Here are 100 books that Studies in Lechery fans have personally recommended if you like
Studies in Lechery.
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I am a writer who was first a reader and am convinced that novels can speak profound truth. They’ve helped me too many times to believe otherwise. I write novels about how we unwind from painful pasts to create new and better lives. In my experience, that requires us to face difficult truths and choose to be different until we are. I write fiction because I can begin with something awful, cut out boring detours that didn’t matter, and get my honorable and well-intentioned characters to happy endings faster than I’ve gotten to mine. These books map similar journeys, and all have left me better off for having read them.
A painful truth about the times we live in is that people often throw judgement when they hear about something terrible: Why didn’t they do something? How could they let that happen? My suspicion is that people judge because they cannot fathom—or bear to fathom—that such tragedy occurs. Others of us know it does.
In this story, Kate Elizabeth Russell profoundly illustrates how a perfect storm of people not-doing-their-best can guide an innocent and well-meaning person right into the arms of a monster. And how those events haunt her until she’s able to face the truth of what happened.
Most importantly, we see how that same person, with the help of honorable people, puts one foot in front of the other and walks herself back out to wholeness.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I am a survivor of dual tracks of abuse: both in the home and in higher education. The disturbing link between the two emerged after twenty years working across public, private, and elite universities, where I witnessed and endured so much. My story is one data point in a widespread crisis festering in the dark. Exposing that pressures universities to change. Through my memoir, related projects, and academicabuse.com—a hub of data and resources to identify and disrupt the problem—I aim to apply that pressure, and give survivors the tools and courage to do the same.
Freitas wrote one of the first memoirs documenting gender-based violence in higher education. One of only three I've found.
Reading how she tried to avoid the problem for so long to protect her career resonated deeply with me. The stalking and triangulation she described felt all too familiar.
I went through my own version of this, and the subsequent university failures and career derailment she recounts. All of this hinges on the troubling power dynamics embedded in academia's gatekeeping and letter-of-recommendation system, where a predator's endorsement can make or break a career.
Donna Freitas has lived two lives. In one life, she is a published author and respected scholar who has traveled around the country speaking about Title IX, consent, religion, and sex on college campuses. In the other, she is a victim, a woman who suffered and suffers still because she was stalked by her graduate professor, a renowned Catholic priest, for more than two years.
As a doctoral candidate in a world-famous theology department, Freitas loved asking big questions, challenging established theories and sinking her teeth into sacred texts. She felt at home in the library, and safe in the…
I am a survivor of dual tracks of abuse: both in the home and in higher education. The disturbing link between the two emerged after twenty years working across public, private, and elite universities, where I witnessed and endured so much. My story is one data point in a widespread crisis festering in the dark. Exposing that pressures universities to change. Through my memoir, related projects, and academicabuse.com—a hub of data and resources to identify and disrupt the problem—I aim to apply that pressure, and give survivors the tools and courage to do the same.
What I found most shocking about this book is that it is still relevant.
Published in 1984 with a revised edition in 1990, Dziech and Weiner dissect the "lecherous professor" archetype and the problem of sexual harassment on campus from every angle, without pulling punches. They include real cases, quotes, and statistics, as well as warning signs and guides for students, parents, and administrators.
Reading the how and why of the way predators operate, victims respond, and universities enable the crisis let me know I was not alone! This has been known for decades, and here I was thinking I was the only one. Not anymore.
How does society view and define sexual harassment of students by academicians? Does the collegiate environment exacerbate the problem and contribute to its current epidemic proportions? What can students, faculty, and administrators do about the problem? The Lecherous Professor addresses these timely issues, including the dilemma of teacher-student dating, newly devised policy statements on sexual harassment from several institutions, and faculty uneasiness about administrative directives on sexual harassment.
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
I am a survivor of dual tracks of abuse: both in the home and in higher education. The disturbing link between the two emerged after twenty years working across public, private, and elite universities, where I witnessed and endured so much. My story is one data point in a widespread crisis festering in the dark. Exposing that pressures universities to change. Through my memoir, related projects, and academicabuse.com—a hub of data and resources to identify and disrupt the problem—I aim to apply that pressure, and give survivors the tools and courage to do the same.
Sara Ahmed publicly resigned from her professorship at Goldsmiths in 2016 as a direct protest against the institution's failure to address sexual harassment.
