Books like Voicing Suicide — picked by fans

I love this anthology for its activism, all too necessary now! Poets, both settler and Indigenous, pay tribute to trees through reflections on the past, connections to the present, and calls for the protection of our future. In Worth More Standing: Poets and Activists Pay Homage to Trees, celebrated poets and activists pay homage to the ghosts of lost forests and issue a rallying cry to protect remaining ancient giants and restore uncolonized spaces. Themes of connection, ecology, grief, and protection are explored through poems about trees and forests written by an impressive number of influential poets.

Trees are being cleared at a faster rate than any time in history! How can we possibly reverse this? How can poetry raise awareness of the value of our forests, worth more standing? This anthology, in its breadth and scope, offers readers hope, and prompts us to action on behalf of our trees. The anthology features an important introduction by Diana Beresford-Kroeger, author of The Global Forest and renowned expert on trees.

This anthology continues my theme of activism through poetry to raise awareness about our threatened environment. With over 100 poems and contributions from poets all over the country, Heartwood is a tribute to and celebration of the timeless impact of nature on Canadian poetry. “We must turn to the poets to expand dreams. This is because trees are the parents to the child deep within us. Forests bear silent witness to the tides of time upon which we… show more.

This anthology is as powerful as it is still necessary: beware. Some pieces may be triggering, but they raised my awareness and empathy. These collected poems from writers across the globe declare one common theme: resistance. By exploring sexual assault and violence in their work, each writer resists the patriarchal systems of power that continue to support a misogynist justice system that supports abusers. In doing so, they reclaim their power and their voice. Resistance underscores the validity of all women’s experiences, and the importance of dignifying such experiences in voice, however that may sound. Because once survivors speak out and disrupt their pain, there is no telling what else they can do.

This anthology attempts to answer ongoing questions about struggle in poems that engaged, challenged, and comforted me. What might survival sound or look like to us in our daily lives? Is it loud, refusing silence, demanding action? Or quiet, interior? What does surviving feel like in the body, this long into the pandemic? What techniques have helped us exist, continue to bear witness, learn to live with illness, grief, and pain? Is survival the continual interrogation of inequity and oppressive structures? What happens when we get tired of fighting?

Survival may very well be a composite of things; both a tending to one’s inner life and to the processing of life events, as well as the will to act, retrieve momentum. It is also a plurality/multiplicity of practices that serve to keep us well—as persons and with respect to our communities, the ongoing project of social justice/civil rights, which involves… show more.

I love this book because it helped put my best friend’s suicide in perspective—provided some tools to understand his mind and motivations.

It allowed me to not feel so alone in dealing with his loss, giving me comfort and insight from someone who had already done a lot of processing around her own father’s suicide.

I couldn’t help but feel a certain kinship, which of course didn’t fill the hole in my heart, but did allow for a certain sense of peace and resolution.  

I picked up Tector’s novel because it’s set in my hometown of Ottawa, and I kept reading because she’s crafted a wonderfully flawed character who just won’t quit.

Cate Spencer is a coroner who relies on two things: her instincts and too much scotch to numb her painful past. When a woman is found hanging in the vaults of an archives building, Cate arrives on the scene.

It looks like suicide, but Cate can’t bring herself to rule the death accidental. Not yet. Something’s not right. The more she digs, the more menace stalks her, and the more the past threatens to derail her world completely.

Was the death a murder and if so, why? Dripping with long-buried secrets, this thriller kept me reading long into the night.

In I, Afterlife, Prevallet writes, “The text that is grieving has no thesis: only speculations.”

This short, sturdy book has been something of a roadmap for me when writing about grief. After her father commits suicide, Prevallet is left with many unanswerable questions, so she presents for her reader the questions, big and small, along with her speculations.

The subtitle, Essay in Mourning Time, points toward what I find so compelling about this work. The book is written from the place of grief—the way it shifts our relationship to time and truth and objects—and in the voice of mourning. 

You Don’t Have to Die in the End is just the sort of book I’d hand to a student who struggled with finding anything relatable. Eugenia Grimm could be down to her last chance when she is sent to Reason’s Wait, a facility for troubled teens. Because of her troubled past, she has programmed herself to lock horns with any adult who tries to cross—or help—her. I cringed during her tempestuous exchanges with social workers, staff, and fellow “inmates”—hoping one of them would find a way to save this bitter, angry girl from herself. Spoiler alert: As Daher’s title suggests, Eugenia’s train wreck of a life is salvaged in the end.

After years of being misdiagnosed and wrongly medicated, and after years of living in denial about my bipolar disorder, I began Dialectic Behavior Therapy (DBT) in 2017. And it saved my life. Linehan has created an evidence-based treatment program that has taught me mindfulness, interpersonal effectiveness, emotional regulation, and distress tolerance. Frankly speaking, I think DBT should be taught in elementary and high schools.

This was one of my favourite books of 2018. This one deals with the impact of suicide on a tight-knit community, while quietly following Shane as he discovers his sexual identity and love for his best friend, David. The author, Adam Garnet Jones, is an Indigiqueer screenwriter, director, bead-worker, and novelist from Edmonton Alberta. While his Indigenous identity includes Cree, Métis, and Kahnawake

Mohawk, his traditional ancestry is complicated by the fact that his home reserve no longer exists. The land and community were forcibly enfranchised by the Canadian government in 1958.