Here are 100 books that Upright Beasts fans have personally recommended if you like
Upright Beasts.
Book DNA is a community of 13,000+ authors and super readers sharing their favorite books with the world.
I’ve always enjoyed short story collections. Starting with Ray Bradbury and Stephen King, I became a fan of the short form. And as a burgeoning writer, writing short stories was the best way for me to learn the craft of storytelling. While I started out writing supernatural horror, I gradually found myself combining horror, fantasy, and science fiction with dark comedy and social satire, creating a blend of genres. Several of the short story collections I recommend here were instrumental in my evolution as a short story writer and inspired a number of the stories in my latest collection, Lost Creatures.
I love reading novels and stories that make me wish I’d written them, and this collection by Kelly Link made me wish that time and time again. This book also introduced me to the concept of fabulism, a form of magical realism where elements of the fantastic occur in everyday settings, which is something I find compelling both as a reader and as a writer. Link combines humor, fantasy, magical realism, and more than a touch of horror to create a collection of stories that is unique, weird, and wonderful.
Fantastic, fantastical and utterly incomparable, Kelly Link's new collection explores everything from the essence of ghosts to the nature of love. And hurricanes, astronauts, evil twins, bootleggers, Ouija boards, iguanas, The Wizard of Oz, superheroes, the pyramids . . .
With each story she weaves, Link takes readers deep into an unforgettable, brilliantly constructed universe. Strange, dark and wry, Get in Trouble reveals Kelly Link at the height of her creative powers and stretches the boundaries of what fiction can do.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
After reading The Enormous Egg as a child, I’ve been devoted to stories where the strange, the uncanny, and the magical are all elements of the worlds characters must negotiate. I’m most drawn to fiction containing seemingly unreal elements because, in my experience, that is reality. Those moments when the past suddenly feels present, or when you glimpse something at the edge of your vision that feels significant, but you can’t quite catch it. Moments when anything is possible. No surprise that I write fiction that explores those moments of uncertainty and leaves the reader unmoored, thinking about the people and their experiences long after they’ve left the book.
I’m always impressed by how Karen Russell pulls the reader into her stories with no warning about what we’re getting into. No easing into strange situations. She places her characters in what we publicly claim can’t be real but privately know to be true.
To make a fabulist story work, images must cling to the reader’s mind like golden treacle. Each one either grounding us in the familiar or firmly establishing the unfamiliar as quotidian. Russel is a master at this. Her stories flow so easily, and her characters’ unforgettable voices hit the reader in the first paragraph.
Charting loss, love, and the difficult art of growing up, these stories unfurl with wicked humour and insight. Two young boys make midnight trips to a boat graveyard in search of their dead sister, who set sail in the exoskeleton of a giant crab; a boy whose dreams foretell implacable tragedies is sent to 'Sleepaway Camp for Disordered Dreamers' (Cabin 1, Narcoleptics; Cabin 2, Insomniacs; Cabin 3, Somnambulists. . . ); a Minotaur leads his family on the trail out West, and finally, in the collection's poignant and hilarious title story, fifteen girls raised by wolves are painstakingly re-civilised by…
Absurdity gets a bad rap in fiction and storytelling, I think. “It’s too silly,” they say. But for those who can take a step back and appreciate how absurd our own world is—our everyday life—there’s nothing more real than absurdity. (I’m saying “absurd” an absurd amount of times. Let’s just say it’s purposeful.) It might be played for laughs at times, but if it’s done right, it gives you perspective. Sometimes we all need to look through a funhouse mirror to realize that we’re only human. These five books share that spirit and have made me laugh, think, and occasionally reevaluate my entire life in a spiral of existential dread—with a smile on my face.
For those who don’t know Raphael Bob-Waksberg, he created Bojack Horseman. For those who don’t know Bojack Horseman, watch it immediately—it might be the best-written television show ever.
Bob-Waksberg has an unmatched talent for creating an absolutely nonsensical world and then breaking your heart with the characters living in it. In this collection, he does it again and again, story after story, all about love.
It made me chuckle, then broke me, then somehow put me back together again.
Written with all the scathing dark humor that is a hallmark of BoJack Horseman, Raphael Bob-Waksberg delivers a fabulously off-beat collection of short stories about love—the best and worst thing in the universe.
Featuring:
• A young engaged couple forced to deal with interfering relatives dictating the appropriate number of ritual goat sacrifices for their wedding.
• A pair of lonely commuters who ride the subway in silence, forever, eternally failing to make that longed-for contact.
• A struggling employee at a theme park of U.S. presidents who discovers that love can’t be genetically modified.
