Here are 100 books that The Reivers fans have personally recommended if you like
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I grew up in a small, Midwestern town where people sinned Monday through Saturday, then went to church on Sunday to stock up on absolution for the coming week. It was also a place where people wanted to be well-thought of, if thought of at all, and could be at their best when things were at their worst. I wanted to escape as soon as possible, yet now as old memories become more accessible than recent ones, I realize that I never escaped at all. I write about small towns, perhaps to avenge, perhaps as homage; perhaps because it is still, after all these years, what I best know.
With biting satire and elegiac prose, Main Street is the paragon of stories set in small towns.
Author Sinclair Lewis was obviously not enamored of small towns, and like Sherwood Anderson’s Winesburg, Ohio, is perhaps exorcising some demons from his own upbringing. Nevertheless, perhaps unable to help himself, he instills his protagonist, Carol Milford (Kennicott) with a “Never give up” small town value. At the end she is undaunted. Even though she’s been stifled at nearly every turn, in her own words she has “kept the faith.”
I love the work of Sinclair Lewis. I based the character of July Huffaker in Delphic Oracle, U.S.A. on Elmer Gantry, and when I taught in medical schools, kept copies of Arrowsmith in my office that I gave to students and residents interested in a career in academic medicine. “Read this,” I told them. “If you still want in, come talk to…
In this classic satire of small-town America, beautiful young Carol Kennicott comes to Gopher Prairie, Minnesota, with dreams of transforming the provincial old town into a place of beauty and culture. But she runs into a wall of bigotry, hypocrisy and complacency. The first popular bestseller to attack conventional ideas about marriage, gender roles, and small town life, Main Street established Lewis as a major American novelist.
Patrick, a married man in his early thirties with a white-collar job as his identity and alcohol as his salve, works himself to the bone, breaks down, and goes to Vegas with his friends - fellow hedonists under thin corporate veneers - to recoup his debts through blackjack. The weekend…
I grew up in a small, Midwestern town where people sinned Monday through Saturday, then went to church on Sunday to stock up on absolution for the coming week. It was also a place where people wanted to be well-thought of, if thought of at all, and could be at their best when things were at their worst. I wanted to escape as soon as possible, yet now as old memories become more accessible than recent ones, I realize that I never escaped at all. I write about small towns, perhaps to avenge, perhaps as homage; perhaps because it is still, after all these years, what I best know.
Another book that uses humor to get at the truth of things, in this case a dark truth that author Mimi Herman expertly negotiates. Plus, The Kudzu Queen has characters with great names (Mattie Lee Watson, James T. Cullowee).
I love characters with odd names, probably hearkening back to a childhood love of O. Henry, Charles Dickens, and Mark Twain. Best of all, the bad guy gets his comeuppance in this book.
That’s one of the best things about writing fiction. You can make villains drown in their villainy. It beats reading the newspaper where the villains get page one attention, while the golden retrievers who save babies are on page six.
"Funny, sad, and tender... Mimi Herman has written a novel that possesses a true and hard won understanding of the South." -David Sedaris, author of Happy-Go-Lucky
Fifteen-year-old Mattie Lee Watson dreams of men, not boys. So when James T. Cullowee, the Kudzu King, arrives in Cooper County, North Carolina in 1941 to spread the gospel of kudzu-claiming that it will improve the soil, feed cattle at almost no cost, even cure headaches-Mattie is ready. Mr. Cullowee is determined to sell the entire county on the future of kudzu, and organizes a kudzu festival, complete with a beauty pageant. Mattie is…
I grew up in a small, Midwestern town where people sinned Monday through Saturday, then went to church on Sunday to stock up on absolution for the coming week. It was also a place where people wanted to be well-thought of, if thought of at all, and could be at their best when things were at their worst. I wanted to escape as soon as possible, yet now as old memories become more accessible than recent ones, I realize that I never escaped at all. I write about small towns, perhaps to avenge, perhaps as homage; perhaps because it is still, after all these years, what I best know.
