Here are 100 books that Sometimes a River Song fans have personally recommended if you like
Sometimes a River Song.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I was born and raised in Oxford, UK, where, just like the characters in the books listed here, my early childhood taught me to be quiet and submissive. Education liberated me from these restraints, and for that I am extremely grateful. Yet, there is still a long way to go. Even now there are societies that do not educate girls and this is just not right. Sadly, despite the resistance of those who challenge the norm, standing up to the patriarchy doesn’t always succeed. But whether it be triumph or tragedy, it certainly makes a great story, and this is obvious in the books I recommend here.
Zina Pavlou is a woman with a past. Her unspeakable acts seem incomprehensible until we are taken across the sea to Cyprus and into her tiny prison cell in the UK, where the true facts emerge.
I found the story compelling, dramatic, and informative, and it landed me disoriented but compassionate inside Zina’s disturbed mind.
**Selected for BBC 2 Between the Covers Book Club 2023**
'Tense. Moving. Morally complex. Zina Pavlou is wholly unforgettable.' Rachel Rhys
'Hugely powerful... Easily one of the best books you'll read this year.' Emma Christie
THEY HAVE TOLD SO MANY LIES ABOUT ME.
London, 1954. Zina Pavlou, a Cypriot grandmother, waits quietly in the custody of the Metropolitan police. She can't speak their language, but she understands what their wary looks mean: she has been accused of the brutal murder of her daughter-in-law.
Eva Georgiou, Greek interpreter for the Met, knows how it feels to be voiceless as an immigrant…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I was born and raised in Oxford, UK, where, just like the characters in the books listed here, my early childhood taught me to be quiet and submissive. Education liberated me from these restraints, and for that I am extremely grateful. Yet, there is still a long way to go. Even now there are societies that do not educate girls and this is just not right. Sadly, despite the resistance of those who challenge the norm, standing up to the patriarchy doesn’t always succeed. But whether it be triumph or tragedy, it certainly makes a great story, and this is obvious in the books I recommend here.
This book is about political intrigue and control. I was lured into austere Florentine rooms where, behind wooden panels, ears were listening to every conversation. In darkened medieval streets, I heard footsteps following footsteps, and in great palaces, men with power did as they pleased.
Katherine Mezzacappa has captured the oppressive mood beautifully, setting the scene for the lovely Guilia to emerge and change everything. Her innocence evolves into wisdom, keeping me, the reader, totally engaged and hoping for her salvation.
Florence, 1584. Rumours are spreading about the virility of a prince marrying into the powerful Medici family. Orphan Giulia is chosen to put an end to the gossip. In return she will keep her life - and start a new one with a dowry and her own husband. Cloistered since childhood and an innocent in a world ruled by men, Giulia reluctantly agrees, only to be drawn under the control of the Medicis' lecherous minister.
Years later, married and with a growing family, Giulia hopes she has finally escaped the legacy of her past. But when a threat arrives from…
I was born and raised in Oxford, UK, where, just like the characters in the books listed here, my early childhood taught me to be quiet and submissive. Education liberated me from these restraints, and for that I am extremely grateful. Yet, there is still a long way to go. Even now there are societies that do not educate girls and this is just not right. Sadly, despite the resistance of those who challenge the norm, standing up to the patriarchy doesn’t always succeed. But whether it be triumph or tragedy, it certainly makes a great story, and this is obvious in the books I recommend here.
Set in a community obsessed with the evils of Satan, Mary travels across the Atlantic to the newly settled Americas, hoping to escape her family connection with witchcraft. I hated this story as much as I loved it. Not because it was badly written (It wasn’t) but because of its irrationality and superstition, led and facilitated by the dominance of men.
Celia Rees very cleverly conveys the feelings of the times and the hopelessness of women trying to defend themselves against false accusations. I felt for them and read the story quickly in order to satisfy my quest for a happy ending.
Although ostensibly written for a young adult readership (it was shortlisted for the Guardian Children’s Fiction Prize), this is a mature story that is suitable for adults, too. And whilst it is set in the seventeenth century, it is also a cautionary tale of other injustices that still…
'Historical fiction at its very best' - Waterstones' Guide to Kids' Books 'Prolific, erudite and consistently brilliant ... breathtaking' - Guardian 'Powerful, absorbing and unusual' - The Bookseller _______________
An updated edition of this outstanding historical novel, in a stunning new package to celebrate the 20th anniversary of its publication.
