Here are 100 books that The Maiden of Florence fans have personally recommended if you like
The Maiden of Florence.
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I was born and raised in Oxford, UK, where, just like the characters in the books listed here, my early childhood taught me to be quiet and submissive. Education liberated me from these restraints, and for that I am extremely grateful. Yet, there is still a long way to go. Even now there are societies that do not educate girls and this is just not right. Sadly, despite the resistance of those who challenge the norm, standing up to the patriarchy doesn’t always succeed. But whether it be triumph or tragedy, it certainly makes a great story, and this is obvious in the books I recommend here.
Zina Pavlou is a woman with a past. Her unspeakable acts seem incomprehensible until we are taken across the sea to Cyprus and into her tiny prison cell in the UK, where the true facts emerge.
I found the story compelling, dramatic, and informative, and it landed me disoriented but compassionate inside Zina’s disturbed mind.
**Selected for BBC 2 Between the Covers Book Club 2023** 'Tense. Moving. Morally complex. Zina Pavlou is wholly unforgettable.' Rachel Rhys 'Hugely powerful... Easily one of the best books you'll read this year.' Emma Christie THEY HAVE TOLD SO MANY LIES ABOUT ME. London, 1954. Zina Pavlou, a Cypriot grandmother, waits quietly in the custody of the Metropolitan police. She can't speak their language, but she understands what their wary looks mean: she has been accused of the brutal murder of her daughter-in-law. Eva Georgiou, Greek interpreter for the Met, knows how it feels to be voiceless as an immigrant…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I was born and raised in Oxford, UK, where, just like the characters in the books listed here, my early childhood taught me to be quiet and submissive. Education liberated me from these restraints, and for that I am extremely grateful. Yet, there is still a long way to go. Even now there are societies that do not educate girls and this is just not right. Sadly, despite the resistance of those who challenge the norm, standing up to the patriarchy doesn’t always succeed. But whether it be triumph or tragedy, it certainly makes a great story, and this is obvious in the books I recommend here.
Set in a community obsessed with the evils of Satan, Mary travels across the Atlantic to the newly settled Americas, hoping to escape her family connection with witchcraft. I hated this story as much as I loved it. Not because it was badly written (It wasn’t) but because of its irrationality and superstition, led and facilitated by the dominance of men.
Celia Rees very cleverly conveys the feelings of the times and the hopelessness of women trying to defend themselves against false accusations. I felt for them and read the story quickly in order to satisfy my quest for a happy ending.
Although ostensibly written for a young adult readership (it was shortlisted for the Guardian Children’s Fiction Prize), this is a mature story that is suitable for adults, too. And whilst it is set in the seventeenth century, it is also a cautionary tale of other injustices that still…
'Historical fiction at its very best' - Waterstones' Guide to Kids' Books 'Prolific, erudite and consistently brilliant ... breathtaking' - Guardian 'Powerful, absorbing and unusual' - The Bookseller _______________
An updated edition of this outstanding historical novel, in a stunning new package to celebrate the 20th anniversary of its publication.
When Mary sees her grandmother accused of witchcraft and hanged for the crime, she is silently hurried to safety by an unknown woman. The woman gives her tools to keep the record of her days - paper and ink. Mary is taken to a boat in Plymouth and from…
I was born and raised in Oxford, UK, where, just like the characters in the books listed here, my early childhood taught me to be quiet and submissive. Education liberated me from these restraints, and for that I am extremely grateful. Yet, there is still a long way to go. Even now there are societies that do not educate girls and this is just not right. Sadly, despite the resistance of those who challenge the norm, standing up to the patriarchy doesn’t always succeed. But whether it be triumph or tragedy, it certainly makes a great story, and this is obvious in the books I recommend here.
Right from the start, I was rooting for Ayana, who lives in this riverboat community in Arkansas. Her only support is her grandmother and brother, Lyle, while all the other men in her story are abusive and cruel. Sadly, no one seems to question their authority, and against this background, illiterate Ayana makes her play.
What I like about this story is the way it is written. At first, Ayana’s voice is presented in dialect, but as the story evolves and her mind clears, so does the text. This is a great structure that accurately represents Ayana’s blossoming personality.
Set in a river boat community in Arkansas in the 1930s, this poignant story chronicles Aiyana Weir's spirited determination to break away from a life, like that of the women around her, defined and dominated by brutal patriarchy. Aiyana's voice, unique, hesitant and uneducated, expresses the turmoil of her inner world through the details and rhythms of her beloved river and charts her secret pursuit of literacy - her only means of escape from the abuse of her father and the indifference of the man to whom she is casually given. Her grandmother, a mythical figure steeped in wisdom and…
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
I was born and raised in Oxford, UK, where, just like the characters in the books listed here, my early childhood taught me to be quiet and submissive. Education liberated me from these restraints, and for that I am extremely grateful. Yet, there is still a long way to go. Even now there are societies that do not educate girls and this is just not right. Sadly, despite the resistance of those who challenge the norm, standing up to the patriarchy doesn’t always succeed. But whether it be triumph or tragedy, it certainly makes a great story, and this is obvious in the books I recommend here.
