Books like Reluctant Reception — picked by fans

Making Refuge focuses on Somali Bantu refugees who were resettled in the town of Lewiston, Maine in the early 2000s. These refugees had been the focus of Besteman’s earlier research in Somalia in the 1980s. About a decade after Somalia plunged into civil war, Somali Bantus were being resettled in the United States, enabling Besteman to physically reconnect with them. One of the strengths of this book is that it provides rich historical context, giving the reader an overview of the different stages of the refugee experience: the events leading to war and displacement, life in refugee camps in Kenya, and resettlement in the United States.

Making Refuge is also one of the few books that gives ethnographic insight into the refugee resettlement process in the United States. Through its focus on the challenges faced by resettled Somali Bantus, who are Black and Muslim, it questions the assumptions underlying the… show more.

Kingsley’s The New Odyssey is a journalistic account of what became known during the 2015-2016 period as “Europe’s Refugee Crisis.” It brings a human face to the million or so refugees— a significant number of whom were from Syria, Afghanistan, and Iraq— who sought asylum in Europe by way of various irregular Mediterranean routes. By embedding himself with the refugees at the center of his book, Kingsley gives an intimate portrait of the reasons Europe became a destination for these refugees and of the violence and hardships they are subjected to at the hands of an unwelcoming Europe. The New Odyssey also provides an in-depth and nuanced portrait of the smugglers who, while by no means idealized in the book, are an easy scapegoat in European attempts to deflect responsibility for the suffering and death of migrants taking the irregular Mediterranean routes. Kingsley’s narrative balances a broad overview of the… show more.

This is another book that addresses Europe’s 2015-2016 “refugee crisis.” While Miliband also offers some insights into the experience of refugees seeking asylum in Europe, the focus of his book is on how current European policy betrays the values at the core of Europe’s recent history and self-understanding. Miliband weaves analysis of the predicament of mostly Middle Eastern and African refugees attempting to reach Europe through irregular Mediterranean routes with reflection on his parents’ experience as Jewish refugees fleeing Nazi Germany and seeking protection in England in the 1940s. The strength of Rescue is that it provides the reader with multiple frames of reference for thinking about what ought to be Europe’s response toward contemporary refugees, a significant number of whom are Muslims from the Middle East. 

Syrian Women Refugees is a good complement to the other books on this list because the stories that make up the book move beyond the violence, trauma, and suffering that the reader might expect from a book on refugees displaced by war. The book reads more like a story of nine Syrian women, who also happen to have been displaced by the Syrian war and to have become refugees. The women’s narratives take us into their childhood, their everyday life in pre-war Syria, and their experiences adapting to their new host countries. Through these women’s stories, which focus on topics like religion, family life, and gender dynamics, the reader gets rich cultural insight into life in Syria as well as in the host country. The reader also gets insight into the women’s own self-understanding and the extent to which war and forced displacement have impacted this understanding.

Because the broader… show more.

Another powerful debut on border-crossing, this novel begins with a frame-chapter or a prologue of sorts called “The Trip” that shows a group of Moroccans fleeing to Spain for a better life on a ramshackle boat. The following subsections, “Before” and “After,” zoom into the lives of the characters introduced in the opening chapter to highlight the socio-economic reasons leading them to risk their lives by crossing the Mediterranean Sea illegally, and their gritty fate once the boat fails them, as they’re stranded in Spain or deported to Morocco. Some critics have called the novel a collection of interconnected stories, although the book’s “prologue” is hardly a standalone story; it aligns the novel instead with an alternative structural aesthetic, one that recalls the frame narratives of oral storytelling traditions like The Thousand and One Nights, an obvious influence on the book. 

Two American housewives—sisters—are on vacation in Morocco (a place I’ve really enjoyed visiting) and one of them disappears. Her sister is determined to find her, but neither has any preparation for the dangers they face. A foreign setting is mysterious, exotic, and always holds unknown possibilities. Finding themselves in a rural area, the women don’t know whom to trust, and they cannot rely on the usual social safeguards. The police and military are actually a threat. For me, a standalone thriller like this packs extra tension because you can’t be certain the characters will survive!

When we talk about the need to read Jewish history in the Middle East within its original context, and within the understanding that Jews lived among non-Jews, interacted with non-Jews, and had a tremendous influence on their respective societies, from time to time, we need to change the perspective and see how their non-Jewish compatriots viewed them and remember them. In this book, Aomar Boum recorded the ways in which the Muslims of Morocco remember the large Jewish communities that lived in that country for millennia and shrunk to a fraction of their former self after 1956-1967. This book allows us to examine multiple perspectives simultaneously. The national and colonial identities, the essence of Middle Eastern Zionism, and the place of the memory of Jews after they had left in the modern societies.

Far too many foreigners, myself included, have rocked up in Morocco and set to work recording versions of traditional tales for an outside audience. Almost all of them have realized that, what they imagined would be a straightforward exercise, was a near-impossible feat. One of the few European writers who have succeeded, and succeeded exceptionally well, is BBC reporter Richard Hamilton. As I read The Last Storytellers, I marvelled at how well he succeeded where so many others failed. The reason is that Hamilton has two qualities in abundance: patience and sensitivity. Reading the stories he presents takes me to the central square in Marrakech, Jma al Fna. I can see it, feel it, smell it, and, most importantly, I can hear the storytellers there recounting tales that pre-date A Thousand and One Nights.

This book tells the story of the transmission and learning of cooking knowledge and skill in Morocco.

What makes it stand out for me is not only the focus on multisensory experience, but the way the author provides an account of her own process of learning to cook, and learning to know what cooking is, as part of her apprenticeship to Marrakchi women.

Graf takes us into the lives of three Marrakchi women and their families, illustrating their struggles and the power that they deploy through cooking. Food and Families in the Making thus makes for a moving account of sensuous scholarship.

This book is emblematic of the struggles that are inherent in any marriage. Robin is an accountant, and Paul is an artist eighteen years her senior. When Paul disappears during a trip to Morocco meant to save their marriage, Robin looks for him and discovers things she wishes she hadn’t.

With all the obstacles and secrets she uncovers, Robin has to decide if staying with Paul is worth the pain. As a reader, I found myself fighting along with Robin as she scoured the landscape of Morocco in her search for her husband. She proves to be a survivor, fighting in dangerous situations against people who cheat, lie, and try to exploit her naiveté. If you like flawed characters and crazy turns of events, you’ll like this book.