When Mary sees her grandmother accused of witchcraft and hanged for the crime, she is silently hurried to safety by an unknown woman. The woman gives her tools to keep the record of her days - paper and ink. Mary is taken to a boat in Plymouth and from…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I was born and raised in Oxford, UK, where, just like the characters in the books listed here, my early childhood taught me to be quiet and submissive. Education liberated me from these restraints, and for that I am extremely grateful. Yet, there is still a long way to go. Even now there are societies that do not educate girls and this is just not right. Sadly, despite the resistance of those who challenge the norm, standing up to the patriarchy doesn’t always succeed. But whether it be triumph or tragedy, it certainly makes a great story, and this is obvious in the books I recommend here.
Samina is a rebel living in a traditional Pakistani community. I loved the tension between the expectations of her extended family set against her intellect and ambition. I found the quiet, subtle support of her mother really appealing, too.
It is a story steeped in drama and tragedy as well as triumph of the spirit. It opened my eyes, made me smile and made me weep. I thoroughly recommend this book for those readers who want quiet voices to be heard.
1st Place Winner PNWA Literary Novel Unpublished Contest 2022
Can a girl who wants to know the world beyond her courtyard walls survive in a country where violence against women is often as near as a male family member?
When wealthy farmer Nasir offers Samina a scholarship to attend primary school her father doesn't approve. He closes doors to her life goals while Nasir opens them. As Samina grows into young womanhood she falls in love with Nasir, who returns her feelings. But soon Samina's family descends into chaos. Her eldest sister who is…
I was living one of the darkest periods of my life when a friend took me to a Louise Bourgeois show. I wandered among her pieces feeling numb. Then I entered a large room filled with Passage Dangereux from 1997. A most depressing art piece that put me into contact with the restrictions in a family, the limitations we set for each other, and the unhappiness everywhere. When I left the room, I felt a lift in my spirits. I’m a writer to try to put more precise words to what goes on inside ourselves when we are alone and when we fall in love and enter into a relationship with another person.
A man I was working with recommended this book to me, when he heard about my novel, while it was in the making. I got hold of this book and already after the first chapter I understood why. Janice Radway investigates how Harlequin novels have such a large audience. In essence it is because romance novels always end well, as opposed to life, that keeps being complicated. It taught me that I’m a very romantic person. This was something I had never regarded as a positive trait so of course I failed to see just how important romance was and is to me. By identifying with millions of women who read these romance novels, I gained a respect that I still feel is lacking in our culture: A respect for our emotions and the big role they play in our sense of satisfaction with life.
Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention ""must shift from the text itself, taken in isolation, to the complex social event of reading."" She examines that event, from the complicated business of publishing and…
Let’s face it—we spend a lot of time at work. Work is a big part of our lives, but sometimes it’s terrible and feels like there is no winning against institutionalized sexism and capitalism. And you really want to win! I love reading about women who are finding ways to overcome massive obstacles at work no matter what gets in their way, whether it’s by destroying an industry with a spreadsheet, breaking a curse, ditching a bad boss, or just finding a way to survive. Because sometimes that’s all you can do—survive it. Stories of women working feel endlessly relatable because we have so many shared experiences, and that’s why what happens at work shows up in my reading and my writing.
I had to read this when it came out because it felt ripped from the headlines. Sarah Lai has left behind her Hollywood dreams of filmmaking for a quieter, simpler life. But a journalist reaches out and drags her past to the forefront by asking questions about Sarah’s experiences working with a celebrated producer. There have been… complaints. From women. A lot of women.
Sound familiar? This is a wholly fictional take on past events, but it also forces the reader to examine the ways in which we might be complicit in holding up systems, and what we can do to break bad patterns.
Engaging, timely, and I couldn’t put it down. Again, women find their voices and stand up for other women around them. That’s a narrative I can’t miss.
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
For a long time I’ve been fascinated by the challenge of writing novels with strong female protagonists—this is what I set out to do with my books Romance Language and The Diplomatic Coup. Is a male author capable of doing this? Read the books and judge for yourself. I’m fascinated by history, politics, and the pursuit of power both in real life and fiction. Lately, I’ve become more alarmed about the threat posed to the world by a resurgent Russia determined to undermine western democracy and that interest also influenced my choices. As a former journalist, I covered some of the world’s most important leaders and biggest stories and got to see them operating firsthand.
This is a pair of novels, French classics that were also made into two memorable movies. In a rural village in Provence, an old man and his only remaining relative cast a greedy eyes on some land. They need a hidden spring that is on the land to irrigate the flowers they intend to grow which they think will make them a fortune. But first, they need to drive out the owner and his family.The father of this family is a hunchback trying to succeed in a hostile world. An evil plot slowly unfolds and comes to tragic fruition. Ten years later, the daughter of the family returns to seek her revenge. A moral tale full of wonderful local detail, like my other choices it features a brave, invincible female protagonist battling overwhelming odds.
