Here are 100 books that Regent's of Paris fans have personally recommended if you like
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I grew up in a small, Midwestern town where people sinned Monday through Saturday, then went to church on Sunday to stock up on absolution for the coming week. It was also a place where people wanted to be well-thought of, if thought of at all, and could be at their best when things were at their worst. I wanted to escape as soon as possible, yet now as old memories become more accessible than recent ones, I realize that I never escaped at all. I write about small towns, perhaps to avenge, perhaps as homage; perhaps because it is still, after all these years, what I best know.
With biting satire and elegiac prose, Main Street is the paragon of stories set in small towns.
Author Sinclair Lewis was obviously not enamored of small towns, and like Sherwood Anderson’s Winesburg, Ohio, is perhaps exorcising some demons from his own upbringing. Nevertheless, perhaps unable to help himself, he instills his protagonist, Carol Milford (Kennicott) with a “Never give up” small town value. At the end she is undaunted. Even though she’s been stifled at nearly every turn, in her own words she has “kept the faith.”
I love the work of Sinclair Lewis. I based the character of July Huffaker in Delphic Oracle, U.S.A. on Elmer Gantry, and when I taught in medical schools, kept copies of Arrowsmith in my office that I gave to students and residents interested in a career in academic medicine. “Read this,” I told them. “If you still want in, come talk to…
In this classic satire of small-town America, beautiful young Carol Kennicott comes to Gopher Prairie, Minnesota, with dreams of transforming the provincial old town into a place of beauty and culture. But she runs into a wall of bigotry, hypocrisy and complacency. The first popular bestseller to attack conventional ideas about marriage, gender roles, and small town life, Main Street established Lewis as a major American novelist.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I grew up in a small, Midwestern town where people sinned Monday through Saturday, then went to church on Sunday to stock up on absolution for the coming week. It was also a place where people wanted to be well-thought of, if thought of at all, and could be at their best when things were at their worst. I wanted to escape as soon as possible, yet now as old memories become more accessible than recent ones, I realize that I never escaped at all. I write about small towns, perhaps to avenge, perhaps as homage; perhaps because it is still, after all these years, what I best know.
Another book that uses humor to get at the truth of things, in this case a dark truth that author Mimi Herman expertly negotiates. Plus, The Kudzu Queen has characters with great names (Mattie Lee Watson, James T. Cullowee).
I love characters with odd names, probably hearkening back to a childhood love of O. Henry, Charles Dickens, and Mark Twain. Best of all, the bad guy gets his comeuppance in this book.
That’s one of the best things about writing fiction. You can make villains drown in their villainy. It beats reading the newspaper where the villains get page one attention, while the golden retrievers who save babies are on page six.
"Funny, sad, and tender... Mimi Herman has written a novel that possesses a true and hard won understanding of the South." -David Sedaris, author of Happy-Go-Lucky
Fifteen-year-old Mattie Lee Watson dreams of men, not boys. So when James T. Cullowee, the Kudzu King, arrives in Cooper County, North Carolina in 1941 to spread the gospel of kudzu-claiming that it will improve the soil, feed cattle at almost no cost, even cure headaches-Mattie is ready. Mr. Cullowee is determined to sell the entire county on the future of kudzu, and organizes a kudzu festival, complete with a beauty pageant. Mattie is…
I grew up in a small, Midwestern town where people sinned Monday through Saturday, then went to church on Sunday to stock up on absolution for the coming week. It was also a place where people wanted to be well-thought of, if thought of at all, and could be at their best when things were at their worst. I wanted to escape as soon as possible, yet now as old memories become more accessible than recent ones, I realize that I never escaped at all. I write about small towns, perhaps to avenge, perhaps as homage; perhaps because it is still, after all these years, what I best know.
It is laugh-out-loud funny in places, but the humor also sees the pettiness, pride, and obstinance that can affect human behavior.
Pearson’s narrator is cloaked in childhood innocence that makes his incisive observations not cruel, but simply honest. After I first read this book many years ago, I decided that I would never again make my readers feel wretched nor would I cheat them. Like Pearson, I will, however, trick them.
Marvelously funny, bittersweet, and beautifully evocative, the original publication of A Short History of a Small Place announced the arrival of one of our great Southern voices. Although T. R. Pearson's Neely, North Carolina, doesn't appear on any map of the state, it has already earned a secure place on the literary landscape of the South. In this introduction to Neely, the young narrator, Louis Benfield, recounts the tragic last days of Miss Myra Angelique Pettigrew, a local spinster and former town belle who, after years of total seclusion, returns flamboyantly to public view-with her pet monkey, Mr. Britches. Here…
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
I grew up in a small, Midwestern town where people sinned Monday through Saturday, then went to church on Sunday to stock up on absolution for the coming week. It was also a place where people wanted to be well-thought of, if thought of at all, and could be at their best when things were at their worst. I wanted to escape as soon as possible, yet now as old memories become more accessible than recent ones, I realize that I never escaped at all. I write about small towns, perhaps to avenge, perhaps as homage; perhaps because it is still, after all these years, what I best know.