This book was an outgrowth of all the letters she received from other victims, sharing how their universities also failed them during their complaints. Ahmed exposes the commonalities among the letters, unveiling how universities weaponize "shadow policies" to bury complaints and complainants' careers.
This book became my bible when I filed my first formal complaint and began experiencing the same systemic cover-up and retaliation she documents. Seeing every university trick in her book play out in real time in my case, at the very least, empowered me with a sense of solidarity.
In Complaint! Sara Ahmed examines what we can learn about power from those who complain about abuses of power. Drawing on oral and written testimonies from academics and students who have made complaints about harassment, bullying, and unequal working conditions at universities, Ahmed explores the gap between what is supposed to happen when complaints are made and what actually happens. To make complaints within institutions is to learn how they work and for whom they work: complaint as feminist pedagogy. Ahmed explores how complaints are made behind closed doors and how doors are often closed on those who complain. To…
I'm the author of Penelope’s Purple Passions. I've been in love with writing poetry since I was a little girl. I would go under the bunk bed at night with my flashlight and write all these poems about love, not that I knew anything about love, but what I did know was how writing poetry made me feel. I believe love is truly the most valuable gift we can give to another soul in our lifetime. I want my poetry to empower people and be that beacon of light in people’s lives. Poetry is the avenue where I can spread love and hope globally to anyone who picks up my books.
I recommend this book because it places emphasis on women knowing their self-worth. This book also speaks about loving deeply and not having that love given back in return. I could identify with being in relationships that have made me feel unloved and unworthy. I could also identify with having that eye-opening moment when you come to the realization that you are this beautiful, gifted, wonderful human being worthy of having a person in your life who recognizes and truly appreciates you for all that you embody. The takeaway from this book I gained is to never love anyone more than you love yourself.
#1 New York Times bestseller Milk and Honey is a collection of poetry and prose about survival. About the experience of violence, abuse, love, loss, and femininity.
The book is divided into four chapters, and each chapter serves a different purpose. Deals with a different pain. Heals a different heartache. Milk and Honey takes readers through a journey of the most bitter moments in life and finds sweetness in them because there is sweetness everywhere if you are just willing to look.
I am a writer and a sociologist of money. I am passionate about money, relationships, and family violence, because I know from my research that talking about money opens up intimate conversations about the way people see themselves, their aspirations and hopes. Sometimes through hearing other people’s stories I have found mine. I realised while researching family violence that I too had suffered economic abuse. For me too economic abuse was ‘hidden in plain sight’. One of the most meaningful things for me is to help women and men overcome family violence and empower themselves to live with freedom.
Evan Stark’s book introduced me to the concept of ‘coercive control’.
It is a continued and malevolent pattern of domination and entrapment that makes family violence a human rights crime. He also noted that the perpetrator, often a man, uses gendered stereotypes to control the woman, to convince her that it is she who is at fault.
Evan Stark’s insights helped me connect the gendered cultural practices of money with family violence. When these cultural ways of dealing with money were used for entrapment and abuse, money as a medium of care became a medium of coercive control.
Despite its great achievements, the domestic violence revolution is stalled, Evan Stark argues, a provocative conclusion he documents by showing that interventions have failed to improve women's long-term safety in relationships or to hold perpetrators accountable. Stark traces this failure to a startling paradox, that the singular focus on violence against women masks an even more devastating reality. In millions of abusive relationships, men use a largely unidentified form of subjugation that more closely resembles kidnapping or indentured servitude than assault. He calls this pattern "coercive control". Drawing on sources that range from FBI statistics and film to dozens of…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
I was born and raised in Oxford, UK, where, just like the characters in the books listed here, my early childhood taught me to be quiet and submissive. Education liberated me from these restraints, and for that I am extremely grateful. Yet, there is still a long way to go. Even now there are societies that do not educate girls and this is just not right. Sadly, despite the resistance of those who challenge the norm, standing up to the patriarchy doesn’t always succeed. But whether it be triumph or tragedy, it certainly makes a great story, and this is obvious in the books I recommend here.
Samina is a rebel living in a traditional Pakistani community. I loved the tension between the expectations of her extended family set against her intellect and ambition. I found the quiet, subtle support of her mother really appealing, too.
It is a story steeped in drama and tragedy as well as triumph of the spirit. It opened my eyes, made me smile and made me weep. I thoroughly recommend this book for those readers who want quiet voices to be heard.
