Here are 100 books that Hope and Other Dangerous Pursuits fans have personally recommended if you like
Hope and Other Dangerous Pursuits.
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I am convinced that my life would be better if I had read more books by Latina/Latine authors while growing up. To be able to see oneself in a story is powerful. I didn’t have that for a long time. It made me feel invisible. It made me feel like being an author was as realistic as becoming an astronaut or a performer in Cirque du Soleil. Now, as a professor of Creative Writing and author of several books (and more on the way!), I dedicated my life to writing the books I needed as a young Latina. I hope others find something meaningful in my stories, too.
This is the first book I ever read by a Latina author. I was nineteen years old and a student at a small private liberal arts college in Connecticut. My professor assigned it to my American Literature class. I thought she’d made a mistake because some of the words in the book were in Spanish. I didn’t know you could do that—write in English but have some words in Spanish peppered throughout the dialogue and text. I was stunned.
I remember reading about Esperanza and her experiences in her Mexican neighborhood in Chicago, meeting characters on Mango Street, and falling in love with both the story and Cisneros’ playful, vulnerable, poetic writing style. After reading this book, I knew I also wanted to be a writer.
NATIONAL BESTSELLER • A coming-of-age classic, acclaimed by critics, beloved by readers of all ages, taught in schools and universities alike, and translated around the world—from the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature.
The House on Mango Street is the remarkable story of Esperanza Cordero, a young Latina girl growing up in Chicago, inventing for herself who and what she will become. Told in a series of vignettes-sometimes heartbreaking, sometimes deeply joyous-Sandra Cisneros' masterpiece is a classic story of childhood and self-discovery. Few other books in our time have touched so many readers.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’m a novelist and a professor of black queer and feminist literature at Georgetown University. But the truth is, my connection to these books goes deeper than that. These books give me life. When I was a little girl, I spent more days than I can count scouring my mother’s small black feminist library in the basement of our home in Harlem, poring over the stories of girls like me: fat, black, queer girls who longed to see themselves written in literature and history. Now I get to create stories like these myself, and share them with others. It’s a dream job, and a powerful one. It thrills me every time.
Justin Torres’s exquisite novel will make you want to beam and bawl and fight in all the best ways.
It tells the story of a clear-eyed, tender-hearted boy navigating a world where true safety is hard to find. As he comes of age in rural New York State in the 1980s, messages about masculinity, race, sexuality, and the expectations of family swirl around him, often violently, punctuating the world of inquisitive play he and his two older brothers create together.
We witness as Torres’s narrator fights for a vision of his own freedom, a complex fight that resists tidy endings, offering echoing truths instead.
Three brothers tear their way through childhood - smashing tomatoes all over each other, building kites from rubbish, hiding when their parents do battle, tiptoeing around the house as their mother sleeps off her graveyard shift. Paps and Ma are from Brooklyn - he's Puerto Rican, she's white. Barely out of childhood themselves, their love is a serious, dangerous thing. Life in this family is fierce and absorbing, full of chaos and heartbreak and the euphoria of belonging completely to one another. From the intense familial unity felt by a child to the profound alienation he endures as he begins…
I grew up in a woman-centered household, the youngest with two older sisters. I was the only child of my mother’s second marriage, and a space of ten and twelve years separated me from my sisters. My sisters and mother always felt like an intense unit that didn’t include me, and that yearning and outsider status defined my life and made me a lover of books about mothers and daughters and the female world.
Kincaid’s voice and style, bracing and autobiographical, almost obsessive, rocked my world.
Hearing the insistence of her voice helped me discover my own voice and to embrace it. I love the compulsive presence in her work and the "I," whose power of personality, sensibility, and voice rushes through me.
An adored only child, Annie has until recently lived a peaceful and content life. She is inseparable from her beautiful mother, a powerful and influential presence, who sits at the very centre of the little girl's existence. Loved and cherished, Annie grows and thrives within her mother's shadow.
