Here are 100 books that The Son of the House fans have personally recommended if you like
The Son of the House.
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I grew up in Uganda and Kenya, and when I moved to the United States, I felt separated from myself. Learning how to be American was exhausting and so I disappeared into books. I’m now more settled, but I still travel through fiction. These days, I am reading fiction by African women. You should be, too! There is so much stunning literature out there. These five books are just the beginning, but they are novels I can’t stop thinking about.
What does environmental racism look like? ReadHow Beautiful We Wereby Imobolo Mbue for a vital, searing answer. An American oil company is destroying the land and water of the fictional village of Kosawa. Children are dying. The company does this because they can, spouting only empty words about restitution. The novel narrates the village’s fight back, using alternating points of view to electric, pulsing effect.
'Sweeping and quietly devastating' New York Times 'A David and Goliath story for our times' O, the Oprah Magazine
Set in the fictional African village of Kosawa, this is the story of a people living in fear amidst environmental degradation wrought by an American oil company. Pipeline spills have rendered farmlands infertile. Children are dying from drinking toxic water. Promises of clean-up and financial reparations are made - and broken. Left with few choices, the people of Kosawa decide to fight back. But it will come at a steep price - one which generation after generation…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
The world is an amazing, diverse place that needs stories that represent everyone. I identify as gender fluid and am part of my city’s LGBTQIA+ community. For kids, there aren’t enough stories that feature non-straight cis protagonists where that identity isn’t the focus. LGBTQIA+ kids exist. They are normal. Let a gay kid go into space. Let a teenage lesbian solve a mystery. Let a trans girl defeat a dragon. Let an ace teen be a witch. Everybody deserves their adventure.
The City of Lucille has gotten rid of all its monsters.
That’s what Jam, a teenage trans girl, believed until the demonic-looking Pet emerged from one of her mother’s paintings. But despite their monstrous appearance, Pet isn’t the monster, but came forth to hunt a monster already living among the people of Lucille undetected.
Pet contains vivid imagery, powerful themes, and a sensitive and brave protagonist. Be bold. Be vigilant. Monsters never entirely go away because we are the monsters.
4
authors picked
Pet
as one of their favorite books, and they share
why you should read it.
This book is for kids age
12,
13,
14, and
15.
What is this book about?
How do you save the world from monsters if no one will admit they exist?
She stumbled backwards, her eyes wide, as the figure started coming out of the canvas ... She tried to be brave. Well, she said, her hands only a little shaky, at least tell me what I should call you. ... Well, little girl, it replied, I suppose you can call me Pet.
There are no more monsters anymore, or so the children in the city of Lucille are taught. With doting parents and a best friend named Redemption, Jam has grown up with this…
I grew up in Uganda and Kenya, and when I moved to the United States, I felt separated from myself. Learning how to be American was exhausting and so I disappeared into books. I’m now more settled, but I still travel through fiction. These days, I am reading fiction by African women. You should be, too! There is so much stunning literature out there. These five books are just the beginning, but they are novels I can’t stop thinking about.
The First Woman is perhaps the best novel you haven’t yet read. Kirabo has never known her mother and she is looking for answers at the same time as she is becoming a woman. She is guided first by the village’s blind witch Nsuuta, who has her own reasons for getting involved. Nsuuta tells Kirabo that women were once, “huge, strong, loud, proud, brave, independent. But it was too much for the world.” The writing in this ambitious novel is sometimes funny and sometimes poignant.
'In Jennifer Makumbi, we have a giant of literature living among us.' Peter Kalu, Jhalak Prize Judge
Longlisted for the Diverse Book Awards, 2021
'Jennifer Makumbi is a genius storyteller.' Reni Eddo-Lodge
A SUNDAY TIMES, OBSERVER, DAILY MAIL, BBC CULTURE & IRISH INDEPENDENT BOOK OF THE YEAR
At once epic and deeply personal, the second novel from prize-winning author Jennifer Makumbi is an intoxicating mix of Ugandan folklore and modern feminism that will linger in the memory long after the final page.
As Kirabo enters her teens, questions begin to gnaw at her…
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
I grew up in Uganda and Kenya, and when I moved to the United States, I felt separated from myself. Learning how to be American was exhausting and so I disappeared into books. I’m now more settled, but I still travel through fiction. These days, I am reading fiction by African women. You should be, too! There is so much stunning literature out there. These five books are just the beginning, but they are novels I can’t stop thinking about.
Doreen Baingana’s novel Tropical Fish is smart and empathetic, with a keen eye for details. The story is set in post-Idi Amin Uganda and is primarily Christine’s coming of age, but we also read chapters from her sisters’ points of view. The novel is a page-turner with an innovative structure, but it’s the characters who will stay with you.