1st Place Winner PNWA Literary Novel Unpublished Contest 2022
Can a girl who wants to know the world beyond her courtyard walls survive in a country where violence against women is often as near as a male family member?
When wealthy farmer Nasir offers Samina a scholarship to attend primary school her father doesn't approve. He closes doors to her life goals while Nasir opens them. As Samina grows into young womanhood she falls in love with Nasir, who returns her feelings. But soon Samina's family descends into chaos. Her eldest sister who is…
I have always had a greater interest in supernatural horror compared to the other subgenres of horror. Another way to describe it is fantasy horror. However, sometimes the fantasy can take away from the overall story. I find the best stories with supernatural elements also have a lot of real-life horror to balance with the fantasy. Magic realism is also a trope of Post-Modern Culture and I find myself drawn to stories with post-modern elements versus those that don’t. These are my top five pics for the best “Real-Life Horror Meets Supernatural Horror” novels.
I’ve read several of Christina Henry’s books. I enjoyed them all, but this one is my absolute favorite. Mattie lives in the mountains with her abusive husband, and she has no memory beyond the last few years, and she lives in fear of her husband’s wrath. An unknown, large creature appears and makes things more complicated. Mattie has to escape her husband and a monster in the woods and try to remember her past. This novel is one of the best horror stories I’ve ever read. It’s suspenseful and you never know what will happen next. One of my favorite things about this novel is, despite the supernatural creature, it’s not over-the-top and everything feels real including the actions and choices of the characters. This is definitely a must-read.
Mattie can't remember a time before she and William lived alone on a mountain together. She must never make him upset. But when Mattie discovers the mutilated body of a fox in the woods, she realizes that they're not alone after all.
There's something in the woods that wasn't there before, something that makes strange cries in the night, something with sharp teeth and claws.
When three strangers appear on the mountaintop looking for the creature in the woods, Mattie knows their presence will anger William. Terrible things happen when William is angry.
I grew up in Uganda and Kenya, and when I moved to the United States, I felt separated from myself. Learning how to be American was exhausting and so I disappeared into books. I’m now more settled, but I still travel through fiction. These days, I am reading fiction by African women. You should be, too! There is so much stunning literature out there. These five books are just the beginning, but they are novels I can’t stop thinking about.
The Son of the House is modern, original, page-turning, powerful, and beautifully written. I was curious about the seeming contradiction between Onyemelukwe-Onuobia’s title, and the novel’s subject, two women who have been kidnapped in Enugu, Nigeria. Of course, I soon learn there is no contradiction. The lives of both Nwabulu and Julie are impacted by the value once placed upon the son of the house. The novel makes clear that these traditions are changing fast, even as the characters grapple with the reverberations. The novel introduces us to fascinating women who I have thought about long after I finished reading it.
Pulsing with vitality and intense human drama, Cheluchi Onyemelukwe-Onuobia’s debut is set against four decades of vibrant Nigeria and celebrates the resilience of women as they navigate and transform what remains a man’s world.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I love books that keep me up at night. I'm constantly trying to get into a good, healthy bedtime routine—but I am also constantly sabotaging that effort by finding books that I simply can’t put down. The feeling of being drawn so deep into a story that the hours slip away is easily one of my favorite feelings in the world. I also love books that make me wake up in the middle of the night, books that slide into my brain and plant new ideas there. As an author, I am always striving to write those books. I can think of no higher compliment than “I stayed up all night reading it.”
This book delivers truly striking insight into the nature of fear, the cost of survival, and cycles of violence. Dawson’s writing shines here, grounded and visceral, and deeply honest. Between the propulsive and tense plot, the exquisitely rendered characters, and the unflinching examination of the world we live in, this one kept me up late and woke me up early.
How far would you go to be free? Three generations of women forge a new path through an America torn by a mysterious wave of violence in this “chilling [and] dizzyingly effective” (The New York Times Book Review) novel of revenge, liberation, and triumph.
“A compulsively readable fusion of domestic thriller and modern horror.”—Kameron Hurley, author of The Light Brigade
“A novel that defines this era.”—Stephen Graham Jones, New York Times bestselling author of The Only Good Indians
They call it The Violence: a strange epidemic that causes the infected to experience sudden bursts of animalistic rage, with no provocation…