When she turns twelve, however, Annie's life changes, in ways that are often mysterious to her. She begins to question the cultural assumptions of her island world; at school she makes rebellious friends and frequently challenges authority; and most frighteningly, her mother, seeing Annie as a 'young lady', ceases to be the…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Namrata Poddar is an Indian American writer of fiction and nonfiction, literature and writing faculty at UCLA, and Interviews Editor for Kweli where she curates the series, “Race, Power and Storytelling.” Her work has explored ways in which writers from across the world decolonize Literature. Her debut novel, Border Less, was a finalist for Feminist Press’s Louise Meriwether Prize, longlisted for The Center for Fiction First Novel Prize, and featured in several media outlets including the “Most Anticipated” 2022 books for The Millions and Ms. Magazine. She holds a PhD in French literature from the University of Pennsylvania, an MFA in Fiction from Bennington College, and a Mellon Postdoctoral Fellowship in Transnational Cultures from UCLA.
If character-driven fiction is a hallmark of the modern, Western, realist novel, here’s a community-driven novel recounted in the first-person plural narration for all of its 200 pages. As the title suggests, Brown Girlsis a coming-of-age story of brown girls, children of immigrants, who grow up in Queens, New York, although the novel’s biggest innovation lies in the way it makes it impossible to nail down the protagonist. The book’s narrator-protagonist, the “we” who continues to talk in the book, refers to a consistently fluid, changing, and inclusive community of straight and queer brown girls from NYC who share a South or Southeast Asian, Middle Eastern, Latinx, biracial or other kinds of mixed-race identity, a narrative feat I haven’t yet encountered in another novel.
NEW YORK TIMES EDITORS’ CHOICE • A “boisterous and infectious debut novel” (The Guardian) about a group of friends and their immigrant families from Queens, New York—a tenderly observed, fiercely poetic love letter to a modern generation of brown girls.
“An acute study of those tender moments of becoming, this is an ode to girlhood, inheritance, and the good trouble the body yields.”—Raven Leilani, author of Luster
FINALIST FOR THE NEW AMERICAN VOICES AWARD • FINALIST FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE
ONE OF THE BEST BOOKS OF THE YEAR: PopSugar, Kirkus Reviews
I developed an interest in the Middle East after taking a class on the Peoples and Cultures of the Middle East and North Africa as an undergraduate student. I later lived and worked in Kuwait for two years and traveled extensively across the Middle East, including to Syria, a country whose hospitality, history, and cultural richness left an indelible impression on me. During subsequent travel to Syria, I became acquainted with the Palestinian refugee camp of Yarmouk, in Damascus. This camp, which physically blended into its surroundings while retaining its Palestinian-ness, ignited my desire to better understand Palestinian refugee identity and the political claims at the heart of this identity.
Reluctant Reception is a worthwhile read in that it addresses refugee policy from the perspective of Egypt, Morocco, and Turkey, three states located in the Middle East and North Africa. Norman argues that, like other states in the Global South, these states are often perceived as transit countries for migrants and refugees, who ultimately want to reach Europe. Norman shows, however, that these states’ lack of a strong formalized refugee policy hides the fact that political and economic interests play a major role in informing their response to migrants and refugees.