In her fiction debut, Doreen Baingana follows a Ugandan girl as she navigates the uncertain terrain of adolescence. Set mostly in pastoral Entebbe with stops in the cities Kampala and Los Angeles, Tropical Fish depicts the reality of life for Christine Mugisha and her family after Idi Amin’s dictatorship.
Three of the eight chapters are told from the point of view of Christine’s two older sisters, Patti, a born-again Christian who finds herself starving at her boarding school, and Rosa, a free spirit who tries to “magically” seduce one of her teachers. But the star of Tropical Fish is Christine,…
My book recommendations reflect my experience as a former US government physician-diplomat, based overseas in Russia, Mexico, Europe, and South Asia, where I was involved in working closely with law enforcement and diplomatic negotiators in several highly sensitive, delicate, and dangerous hostage situations, both as a consultant and in providing medical support/care coordination to released hostages. I always found this work to be exhilarating and demanding, and it left me with the highest respect for law enforcement, diplomatic, and mental health professionals who work in this space. As a result, I’ve had additional formal training in hostage negotiation, negotiation psychology, and medical/psychological support to victims.
This book is an incredible story of the behind-the-scenes efforts to locate and free the 276 young Nigerian [Chibok] schoolgirls kidnapped by Boko Haram in 2014, a kidnapping which attracted worldwide media attention.
It’s a story of 2 tales: first, of the incredible courage and Christian faith of those young girls, which in many cases, sustained them, keeping them alive physically, psychologically, and spiritually as they underwent immense hardships and tortures. Second, it’s a tale of two other heroes, a Nigerian lawyer, Zanna Mustapha, and a Swiss diplomat, Pascal Holiger, who worked tirelessly over many years to free many of the hostages.
A gripping read about Nigeria, Christian faith, hostage negotiation, terrorism, and redemption.
What happens after you click tweet?. . . The heart-stopping and definitive account of the rescue mission to free hundreds of Nigerian schoolgirls, and their heroic survival, after their 2014 kidnapping spurred a global social media campaign that prompted the intervention of seven militaries, showing us the blinding possibilities-for good and ill-of activism in our interconnected world.
In the spring of 2014, American celebrities and their Twitter followers unwittingly helped turn a group of teenagers into a central prize in the global War on Terror by retweeting #BringBackOurGirls, a call for the release of 276 Nigerian schoolgirls who'd been kidnapped…
From the moment I first began reading about Nigerian history, I was drawn to the country’s complexity – the mix of religious traditions, ethnic groups, languages, cultures, and intersecting histories. As a graduate student, I delved deeper into the history of Islam in northern Nigeria, first by reading the secondary literature, then by exploring primary documents, and eventually by conducting my own fieldwork. Sadly, as my interest in Nigeria grew, so too did the country’s ongoing tragedies, including the violence perpetrated by Boko Haram. Nevertheless, there is much more to Nigeria than conflict, as is amply demonstrated by the tremendous contributions of Nigerian novelists, musicians, filmmakers, entrepreneurs, and scholars.
Siollun’s Soldiers of Fortune(and its acclaimed sequel, focusing on the consequential 1993 elections and what came after) take readers inside the last few military regimes that dominated Nigeria. Given that so many of the characters Siollun discusses still loom large in Nigerian politics today, the books are indispensable for understanding the country and its trajectory.
‘This book is the story of Nigeria’s political journey between December 31, 1983 and August 27, 1993. This is the story of how things fell apart.’
The years between 1983 and 1993 were momentous for Nigeria. Military rule was a time of increased violence, rampant corruption, coups, coup plotting and coup baiting. It moulded the conditions and character of Nigeria today, forcing seismic changes on the political, economic and religious landscape that nearly tore the country apart on several occasions.
Soldiers of Fortune is a fast-paced and thrilling narrative of the major events of the Buhari and Babangida era. The…
Almost Home is a fictional retelling of the last great tragedy of the Civil War.
In late April 1865, almost 2,000 newly freed Union prisoners of war are packed onto the steamer Sultana, in poor repair and with a listed capacity of 376 passengers. Among them are four Indiana soldiers…
I’ve taught English for 20 years and the novels I’ve enjoyed teaching most – because the students have enjoyed them most – are those with the first-person perspectives of young narrators. These characters’ voices ring loud and clear as they learn, change, and grow, often suffering and having to find resilience and strength to survive. The limited perspective also takes us into the mind and heart of the protagonist, so that we feel all the feels with them. This is why I chose a first-person perspective for the narrator of my own book ‘Cuckoo in the Nest’: Jackie Chadwick is sarcastic, funny, and observant. Readers love her.
You know when you first go to someone else’s house and realise that not every family lives the way yours does?
It’s part of the coming-of-age process and can be both illuminating and destabilising. In Adichie’s story, set in post-colonial Nigeria, 15-year-old Kambili gets the chance to escape her wealthy but religiously-oppressive household and stay with her vibrant, liberal aunt.
