100 Books Like Zarafa

How perfect to go on a road trip with one of my favorite writers plus his gentlemanly, loveable dog!

I smile just thinking about this book. I was delighted every step of the way. I felt like I was in the passenger seat, handing biscuits to Charley, stopping to meet strangers, and ruminating on how the USA has changed over the decades.

I loved hearing his thoughts in his older, wiser years, after his great successes, but still passionate, or slyly ironic, on so many topics. I love that he’s matter-of-fact in discussing disillusionment, loneliness, racism, or anything – but he’s hopeful in the end, always.

I want to buy a stack of these and hand them out as gifts.

Like Tschiffely’s Ride this is a travel narrative, given heightened interest and amusement by the addition of Modestine the donkey who carried Stevenson’s luggage. Modestine, like all donkeys, was a master at manipulating her inexperienced new owner, but the two forged an understanding that took them nearly 300km through some of France’s wildest landscapes. Written in 1879, this is a fascinating account of a vanished France, beset by religious conflict, where lodging might be found in the corner of a field as well as a flea-ridden inn. The Robert Louis Stevenson Trail is now a popular walking route through the Cevennes. I walked it earlier this year and enjoyed nightly readings from the book.

It’s an extraordinary journey, people said it was absurd and impossible. I read it as a teenager, and even then it struck a chord with me. And it showed that what people call impossible is merely a sign of challenge. It also shows what deep reserves of stamina we all have in us, only found if we dig deep enough. It stayed with me as an inspiration, and as a dream of adventure. 

Like the Stevenson book, this is also about travelling with a donkey, but what makes this narrative special is the author’s hatred of his pack animal. This will sound instantly off-putting but John’s descriptions of Dapple’s transgressions are very, very funny and his fury is never translated into violence towards the animal. There are lyrical descriptions of the landscape in northern Peru, but it is for the humour that I return to this book from time to time. I’m a sucker for any book about Peru, the subject of my early adventures and very first guidebook, and this is one of the most enjoyable. 

If we want to understand medieval or modern Paris, we need to gain some familiarity with all of the stages along the way. Robb provides some episodic portraits of some of those stages, and the chapter on the eighteenth-century architect Charles-Axel Guillaumot is one of the most arresting discussions I’ve ever seen of how the actions of those living in one epoch can reverberate for generations to come. Guillaumot literally saved Paris from collapsing in on its medieval past by bracing up the swiss-cheese-like network of tunnels that had been left behind by its medieval quarry workers.

The description above segues nicely into The New Paris by Lindsey Traumata, published in 2017. Traumata now has a second book published, and hosts a podcast, and is popular on social media. I have spent at least a month (and sometimes three) in Paris annually over the past six years and think of Traumata’s first book as a good friend. She writes wonderful profiles of people, and she keeps readers updated about bistros, winemakers, new cuisine. Her writing is elegant, and I read her descriptions as avidly as I do a novel, constantly making notes. So different from the usual guidebooks.

You may know this book as The Hunchback of Notre Dame, but you probably don’t really know it. Films, most notably the Disney cartoon, have grossly distorted this novel, often having Esmeralda ride off into the sunset with Phoebus. But the novel is really a very dark, Gothic story of love and lust, and one of the first existential novels. Frollo and Quasimodo both love Esmeralda, but she loves Phoebus, and he only loves himself. In the end, everyone dies, allowing their lust to destroy their common sense. Hugo wrote it to help popularize and save Notre-Dame Cathedral from falling into further disrepair. It influenced British author William Harrison Ainsworth to write The Tower of London, thus revitalizing British Gothic in a new way just as it did French Gothic.

This splendid biography traces the life and times of the Marquise Du Châtelet, born in Paris in December 1706, who became one of the most erudite women of her époque. For fifteen years she was the companion to Voltaire, the best-known of the French philosophes. She mastered calculus and translated Newton’s Principia, in addition to carrying on an active social life and raising several children. She died at the age of 42, following the birth of a daughter conceived with another lover. The author explains her subject’s life course as “from a life of frivolity to a life of the mind.” It’s a great read.

This biography of the famous French authoress Collette explores the sensuously Parisian life of the famed and inflammatory author. It explores many of her sensuous love affairs along with her fabulous accomplishments. This biography marches through time in Paris, from the Belle Epoch to the lean years of the World Wars, to the shining beacon Paris became in the later half of the twentieth century. Through the life of the indomitable authoress Collette, the city of Paris truly sparkles as we see that her history is so entwined with the city’s history.

There are numerous reasons why this text should be read. Personally, Benjamin's reflections on progress and history are crucial to a critique of capitalist modernity.

From a methodological perspective, this text allows the reader to enter Benjamin's laboratory and grasp the essential aspects of his groundbreaking methodology that merged cultural analysis, historical research, and philosophical reflection. Benjamin's unique approach combined elements of sociology, anthropology, and literary critique, creating a multidisciplinary work that defied conventional boundaries.