Faulkner has great names: Lucius Priest, Boon Hogganbeck, Miss Carrie.
He uses humor to make us like them, heart to make us love them, and a crime they must commit for true justice to prevail. My most recent book follows the same humor, heart, dash of crime roadmap. Faulkner also likes long, complex sentences. I’m no Faulkner, but it’s an affection we share.
One of Faulkner’s comic masterpieces, The Reivers is a picaresque that tells of three unlikely car thieves from rural Mississippi. Eleven-year-old Lucius Priest is persuaded by Boon Hogganbeck, one of his family’s retainers, to steal his grandfather’s car and make a trip to Memphis. The Priests’ black coachman, Ned McCaslin, stows away, and the three of them are off on a heroic odyssey, for which they are all ill-equipped, that ends at Miss Reba’s bordello in Memphis. From there a series of wild misadventures ensues—involving horse smuggling, trainmen, sheriffs’ deputies, and jail.
I published the novel Ehrenfried & Cohn in 2016 about the decimation of the Jewish fashion industry in Berlin by the Nazis. I studied at the University of Arts in Berlin and became a fashion reporter for newspapers. Later I worked as a producer and journalist for German Public Broadcasting, the BBC in London, and PBS and CBS in New York City. I currently share my time between London and Berlin writing fact books on Jewish fashion and as a lecturer on fashion history in the US.
When Bill (William John) Cunningham (1929-2016), son of an Irish Catholic family from Boston, moved to New York at the tender age of 19 in 1948, it became the life-defining step in his career as probably the most famous fashion photographer in the metropolis. He had been interested in fashion from an early age and sold his first hats. After returning from military service in Korea in 1953, he began photographing fashion and writing articles for Women's Wear Daily and the Chicago Tribune.
It is no exaggeration to say that Cunningham's fashion sense and photography quickly shaped a new style of fashion journalism. His "street style" brought fashion, no matter how expensive or luxurious, into the world of everyday life. Cunningham made fashion interesting again only through his point of view and photographs. The quiet, always curious and meticulous Cunningham also became known for his commitment to the gay…
"[An] obscenely enjoyable romp." -The New York Times Book Review
The untold story of a New York City legend's education in creativity and style
For Bill Cunningham, New York City was the land of freedom, glamour, and, above all, style. Growing up in a lace-curtain Irish suburb of Boston, secretly trying on his sister's dresses and spending his evenings after school in the city's chicest boutiques, Bill dreamed of a life dedicated to fashion. But his desires were a source of shame for his family, and after dropping out of Harvard, he had to fight…
For as long as I can remember I have been absolutely gripped by the stories that old clothes can tell. From visiting fashion museums as a child to collecting books on the subject, I was drawn to the shapes, the fabrics, and the tales. I can remember a curator once telling me that clothes are the closest we can get to people in the past. They are the ghostly outlines of our ancestors and that has stayed with me. We give so much away about ourselves through the clothes we choose to wear and so they really do matter.
I love the importance of objects that lies at the very centre of this book.
It is easy to write off the idea of fashion as superficial and unimportant but through the eyes of Mrs Harris and her ambitions to own a Dior dress from Paris, we can appreciate the beauty of a garment, the joy of its construction and the skill of its makers.
When cleaning lady Mrs. Harris sees a Dior dress hanging in the wardrobe of one of her clients, she dares to dream that she might one day own one. The quest takes her to Paris and to the atelier of Dior, with friendships emerging along the way.
Almost Home is a fictional retelling of the last great tragedy of the Civil War.
In late April 1865, almost 2,000 newly freed Union prisoners of war are packed onto the steamer Sultana, in poor repair and with a listed capacity of 376 passengers. Among them are four Indiana soldiers…
I like to tell people that I found my passion in life and it's books. I write them, read them, review them and I’ve been a librarian for 17 years. (I’ve worked in libraries for longer than that. Over 25 years!) It’s been dark times recently and romance has become my happy place. I’m a sucker for romances with pretty covers, quirky characters, and not so much of the on-page spice. If there’s some travel involved, even better!
I fell in love with this book so hard that I read it all in one sitting. (Yes, that means I spent one, entire, luxurious day reading it! That day was an absolute gift.) I loved the writing style, the chance to armchair travel to Paris on the back of Leo’s moped alongside Hannah. It had just enough intrigue but was quiet and charming overall. Reading this book was like taking my mind to a spa to be pampered and rejuvenated.
