100 Books Like NSFW

Many dystopian books focus on the horror and give us little information about the event that led to the situation. In this one, I loved that I got a lot of backstory; I liked getting to know the main character, Candace, and learning how she ended up in her predicament.

The details of her job in publishing was strangely fascinating, the mundanity of her work life set against the dystopia was a unique perspective, it was also filled with humor that I found refreshing.

This novel caught my eye for one simple reason—the protagonist attempts to destroy her society with a spreadsheet. Although a fantasy in which the modern world (even office life) is divided between heroes and villains, this novel lands on some brutal truths—like the difference between good and evil is mostly marketing and that some people will do anything for the right job. 

It’s a hilarious book that pokes fun at the most absurd bosses, the things we do for work, and the real harm a toxic workplace or system causes everyone. The supervillain/hero context provides food for thought without slowing the story down or causing work-related cold sweats.

I had to read this when it came out because it felt ripped from the headlines. Sarah Lai has left behind her Hollywood dreams of filmmaking for a quieter, simpler life. But a journalist reaches out and drags her past to the forefront by asking questions about Sarah’s experiences working with a celebrated producer. There have been… complaints. From women. A lot of women.

Sound familiar? This is a wholly fictional take on past events, but it also forces the reader to examine the ways in which we might be complicit in holding up systems, and what we can do to break bad patterns.

Engaging, timely, and I couldn’t put it down. Again, women find their voices and stand up for other women around them. That’s a narrative I can’t miss. 

We all have that one boss that we’re pretty sure is cursing our name and our work. In this book, the boss may just be an evil wizard who has actually cursed four women to hide his misdeeds.

What drew me in was the fairy-tale elements of this novel. Again, it’s set in a modern context but uses fantasy elements to drive home the absurdity of modern work culture and the horrors that women experience at work, no matter how good they may be at their jobs. Especially if they’re good at their jobs.

It’s also a powerful story about fierce and angry women who find common ground and work together to improve their collective situations. Anytime women work together to destroy an evil villain, I’m in. 

This book came to me when I had survived so much up until that point and really began to realize the need to liberate myself and release social conditioning. I was like, “Goodness, this is the book I need to hold up anytime someone shames me using tropes about a ‘woman’s place’ in the world.”

I enjoyed how it invites you to question why powerful figures in traditional religious institutions have been rendered as men. She pushes us to go farther back in history, before Abrahamic religions, to trace the spread of disinformation about women as leaders, goddesses, and powerful beings. 

I love this book because it is useful at any step of your journey to reclaiming personal power.

This expertly crafted historical thriller is a masterpiece of suspense, set against the backdrop of the Hanford, Washington, nuclear power plant and its recklessly dangerous expansion during the Cold War. The plant's actions poisoned the environment and led to the illness and deaths of local residents.

The story unfolds as we witness the characters' gradual progression from suspicion to evidence gathering, culminating in their decision to expose the perpetrators. It's a classic confrontation between the faceless, disdainful arrogance of the government—waving a patriotic flag to excuse its flagrant disregard for public safety—and a few determined, unlikely allies. This book is a true page-turner!

This unexpected discovery—the story of Meg of St. Michael’s Mead in the 14th century—exemplifies the best of what draws readers to historical fiction. First, there's the heroine, Meg, a young woman coming of age and marked by a facial disfigurement. Immediately, we understand her outsider status, her alienation, and her inevitable struggle against others' scapegoating.

This scapegoating stems not only from typical ignorance but also from the very real fears of the time that she might be a child of the Devil. Meg's life and journey are populated with memorable allies and enemies, but it's her determination to cultivate her talents in women's health—despite the opposition of the male medical elite—that lends her story contemporary relevance.

The only male author on this list, Coleman Dowell’s Southern Gothic tale is included because it contains some of the most nuanced writing of female characters I’ve ever encountered. Too Much Flesh tells the narrative of a well-endowed farmer named Jim, his petite wife Effie, and a young man, Jabez, whose mutual obsession with Jim leads to, well, something of a frenetic climax. A story within a story, the tale is told to us by a “spinster schoolteacher” (the book was published in 1977), Miss Ethel, who channels her sexual repression into this story of the farmer.

Neither Miss Ethel nor Jim’s wife, Effie, come across as one-dimensional—they feel and act like real people on the page. Dowell himself was gay and deftly handles this queer narrative in a way that is somehow both quiet and stunning, and makes an interesting case study for the time period and genre. And… show more.

Right from the start, I was rooting for Ayana, who lives in this riverboat community in Arkansas. Her only support is her grandmother and brother, Lyle, while all the other men in her story are abusive and cruel. Sadly, no one seems to question their authority, and against this background, illiterate Ayana makes her play.

What I like about this story is the way it is written. At first, Ayana’s voice is presented in dialect, but as the story evolves and her mind clears, so does the text. This is a great structure that accurately represents Ayana’s blossoming personality. 

It's deeply satisfying to read about our female forebears—women who followed an internal drive to deviate from societal norms and, in doing so, paved the way for an entire future movement. Today, the majority of medical students are female, but a century ago, female doctors were scarce.

Eliza Edwards, the protagonist, immerses us in this turbulent 20th-century period, showcasing its doubts, risks, brave friendships, and the emerging tension between career and marriage/motherhood for women.