Here are 100 books that The Caliph's House fans have personally recommended if you like
The Caliph's House.
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I was born and raised in Northern California, right on the banks of the Sacramento River. While I didn’t realize it growing up, it was an epicenter for outdoor adventures. Along with skiing, snowboarding, hiking, wakeboarding, and camping, I always read a lot. My dad was worried that I would have no sense of direction because I was always in the back of our van or RV reading a book. That led to writing…and I had my first article published in a wakeboarding magazine when I was 15 years old. Traveling always took a backburner to reading, but now it’s front and center of my writing.
Anyone who has ever worked in the food or hospitality industry—as a cook, a waitress, a hostess, a barista, or otherwise—can identify with this book.
The restaurant business is a different beast, and Anthony Bourdain took a huge risk in writing this and burning bridges with his bosses and coworkers. But in doing so, he unlocked the universal hidden language that food and hospitality workers share.
As a former hostess/waitress myself who spent most of her college years with a part-time job at IHOP and the Golden Waffle, I could relate to a lot of what Bourdain experienced working in NYC, especially with minority groups and how they were treated during that time. He was a huge inspiration to a lot of people, including me.
THE CLASSIC BESTSELLER: 'The greatest book about food ever written'
'A compelling book with its intriguing mix of clever writing and kitchen patois ... more horrifically gripping than a Stephen King novel' Sunday Times
'Extraordinary ... written with a clarity and a clear-eyed wit to put the professional food-writing fraternity to shame' Observer
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After twenty-five years of 'sex, drugs, bad behaviour and haute cuisine', chef and novelist Anthony Bourdain decided to tell all - and he meant all.
From his first oyster in the Gironde to his lowly position as a dishwasher in a honky-tonk fish restaurant in Provincetown;…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
As a great-great-great-great-grandchild of Irish immigrants, I come from a long, proud line of alcoholics, especially on my mother’s side. My childhood was a masterclass in chaos: family scream-fests, flung insults, and someone cracking a joke while dodging a punch. It was painful, yes, but also absurd and often hilarious. That’s where my dark wit comes from. Razor-sharp humor was how we made it out alive. It becomes a lens you’re trained to observe the world through since you were a wee lad. I’ve always been drawn to stories where grief and laughter sit at the same table, clinking pints. Satire and absurdity aren’t interests for me. They’re muscle memory.
Amazing title aside, I love David Sedaris because he makes discomfort feel like a private joke you’re lucky enough to overhear. The way he writes about insecurity, awkwardness, and deeply flawed family life struck something real in me. His humor sneaks up on you, often in the middle of a sentence you weren’t prepared to laugh at.
What I admire most is how he never tries to impress. His voice is honest, a little absurd, and somehow both cynical and strangely tender. I didn’t just laugh; I felt understood. Sedaris showed me that writing can be honest without being sentimental, funny without being safe, and deeply human without needing a resolution.
A new collection from David Sedaris is cause for jubilation. His recent move to Paris has inspired hilarious pieces, including Me Talk Pretty One Day, about his attempts to learn French. His family is another inspiration. You Cant Kill the Rooster is a portrait of his brother who talks incessant hip-hop slang to his bewildered father. And no one hones a finer fury in response to such modern annoyances as restaurant meals presented in ludicrous towers and cashiers with 6-inch fingernails. Compared by The New Yorker to Twain and Hawthorne, Sedaris has become one of our best-loved authors. Sedaris is…
I was born in Santiago, Chile, took my first steps in Antwerp, Belgium, and grew up in British Columbia, Canada. In other words, I was a third culture child with an identity crisis that carried on into my twenties. These books have helped me turn my past mistakes into a craft others can enjoy. Like many of the authors on my list, I’ve said yes to just about anything and lived with people from every walk of life. I’m an expert in making mistakes, but I have done one thing well, and that’s learning from people who think differently than I do.