Au village des Bastides Blanches, on hait ceux de Crespin. C’est pourquoi lorsque Jean Cadoret, le Bossu, s’installe à la ferme des Romarins, on ne lui parle pas de la source cachée. Ce qui facilite les manœuvres des Soubeyran, le Papet et son neveu Ugolin, qui veulent lui racheter son domaine à bas prix…
Jean de Florette (1962), premier volume de L’Eau des collines, marque, trente ans après Pirouettes, le retour de Pagnol au roman. C’est l’épopée de l’eau nourricière sans laquelle rien n’est possible.
Allan D. Hunter came out as genderqueer in 1980, more than 20 years before “genderqueer” was trending. His story is autobiographical: the story of a different kind of male hero, a genderqueer person's tale. It follows the author from his debut as an eighth grader in Los Alamos, New Mexico until his unorthodox coming out at the age of twenty-one on the University of New Mexico campus in Albuquerque.
Leslie Feinberg’s story is a powerful response to the notion that simply discarding sexist gender expectations ought to be enough. Feinberg’s main character Jess was still a young adult when modern feminism exploded onto the scene in the 1970s but Jess isn’t merely androgynous or resisting sexist limitations. She’s butch.
Published in 1993, this brave, original novel is considered to be the finest account ever written of the complexities of a transgendered existence.
Woman or man? That’s the question that rages like a storm around Jess Goldberg, clouding her life and her identity. Growing up differently gendered in a blue--collar town in the 1950’s, coming out as a butch in the bars and factories of the prefeminist ’60s, deciding to pass as a man in order to survive when she is left without work or a community in the early ’70s. This powerful, provocative and deeply moving novel sees Jess…
A wise (and wily) Jedi once said that “many of the truths we cling to depend greatly on our own point of view,” and I’m fascinated by storytelling that gives you more than one point of view or voice to ponder. Even as a kid, I searched for books that delved into the minds of more than one character. I’ve explored this in my own writing but also as a teacher working with undergraduate students who were finding their own voices while exploring the literary voices of others. I also love so-called genre fiction—the fantasy, sci-fi, and romance of it all—which is definitely reflected in this list, well!
This book grabbed me by the collar and wouldn’t let me go. As in, I read it cover to cover, read it again, and find myself still thinking about it long after I read it. Now, full disclosure: this is not a happy-go-lucky romp. Suspenseful and tense, political and personal—this love story between Dani and Carmen was a can’t put it down, stay up all night reading experience for me.
Told from Dani’s point of view during a tumultuous time, the decisions she faced have all the more resonance for me as the political climate of our country and the world rapidly changes. If you’re thinking, why is this book on a list about more than one point of view, please see my next recommendation!
"We Set the Dark on Fire burns bright. It will light the way for a new generation of rebels and lovers." -NPR
"Mejia pens a compelling, gripping story that mirrors real world issues of immigration and equality." -Buzzfeed
Five starred reviews!!
In this daring and romantic fantasy debut perfect for fans of The Handmaid's Tale and Latinx authors Zoraida Cordova and Anna-Marie McLemore, society wife-in-training Dani has a great awakening after being recruited by rebel spies and falling for her biggest rival.
At the Medio School for Girls, distinguished young women are trained for one of two roles in their…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
I am a historian with a PhD in history from American University. My research has focused on the changing nature of U.S. citizenship after the passage of the Nineteenth Amendment. In particular, my newly released book, Gendered Citizenship, sheds light on the competing civic ideologies embedded in the original conflict over the Equal Rights Amendment (ERA) from the 1920s through the 1960s. My research has won recognition through several grants and fellowships and my writing has appeared in the Washington Post, History News Network, New America Weekly, Gender on the Ballot, and Frontiers.
While other scholars have focused on how various definitions of womanhood influenced the formation of the United States’ political and legal systems, Mark Kann pays closer attention to how perceptions of manhood shaped the creation of the U.S. during the early republic. In A Republic of Men, Kann contends that the U.S.’s founders sought to establish a republic based on male authority and female subordination. During the early years of the republic, as Kann describes it, political and legal authorities connected white men to productivity and reason while linking all women to inherent weakness and dependency. I found Kann’s book especially helpful for understanding how American political and legal authorities sought to institutionalize rights and privilege for white men only.
What role did manhood play in early American Politics? In A Republic of Men, Mark E. Kann argues that the American founders aspired to create a "republic of men" but feared that "disorderly men" threatened its birth, health, and longevity. Kann demonstrates how hegemonic norms of manhood-exemplified by "the Family Man," for instance--were deployed as a means of stigmatizing unworthy men, rewarding responsible men with citizenship, and empowering exceptional men with positions of leadership and authority, while excluding women from public life.
Kann suggests that the founders committed themselves in theory to the democratic proposition that all men were created…