Samina is a rebel living in a traditional Pakistani community. I loved the tension between the expectations of her extended family set against her intellect and ambition. I found the quiet, subtle support of her mother really appealing, too.
It is a story steeped in drama and tragedy as well as triumph of the spirit. It opened my eyes, made me smile and made me weep. I thoroughly recommend this book for those readers who want quiet voices to be heard.
1st Place Winner PNWA Literary Novel Unpublished Contest 2022
Can a girl who wants to know the world beyond her courtyard walls survive in a country where violence against women is often as near as a male family member?
When wealthy farmer Nasir offers Samina a scholarship to attend primary school her father doesn't approve. He closes doors to her life goals while Nasir opens them. As Samina grows into young womanhood she falls in love with Nasir, who returns her feelings. But soon Samina's family descends into chaos. Her eldest sister who is…
I’m a non-binary, neurodivergent, queer speculative fiction writer who loves a good revolution story—whether that’s a quiet, personal revolution, or a big, explosive overthrowing of the 1%. These books have helped me create my own odd fictional worlds as well as space for my psyche to survive in. I wanted to represent a variety of perspectives here from writers who are subversive, LGBTQ, BIPOC, and, for lack of a better word, brave. As a university writing teacher, I believe that the written word holds power and drives us closer to a utopia, or at least towards a more colorful future community where all are welcome and supported.
The only male author on this list, Coleman Dowell’s Southern Gothic tale is included because it contains some of the most nuanced writing of female characters I’ve ever encountered. Too Much Flesh tells the narrative of a well-endowed farmer named Jim, his petite wife Effie, and a young man, Jabez, whose mutual obsession with Jim leads to, well, something of a frenetic climax. A story within a story, the tale is told to us by a “spinster schoolteacher” (the book was published in 1977), Miss Ethel, who channels her sexual repression into this story of the farmer.
Neither Miss Ethel nor Jim’s wife, Effie, come across as one-dimensional—they feel and act like real people on the page. Dowell himself was gay and deftly handles this queer narrative in a way that is somehow both quiet and stunning, and makes an interesting case study for the time period and genre. And…
Coleman Dowell's "Southern Gothic" is a novel about sexual repression. Miss Ethel, a spinster school teacher, decides to write what she calls a "perverse tale" about one of her former students, a Kentucky farmer named Jim Cummins. Endowing him with unnaturally large genitals, she spins a tawdry tale of his frustrated relationship with his petite wife. Expressing all the bitterness of "an old woman's revenge," Miss Ethel's tale is nonetheless a sensitive depiction of rural life in the early years of World War II.Dowell's masterful use of the tale-within-a-tale to explore psychological states makes "Too Much Flesh and Jabez" a…
I love historical stories that challenge the status quo. To me, patriarchy shows up when dominant members of a single group (generally white cisgender men) fiercely grab and hold onto power by erecting systemic barriers based on gender, race, and class. It silences or cuts off anyone in these marginalized groups from having agency and treats these groups as “less than.” Historical stories that overturn patriarchy inspire me.
This unexpected discovery—the story of Meg of St. Michael’s Mead in the 14th century—exemplifies the best of what draws readers to historical fiction. First, there's the heroine, Meg, a young woman coming of age and marked by a facial disfigurement. Immediately, we understand her outsider status, her alienation, and her inevitable struggle against others' scapegoating.
This scapegoating stems not only from typical ignorance but also from the very real fears of the time that she might be a child of the Devil. Meg's life and journey are populated with memorable allies and enemies, but it's her determination to cultivate her talents in women's health—despite the opposition of the male medical elite—that lends her story contemporary relevance.
She struggles against her enemies. But still, they stand in her way.
In 14th century England, Meg of St. Michael's Mead endures a life of abuse and isolation due to her birth deformity. However, her fortunes change when the village wise woman saves her and teaches her the art of healing. After witnessing a shocking birth, Meg discovers her true purpose: to become England's first licensed female physician and provide compassionate care to women.
To achieve her goal, Meg seeks the tutelage of William of Oxford, a gruff surgeon who agrees to mentor her. But there's a catch. She must…
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
Allan D. Hunter came out as genderqueer in 1980, more than 20 years before “genderqueer” was trending. His story is autobiographical: the story of a different kind of male hero, a genderqueer person's tale. It follows the author from his debut as an eighth grader in Los Alamos, New Mexico until his unorthodox coming out at the age of twenty-one on the University of New Mexico campus in Albuquerque.