It is laugh-out-loud funny in places, but the humor also sees the pettiness, pride, and obstinance that can affect human behavior.
Pearson’s narrator is cloaked in childhood innocence that makes his incisive observations not cruel, but simply honest. After I first read this book many years ago, I decided that I would never again make my readers feel wretched nor would I cheat them. Like Pearson, I will, however, trick them.
Marvelously funny, bittersweet, and beautifully evocative, the original publication of A Short History of a Small Place announced the arrival of one of our great Southern voices. Although T. R. Pearson's Neely, North Carolina, doesn't appear on any map of the state, it has already earned a secure place on the literary landscape of the South. In this introduction to Neely, the young narrator, Louis Benfield, recounts the tragic last days of Miss Myra Angelique Pettigrew, a local spinster and former town belle who, after years of total seclusion, returns flamboyantly to public view-with her pet monkey, Mr. Britches. Here…
Patrick, a married man in his early thirties with a white-collar job as his identity and alcohol as his salve, works himself to the bone, breaks down, and goes to Vegas with his friends - fellow hedonists under thin corporate veneers - to recoup his debts through blackjack. The weekend…
I grew up in a small, Midwestern town where people sinned Monday through Saturday, then went to church on Sunday to stock up on absolution for the coming week. It was also a place where people wanted to be well-thought of, if thought of at all, and could be at their best when things were at their worst. I wanted to escape as soon as possible, yet now as old memories become more accessible than recent ones, I realize that I never escaped at all. I write about small towns, perhaps to avenge, perhaps as homage; perhaps because it is still, after all these years, what I best know.
Regent’s of Paris takes place in a struggling small town automobile dealership during the week preceding a Memorial Day sale.
It’s Glengarry Glen Ross without shoving the reader into a tar pit of despair. I like books that don’t make readers need a shower and antidepressants at the end, at the same time addressing uncomfortable truths. This one delivers with a measure of cynicism.
There’s cynicism in my own work too. I view a cynic as a blend of idealism and sentiment: idealistic enough to see the world as it should be and sentimental enough to recall the exact moment of his/her/their disillusionment.
Regent's of Paris takes place in a struggling small-town auto dealership during the tumultuous week leading up to the annual Memorial Day sale-a week rife with doomsday warnings about the Obama Administration's corporate bailout of General Motors, and the week which will ultimately seal the dealership's fate. Paul Stenger's thirtieth birthday is looming and selling cars is soiling his conscience, complicating his love life, and killing his songwriting ambitions. But Paul's problems pale in comparison to those of Jennylee Witt, a young mother navigating her workplace's rampant sexism, a chronically-ill daughter, a deadbeat spouse, and a crisis of faith-not to…
I love fantasy, particularly comic fantasy. But there's an art to making something that is mind-meltingly silly feel real and meaningful, at the same time. To make it feel solid. If something is too chaotic, too randomly silly, then the narrative integrity disintegrates. You're left feeling, ‘yes, I know that the troll has now mysteriously turned into a chicken; but really, what’s the point?’ On the other hand, if the story isn’t silly enough…well, then it becomes straight fantasy, which is wonderful when it’s done well, but can feel mundane and derivative when it is not. I've deliberately limited this list to include only two Discworld books. To include any more would seem, well—silly.
This is the second book in the Guards sequence, but it’s easy enough to start here. This detective story set in the sprawling, smelly metropolis of Ankh-Morpork, featuring dwarves, werewolves, and (occasionally) humans, is a laugh-out-loud and anarchic book, managing to be hugely joyous and page-turningly compelling at the same time. Insanely silly and utterly real, with characters so solid you can see (or in some cases, smell) them long after you turn the last page.
There's evil in the air and murder afoot. The City Watch needs all the help it can get, as Captain Vimes is about to hang up his badge. From the author of "Small Gods" and "Lords and Ladies", this book is part of the "Discworld" humorous fantasy series.