I love the way Kambili’s narrative expresses the new freedom she feels there: she has a voice at last and the liberty to experience a sexual awakening. She needs these new strengths as her own family disintegrates into tragedy.
“One of the most vital and original novelists of her generation.” —Larissa MacFarquhar, The New Yorker
From the bestselling author of Americanah and We Should All Be Feminists
Fifteen-year-old Kambili and her older brother Jaja lead a privileged life in Enugu, Nigeria. They live in a beautiful house, with a caring family, and attend an exclusive missionary school. They're completely shielded from the troubles of the world. Yet, as Kambili reveals in her tender-voiced account, things are less perfect than they appear. Although her Papa is generous and well respected, he is fanatically religious and tyrannical at home—a home that…
I have always believed in the power of journalism to tell stories of people: the powerful as well as the ordinary and disenfranchised. In the hands of the right writer, such stories can have as much dramatic sweep and be as engrossing as any work of fiction. I have read literary nonfiction since before I became a journalist, and as a foreign correspondent, while breaking news is a key part of my job, longform narrative writing is where I really find gratification, as a writer and a reader. It’s a vast genre, so I focused this list mostly on stellar examples of foreign reporting. I hope you enjoy it.
This is classic literary journalism from a reporter who, at the time, had no business writing this beautifully at such a young age. It’s a great example of how ordinary lives caught up in conflict when told with enough flair and sensitivity, contain sufficient drama and universal appeal to rival any fictionalized character.
Okeowo’s geographic sweep is impressive, as she brings us to Uganda, Mauritania, Somalia, and Nigeria, weaving a unifying narrative of ordinary people fighting extremism.
I was born in Africa and have been infatuated with its history and cultures all my life. Of the 48 countries sharing the African mainland, I have spent time in all but four. True, a few only for a laughably brief stay (I wandered across the Cameroon-Equatorial Guinea border once by mistake, not knowing I had crossed; there was no sign of a border post or any guards. I stayed only for the rest of the day, never leaving the beach, before wading back to Cameroon.) But others I have lived in for years, and have travelled extensively to famous and obscure regions alike, especially in the Sahel.
All right, so a Nobel laureate doesn’t need any encomiums from me, but what the hell. Soyinka’s first book in nearly half a century is revealing, enlightening, satirical, gleeful and just plain damn funny, while telling you more about the chaotic politics and sociology of his native Nigeria than you ever thought possible, a wonderful window into Africa’s most populous country.
'Soyinka's greatest novel ... No one else can write such a book' - Ben Okri 'A lion of African literature' - Financial Times 'Chronicles is many things at once: a caustic political satire, a murder mystery, a conspiracy story and a deeply felt lament for the spirit of a nation' - Juan Gabriel Vasquez, New York Times A FINANCIAL TIMES AND SPECTATOR BOOK OF THE YEAR To Doctor Menka's horror, some cunning entrepreneur has decided to sell body parts from his hospital for use in ritualistic practices. Already at the end of his tether from the horrors he routinely sees…
Creativity, Teaching, and Natural Inspiration
by
Mark Doherty,
I have woven numerous delightful and descriptive true life stories, many from my adventures as an outdoorsman and singer songwriter, into my life as a high school English teacher. I think you'll find this work both entertaining as well as informative, and I hope you enjoy the often lighthearted repartee…
Can stories bring a human scale to something as all-encompassing as climate change? In 2011, I began an MA in Literature and Environment with this question weighing on my mind. I finished my degree two years later with a draft of my debut novel, Under This Forgetful Sky. I’ve come to understand the climate crisis, in many ways, as a crisis of imagination. Its enormity tests the limits of the imaginable. What if the world as we know it ends? What would life look like on the other side? The books on this list reckon with the fears these questions bring while also gesturing beautifully, unsentimentally, courageously toward hope.
War Girls is YA sci-fi that takes place in war-torn Nigeria at the end of the 22nd century.
The world as we know it has ended because of runaway climate change and nuclear disaster, and two sisters, Onyii and Ify, live together in a makeshift colony of traumatized former child soldiers. After a devastating raid on their camp, the sisters are separated—each believing the other was killed—only to find themselves on opposing sides of the conflict.
This is a book about the world-shattering horrors of war, but it’s also about colonial violence, about sisterhood and solidarity, and about small moments that forever shape how the protagonists view each other and themselves. It’s also a complex, character-driven story that tenaciously searches for hope in ruins and aftermaths.
Two sisters are torn apart by war and must fight their way back to each other in a futuristic, Black Panther-inspired Nigeria. The year is 2172. Climate change and nuclear disasters have rendered much of earth unlivable. Only the lucky ones have escaped to space colonies in the sky.
In a war-torn Nigeria, battles are fought using flying, deadly mechs and soldiers are outfitted with bionic limbs and artificial organs meant to protect them from the harsh, radiation-heavy climate. Across the nation, as the years-long civil war wages on, survival becomes the only way of life.