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
I’ve always enjoyed short story collections. Starting with Ray Bradbury and Stephen King, I became a fan of the short form. And as a burgeoning writer, writing short stories was the best way for me to learn the craft of storytelling. While I started out writing supernatural horror, I gradually found myself combining horror, fantasy, and science fiction with dark comedy and social satire, creating a blend of genres. Several of the short story collections I recommend here were instrumental in my evolution as a short story writer and inspired a number of the stories in my latest collection, Lost Creatures.
I couldn’t leave out this second collection of stories from Karen Russell. Similar to her debut collection but wholly unique, Vampires in the Lemon Grove is the darker, haunted sibling of St. Lucy’s Home for Girls Raised by Wolves. Even though many of the stories lean more toward horror than fantasy, there remains a sense of wonder, magic, and humor throughout. The story about the rules of Antarctic tailgating for the Food Chain Games pitting Team Whale against Team Krill is one of my favorites.
From the author of the novel Swamplandia!—a finalist for the Pulitzer Prize—comes a magical and uniquely daring collection of stories that showcases the author’s gifts at their inimitable best.
Within these pages, a community of girls held captive in a Japanese silk factory slowly transmute into human silkworms and plot revolution; a group of boys stumble upon a mutilated scarecrow that bears an uncanny resemblance to a missing classmate that they used to torment; a family’s disastrous quest for land in the American West has grave consequences; and in the marvelous title story, two vampires in a sun-drenched lemon grove…
I started out as a religion major in college, but soon became frustrated with the abstract thoughts of privileged white males. I wanted to understand the passions and struggles of ordinary people, and soon became convinced that the examination of the distant past sheds important light on the present. It’s not that I don’t care about the world around me right now. Rather, I am convinced that those who look only at this decade, this century, or even the last century fail to recognize some of the most powerful cultural forces that have shaped our most fundamental understandings of gender, wealth, poverty, work, and so much more.
If we want to understand medieval or modern Paris, we need to gain some familiarity with all of the stages along the way. Robb provides some episodic portraits of some of those stages, and the chapter on the eighteenth-century architect Charles-Axel Guillaumot is one of the most arresting discussions I’ve ever seen of how the actions of those living in one epoch can reverberate for generations to come. Guillaumot literally saved Paris from collapsing in on its medieval past by bracing up the swiss-cheese-like network of tunnels that had been left behind by its medieval quarry workers.
This is the Paris you never knew. From the Revolution to the present, Graham Robb has distilled a series of astonishing true narratives, all stranger than fiction, of the lives of the great, the near-great, and the forgotten.
A young artillery lieutenant, strolling through the Palais-Royal, observes disapprovingly the courtesans plying their trade. A particular woman catches his eye; nature takes its course. Later that night Napoleon Bonaparte writes a meticulous account of his first sexual encounter. A well-dressed woman, fleeing the Louvre, takes a wrong turn and loses her way in the nameless streets of the Left Bank.…
I like to tell people that I found my passion in life and it's books. I write them, read them, review them and I’ve been a librarian for 17 years. (I’ve worked in libraries for longer than that. Over 25 years!) It’s been dark times recently and romance has become my happy place. I’m a sucker for romances with pretty covers, quirky characters, and not so much of the on-page spice. If there’s some travel involved, even better!
I fell in love with this book so hard that I read it all in one sitting. (Yes, that means I spent one, entire, luxurious day reading it! That day was an absolute gift.) I loved the writing style, the chance to armchair travel to Paris on the back of Leo’s moped alongside Hannah. It had just enough intrigue but was quiet and charming overall. Reading this book was like taking my mind to a spa to be pampered and rejuvenated.
In this witty and heartfelt debut love story for fans of Josie Silver's One Day in December, a woman stranded in Paris for the day discovers that the wrong road can sometimes lead us in the right direction.
When Hannah and her boyfriend, Simon, set out to Amsterdam, they’re confident that they’ll make it to his sister’s wedding in time. However, unbeknownst to them, their train is scheduled to divide in the middle of the night. And when it does, half of it continues the route to Amsterdam. And the other…
On the morning of December 26, 2004, an undersea earthquake struck off the coast of Sumatra in the Indian Ocean. The resulting tsunami killed an estimated 230,000 people across fourteen countries, from Indonesia to Sri Lanka to Thailand to the Maldives to India and all the way to East Africa.…
Living on the edge of a town, brought up by an enthusiastic nature-loving mother and a father involved in outdoor activities, I explored both natural and designed landscapes. When discovering that several of the natural landscapes I perceived were, in fact, (re-)designed by the nineteenth-century landscape gardener Lucas Pieters Roodbaard, my curiosity in cultural landscapes was raised. Soon, I explored a wider context and started collecting literature, ultimately studying landscape architecture, and always with a strong interest in history. The focus on public parks became inevitable when I ended up in landscape consultancy.
