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Ever since watching Sliding Doors back in the late 90s, I’ve been fascinated by forking narratives. I don’t know if I’ve yet to meet anyone who doesn’t love that “what-if” spark–what if I chose this job over that one? Who would I have met? Who would I have married? Who would I be? That last question, I believe, is the kicker–we all only get to live this one life, so our choices are our choices. Only in the realm of fiction can we really be in someone else’s head, and writing my fifth novel, Lines, and its twinned/entwined plots was doubling the fun.
This was the first Sliding Doors-esque novel I read, and it’s a doozy. The book spins off a single moment: will Irina kiss Ramsey, the professional pool player? That action forks the novel into two distinct threads, but there are constant pleasant echoes that reverberate back and forth.
I’ve always believed the greatest draw for reading fiction is that we get to live someone else’s life. In a split narrative, we get to do that twice! Two for the price of one.
From the Orange Prize winning author of We Need to Talk About Kevin, this is the novel Lionel Shriver wrote directly afterwards. The Post-Birthday World is an unflinching account of the choices that unfold before us and what our decisions really mean.
Irina McGovern's destiny hinges on a single kiss. Whether she gives into its temptation will determine whether she stays with her reliable partner Lawrence, or runs off with Ramsey, a hard-living snooker player.
Employing a parallel universe structure, Shriver spins Irina's competing futures with two drastically different men. An intellectual and fellow American, Lawrence is clever and supportive,…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Ever since watching Sliding Doors back in the late 90s, I’ve been fascinated by forking narratives. I don’t know if I’ve yet to meet anyone who doesn’t love that “what-if” spark–what if I chose this job over that one? Who would I have met? Who would I have married? Who would I be? That last question, I believe, is the kicker–we all only get to live this one life, so our choices are our choices. Only in the realm of fiction can we really be in someone else’s head, and writing my fifth novel, Lines, and its twinned/entwined plots was doubling the fun.
Not satisfied with two possibilities, Laura Barnett wrote three! She labels them as such–Versions One (they meet and marry), Two (they don’t meet until years later), and Three (they get together but break up), of Eva the writer and Jim the painter.
The chapters are very short, almost vignette-like, but this is a case where the sum of the parts is greater than the whole. Through a collage-like accretion, I came to adore this love story that spans almost sixty years.
A #1 UK bestseller, The Versions of Us is a dazzling novel about the ways the smallest decisions give shape to our lives, charting a single relationship through three possible futures.
What if you had said yes? Some moments can change your life forever. Have you ever wondered, what if . . .?
A man is walking down a country lane. A woman, cycling toward him, swerves to avoid a dog. On that moment, their future hinges. There are three possible outcomes, three small decisions that could determine the rest of their life.
Ever since watching Sliding Doors back in the late 90s, I’ve been fascinated by forking narratives. I don’t know if I’ve yet to meet anyone who doesn’t love that “what-if” spark–what if I chose this job over that one? Who would I have met? Who would I have married? Who would I be? That last question, I believe, is the kicker–we all only get to live this one life, so our choices are our choices. Only in the realm of fiction can we really be in someone else’s head, and writing my fifth novel, Lines, and its twinned/entwined plots was doubling the fun.
This book is the funniest of the lot here, and it’s got a great hook: Lauren comes home and finds a guy who says he’s her husband, but she’s not married! And then he goes up to the attic…and another man takes his place, and Lauren’s world is also slightly altered.
This happens over and over again, often to comedic effect. Her journey towards finding the right guy ultimately makes this book special.
'One of the funniest debuts for years' SUNDAY TIMES 'The most fun I've had reading in the longest time' MARIAN KEYES 'An absolute riot' THE UNMUMSY MUM
You wait ages for The One . . . then 203 come along at once
One night Lauren finds a strange man in her flat who claims to be her husband. All the evidence - from photos to electricity bills - suggests he's right.
Lauren's attic, she slowly realises, is creating an endless supply of husbands for her.
There's the one who pretends to play music on her toes. The one who's too…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Ever since watching Sliding Doors back in the late 90s, I’ve been fascinated by forking narratives. I don’t know if I’ve yet to meet anyone who doesn’t love that “what-if” spark–what if I chose this job over that one? Who would I have met? Who would I have married? Who would I be? That last question, I believe, is the kicker–we all only get to live this one life, so our choices are our choices. Only in the realm of fiction can we really be in someone else’s head, and writing my fifth novel, Lines, and its twinned/entwined plots was doubling the fun.