Okay, fine, this book isn’t actually nonfiction, but it’s so accurate and believable that it may as well be. You might not question Clarke’s life choices, but you’ll question Paul West, the protagonist. Have you ever wanted to know what it’s like to be a bureaucrat? Neither have I. But that didn’t stop me from reading this book. As someone who has had to deal with funcionarios (Spanish government employees), bureaucrats aren’t high on my list as people I’d invite to a dinner party, but this book gave me a chance to learn about their lives at a safe distance. I learned something new and laughed out loud on almost every page.
THE POST-BREXIT EDITION - brand new chapters with extra EU chaos for Englishman Paul West.
An Englishman, Paul West, goes to Brussels to work for a French MEP. There he gets an insider's view of what really goes on in the massive madhouse that is the EU Parliament. With the referendum on the horizon, things are even more hysterical than usual.
When the Brexit result comes in, Paul has to make a decision. If he wants to work in Europe, should he apply for a French passport?
But can an Englishman really become French? Can he sing the bloodthirsty 'Marseillaise'?…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
I was born in Santiago, Chile, took my first steps in Antwerp, Belgium, and grew up in British Columbia, Canada. In other words, I was a third culture child with an identity crisis that carried on into my twenties. These books have helped me turn my past mistakes into a craft others can enjoy. Like many of the authors on my list, I’ve said yes to just about anything and lived with people from every walk of life. I’m an expert in making mistakes, but I have done one thing well, and that’s learning from people who think differently than I do.
No puedo escribir una lista de libros para viajeros solo en inglés. Margaret Sayers Peden es una traductora maravillosa, pero los libros de Allende siempre son mejores en español, en particular un libro sobre comida y sexo. El “sabor” de inglés no es lo mismo que el “sabor” de español. Leí este libro en inglés cuando tenía la edad del pavo y en español durante mi veintitantos. No cuestioné las decisiones de la vida de Allende, pero este libro me hizo reflexionar por mi cuenta. Todo hombre que quiera entender a las mujeres y la comida debe leer este libro.
From an internationally acclaimed author, this is a magical, fascinating book exploring the intimate relationship between food and sex.
This book of recipes, sensuous stories, aphrodisiacs and lovers' spells is an irresistible fusion of Allende's favourite things. Lavishly illustrated, this fascinating, personal guide to all things erotic encompasses a multicultural history of seduction through food, ancient and modern stories and poems about sex and eating, titillating recipes and advice. Chapter titles include: Cooking in the Nude; The Spell of Smell; Death by Perfume; Table Manners; With the Tip of the Tongue; The Orgy; Sins of the Flesh; Love Potions, and…
In the early 70s I was a pop singer/recording artist in Paris with a dinner show at a restaurant/discotheque/bar called Jacky’s Far West Saloon. Located in the trendy Montparnasse area, it was popular with the US embassy personnel. As such, it was also a magnet for spooks looking to score contacts with the Americans. I witnessed a lot of intrigue there, some of it major, most of it minor, and developed a passion for international espionage. I also developed a passion for international finance and went on to author or co-author ten books and over a hundred journal articles on the subject.
The reason I recommend this book is because it is so different from most spy thrillers.
The hero, Kit Carradine, is not a spy. He is a writer living a boring life in London. His father was a spy, however. He gets recruited to do a small job for the Service. When he agrees, his life is changed. Kit is different from the Jack Reachers and Ryans.
He is a professionally naive, and often in over his head, which provides readers a fresh and accessible vantage to the typical genre tropes.
'Recommended. I read it one breathless sitting' Ian Rankin
A gripping new standalone spy thriller, recalling the classic film Casablanca, from the winner of the CWA Ian Fleming Steel Dagger for Best Thriller of the Year and 'the master of the modern spy thriller' (Mail on Sunday).
A SIMPLE TASK Successful novelist Kit Carradine has grown restless. So when British Intelligence invites him to enter the secret world of espionage, he willingly takes a leap into the unknown.