This classic is not a history book as such, but as a single source, it provides great insight into nineteenth-century park-making and context. It uses the Parisian situation as a pretext to recommend improvements to park provision in other cities, and I love it because the author is so direct and critical, not only with respect to the situation in the French capital but also elsewhere. He is an enlightened observer of fashion and governance.
Terse criticism is provided where required, and which I Iike, and sensible, practical recommendations that are intended to improve the situation in England and often still resonate today. I also like the horticultural detail provided and the sensuous lithographs of plans and views, and I adore the cover of the original edition, which I treasure.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and…
I like books driven by characters who ride the same emotional rollercoaster as we all do in real life. Characters who love the wrong people or who lose the people they were right to love or who fail to match the norms expected by society. Characters I can empathise with, root for, and learn from. A fairytale happy ending is not necessary and can detract from the magic of a book. But I do like to be left with a feeling of hope. If a fictional character can learn to approach life more positively, then maybe I can too! This is what I try to achieve in my own books.
I have a very large ‘To Be Read’ pile and occasionally I discover a book has stagnated there for far longer than it deserves. Lost Property is one of those – I wish I’d read it and discovered the language of Helen Paris much sooner.
It’s the story of Dot Watson whose life veered off course when she lost her father and, instead of an exciting career, she makes do with working in the London Transport Lost Property Office. When a lost purse turns up, she finds her purpose and sets off on a mission.
Dot, like most of us, just needs a little help finding out who she really is.
'An enthralling read, full of rich descriptions and characters you can't help but love.' Hazel Prior
'A wonderfully rich, funny and brimming with heart book.' Beth Morrey _________________________
Dot Watson has lost her way.
Twelve years ago her life veered off course, and the guilt over what happened still haunts her. Before then she was living in Paris, forging an exciting career; now her time is spent visiting her mother's care home, fielding interfering calls from her sister and working at the London Transport Lost Property office, diligently cataloguing items as misplaced as herself.
I love Paris. This city endlessly stimulates both my head and my heart. Always in movement, everchanging, it, like all cities, is a living organism, manifesting the spirit of all those who live here, past and present. Through a bunch of different projects and a handful of books, I’ve been trying to map its creative DNA, seeking out and championing the people and places who contribute to forging Paris’s own distinctive identity today. Makers Paris (Prestel) and Makers Paris 2 (Ofr. Éditions) evolved out of more than a decade running slow-travel pioneer Gogo City Guides, and my latest book The Paris Flea Market (Prestel) is a new stop on this journey.
The much-loved English bookshop Shakespeare and Company can at times feel like a victim of its own success (every so often I try and imagine solutions as if I were trying to save Venice!), but the place remains a refuge for writers and readers and a true beacon of bohemian values.
In my first Makers book, owner Sylvia remembers her father George describing Paris: “where poetry is part of life; where men are poets and life is a poem.” And now the bookshop has published its own collection of poems about Paris, illustrated with beautiful line drawings by the Italian illustrator Matteo Pericoli.
Alongside verses by Rimbaud, Gregory Corso, or Lawrence Ferlinghetti, Pericoli imagines the views from windows of poets who, at one time or another, made their homes here, like Gertrude Stein and Alice B. Toklas or Charles Baudelaire, or indeed Shakespeare and Company’s own beautiful view across the…
Nelson West, a former Chicago homicide detective, is hired by wealthy heir Lionel Bing to discreetly help “fix” scandals and legal problems for his father’s wealthy friends.
Bing, a brilliant but troubled investigator, suffers from PTSD symptoms as a result of being kidnapped and witnessing the murder of his mother…
Growing up in a small town and realizing I was gay, I saw nothing but dread ahead of me. In graduate school, I came across a one-sentence description of Margaret Anderson as a “lesbian anarchist.” I knew I was home. My book is the first full-length biography of Anderson and her partner, Jane Heap. They went through a lot of crap–they were tried for publishing Joyce’s masterpiece Ulysses–but above all, they were witty rebels, strong women, and proud and out.
This biography gives you the inside experience of one of the most visible lesbians in Paris during the mid-twentieth century.
Genet was the pseudonym for Janet Flanner, The New Yorker’s correspondent for France. Flanner knew and wrote about everyone. Her column noting Anderson’s death is particularly touching. From Indiana to the City of Lights in one lifetime.
The daughter of an Indianapolis mortician, Janet Flanner really began to live at the age of thirty, when she fled to Paris with her female lover. That was in 1921, a few years before she signed on as Paris correspondent for the New Yorker, taking the pseudonym Genet. For half a century she described life on the Continent with matchless elegance.
