Here are 100 books that Reluctant Reception fans have personally recommended if you like
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I developed an interest in the Middle East after taking a class on the Peoples and Cultures of the Middle East and North Africa as an undergraduate student. I later lived and worked in Kuwait for two years and traveled extensively across the Middle East, including to Syria, a country whose hospitality, history, and cultural richness left an indelible impression on me. During subsequent travel to Syria, I became acquainted with the Palestinian refugee camp of Yarmouk, in Damascus. This camp, which physically blended into its surroundings while retaining its Palestinian-ness, ignited my desire to better understand Palestinian refugee identity and the political claims at the heart of this identity.
Making Refugefocuses on Somali Bantu refugees who were resettled in the town of Lewiston, Maine in the early 2000s. These refugees had been the focus of Besteman’s earlier research in Somalia in the 1980s. About a decade after Somalia plunged into civil war, Somali Bantus were being resettled in the United States, enabling Besteman to physically reconnect with them. One of the strengths of this book is that it provides rich historical context, giving the reader an overview of the different stages of the refugee experience: the events leading to war and displacement, life in refugee camps in Kenya, and resettlement in the United States.
Making Refuge is also one of the few books that gives ethnographic insight into the refugee resettlement process in the United States. Through its focus on the challenges faced by resettled Somali Bantus, who are Black and Muslim, it questions the assumptions underlying…
How do people whose entire way of life has been destroyed and who witnessed horrible abuses against loved ones construct a new future? How do people who have survived the ravages of war and displacement rebuild their lives in a new country when their world has totally changed? In Making Refuge Catherine Besteman follows the trajectory of Somali Bantus from their homes in Somalia before the onset in 1991 of Somalia's civil war, to their displacement to Kenyan refugee camps, to their relocation in cities across the United States, to their settlement in the struggling former mill town of Lewiston,…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I developed an interest in the Middle East after taking a class on the Peoples and Cultures of the Middle East and North Africa as an undergraduate student. I later lived and worked in Kuwait for two years and traveled extensively across the Middle East, including to Syria, a country whose hospitality, history, and cultural richness left an indelible impression on me. During subsequent travel to Syria, I became acquainted with the Palestinian refugee camp of Yarmouk, in Damascus. This camp, which physically blended into its surroundings while retaining its Palestinian-ness, ignited my desire to better understand Palestinian refugee identity and the political claims at the heart of this identity.
Kingsley’s The New Odyssey is a journalistic account of what became known during the 2015-2016 period as “Europe’s Refugee Crisis.” It brings a human face to the million or so refugees— a significant number of whom were from Syria, Afghanistan, and Iraq— who sought asylum in Europe by way of various irregular Mediterranean routes. By embedding himself with the refugees at the center of his book, Kingsley gives an intimate portrait of the reasons Europe became a destination for these refugees and of the violence and hardships they are subjected to at the hands of an unwelcoming Europe.The New Odyssey also provides an in-depth and nuanced portrait of the smugglers who, while by no means idealized in the book, are an easy scapegoat in European attempts to deflect responsibility for the suffering and death of migrants taking the irregular Mediterranean routes. Kingsley’s narrative balances a broad overview of…
On the day of his son's fourteenth birthday, Hashem al-Souki lay somewhere in the Mediterranean, crammed in a wooden dinghy. His family was relatively safe-at least for the time being-in Egypt, where they had only just settled after fleeing their war-torn Damascus home three years prior. Traversing these unforgiving waters and the treacherous terrain that would follow was worth the slim chance of securing a safe home for his children in Sweden. If he failed, at least he would fail alone.
Hashem's story is tragically common, as desperate victims continue to embark on deadly journeys in search of freedom.…
I developed an interest in the Middle East after taking a class on the Peoples and Cultures of the Middle East and North Africa as an undergraduate student. I later lived and worked in Kuwait for two years and traveled extensively across the Middle East, including to Syria, a country whose hospitality, history, and cultural richness left an indelible impression on me. During subsequent travel to Syria, I became acquainted with the Palestinian refugee camp of Yarmouk, in Damascus. This camp, which physically blended into its surroundings while retaining its Palestinian-ness, ignited my desire to better understand Palestinian refugee identity and the political claims at the heart of this identity.