Norman also shows that apparent disinterest in migration is part of a deliberate strategy that countries in the Global South use in order to have international organizations, as well as Western governments (the latter being keen on limiting migration from the Global South), provide for the basic costs of hosting migrants and refugees. Reluctant Receptionnot onlyprovides compelling…
Seeking to understand why host states treat migrants and refugees inclusively, exclusively, or without any direct engagement, Kelsey P. Norman offers this original, comparative analysis of the politics of asylum seeking and migration in the Middle East and North Africa. While current classifications of migrant and refugee engagement in the Global South mistake the absence of formal policy and law for neglect, Reluctant Reception proposes the concept of 'strategic indifference', where states proclaim to be indifferent toward migrants and refugees, thereby inviting international organizations and local NGOs to step in and provide services on the state's behalf. Using the cases…
Christopher Othen is the author of Franco’s International Brigades: Adventurers, Fascists, and Christian Crusaders in the Spanish Civil War (Hurst, 2013) and four other books on subjects such as French gangsters in Nazi Paris, mercenaries in post-colonial Africa, and political opposition to Islam in Europe and America. He lives in Eastern Europe and his day jobs have included journalist, legal representative for asylum seekers, and English language teacher. In off-the-clock adventures, he has interviewed retired mercenaries about forgotten wars and got drunk with an ex-mujahidin who knew Osama Bin Laden.
Foreigners also joined the other side. Around 80,000 volunteers from Morocco, a Spanish protectorate, signed up to fight with the rightist rebels for money, adventure, and jihad. Sebastian Balfour’s fascinating book traces the intertwined history of the two countries to show why poor North African Muslims ground under the heel of Spanish imperialism felt they had more in common with General Francisco Franco’s right-wing Nationalists than with the Popular Front government in Madrid. Moroccan soldiers were vital to Franco’s eventual victory even if many would become bitter that their country never got the independence the nationalists had promised.
Combining military, political, cultural, social, and oral history, Sebastian Balfour narrates for the first time the development of a brutalised, interventionist army that played a crucial role in the victory of the Francoists in the Spanish Civil War. Spain's new colonial venture in Morocco in the early twentieth-century turned into a bloody war against the tribes resisting the Spanish invasion of their lands. After suffering a succession of heavy military disasters against some of the most accomplished guerrillas in the world, the Spanish army turned to chemical warfare and dropped massive quantities of mustard gas on civilians. Dr Balfour exposes…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I am an avid Hispanist and have for a long time been fascinated by the mix of cultures in medieval Spain. Soon after 9-11, I was forced to take part in a barefoot ritual of security checks on arriving at Zaragoza airport to see something of the Moorish heritage there, and it hit me how important the way we tell the story of ‘Moors and Christians’ is to our own times. My own experience as a linguist and of living abroad made me particularly interested in people who are able to see both sides of a story and transfer between cultures. This is what I researched further in my Ph.D. in relation to the demise of Muslim Granada.
It’s an academic take on the story of Leo the African, novelised by Amin Maalouf, and it brings out his complex identity and the richness of interconnected Mediterranean cultures in a way that is totally relevant to today.
It really made me think about the limitations of what we call national or religious identity and the almost infinite ability of human beings to adapt, chameleon-like, to different circumstances and cultures.
Al-Hasan al-Wazzan - born in Granada to a Muslim family that in 1492 went to Morocco - became famous as the great Renaissance writer Leo Africanus, author of the first geography of Africa to be published in Europe (in 1550). He had been captured by Christian pirates in the Mediterranean and imprisoned by the Pope; when he was released and baptized, he lived a European life of scholarship as the Christian writer Giovanni Leone; by 1527, it is likely that he returned to North Africa and to the language, culture, and faith in which he had been raised. Natalie Zemon…
I am a history professor who is drawn to history out of a love of recovering and making accessible otherwise forgotten voices and stories of the past. I’m especially interested in relationships between Jews and Muslims and how they’ve dealt with minorityhood, displacement, colonialism, and modernization. I’ve written four books, two focusing on Muslims and two on Jews, as well as numerous articles. Among my greatest pleasures as a scholar is seeing my readers begin with an interest in the stories of one religious group (either Muslims or Jews) and then become so curious about the drama, joy, and conflicts of the era that they become interested in the stories of the other as well.
