rocky Mountains. She drinks and fights and pushes against expectations. She is also hurting. After her father died by suicide on her eighth birthday, her older brothers drifted away and her mother up and left when she turned 14, Eugenia has not made the best choices. After a last-straw violent incident and faced with the possibility of incarceration, she is sentenced to time at an Intensive Support and Supervision Program located at a remote mountain ranch. There, she begins to makeconnections, explore difficult truths,…
I grew up in rural northern Michigan. My family lived in comfort, never lacking essentials. Yet, many of those living around me had difficulty making ends meet. Many lacked health insurance and year-round jobs. As a child, I viewed my community as normal and typical of the American experience. In many ways, it was–in part, that is the point of this list. At the time, I didn’t know that we could do better for those around me who worked so hard daily. Now I do. I selected these books to highlight the vast disparities between those with and without the comfort and luxury of good health.
Life expectancy among the working-class population in the United States was decreasing at an astounding rate well before the Covid-19 pandemic. While I was aware of growing inequality and decreasing access to health care for many, I didn’t realize how desperate the conditions of life seemed for many working-class Americans.
This book forced me to confront the uncomfortable reality of the health crisis among the many blue-collar workers living in the heartland of America.
A New York Times Bestseller A Wall Street Journal Bestseller A New York Times Notable Book of 2020 A New York Times Book Review Editors' Choice Shortlisted for the Financial Times and McKinsey Business Book of the Year A New Statesman Book to Read
From economist Anne Case and Nobel Prize winner Angus Deaton, a groundbreaking account of how the flaws in capitalism are fatal for America's working class
Life expectancy in the United States has recently fallen for three years in a row-a reversal not seen since 1918 or in any other wealthy nation in modern times. In the…
Winner of the 2024 New Mexico - Arizona Book Award.
In this deeply researched novel of America's most celebrated outlaw, Mark Warren sheds light on the human side of Billy the Kid and reveals the intimate stories of the lesser-known players in his legendary life of crime. Warren's fictional composer…
When I finally accepted that I’m analytical, it was surprisingly liberating. I think that’s why I enjoy trying to figure out a story and its characters and what will happen next. Because of this, it’s delightful when a story genuinely surprises me. I especially appreciate magical elements that defy reality. I’m also a motivational speaker and filmmaker, two powerful story-telling mediums, so I love books that inspire me in some way, challenge my perspectives, and leave me thinking about them for days. When a book is so well written that I can turn off my brain and lose myself in the story, it’s a fabulous escape for me.
I was first attracted to this book because it begins with a suicide. I have written about suicide, so I’m interested in how others view it and how it can be used as a catalyst to drive a story.
In this case, a dear friend’s suicide becomes pivotal to the evolution and development of the other three main characters. Whenever someone ends their life, those left behind begin to question everything and often suffer from feelings of guilt. This book shows how the other characters coped, moving forward, along with fabulous, colorful memories from when the four friends were together.
I love that it made me laugh and cry. I found myself wishing that I had three dear friends like the ladies in this story.
People like Feeney Simms don't commit suicide. Beautiful, charismatic, mother of two, wife to a handsome, successful husband, beloved by her friends-this is not the typical picture of a tortured soul. But one summer night, Feeney drives to the beach and swallows a handful of pills. No note, no explanation, nothing. Like that, she's gone.
Faced with this loss, Ali, Max, and Liddy, Feeney's closest friends, are left reeling, grappling with the devastating cocktail of grief, guilt, and anger that's left in the wake of a suicide. In a desperate attempt to avoid further loss, the three women make the…
PoppyHarp has at its heart the mystery of a forgotten children’s TV show from the 70s, so I wanted to share books that explore a similar idea–the fiction in fiction–be it an invented book, movie, or TV show that drives the narrative in some way. These five books all feature the enigmatic quality of something lost or some kind of age-old mystery waiting to be unraveled by its protagonists. They are also five books that I absolutely adore.
I absolutely fell for and into this seductive and sublimely entertaining book about a journalist investigating the enigma of Stanislas Cordova, an infamous and reclusive horror movie director. Nobody knows where he is or even if he’s still alive.