A GLOBAL THREAT Kit finds himself in Morocco on the trail of Lara Bartok - a leading figure in Resurrection, a revolutionary…
Tahir Shah has spent his professional life searching for the hidden underbelly of lands through which he travels. In doing so he often uncovers layers of life that most other writers hardly even realise exist. With a world-wide following, Tahir’s work has been translated into more than thirty languages, in hundreds of editions. His documentaries have been screened on National Geographic TV, The History Channel, Channel 4, and in cinemas the world over. The son of the writer and thinker Idries Shah, Tahir was born into a prominent Anglo-Afghan family, and seeks to bridge East with West through his work.
This book haunts me in a way that almost no other published work does. It’s like one of those movies we all have on a secret list – that we adore but can’t bear to ever watch again (like the Killing Fields or Fight Club). A memoir of almost unparalleled beauty and horror, it tells the true-life tale of the daughter of General Oufkir, who was put to death for attempted regicide. Malika and her five siblings were imprisoned for fifteen years in a penal colony, from where they mounted a daring escape.
The daughter of a former aide to the king of Morocco, who was executed after a failed assassination attempt on the ruler, describes how she, her five siblings, and her mother were imprisoned in a desert penal colony for twenty years.
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
On a trip to Morocco, immersed in new sounds, smells, sights, and tastes, I was hit with the idea for a novel about a woman in the 11th century, a time when a Berber ruler took over the whole of North Africa and Spain. It led to many years of research and correspondence with historians, and became not one novel, but four, telling the story of four women’s lives that interweave as a newborn empire rises. The books I have listed here were some of the ones that brought the place, the culture, and the era alive for me. I hope they can do the same for you!
A fascinating book about women’s roles in shaping cultural identity in Morocco and within Berber culture, including details on the weaving of textiles, clothing, dance, marriage ceremonies, an alphabet only the women pass on to future generations, and more. Many of these details were important to me in my historical research, but are worth reading by anyone interested in the role of women around the world.
In southeastern Morocco, around the oasis of Tafilalet, the Ait Khabbash people weave brightly colored carpets, embroider indigo head coverings, paint their faces with saffron, and wear ornate jewelry. Their extraordinarily detailed arts are rich in cultural symbolism; they are always breathtakingly beautiful-and they are typically made by women. Like other Amazigh (Berber) groups (but in contrast to the Arab societies of North Africa), the Ait Khabbash have entrusted their artistic responsibilities to women. Cynthia Becker spent years in Morocco living among these women and, through family connections and female fellowship, achieved unprecedented access to the artistic rituals of the…
I’ve always been interested in food, even as young as 3 years old I remember wanting to taste everything, and I found the process of cooking fascinating. But I really got interested in food as a topic for research during my time studying Greek culture for my PhD thesis. People on the island of Kalymnos, where I’ve conducted research for 30 years, made a strong connection between food and memory, but it was a connection that few scholars have written about until recently. So I’ve been excited to participate in a new field reflected by all of these books, and hope you will be as well.
This book tells the story of the transmission and learning of cooking knowledge and skill in Morocco.
What makes it stand out for me is not only the focus on multisensory experience, but the way the author provides an account of her own process of learning to cook, and learning to know what cooking is, as part of her apprenticeship to Marrakchi women.
Graf takes us into the lives of three Marrakchi women and their families, illustrating their struggles and the power that they deploy through cooking. Food and Families in the Making thus makes for a moving account of sensuous scholarship.
Even in the context of rapid material and social change in urban Morocco, women, and especially those from a low-income household, continue to invest a lot of work in preparing good food for their families. Through the lens of domestic food preparation, this book looks at knowledge reproduction on how we know cooking and its role in the making of everyday family life. It also examines a political economy of cooking that situates Marrakchi women's lived experience in the broader context of persisting poverty and food insecurity in Morocco.