This is another book that addresses Europe’s 2015-2016 “refugee crisis.” While Miliband also offers some insights into the experience of refugees seeking asylum in Europe, the focus of his book is on how current European policy betrays the values at the core of Europe’s recent history and self-understanding. Miliband weaves analysis of the predicament of mostly Middle Eastern and African refugees attempting to reach Europe through irregular Mediterranean routes with reflection on his parents’ experience as Jewish refugees fleeing Nazi Germany and seeking protection in England in the 1940s. The strength of Rescueis that it provides the reader with multiple frames of reference for thinking about what ought to be Europe’s response toward contemporary refugees, a significant number of whom are Muslims from the Middle East.
We are in the midst of a global refugee crisis. Sixty five million people are fleeing for their lives. The choices are urgent, not just for them but for all of us. What can we possibly do to help?
With compassion and clarity, David Miliband shows why we should care and how we can make a difference. He takes us from war zones in the Middle East to peaceful suburbs in America to explain the crisis and show what can be done, not just by governments with the power to change policy but by citizens with the urge to change…
Mia Lark is running out of options. There is only one way to change the score: the fantasy planet Revivium.
Armed with the powerful magic in the helm and the friendly AI, Hex that goes with it, Mia throws caution out the window. It’s time to find the main guildhall…
I developed an interest in the Middle East after taking a class on the Peoples and Cultures of the Middle East and North Africa as an undergraduate student. I later lived and worked in Kuwait for two years and traveled extensively across the Middle East, including to Syria, a country whose hospitality, history, and cultural richness left an indelible impression on me. During subsequent travel to Syria, I became acquainted with the Palestinian refugee camp of Yarmouk, in Damascus. This camp, which physically blended into its surroundings while retaining its Palestinian-ness, ignited my desire to better understand Palestinian refugee identity and the political claims at the heart of this identity.
Syrian Women Refugeesis a good complement to the other books on this list because the stories that make up the book move beyond the violence, trauma, and suffering that the reader might expect from a book on refugees displaced by war. The book reads more like a story of nine Syrian women, who also happen to have been displaced by the Syrian war and to have become refugees. The women’s narratives take us into their childhood, their everyday life in pre-war Syria, and their experiences adapting to their new host countries. Through these women’s stories, which focus on topics like religion, family life, and gender dynamics, the reader gets rich cultural insight into life in Syria as well as in the host country. The reader also gets insight into the women’s own self-understanding and the extent to which war and forced displacement have impacted this understanding.
Based on original interviews, this book relates the experiences of nine Syrian women refugees and their perspectives on a range of subjects. Each narrative reveals a displaced woman's concept of the self in relation to memory, history, trauma and reconciliation within familial, international and cultural contexts. Their stories contribute to building bonds and promoting trust between locals and "strangers" who are often defined only by their status as refugees, and serve as a timely reminder that we too can become refugees through a sudden turn of events.
Namrata Poddar is an Indian American writer of fiction and nonfiction, literature and writing faculty at UCLA, and Interviews Editor for Kweli where she curates the series, “Race, Power and Storytelling.” Her work has explored ways in which writers from across the world decolonize Literature. Her debut novel, Border Less, was a finalist for Feminist Press’s Louise Meriwether Prize, longlisted for The Center for Fiction First Novel Prize, and featured in several media outlets including the “Most Anticipated” 2022 books for The Millions and Ms. Magazine. She holds a PhD in French literature from the University of Pennsylvania, an MFA in Fiction from Bennington College, and a Mellon Postdoctoral Fellowship in Transnational Cultures from UCLA.
