Here are 87 books that Fair Coin fans have personally recommended if you like
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Ever since watching Sliding Doors back in the late 90s, I’ve been fascinated by forking narratives. I don’t know if I’ve yet to meet anyone who doesn’t love that “what-if” spark–what if I chose this job over that one? Who would I have met? Who would I have married? Who would I be? That last question, I believe, is the kicker–we all only get to live this one life, so our choices are our choices. Only in the realm of fiction can we really be in someone else’s head, and writing my fifth novel, Lines, and its twinned/entwined plots was doubling the fun.
This was the first Sliding Doors-esque novel I read, and it’s a doozy. The book spins off a single moment: will Irina kiss Ramsey, the professional pool player? That action forks the novel into two distinct threads, but there are constant pleasant echoes that reverberate back and forth.
I’ve always believed the greatest draw for reading fiction is that we get to live someone else’s life. In a split narrative, we get to do that twice! Two for the price of one.
From the Orange Prize winning author of We Need to Talk About Kevin, this is the novel Lionel Shriver wrote directly afterwards. The Post-Birthday World is an unflinching account of the choices that unfold before us and what our decisions really mean.
Irina McGovern's destiny hinges on a single kiss. Whether she gives into its temptation will determine whether she stays with her reliable partner Lawrence, or runs off with Ramsey, a hard-living snooker player.
Employing a parallel universe structure, Shriver spins Irina's competing futures with two drastically different men. An intellectual and fellow American, Lawrence is clever…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Ever since watching Sliding Doors back in the late 90s, I’ve been fascinated by forking narratives. I don’t know if I’ve yet to meet anyone who doesn’t love that “what-if” spark–what if I chose this job over that one? Who would I have met? Who would I have married? Who would I be? That last question, I believe, is the kicker–we all only get to live this one life, so our choices are our choices. Only in the realm of fiction can we really be in someone else’s head, and writing my fifth novel, Lines, and its twinned/entwined plots was doubling the fun.
Not satisfied with two possibilities, Laura Barnett wrote three! She labels them as such–Versions One (they meet and marry), Two (they don’t meet until years later), and Three (they get together but break up), of Eva the writer and Jim the painter.
The chapters are very short, almost vignette-like, but this is a case where the sum of the parts is greater than the whole. Through a collage-like accretion, I came to adore this love story that spans almost sixty years.
A #1 UK bestseller, The Versions of Us is a dazzling novel about the ways the smallest decisions give shape to our lives, charting a single relationship through three possible futures.
What if you had said yes? Some moments can change your life forever. Have you ever wondered, what if . . .?
A man is walking down a country lane. A woman, cycling toward him, swerves to avoid a dog. On that moment, their future hinges. There are three possible outcomes, three small decisions that could determine the rest of their life.
Ever since watching Sliding Doors back in the late 90s, I’ve been fascinated by forking narratives. I don’t know if I’ve yet to meet anyone who doesn’t love that “what-if” spark–what if I chose this job over that one? Who would I have met? Who would I have married? Who would I be? That last question, I believe, is the kicker–we all only get to live this one life, so our choices are our choices. Only in the realm of fiction can we really be in someone else’s head, and writing my fifth novel, Lines, and its twinned/entwined plots was doubling the fun.
This book is the funniest of the lot here, and it’s got a great hook: Lauren comes home and finds a guy who says he’s her husband, but she’s not married! And then he goes up to the attic…and another man takes his place, and Lauren’s world is also slightly altered.
This happens over and over again, often to comedic effect. Her journey towards finding the right guy ultimately makes this book special.
'One of the funniest debuts for years' SUNDAY TIMES 'The most fun I've had reading in the longest time' MARIAN KEYES 'An absolute riot' THE UNMUMSY MUM
You wait ages for The One . . . then 203 come along at once
One night Lauren finds a strange man in her flat who claims to be her husband. All the evidence - from photos to electricity bills - suggests he's right.
Lauren's attic, she slowly realises, is creating an endless supply of husbands for her.
There's the one who pretends to play music on her toes. The one who's too…
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
Ever since watching Sliding Doors back in the late 90s, I’ve been fascinated by forking narratives. I don’t know if I’ve yet to meet anyone who doesn’t love that “what-if” spark–what if I chose this job over that one? Who would I have met? Who would I have married? Who would I be? That last question, I believe, is the kicker–we all only get to live this one life, so our choices are our choices. Only in the realm of fiction can we really be in someone else’s head, and writing my fifth novel, Lines, and its twinned/entwined plots was doubling the fun.
If you are of a certain age, you may remember Choose Your Own Adventure novels, where you read an enticing setup of a story, and then you are asked to choose–go to page xx for this action or page yy for this other action. These books were often adventure or mystery tales, and they were fairly short.
