The best books about undaunted Italian women to inspire you

Elena Cornaro Piscopia holds the title as the first woman in the world to earn a university degree. But she earned it at great cost, and her story breaks my heart every time I recount it to others.

Guernsey pulled me into Elena’s fraught life, from her early intellectual curiosity and prowess, to her self-flagellation after being paraded around as a prodigy. Elena loved learning but hated the spotlight. Her experiences encapsulate what many Early-Modern women had to offer—and had to endure—yet her fortitude ultimately spotlights her resilience and can inspire others.

This historical fiction novel formed Anna Maria dal Violin into a real person for me and inspired me to humanize every woman I wrote about in my own book.

Anna Maria was abandoned at the church of the Pieta in Venice where she was taught to sing and play numerous instruments. She became a violin virtuoso and a favorite of Vivaldi, who wrote pieces specifically to challenge her.

Barbara Quick takes this real story and makes both Anna Maria and Venice live brightly in eighteenth-century Venice.

Giacomo Casanova, mostly remembered as an adventurous lover, wrote over a million words about his own life.

Here in Casanova’s Women, Summers turns the spotlight onto the women whom Casanova loved. I’ve read Casanova’s memoirs and have written a book about Casanova in Venice, but it was Summers’ chapters that made me reconsider perspective: How true is a story when it’s told from only one viewpoint?

Summers elevates the voices of these women, such as Casanova’s actress mother, the nuns who were his lovers, the adventurous sisters that he lost his virginity to, and the hometown girl who created one of London’s premier social spots. Their voices are invaluable in learning the fuller story.

In prose that is engrossing and rich in color, culture, and voice, Dunant’s historical fiction novel incorporates stories of two of the women that I included in my own book.

The courtesan Fiammetta, loosely based on the life of Veronica Franco, and her healer La Draga, inspired by Elena Crusichi, pulled me into eighteenth-century Venice and its opportunities and dangers for enterprising women. Paired with reading Franco’s actual poems and letters, edited and translated by Ann Rosalind Jones and Margaret F. Rosenthal, I developed a deep admiration and compassion for Franco and Crusichi during Venice’s heyday.

Dunant has again written a page turner that I read more than once.

Sometimes reading eighteenth-century writing can be tedious due to the differing norms and expectations of writing. But Archangela Tarabotti’s essays burn the page.

Her anger is incandescent. She became a cloistered nun without a calling and lived her years trying to make a life of letters. Though she had a couple patrons—men—who brought her books and helped publish her works, she was at their mercy and was later nearly silenced by them. She rails against fathers, priests, and powerful nobles who limit women’s choices and voices. I have never forgotten her anger at injustice.