Another powerful debut on border-crossing, this novel begins with a frame-chapter or a prologue of sorts called “The Trip” that shows a group of Moroccans fleeing to Spain for a better life on a ramshackle boat. The following subsections, “Before” and “After,” zoom into the lives of the characters introduced in the opening chapter to highlight the socio-economic reasons leading them to risk their lives by crossing the Mediterranean Sea illegally, and their gritty fate once the boat fails them, as they’re stranded in Spain or deported to Morocco. Some critics have called the novel a collection of interconnected stories, although the book’s “prologue” is hardly a standalone story; it aligns the novel instead with an alternative structural aesthetic, one that recalls the frame narratives of oral storytelling traditions like The Thousand and One Nights, an obvious influence on the book.
“A dream of a debut, by turns troubling and glorious, angry and wise.” —Junot Diaz
Hope and Other Dangerous Pursuits, the debut of Pulitzer Prize and National Book Award finalist Laila Lalami, evokes the grit and enduring grace that is modern Morocco. The book begins as four Moroccans illegally cross the Strait of Gibraltar in an inflatable boat headed for Spain.What has driven them to risk their lives? And will the rewards prove to be worth the danger?
There’s Murad, a gentle, unemployed man who’s been reduced to hustling tourists around Tangier; Halima, who’s fleeing her drunken husband and the…
Hi! I'm John Glynn, and I'm excited to share some book recommendations inspired by one of my favorite Taylor Swift songs, "Cruel Summer." To me, this song perfectly encapsulates the heightened emotions of summer love—a theme at the heart of my memoir Out East. I chose books that capture the "fever dream highs" of the season. But at the same time, as Taylor sings, "Summer's a knife," filled with longing and heartache, primed for nostalgia. All of these books carry the kind of moonlit shimmer I crave in a smart beach read. As a Swiftie, a beach lover, an avid reader, and a hopeless romantic, I hope you enjoy.
Jane Green is an icon in every sense, and this is my absolute favorite of her many bestselling books. I love stories with a strong sense of place, stories that transport me. This book does just that, whisking the reader to a forgotten scene from the Swinging 60s, an ex-pat community in Marrakesh once frequented in real life by the Rolling Stones, the Beatles, Yves Saint Laurent, and other luminaries of the era.
The narrator is an outsider who falls under the spell of Talitha Getty, a magnetic actress and model who presides over the whole swirling scene. This novel feels like the literary equivalent of a starry summer night.
A PARADE MOST ANTICIPATED BOOK OF THE YEAR A NEW YORK POST BEST BOOK OF THE WEEK
In her first novel inspired by a true story, Jane Green re-imagines the life of troubled icon Talitha Getty in this transporting story from a forgotten chapter of the Swinging '60s
From afar Talitha's life seemed perfect. In her twenties, and already a famous model and actress, she moved from London to a palace in Marrakesh, with her husband Paul Getty, the famous oil heir. There she presided over a swirling ex-pat scene filled with music, art, free love and…
Winner of the 2024 New Mexico - Arizona Book Award.
In this deeply researched novel of America's most celebrated outlaw, Mark Warren sheds light on the human side of Billy the Kid and reveals the intimate stories of the lesser-known players in his legendary life of crime. Warren's fictional composer…
On a trip to Morocco, immersed in new sounds, smells, sights, and tastes, I was hit with the idea for a novel about a woman in the 11th century, a time when a Berber ruler took over the whole of North Africa and Spain. It led to many years of research and correspondence with historians, and became not one novel, but four, telling the story of four women’s lives that interweave as a newborn empire rises. The books I have listed here were some of the ones that brought the place, the culture, and the era alive for me. I hope they can do the same for you!
A deeply visual book, full of intricate details of craftwork and intimate moments of daily life, this is described as an ‘ideal photo album’ of Morocco, and it’s a very enjoyable and beautiful book to explore if you are planning to go to Morocco or longing to return after a trip there. A really lovely way to immerse yourself in Moroccan culture for a little while.
"Morocco: A Sense of Place" is one of two titles in a new series of travel books designed to be an innovative mix between travelogue and armchair travel. Aimed at a young or young-at-heart audience, they are presented as ideal photo albums of your last favourite trip the one you wish you'd taken the time to put together, without the hassle of sifting through all your crumpled ticket stubs and badly centred photos of monuments hidden behind the heads of strangers. These highly visual and evocative volumes will be seized on by anyone with a love of travel and photography.