Well, this author took this concept to new heights–she wrote over 150 different endings. All written in the second person, in this book, you can fall madly in love as well as die tragically, so caveat emptor!
There are hundreds of lives sown inside Pretty Little Mistakes, Heather McElhatton's singularly spectacular, breathtakingly unique novel that has more than 150 possible endings. You may end up in an opulent mansion or homeless down by the river; happily married with your own corporation or alone and pecked to death by ducks in London; a Zen master in Japan or morbidly obese in a trailer park.
Is it destiny or decision that controls our fate? You can't change your past and start over from scratch in real life—but in Pretty Little Mistakes, you can! But be warned, choose wisely.
As a child, one of my favorite places was in the top branches of a tree. From up there I could watch the world pass by, remaining invisible. I could make up stories about the world below and no one would challenge me. The second best place for me was inside the story of a book, the kind that took you to magical places where children always found a way to win the day. I knew when I “grew up” I would write one of those empowering books. I became a middle school teacher and have since read many wonderful books for this age. Enjoy my list of favorites.
Finley’s divorcing parents send her to live with her grandparents and she struggles to fit in.
Her battle to find her place worried me as I dove into her story. Unlike Finley, I had a library of books where I could escape. Instead, she wrote about a fantasy world in a journal, to feel sane. When she discovers her fantasy world is real and right next door, this magical forest becomes her salvation, and things begin to make sense.
The trees were my friends as a child as well, and in both our cases, the magic of the forest helped us find our footing in the real world. Finley’s journey supported my belief that a trust in magic and the trees can help guide you in your real world.
Reality and fantasy collide in this heartfelt and mysterious novel for fans of Counting by 7s and Bridge to Terabithia, about a girl who must save a magical make-believe world in order to save herself.
Things Finley Hart doesn't want to talk about: -Her parents, who are having problems. (But they pretend like they're not.) -Being sent to her grandparents' house for the summer. -Never having met said grandparents. -Her blue days-when life feels overwhelming, and it's hard to keep her head up. (This happens a lot.)
Finley's only retreat is the Everwood, a forest kingdom that exists in…
I spent the better part of a decade honing my writing skills and pushing the bounds of imagination after my debut fantasy novel Mercury Dagger - A Tale From Kraydenia. When I am not off exploring the wilds of Australia, I am dreaming up new adventures and monsters to cause chaos in a fantastical world filled with twists, loyalty, honour, and great and terrible battles.Originally from South Africa, I have travelled the African continent, visiting numerous countries, seeing first-hand the differences in many cultures who roam the lands and found it fascinating. It is this fascination that inspires my love for creating new characters and finding out what makes them tick.
Stunning character visualization and world-building make for a good read. Throw in some good humor, some daring fights and beasts to slay, and a plot filled with twists and you have yourself a great read. Andrzej Sapkowski has done a fantastic job of carving great characters for your enjoyment.
This collection of articles concerning the economic development of Africa was written by a group of scholars who are experienced in African societies and are knowledgeable about African needs. This experience and knowledge allows the authors to improve the focus on subjects like productivity, rural development, and transportation along with social and political issues involved in African developmental problems. The work consists of three parts: a general introduction, a section focusing on theoretical perspectives, and a section on practical problems. Since much of the work is derived from original research, it is unique in its treatment of the subject. The…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
CDC statistics say that more teens and young adults die from suicide than from cancer, heart disease, AIDS, birth defects, stroke, pneumonia, flu, and chronic lung disease COMBINED. Each day in the US, there are an average of 5,400 suicide attempts by teens in grades 7-12. These statistics are frightening, and yet, as a high school teacher, I knew lecturing my students that suicide is NEVER the answer to problems wouldn't work. They'd have to see it for themselves. So that's what I tried to do as a writer. The poems in ANNA are short but penetrating, and combined with Anna's note at the book's end, I hope the point is made.
This book will break your heart as you become totally engrossed in Brent’s recovery after an attempted suicide that leaves him with severe burns. When teenagers think about “ending it all,” they may not think about the consequences for those who love them; they don’t think about what if later it would have been better if they had lived.
Though this is not always an easy read, I think it is an important one.
Brent Runyon was fourteen years old when he set himself on fire. In The Burn Journals, Runyon describes that devastating suicide attempt and his recovery, both physical and psychological, over the following year. He shares his story with such unflinching honesty that we understand - with a terrible clarity - what it means to want to kill yourself and how it feels to struggle back towards normality. Intense, exposed, insightful, The Burn Journals is a deeply personal story with universal reach. It is impossible to look away. Impossible to remain unmoved.