If you are of a certain age, you may remember Choose Your Own Adventure novels, where you read an enticing setup of a story, and then you are asked to choose–go to page xx for this action or page yy for this other action. These books were often adventure or mystery tales, and they were fairly short.
Well, this author took this concept to new heights–she wrote over 150 different endings. All written in the second person, in this book, you can fall madly in love as well as die tragically, so caveat emptor!
There are hundreds of lives sown inside Pretty Little Mistakes, Heather McElhatton's singularly spectacular, breathtakingly unique novel that has more than 150 possible endings. You may end up in an opulent mansion or homeless down by the river; happily married with your own corporation or alone and pecked to death by ducks in London; a Zen master in Japan or morbidly obese in a trailer park.
Is it destiny or decision that controls our fate? You can't change your past and start over from scratch in real life—but in Pretty Little Mistakes, you can! But be warned, choose wisely.
As a child, one of my favorite places was in the top branches of a tree. From up there I could watch the world pass by, remaining invisible. I could make up stories about the world below and no one would challenge me. The second best place for me was inside the story of a book, the kind that took you to magical places where children always found a way to win the day. I knew when I “grew up” I would write one of those empowering books. I became a middle school teacher and have since read many wonderful books for this age. Enjoy my list of favorites.
Finley’s divorcing parents send her to live with her grandparents and she struggles to fit in.
Her battle to find her place worried me as I dove into her story. Unlike Finley, I had a library of books where I could escape. Instead, she wrote about a fantasy world in a journal, to feel sane. When she discovers her fantasy world is real and right next door, this magical forest becomes her salvation, and things begin to make sense.
The trees were my friends as a child as well, and in both our cases, the magic of the forest helped us find our footing in the real world. Finley’s journey supported my belief that a trust in magic and the trees can help guide you in your real world.
Reality and fantasy collide in this heartfelt and mysterious novel for fans of Counting by 7s and Bridge to Terabithia, about a girl who must save a magical make-believe world in order to save herself.
Things Finley Hart doesn't want to talk about: -Her parents, who are having problems. (But they pretend like they're not.) -Being sent to her grandparents' house for the summer. -Never having met said grandparents. -Her blue days-when life feels overwhelming, and it's hard to keep her head up. (This happens a lot.)
Finley's only retreat is the Everwood, a forest kingdom that exists in the…
I spent the better part of a decade honing my writing skills and pushing the bounds of imagination after my debut fantasy novel Mercury Dagger - A Tale From Kraydenia. When I am not off exploring the wilds of Australia, I am dreaming up new adventures and monsters to cause chaos in a fantastical world filled with twists, loyalty, honour, and great and terrible battles.Originally from South Africa, I have travelled the African continent, visiting numerous countries, seeing first-hand the differences in many cultures who roam the lands and found it fascinating. It is this fascination that inspires my love for creating new characters and finding out what makes them tick.
Stunning character visualization and world-building make for a good read. Throw in some good humor, some daring fights and beasts to slay, and a plot filled with twists and you have yourself a great read. Andrzej Sapkowski has done a fantastic job of carving great characters for your enjoyment.
This collection of articles concerning the economic development of Africa was written by a group of scholars who are experienced in African societies and are knowledgeable about African needs. This experience and knowledge allows the authors to improve the focus on subjects like productivity, rural development, and transportation along with social and political issues involved in African developmental problems. The work consists of three parts: a general introduction, a section focusing on theoretical perspectives, and a section on practical problems. Since much of the work is derived from original research, it is unique in its treatment of the subject. The…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
CDC statistics say that more teens and young adults die from suicide than from cancer, heart disease, AIDS, birth defects, stroke, pneumonia, flu, and chronic lung disease COMBINED. Each day in the US, there are an average of 5,400 suicide attempts by teens in grades 7-12. These statistics are frightening, and yet, as a high school teacher, I knew lecturing my students that suicide is NEVER the answer to problems wouldn't work. They'd have to see it for themselves. So that's what I tried to do as a writer. The poems in ANNA are short but penetrating, and combined with Anna's note at the book's end, I hope the point is made.
This book will break your heart as you become totally engrossed in Brent’s recovery after an attempted suicide that leaves him with severe burns. When teenagers think about “ending it all,” they may not think about the consequences for those who love them; they don’t think about what if later it would have been better if they had lived.
Though this is not always an easy read, I think it is an important one.
