100 Books Like When God Was a Woman

This book gripped me with a host of difficult questions and sorrowful insights into women’s health, racism, science, and medical systems in the USA. It reveals the impact of a previously unknown woman, Henrietta Lacks, who died in 1951, and whose cervical cancer cells were taken without her consent, and then, without any acknowledgement, used by researchers and laboratories to develop numerous treatments, drugs, and experiments.

It made me confront hard questions about class, race, gender, medical ethics, profit, and confidentiality. It is a brutal and detailed read, enhanced by the involvement of her family story, as they later discovered the theft and were to confront her immortality. A must-read by a plucky author. 

I read this book so many years ago, but it has stayed with me. It struck me then, as it does now, as revolutionary in that it was one of the first retellings of the Arthurian myth from the female perspective.

I took a class on Arthurian Literature in university, and the tales of the period are obviously male-dominated. But The Mists of Avalon showed me a way into the female characters in the tale, and they are fascinating.

I thought it was great to have Circe herself narrate her love affair with Odysseus.

The first half of the novel interestingly shares her tribulations growing up as a child in a family of gods. I found that this establishes a theme of immortality vs. mortality that the book explores in profound ways. Especially fascinating was Circe’s personal story of her love affair with Odysseus.

I was surprised and delighted that Miller included the resulting child, Telegonus, who is not in Homer but is in ancient myth. Even more surprising to me was Circe falling in love with Telemachus, Odysseus’ son by Penelope (also not in Homer!). This relationship allows the novel to end on a positive note as Circe learns to live like a mortal in her new life with Telemachus.

Limits To Growth summarized the first major computer simulation of world society. It was comprehensive, including the influence of: human population, industrialization, pollution, food production, and resource depletion. The results were sobering! It showed that, if major limits were not established for human population, pollution, and resource depletion, a severe collapse of human society would follow in the near future. What most people do not know is, the report was so disturbing it was accepted by the United Nations for action. It was so well received by world leaders that, by 1974, almost every world nation agreed to take major steps to set such limits. China, for example, established its one-child family policy. Ironically, the U.S. refused any commitment. By 1978, carbon industry disinformation killed all the commitments.

A collection of myths, fairy tales, and folk stories about the wild woman archetype told and analyzed by Dr. Clarissa Pinkola Estés.

The result is a powerful exploration of the female psyche and experience, of women’s power and knowing, of intuition, femininity, and the ways in which we can reconnect to that power within each of us.

A favorite quote: “There is no 'supposed to be' in bodies. The question is not size or shape or years of age, or even having two of everything, for some do not. But the wild issue is, does this body feel, does it have right connection to pleasure, to heart, to soul, to the wild? Does it have happiness, joy? Can it, in its own way move, dance, jiggle, sway, thrust? Nothing else matters.”

When I was younger, I wanted to read all the classic dystopies that are there, and this is, of course, one of them.

So I did expect a dystopie—what I didn‘t expect was the emotional impact this book would have on me. I absolutely fell in love with Guy Montag, one of the best protagonists, in my opinion, telling us his story; and there‘s a whole range of side characters that will stick with you long after the ending.

And the ending—don‘t worry, no spoilers here—is something that really stuck with me. Unlike other dystopian stories, this novel leaves the reader on a hopeful note. It might be a dark and bad world, but it‘s not the end, and there is hope.

Such a powerful note to end the book.

Until reading this book (and Stone above), I had accepted that the historical version of womanhood we are given was accurate. While I had been a girl who liked to be active, ride horses, and involve myself in big questions, I believed I was a bizarre example of emerging feminism, not the inheritor of a powerful legacy.

Mayor’s book showed me that there have been women for thousands of years who owned and managed themselves. There was a historical example for me to point towards. The Amazons were real women who lived in communities that were uniquely sovereign. It made my being quake in the profundity of what it meant for a woman today to point to a woman 2000 years ago and say, “Me too” in a whole new way.

Urgency is a lie. We all need a reminder to sit down and do nothing and this book is the one to remind you. One of the main points is that our attention is sacred, and we live in a fast world vying for it. Refusing to participate is one of the highest acts of liberation, especially when practiced in community with others who to believe in the art of “doing nothing.”

I love the permission this book gives. Often, we need permission to sit down because nothing is as urgent as we are told it is. 

This book is great for those who constantly fill their calendars. Something beautiful happens when we refuse and sit with our own thoughts: we come to know our own minds.

Daniel Quinn’s award-winning novel illuminates the historical roots of our consumer culture from the perspective of a gorilla who teaches a human the lessons of sustainability.

Before he died, Daniel would meet with my students to discuss sustainability and the lessons of Ishmael. His wisdom comes through clearly in this well-told tale of how Homo sapiens become a species of unsustainable “takers” and what the consequences are of a global consumer culture.

This non-fiction book helped to reshape my reading of historical and mythological women and to understand representation and the voice of the ‘other’. Hall explores the power and (ab)use of language and how feminine myths and symbols are important to be unveiled and celebrated. Her Jungian perspective introduced me to archetypes, especially in mythology, and remains an inspiration to both my theatre work and my writing.