I’m a Canadian writer, and a mother of three. I think I do qualify as an ACOH (Adult Child of Hippies). My mom taught elementary school, and my dad was a university professor, but otherwise they fully embraced the hippy movement. It was a rich childhood in terms of nature, literature, art, and foreign cultures, but dysfunctional and confusing on the emotional front. Sadly, dropping a lot of acid leads to a lifetime of anxiety and depression. My father descended into mental illness and opiate addiction when I was an adult, eventually leading to his suicide. I came to terms with his death by writing Corridor Nine.
This helpful book digs into the stigma of suicide, how it has been viewed as taboo, and how the bodies of people who committed suicide have traditionally even been denied burial. The people left behind find themselves isolated by their shame and the fear that others will shy away from a topic considered sinful in most religions. This was certainly my experience. Had my father died of cancer or a heart attack, I would have talked openly of his death and received a lot of support. But I felt his mental illness, addiction, and suicide too dark a topic to impose on anyone.
Happy, functional families don’t go through things like this. It was an extension of the shame I’d internalized as a child growing up with socially divergent parents who struggled with mental health issues. Alexander, who lost her own mother to suicide, gives links to survivor support groups,…
Breathtaking stories of incredible power for anyone struggling to find the meaning in the suicidal death of a loved one--and for all readers seeking writing that moves and inspires. After author Victoria Alexander's mother took her life, she spent the next ten years collecting stories from people, like herself, who have walked through one of life's most difficult journeys. The result is a beautifully written book of powerful, spellbinding stories told by those who were left behind--parents, children, spouses, lovers, friends, and colleagues. In the Wake of Suicide offers survivors the understanding, compassion, and hope they need to guide them…
CDC statistics say that more teens and young adults die from suicide than from cancer, heart disease, AIDS, birth defects, stroke, pneumonia, flu, and chronic lung disease COMBINED. Each day in the US, there are an average of 5,400 suicide attempts by teens in grades 7-12. These statistics are frightening, and yet, as a high school teacher, I knew lecturing my students that suicide is NEVER the answer to problems wouldn't work. They'd have to see it for themselves. So that's what I tried to do as a writer. The poems in ANNA are short but penetrating, and combined with Anna's note at the book's end, I hope the point is made.
I think that every teen in school today has experienced a lockdown, hopefully just as a drill, but as school shootings continue, it’s a worry for every day of school. That’s why I think teens are so horrified as Emily Bean, the main character, sees her boyfriend bring a gun to school and kill himself.
I believe that reading about the depths of Emily’s agony reveals how devasting suicide can be for those who have had to live through its aftermath. In my author visits, I have met a number of those left behind by suicide, and I think it’s so important that this book ends with some hope for them.
A Michael L. Printz Honor Award Winner in the vein of This is Where It Ends
“A gentle, lyrical story of incomprehensible sorrow faced with quiet courage.”—ELIZABETH WEIN, New York Times bestselling author
“Hubbard treats tragedy and new beginnings with a skilled, delicate hand.”—JOHN COREY WHALEY, author of Where Things Come Back, winner of the Michael L. Printz Award
Senior Paul Wagoner walks into his school with a stolen gun, threatens his girlfriend, Emily Beam, and then takes his own life. Soon after, angry and guilt-ridden Emily is sent to a boarding school in Amherst, Massachusetts, where two quirky fellow…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I first started tending patients at age 15, as a candy striper at St. Joseph Hospital. That was a long time ago, and since then I’ve learned much at patients’ bedsides, in Congress, statehouses and courtrooms. Through sequential careers in nursing, medicine, law, and advocacy, I learned that end-of-life experiences have the most to teach us about being truly present to our lives, about learning to love well and growing in wisdom. Personal autonomy, individual empowerment, and guided planning are all key to moving past our fear of death. In the end, as Seneca observed, “The art of living well and dying well are one.”
Betty Rollin is best known as the award-winning national correspondent for NBC. Writing about her personal life, she sure knows how to tell a story. Long before any state recognized a legal option for assisted dying, a few brave people navigated the risks of helping a loved one exit life on their own terms. Betty and her husband, Ed, were two such people, and they were especially courageous in publicizing what they did. Last Wish was a bestseller when it came out in 1985 and again in 1999. It became an ABC TV movie in 1992 starring Patty Duke and Maureen Stapleton. Both the story and the storytelling, are captivating. Betty’s mom got the peaceful death she desired, and we got a wonderful, even humorous story of love, loyalty, and international daring.
At a time when tempers flare over the Oregon assisted suicide law and Jack Kevorkian's physician-aid-in-dying, Last Wish, Betty Rollin's ground-breaking New York Times bestseller, is due for a rereading. Last Wish is an intimate, fiercely honest memoir of a daughter's struggle to come to terms with her terminally ill mother's decision to die. More than a examination of the ethical, spiritual, and technical aspects of assisted suicide, Last Wish is also a celebration of Rollin's imperfect family, a passionate testament to her mother's character and courage, and a compelling argument for the right of the terminally ill to a…