In this witty and heartfelt debut love story for fans of Josie Silver's One Day in December, a woman stranded in Paris for the day discovers that the wrong road can sometimes lead us in the right direction.
When Hannah and her boyfriend, Simon, set out to Amsterdam, they’re confident that they’ll make it to his sister’s wedding in time. However, unbeknownst to them, their train is scheduled to divide in the middle of the night. And when it does, half of it continues the route to Amsterdam. And the other…
It’s not my fault! My foremothers were strong, capable, compassionate women. I have been passionate about restoring the voices and contributions of women to history and culture. While a voracious reader of history, I enjoy historical fiction (when it’s done well). History tells us what happened; historical fiction tells us what it was like to live through events. I love author’s notes and/or historical notes where the author explains what is real and what is imagined; and resources to learn more about the subject of the novel.
I loved and appreciated the way the life and writings of Christen de Pizan (the first woman to earn a living as an author) were revealed—Christine’s inner emotional world and the very real suspicion of women’s morality and intellect. I was immersed into the world of 14th Century Paris with all the politics that widow Christine needed to navigate to support her family and herself.
I loved the historical detail, although I had to look up some words (that’s okay!) from that era. Great characters.
“Sprightly and sparkling...dramatic incidents abound...a lively rendering of a life and mind that inspires.” In the year of grace 1396, Christine de Pizan is a young Parisian woman living in a tower overlooking the Seine, but hers is no fairy story. Since her beloved husband's death, she struggles daily to support her aged mother and two small children. Seeking to ease her broken heart, Christine begins to write poetry in a delicate blend of form and emotion that provides a much-needed outlet for her loneliness and sorrow.
In time, Christine begins reading her verses at court, attracting the interest of…
Growing up, I always loved reading young adult romances where first love and growing up seemed like the perfect kind of summer story. As an adult, and especially as an educator, I have too often seen the likes and interests of my female students dismissed as silly or frivolous, romance being at the top of this list. I love cultivating a diverse classroom library, one that includes books for everyone’s interest and background. Writing stories for young readers and about what interests them has been the great privilege of my life.
Not only do we have a summer romance, but we’ve combined it with French pastry. Literally a recipe for success! Anne-Sophie Jouhanneau’s debut YA novel follows seventeen-year-old ballerina, Mia, as she travels to Paris for the summer for an elite ballet program. Of course, she meets the charming Louis, and together they explore all that Paris has to offer. Rife with beautiful descriptions of Paris and plenty of croissants, this is the perfect summer romance.
As sweet as a macaron from Laduree, this romantic novel set in Paris about an American ballerina and a charming French boy isparfaitfor fans ofAmerican Royalsand Netflix'sEmily in Paris.
Mia Jenrow has always known she's destined to be a professional ballerina. In fact, it’s in her blood—according to family legend, her too-many-greats-to-count-grandmother once danced for the Paris Opera and was painted by Degas himself! Her parents say it’s just a fantasy, but to Mia it’s so much more than that. It’s her fate.
Mia is planning to spend a magical summer in France pursuing her dream, but as she…
Creativity, Teaching, and Natural Inspiration
by
Mark Doherty,
I have woven numerous delightful and descriptive true life stories, many from my adventures as an outdoorsman and singer songwriter, into my life as a high school English teacher. I think you'll find this work both entertaining as well as informative, and I hope you enjoy the often lighthearted repartee…
The most important formative experiences of my life were contained in the years I spent living and traveling with Brenin, a wolfdog. I can safely say that just about every worthwhile idea I have had – I am a professor of philosophy and ideas are supposed to be my thing – stemmed from those years. I have written many books since Brenin died, all of them, in one way or another, concerned with the question of what it is to be human. I am convinced that we can only understand this if we begin with the idea that we are animals and work from there.
Commonly thought to be about death, and our fear thereof, what I find most striking about this book is its piercing and utterly haunting analysis of the role of memories in making us who we are. The most important memories are the ones that are lost, and then return in a new form, deeply woven into our bodies, emotions, and feelings – as blood, as glance and gesture, as Rilke puts it. Rilke was a poet; this was his only excursion into the art form of the novel. So, the book falls apart after a while. But if anyone has written anything better than the first fifty pages or so, I am unacquainted with it.
First published in 1910, Rilke's "Notebooks of Malte Laurids Brigge" is one the first great modernist novels, the account of poet-aspirant Brigge in his exploration of poetic individuality and his reflections on the experience of time as death approaches. This new translation by Burton Pike is a reaction to overly stylized previous translations, and aims to capture not only the beauty but also the strangeness, the spirit, of Rilke's German.