Alma Heckman’sThe Sultan’s Communistsuses the life stories of five prominent Moroccan Jewish communists to paint a complex picture of Jewish identity in twentieth-century Morocco. By documenting their struggles, Heckman details the often surprising ways in which Moroccan Jews negotiated their political environment and mediated between Moroccan patriotism, French colonialism, radical politics, Arab and Jewish identity, and Zionism. She also describes the ways in which the Moroccan sultan reimagined his relationship with the country’s Jews and the surprising history of how and why he ultimately came to embrace Jewish communists, who, to begin with, had been the subject of severe repression, including imprisonment and exile.
The Sultan's Communists uncovers the history of Jewish radical involvement in Morocco's national liberation project and examines how Moroccan Jews envisioned themselves participating as citizens in a newly-independent Morocco. Closely following the lives of five prominent Moroccan Jewish Communists (Leon Rene Sultan, Edmond Amran El Maleh, Abraham Serfaty, Simon Levy, and Sion Assidon), Alma Rachel Heckman describes how Moroccan Communist Jews fit within the story of mass Jewish exodus from Morocco in the 1950s and '60s, and how they survived oppressive post-independence authoritarian rule under the Moroccan monarchy to ultimately become heroic emblems of state-sponsored Muslim-Jewish tolerance.
I’ve always been interested in food, even as young as 3 years old I remember wanting to taste everything, and I found the process of cooking fascinating. But I really got interested in food as a topic for research during my time studying Greek culture for my PhD thesis. People on the island of Kalymnos, where I’ve conducted research for 30 years, made a strong connection between food and memory, but it was a connection that few scholars have written about until recently. So I’ve been excited to participate in a new field reflected by all of these books, and hope you will be as well.
This book tells the story of the transmission and learning of cooking knowledge and skill in Morocco.
What makes it stand out for me is not only the focus on multisensory experience, but the way the author provides an account of her own process of learning to cook, and learning to know what cooking is, as part of her apprenticeship to Marrakchi women.
Graf takes us into the lives of three Marrakchi women and their families, illustrating their struggles and the power that they deploy through cooking. Food and Families in the Making thus makes for a moving account of sensuous scholarship.
Even in the context of rapid material and social change in urban Morocco, women, and especially those from a low-income household, continue to invest a lot of work in preparing good food for their families. Through the lens of domestic food preparation, this book looks at knowledge reproduction on how we know cooking and its role in the making of everyday family life. It also examines a political economy of cooking that situates Marrakchi women's lived experience in the broader context of persisting poverty and food insecurity in Morocco.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I have always been fascinated by stories where everyday people are thrust into dangerous situations through no fault of their own. I’ve often wondered how I would react in such a situation. To me, it’s like going off to war. How would I react? Would I shrink away from danger or stand up like a man and do what I could to save myself and others around me? I’ve always found it interesting to write about everyday people who rise to the occasion and rely on their wits to extricate themselves from danger. I find myself rooting for them, urging them to find some inner strength they didn’t even know they had.
This book is emblematic of the struggles that are inherent in any marriage. Robin is an accountant, and Paul is an artist eighteen years her senior. When Paul disappears during a trip to Morocco meant to save their marriage, Robin looks for him and discovers things she wishes she hadn’t.
With all the obstacles and secrets she uncovers, Robin has to decide if staying with Paul is worth the pain. As a reader, I found myself fighting along with Robin as she scoured the landscape of Morocco in her search for her husband. She proves to be a survivor, fighting in dangerous situations against people who cheat, lie, and try to exploit her naiveté. If you like flawed characters and crazy turns of events, you’ll like this book.
From the #1 internationally bestselling author of The Moment and Five Days comes “the best book about Morocco since The Sheltering Sky. Completely absorbing and atmospheric” (Philip Kerr).
Robin knew Paul wasn’t perfect. But he said they were so lucky to have found each other, and she believed it was true.
She is a meticulous accountant, almost forty. He is an artist and university professor, twenty years older. When Paul suggests a month in Morocco, where he once lived and worked, a place where the modern meets the medieval, Robin reluctantly agrees.
Once immersed into the swirling, white hot exotica…
