100 Books Like Jean de Florette

The first in a series, this espionage thriller was written by a former CIA spymaster who uses his experience to tell the story of a Russian seductress targeting US officials. I was drawn in by the multi-layered protagonist, while the little details of spycraft enrich the plot and its authenticity.

This memoir by a brave woman who stood up to both Presidents Trump and Putin is a revealing look at the inner workings of the Trump administration’s dysfunctional foreign policy. Fiona Hill bears an uncanny resemblance to my heroine, Delphine Roget. Born to a poor mining family in the North of England, she worked her way to the top through sheer intellectual brilliance and willpower. When push came to shove, she told the truth to Congress about Trump’s outrageous misuse of presidential power. But the book is much more than that. It is a searching examination of how capitalism has left whole communities behind as industries crumble, posing a threat to democracies worldwide.

This is a wonderful historical novel. A woman trying to recover from a personal tragedy is bequeathed a mysterious manuscript. It turns out to be the score of a previously unknown cantata by Bach—but there is a problem. The lyrics contain hateful anti-Semitic texts. What is she to do? Publish the score and allow this music to be heard—along with the awful words—or suppress it? The author traces the history of the manuscript and how it came into the possession of the heroine. We meet many strong women as we travel 200 years into the past and learn much about the history of Jews in Germany, about Bach and his times, Mendelssohn and his times as well as World War Two. This is a fascinating book featuring several inspiring female characters and is rich in historic background and steeped in music.

This historical work traces the improbable rise to power of Catherine the Great and her partnership and love affair with Prince Potemkin. Catherine, a German princess, seizes the throne from her mentally-unstable husband and begins to rule the vast empire that is Russia. She is largely responsible for the partition of Poland. Together she and her lover Potemkin conquer Ukraine and Crimea. It hardly needs stating that these territories are at the center of today’s headlines. Thus we learn a great deal about the background of the current war. Their affair was unbridled but it went far beyond sex. It was a marriage of intellects and politics. Ultimately, they agreed to share power, leaving each of them free to take younger lovers. This is another book about a woman operating in a man’s world, wielding power ruthlessly and giving free rein to her sexuality.

Figes argues that although women novelists did not directly challenge the rules of a patriarchal society, they challenged its assumptions by protesting the restrictions on women’s lives and severely criticizing the clergymen, enablers of the patriarchy. My favorite section of the book is her interpretation of the Gothic novels, which she calls the female equivalent of picaresque novels. Women, she points out, were not permitted to roam the world like Tom Jones, having adventures. Instead, these novels presented women, who, through no fault of their own, are imprisoned by evil men. Their adventures, as they find their way to safety in foreign lands, prove their courage and intelligence.

This book is very emotional and affecting to read for me. It presents two of the earliest autobiographical accounts from American women, with an introduction by Sharon Halevi. As they trace their lives, they depict a world in which childhood, as modern readers understand, does not exist, and even young women need to navigate the intricacies of their controlling and patriarchal world. I often ask what has changed and what has unfortunately stayed the same.

This novel caught my eye for one simple reason—the protagonist attempts to destroy her society with a spreadsheet. Although a fantasy in which the modern world (even office life) is divided between heroes and villains, this novel lands on some brutal truths—like the difference between good and evil is mostly marketing and that some people will do anything for the right job. 

It’s a hilarious book that pokes fun at the most absurd bosses, the things we do for work, and the real harm a toxic workplace or system causes everyone. The supervillain/hero context provides food for thought without slowing the story down or causing work-related cold sweats.

This unexpected discovery—the story of Meg of St. Michael’s Mead in the 14th century—exemplifies the best of what draws readers to historical fiction. First, there's the heroine, Meg, a young woman coming of age and marked by a facial disfigurement. Immediately, we understand her outsider status, her alienation, and her inevitable struggle against others' scapegoating.

This scapegoating stems not only from typical ignorance but also from the very real fears of the time that she might be a child of the Devil. Meg's life and journey are populated with memorable allies and enemies, but it's her determination to cultivate her talents in women's health—despite the opposition of the male medical elite—that lends her story contemporary relevance.

This book is full of petty rivalries and hierarchies that seem high stakes in the moment but, with time and distance, seem absurd. Competition between employees at the LA television station where the novel takes place is cutthroat. There’s no trust, no downtime, and something as simple as taking a day off with the flu can destroy your standing.

This book is chaotic and challenging and somehow perfectly captures the feel of an office in a fast-paced office that takes itself too seriously. I’ve been there, and I felt every moment of this book. Kaplan finds ways to point out how ridiculous our workplaces are while still honouring the experiences of the women who work there. It is highly relatable and wrenching. 

This book is about political intrigue and control. I was lured into austere Florentine rooms where, behind wooden panels, ears were listening to every conversation. In darkened medieval streets, I heard footsteps following footsteps, and in great palaces, men with power did as they pleased.

Katherine Mezzacappa has captured the oppressive mood beautifully, setting the scene for the lovely Guilia to emerge and change everything. Her innocence evolves into wisdom, keeping me, the reader, totally engaged and hoping for her salvation.