Brent Runyon was fourteen years old when he set himself on fire. In The Burn Journals, Runyon describes that devastating suicide attempt and his recovery, both physical and psychological, over the following year. He shares his story with such unflinching honesty that we understand - with a terrible clarity - what it means to want to kill yourself and how it feels to struggle back towards normality. Intense, exposed, insightful, The Burn Journals is a deeply personal story with universal reach. It is impossible to look away. Impossible to remain unmoved.
As a writer, I want my novels to be deeply humane and beautifully written, with characters who are worth your time and love and worry. And as a reader, I want my plots to keep you up past bedtime. Unsurprisingly, these same qualities show up in novels I remember the longest. In days of yore (the 1980s) the rap on “literary novels” was that they had poetic writing and no plot. I’m glad to say that’s no longer true (if it ever was). Gorgeous writing and riveting plots can and do go together! In that spirit, I hope you’ll love my book selections.
Two boys find a gun in the woods. Over the next few hours, which are rendered in a series of unforgettable scenes that travel forward and back in time, the gun will resonate through the lives of the boys, their teachers, their parents, and others.
I could not put it down, and when I finished I began reading it again. The prose is the loveliest you’ll find, and the story takes gentle and surprising turns that will stop your heart and make you feel deeply human. I loved this short, gorgeous novel and learned something about the lives of men.
There is good reason why William Lychack's writing has been called 'Precise, exhilarating, sometimes wonderfully funny and always beautiful' (Margot Livesey). In prose you can practically feel moving in your hands, Cargill Falls takes you through a series of unforgettable scenes that coalesce into an extended meditation on the meanings we give or fail to give certain moments in our lives. The story begins when an adult William Lychack, hearing of the suicide of a childhood friend, sets out to make peace with a single, long-departed winter's day when the two boys find a gun in the woods. Taking place…
Crystal King is the author of The Chef’s Secret and Feast of Sorrow, which was long-listed for the Center for Fiction’s First Novel Prize and was a Must-Read for the MassBook Awards. She is an author, culinary enthusiast, and marketing expert. Her writing is fueled by a love of history and a passion for the food, language, and culture of Italy. She has taught classes in writing, creativity, and social media at GrubStreet, Harvard Extension School, and Boston University, among others. She resides in Boston.
In A.D. 66, Petronius, the author of the food-filled first novel, The Satyricon, has been implicated in an assassination plot to rid the world of Emperor Nero. He now faces a terrible choice: to end his life with honor, or to face an executioner at dawn. The Uncertain Hour is the sumptuous, beautiful tale of Petronius’s last, marvelous feast before he takes his place among the stars in the heavens.
a.d. 66: Having been falsely implicated in a plot to assassinate the emperor Nero, Titus Petronius has a choice: await the executioner at dawn, or die a noble Roman death by his own hand. Deciding that his will be a suicide like no other the world has ever seen, he summons a small circle of intimate friends to his magnificent villa on the enchanting Tyrrhenian coast of southern Italy. There, over the course of a balmy autumn's night, Petronius throws the party of a lifetime. As they feast on course after course of the most sumptuous and exotic fare the…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
As someone who has experienced a lot of loss in my life, I’ve done a good amount of research and exploration into the soulful nature in all of us (the living and the dead) through reading nonfiction (Laura Lynn Jackson, Brian Weiss, Edgar Cayce, Jane Roberts, John Edward and Suzane Northrop among them) and fiction that deals with strong soulful connections. Through my own work as an author, I seek to provide the message love, in any form, transcends life and death. We only have to be open to the possibility to know it and experience it. Nothing is a coincidence and we are all connected. I hope these selections open you to the possibility.
Fabiaschi’s story is told from two very different perspectives.
One is from earth and told from the perspectives of a grieving daughter and husband as they grapple with their loss. The other is from purgatory or a stasis from the perspective of the mother/wife who seems to have committed suicide. But everything is not as it seems. From the afterlife, Maddy tries to help her grieving family find answers and closure.
I was fascinated by the way Maddy attempts to affect the lives of her loved ones.
Maddy was a loving, devoted stay-at-home mother... until she committed suicide, which left her husband Brady and her teenage daughter Eve heartbroken and reeling, wondering how they can possibly continue without her. Maddy, however, isn't quite done with them. In an attempt to fulfil her family's needs, Maddy watches and meddles from beyond the grave, determined to find the perfect wife and mother to replace herself and heal her family. That's when she finds Rory: a free-spirited schoolteacher, who Maddy manoeuvres into Eve's confidences, but who turns out to be harbouring a tragedy of her own.