I always felt that Middle Eastern studies is different from other fields of history. Its ever-presence in our life, the news cycle, religious life, political life, yet, because of language barriers and other filters, there’s a gap in knowledge that is highly conspicuous when forming one’s opinion. When I started my academic training, I felt like I was swimming in this ocean of histories that were completely unknown to me. I studied the Jewish histories of the region only later in my training and found that this gap is even more visible when talking about the history of Jews in the Middle East, because of misconceptions of antisemitism, the Israel-Palestine conflict, political tilt of media outlet, and more. For me, entering this field was a way to understand long-term processes in my own society, and expand the body of scholarship to enrich the public conversation on top of the academic one.
When we talk about the need to read Jewish history in the Middle East within its original context, and within the understanding that Jews lived among non-Jews, interacted with non-Jews, and had a tremendous influence on their respective societies, from time to time, we need to change the perspective and see how their non-Jewish compatriots viewed them and remember them. In this book, Aomar Boum recorded the ways in which the Muslims of Morocco remember the large Jewish communities that lived in that country for millennia and shrunk to a fraction of their former self after 1956-1967. This book allows us to examine multiple perspectives simultaneously. The national and colonial identities, the essence of Middle Eastern Zionism, and the place of the memory of Jews after they had left in the modern societies.
There is a Moroccan saying: A market without Jews is like bread without salt. Once a thriving community, by the late 1980s, 240,000 Jews had emigrated from Morocco. Today, fewer than 4,000 Jews remain. Despite a centuries-long presence, the Jewish narrative in Moroccan history has largely been suppressed through national historical amnesia, Jewish absence, and a growing dismay over the Palestinian conflict.
Memories of Absence investigates how four successive generations remember the lost Jewish community. Moroccan attitudes toward the Jewish population have changed over the decades, and a new debate has emerged at the center of the Moroccan nation: Where…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
Namrata Poddar is an Indian American writer of fiction and nonfiction, literature and writing faculty at UCLA, and Interviews Editor for Kweli where she curates the series, “Race, Power and Storytelling.” Her work has explored ways in which writers from across the world decolonize Literature. Her debut novel, Border Less, was a finalist for Feminist Press’s Louise Meriwether Prize, longlisted for The Center for Fiction First Novel Prize, and featured in several media outlets including the “Most Anticipated” 2022 books for The Millions and Ms. Magazine. She holds a PhD in French literature from the University of Pennsylvania, an MFA in Fiction from Bennington College, and a Mellon Postdoctoral Fellowship in Transnational Cultures from UCLA.
Another powerful debut on border-crossing, this novel begins with a frame-chapter or a prologue of sorts called “The Trip” that shows a group of Moroccans fleeing to Spain for a better life on a ramshackle boat. The following subsections, “Before” and “After,” zoom into the lives of the characters introduced in the opening chapter to highlight the socio-economic reasons leading them to risk their lives by crossing the Mediterranean Sea illegally, and their gritty fate once the boat fails them, as they’re stranded in Spain or deported to Morocco. Some critics have called the novel a collection of interconnected stories, although the book’s “prologue” is hardly a standalone story; it aligns the novel instead with an alternative structural aesthetic, one that recalls the frame narratives of oral storytelling traditions like The Thousand and One Nights, an obvious influence on the book.
“A dream of a debut, by turns troubling and glorious, angry and wise.” —Junot Diaz
Hope and Other Dangerous Pursuits, the debut of Pulitzer Prize and National Book Award finalist Laila Lalami, evokes the grit and enduring grace that is modern Morocco. The book begins as four Moroccans illegally cross the Strait of Gibraltar in an inflatable boat headed for Spain.What has driven them to risk their lives? And will the rewards prove to be worth the danger?
There’s Murad, a gentle, unemployed man who’s been reduced to hustling tourists around Tangier; Halima, who’s fleeing her drunken husband and the…