Tahir Shah has spent his professional life searching for the hidden underbelly of lands through which he travels. In doing so he often uncovers layers of life that most other writers hardly even realise exist. With a world-wide following, Tahir’s work has been translated into more than thirty languages, in hundreds of editions. His documentaries have been screened on National Geographic TV, The History Channel, Channel 4, and in cinemas the world over. The son of the writer and thinker Idries Shah, Tahir was born into a prominent Anglo-Afghan family, and seeks to bridge East with West through his work.
This book haunts me in a way that almost no other published work does. It’s like one of those movies we all have on a secret list – that we adore but can’t bear to ever watch again (like the Killing Fields or Fight Club). A memoir of almost unparalleled beauty and horror, it tells the true-life tale of the daughter of General Oufkir, who was put to death for attempted regicide. Malika and her five siblings were imprisoned for fifteen years in a penal colony, from where they mounted a daring escape.
The daughter of a former aide to the king of Morocco, who was executed after a failed assassination attempt on the ruler, describes how she, her five siblings, and her mother were imprisoned in a desert penal colony for twenty years.
In elementary school, I was told I had an overactive imagination, an insatiable curiosity, and an adventurous spirit. Fortunate to live across the street from the school, the school’s tiny, nondescript library became a sacred place, a sanctuary, a peaceful and magical space where I could escape into worlds far beyond the limits of a small southern town in the 1950s. I incorporate all of these characteristics, plus my love of travel, into my books. My goal is to write thrilling multicultural fiction novels that depict the blended relationships and experiences of African Americans and people within the communities that make up the global African diaspora.
I love books set in the exotic Middle East, and Morocco is by far my favorite country to visit, so I was immediately attracted to this book. It is a mind-bending psychological thriller that wound me up until my head spun, trying to unravel a plot filled with obsession, identity, and power.
A longtime friend visits Alice in Tangier, but is she a friend or a frenemy? Is Alice the fly and her friend the spider? The batteries in my ear-pods died several times as I became lost in the crowds and noise in the bustling medina while trying to keep track of Alice’s confused perceptions of reality.
Ramon Ramirez’s Dog is a collection of essays written over the years about the adventures and misadventures, mostly outside but occasionally inside the diplomatic career of a U.S. ambassador. Common threads weaving the stories together are a desire for a life well-lived, balancing career with family and friends, keeping physically…
Tahir Shah has spent his professional life searching for the hidden underbelly of lands through which he travels. In doing so he often uncovers layers of life that most other writers hardly even realise exist. With a world-wide following, Tahir’s work has been translated into more than thirty languages, in hundreds of editions. His documentaries have been screened on National Geographic TV, The History Channel, Channel 4, and in cinemas the world over. The son of the writer and thinker Idries Shah, Tahir was born into a prominent Anglo-Afghan family, and seeks to bridge East with West through his work.
Far too many foreigners, myself included, have rocked up in Morocco and set to work recording versions of traditional tales for an outside audience. Almost all of them have realized that, what they imagined would be a straightforward exercise, was a near-impossible feat. One of the few European writers who have succeeded, and succeeded exceptionally well, is BBC reporter Richard Hamilton. As I read The Last Storytellers, I marvelled at how well he succeeded where so many others failed. The reason is that Hamilton has two qualities in abundance: patience and sensitivity. Reading the stories he presents takes me to the central square in Marrakech, Jma al Fna. I can see it, feel it, smell it, and, most importantly, I can hear the storytellers there recounting tales that pre-date A Thousand and One Nights.
Marrakech is the heart and lifeblood of Morocco's ancient storytelling tradition. For nearly a thousand years, storytellers have gathered in the Jemaa el Fna, the legendary square of the city, to recount ancient folktales and fables to rapt audiences. But this unique chain of oral tradition that has passed seamlessly from generation to generation is teetering on the brink of extinction. The competing distractions of television, movies and the internet have drawn the crowds away from the storytellers and few have the desire to learn the stories and continue their legacy. Richard Hamilton has witnessed at first hand the death…