Leslie Feinberg’s story is a powerful response to the notion that simply discarding sexist gender expectations ought to be enough. Feinberg’s main character Jess was still a young adult when modern feminism exploded onto the scene in the 1970s but Jess isn’t merely androgynous or resisting sexist limitations. She’s butch.
Published in 1993, this brave, original novel is considered to be the finest account ever written of the complexities of a transgendered existence.
Woman or man? That’s the question that rages like a storm around Jess Goldberg, clouding her life and her identity. Growing up differently gendered in a blue--collar town in the 1950’s, coming out as a butch in the bars and factories of the prefeminist ’60s, deciding to pass as a man in order to survive when she is left without work or a community in the early ’70s. This powerful, provocative and deeply moving novel sees Jess…
I love historical stories that challenge the status quo. To me, patriarchy shows up when dominant members of a single group (generally white cisgender men) fiercely grab and hold onto power by erecting systemic barriers based on gender, race, and class. It silences or cuts off anyone in these marginalized groups from having agency and treats these groups as “less than.” Historical stories that overturn patriarchy inspire me.
It's deeply satisfying to read about our female forebears—women who followed an internal drive to deviate from societal norms and, in doing so, paved the way for an entire future movement. Today, the majority of medical students are female, but a century ago, female doctors were scarce.
Eliza Edwards, the protagonist, immerses us in this turbulent 20th-century period, showcasing its doubts, risks, brave friendships, and the emerging tension between career and marriage/motherhood for women.
"Flawlessly researched with characters that come alive on the page, debut author Janis Robinson Daly writes with a fresh voice that brings her readers instantly into a story that, in many ways, is shockingly similar to today's world." –Barbara Conrey, USA Today bestselling author of Nowhere Near Goodbye
"An often riveting fictional testament of a doctor's life at the turn of the 20th century." –Kirkus Reviews
The Unlocked Path presents and embraces a "New Woman" of the early 20th century: educated, career-minded, independent. In 1897 Philadelphia, after witnessing her aunt's suicide, Eliza Edwards vows to find ways to help and…
A wise (and wily) Jedi once said that “many of the truths we cling to depend greatly on our own point of view,” and I’m fascinated by storytelling that gives you more than one point of view or voice to ponder. Even as a kid, I searched for books that delved into the minds of more than one character. I’ve explored this in my own writing but also as a teacher working with undergraduate students who were finding their own voices while exploring the literary voices of others. I also love so-called genre fiction—the fantasy, sci-fi, and romance of it all—which is definitely reflected in this list, well!
This book grabbed me by the collar and wouldn’t let me go. As in, I read it cover to cover, read it again, and find myself still thinking about it long after I read it. Now, full disclosure: this is not a happy-go-lucky romp. Suspenseful and tense, political and personal—this love story between Dani and Carmen was a can’t put it down, stay up all night reading experience for me.
Told from Dani’s point of view during a tumultuous time, the decisions she faced have all the more resonance for me as the political climate of our country and the world rapidly changes. If you’re thinking, why is this book on a list about more than one point of view, please see my next recommendation!
"We Set the Dark on Fire burns bright. It will light the way for a new generation of rebels and lovers." -NPR
"Mejia pens a compelling, gripping story that mirrors real world issues of immigration and equality." -Buzzfeed
Five starred reviews!!
In this daring and romantic fantasy debut perfect for fans of The Handmaid's Tale and Latinx authors Zoraida Cordova and Anna-Marie McLemore, society wife-in-training Dani has a great awakening after being recruited by rebel spies and falling for her biggest rival.
At the Medio School for Girls, distinguished young women are trained for one of two roles in their…
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
I was living one of the darkest periods of my life when a friend took me to a Louise Bourgeois show. I wandered among her pieces feeling numb. Then I entered a large room filled with Passage Dangereux from 1997. A most depressing art piece that put me into contact with the restrictions in a family, the limitations we set for each other, and the unhappiness everywhere. When I left the room, I felt a lift in my spirits. I’m a writer to try to put more precise words to what goes on inside ourselves when we are alone and when we fall in love and enter into a relationship with another person.
A man I was working with recommended this book to me, when he heard about my novel, while it was in the making. I got hold of this book and already after the first chapter I understood why. Janice Radway investigates how Harlequin novels have such a large audience. In essence it is because romance novels always end well, as opposed to life, that keeps being complicated. It taught me that I’m a very romantic person. This was something I had never regarded as a positive trait so of course I failed to see just how important romance was and is to me. By identifying with millions of women who read these romance novels, I gained a respect that I still feel is lacking in our culture: A respect for our emotions and the big role they play in our sense of satisfaction with life.
Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention ""must shift from the text itself, taken in isolation, to the complex social event of reading."" She examines that event, from the complicated business of publishing and…