The invention of Cordova’s legend in the book is inspired; I love how Pessl builds layers of fake pop culture references and internet rabbit holes that feel so real you can almost hear the flicker of celluloid of one of Cordova’s movies playing out in your head. Even years after reading this book, I still recall it vividly in my mind’s eye.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • Cosmopolitan • Kirkus Reviews • BookPage
A page-turning thriller for readers of Stephen King, Gillian Flynn, and Stieg Larsson, Night Film tells the haunting story of a journalist who becomes obsessed with the mysterious death of a troubled prodigy—the daughter of an iconic, reclusive filmmaker.
On a damp October night, beautiful young Ashley Cordova is found dead in an abandoned warehouse in lower Manhattan. Though her death is ruled a suicide, veteran investigative journalist Scott McGrath suspects otherwise. As he probes the strange…
CDC statistics say that more teens and young adults die from suicide than from cancer, heart disease, AIDS, birth defects, stroke, pneumonia, flu, and chronic lung disease COMBINED. Each day in the US, there are an average of 5,400 suicide attempts by teens in grades 7-12. These statistics are frightening, and yet, as a high school teacher, I knew lecturing my students that suicide is NEVER the answer to problems wouldn't work. They'd have to see it for themselves. So that's what I tried to do as a writer. The poems in ANNA are short but penetrating, and combined with Anna's note at the book's end, I hope the point is made.
I think that every teen in school today has experienced a lockdown, hopefully just as a drill, but as school shootings continue, it’s a worry for every day of school. That’s why I think teens are so horrified as Emily Bean, the main character, sees her boyfriend bring a gun to school and kill himself.
I believe that reading about the depths of Emily’s agony reveals how devasting suicide can be for those who have had to live through its aftermath. In my author visits, I have met a number of those left behind by suicide, and I think it’s so important that this book ends with some hope for them.
A Michael L. Printz Honor Award Winner in the vein of This is Where It Ends
“A gentle, lyrical story of incomprehensible sorrow faced with quiet courage.”—ELIZABETH WEIN, New York Times bestselling author
“Hubbard treats tragedy and new beginnings with a skilled, delicate hand.”—JOHN COREY WHALEY, author of Where Things Come Back, winner of the Michael L. Printz Award
Senior Paul Wagoner walks into his school with a stolen gun, threatens his girlfriend, Emily Beam, and then takes his own life. Soon after, angry and guilt-ridden Emily is sent to a boarding school in Amherst, Massachusetts, where two quirky fellow…
Ramon Ramirez’s Dog is a collection of essays written over the years about the adventures and misadventures, mostly outside but occasionally inside the diplomatic career of a U.S. ambassador. Common threads weaving the stories together are a desire for a life well-lived, balancing career with family and friends, keeping physically…
Since I was young, I’ve suffered from Major Depressive Disorder, coupled with chronic pain that surfaced when I was in middle school. Being in constant pain—mental and physical—obviously drains the spirit. I found no hope whatsoever in phrases such as, “It gets better.” When you have chronic pain, that statement means nothing, because you know it won’t. These books, however, offered me something that I hadn’t encountered before: someone acknowledging that, although it may never get better, there is still something for me here, whatever form it takes. These books do not shame depressives, they console (and even commiserate) with them, and I hope you find them as fulfilling as I have.
The Savage God destroyed me upon finishing it for the first time.
Alvarez travels through history in this non-fiction study, tracing the perceptions of suicide from ancient societies to the present day, all with an empathetic eye. Alvarez views suicide both as a societal phenomenon and an intimately personal experience.
His own experience with suicide so closely mirrored my own that I still remember the final pages of the book vividly. To be frank, the book’s a bit dated—it was written in the 70s and some of Alvarez’s comments (as well as his reverence of Freud) haven’t aged well. Nevertheless, the worthwhile sections—of which most of the book is composed—are unforgettable.
"Suicide," writes the notes English poet and critic A. Alvarez, "has permeated Western culture like a dye that cannot be washed out." Although the aims of this compelling, compassionate work are broadly cultural and literary, the narrative is rooted in personal experience: it begins with a long memoir of Sylvia Plath, and ends with an account of the author's own suicide attempt. Within this dramatic framework, Alvarez launches his enquiry into the final taboo of human behavior, and traces changing attitudes towards suicide from the perspective of literature. He follows the black thread leading from Dante through Donne and the…
