100 Books Like Regent's of Paris

With biting satire and elegiac prose, Main Street is the paragon of stories set in small towns.

Author Sinclair Lewis was obviously not enamored of small towns, and like Sherwood Anderson’s Winesburg, Ohio, is perhaps exorcising some demons from his own upbringing. Nevertheless, perhaps unable to help himself, he instills his protagonist, Carol Milford (Kennicott) with a “Never give up” small town value. At the end she is undaunted. Even though she’s been stifled at nearly every turn, in her own words she has “kept the faith.”

I love the work of Sinclair Lewis. I based the character of July Huffaker in Delphic Oracle, U.S.A. on Elmer Gantry, and when I taught in medical schools, kept copies of Arrowsmith in my office that I gave to students and residents interested in a career in academic medicine. “Read this,” I told them. “If you still want in, come talk to… show more.

Another book that uses humor to get at the truth of things, in this case a dark truth that author Mimi Herman expertly negotiates. Plus, The Kudzu Queen has characters with great names (Mattie Lee Watson, James T. Cullowee).

I love characters with odd names, probably hearkening back to a childhood love of O. Henry, Charles Dickens, and Mark Twain. Best of all, the bad guy gets his comeuppance in this book.

That’s one of the best things about writing fiction. You can make villains drown in their villainy. It beats reading the newspaper where the villains get page one attention, while the golden retrievers who save babies are on page six.

It is laugh-out-loud funny in places, but the humor also sees the pettiness, pride, and obstinance that can affect human behavior.

Pearson’s narrator is cloaked in childhood innocence that makes his incisive observations not cruel, but simply honest. After I first read this book many years ago, I decided that I would never again make my readers feel wretched nor would I cheat them. Like Pearson, I will, however, trick them.

Faulkner has great names: Lucius Priest, Boon Hogganbeck, Miss Carrie.

He uses humor to make us like them, heart to make us love them, and a crime they must commit for true justice to prevail. My most recent book follows the same humor, heart, dash of crime roadmap. Faulkner also likes long, complex sentences. I’m no Faulkner, but it’s an affection we share.

You may know this book as The Hunchback of Notre Dame, but you probably don’t really know it. Films, most notably the Disney cartoon, have grossly distorted this novel, often having Esmeralda ride off into the sunset with Phoebus. But the novel is really a very dark, Gothic story of love and lust, and one of the first existential novels. Frollo and Quasimodo both love Esmeralda, but she loves Phoebus, and he only loves himself. In the end, everyone dies, allowing their lust to destroy their common sense. Hugo wrote it to help popularize and save Notre-Dame Cathedral from falling into further disrepair. It influenced British author William Harrison Ainsworth to write The Tower of London, thus revitalizing British Gothic in a new way just as it did French Gothic.

I discovered this fascinating and extraordinary story when I was researching tales about travelling with animals for Beastly Journeys. Unlike the other four books in my list, this one has the animal as the central character. And what an animal! Zarafa was captured as a calf in what is now Ethiopia in a plan to cement relationships between the Ottoman Viceroy of Egypt and Charles V of France. The year was 1826 and a giraffe had never before been seen in France. Zarafa did the first part of her journey strapped to the back on a camel, and then – surely more comfortably – down the Nile and across the Mediterranean on a brigantine.

A hole was cut in the deck which allowed Zarafa to travel with her body in the hold, while her head and neck enjoyed the human company on deck. From Marseille she was walked, with… show more.

Sometimes it's helpful, even encouraging, to discover that problems we face today were faced by people in the past.  Emile Zola wrote a series of novels about Paris in the mid-19th century at a time when the City of Light was being rebuilt along pretty extraordinary lines. At the same time that poor people were being tossed out of their substandard housing, some people were making fortunes speculating in real estate. The Kill focuses on the personal dramas of people on both sides of the equation, with quite a lot of sex thrown in to spice things up.

This novel, besides having a gorgeous cover, offers a sneak peek through the window into the lives of professional dancers at the Paris Opera Ballet.

It follows three young women from their days as students into adulthood. The plot has many twists and turns, but it is primarily a novel about female relationships in the cutthroat world of professional ballet.

When it comes to short story collections I definitely have a type, as Upright Beasts is a blend of fantasy, horror, dark humor, and the surreal. And if we’re talking about genre-bending, no one does it quite like Lincoln Michel. His stories are strange and familiar, funny and sad, whimsical and disturbing, twisted and delightful. Sometimes all at the same time. Much like the other authors and collections I’ve listed here, these stories inspired my own writing and made me want to be a better writer. That’s what I want in the fiction I read: to not only be entertained but challenged.

Paris has an incredibly vibrant food scene, and some of that energy is generated by a shapeshifting community of expat chefs and foodies. Hugh Corcoran, a Belfast born writer and cook, spent the most part of the last decade living and working in France, in Paris and beyond.

This lovely book is a collection of vignettes from his travels, simply and honestly written, remembering people he met along the way and the meals they shared. Each story ends with a recipe, including some French classics like roast chicken, gratin dauphinois, or carottes râpées.

If the book’s tone is gentle, it’s actually an urgent call to action, as the epigraph confirms: “Friends and neighbors, wet your mouths, for after death you won’t touch another drop.”