Time travel has always been my favorite genre of storytelling. Devouring every time travel book, movie, TV series, or comic strip I’ve come across in my life got me thinking a lot about cause and effect, chicken and egg, before and after. I eventually came to realize the literary world of prequels and sequels with multiple book series didn’t always have to be read in the order of release, especially if, as a reader, you had a late start that was still “new to you.”
Sequel/prequel/sidequel/timequel: reading a series out of order is a whole new type of adventure.
I’d never heard the term “epistolary novel” prior to reading Michael Kun’s The Locklear Letters, but was immediately smitten with the concept of telling a story solely through a series of letters and/or emails sent by the narrator.
This sequel follows the same template and the same protagonist a decade down the line. I liken it to finding a boxful of letters and using them to piece together a hilarious comedy of errors. Maybe you’ll keep digging and find an older box later, or maybe the archivist kept orderly annals, allowing you to move forward through the years.
Sequencing doesn’t matter, but the written words will leave you in stitches.
Sid Straw, the author of the correspondence that forms Everybody Says Hello, isn t Everyman, but he is someone everyone knows. He tries just a little too hard, says just a little too much, and that extra effort and those extra words are often his undoing. If only Sid could get out of his own way, his life would be wonderful. While Sid Straw may frustrate you at times, you ll end up rooting for him the same way you root for your own equally imperfect friends.
I’ve been captivated by interesting people since I was a kid. Family
members always thought I asked too many questions of people, trying to
learn more about who they are. For that reason, when I started reading
fiction, I looked for characters with originality who opened new
horizons and who I wanted to hang out with. (That’s also why I host the
Novelist Spotlight podcast.) I agree 100 percent with novelist Larry
McMurtry, who said: “For me, the novel is character creation. Unless the
characters convince and live, the book’s got no chance.” The books I
placed on my list reflect this belief. I hope you dig them.
I found this book hysterically funny, and the dialogue more imaginative than any book I’ve ever read. The characters are without equal in terms of their originality, including the children of Jack and Babette Gladney.
The sheer number of meaningful topics this story covers is also without equal. The author’s observations are extremely keen. At its core, it is about the fear of death, though it is not a depressing story in any sense. It’s no wonder why it won the 1985 National Book Award.
The National Book Award-winning classic from the author of Underworld and Libra-an "eerie, brilliant, and touching" (New York Times) family drama about mass culture and the numbing effects of technology-soon to be a major motion picture starring Adam Driver and Greta Gerwig
White Noise tells the story of Jack Gladney, his fourth wife, Babette, and four ultra modern offspring as they navigate the rocky passages of family life to the background babble of brand-name consumerism. When an industrial accident unleashes an "airborne toxic event," a lethal black chemical cloud floats over their lives. The menacing cloud is a more urgent…
I’m the tenth kid in my family. I can’t think of a single part of my personality that wasn’t defined by my interactions with my siblings, then later their partners, and then later their children. The thing about family is that, yes, it’s a source of stress and even trauma, but I’ve also found it the truest path to not just meaning in life but something like salvation. I love stories that put us at that tipping point, in part because I think most of us live there, whether we realize it or not.
I love this book because I don’t cry easily. Decades before the whole world knew Barbara Kingsolver as the Pulitzer-Prize-winning author of Demon Copperhead, I found a beat-up copy of this book at a thrift shop in Emmaus, Pennsylvania.
I bought it for a buck, and I’ve never spent a better dollar. I swooned to the simple story of Taylor, a teen fleeing home, and Turtle, the abandoned child who changes her life. The family they make is one of my favorite in all of literature.
The Bean Trees is bestselling author Barbara Kingsolver's first novel, now widely regarded as a modern classic. It is the charming, engrossing tale of rural Kentucky native Taylor Greer, who only wants to get away from her roots and avoid getting pregnant. She succeeds, but inherits a 3-year-old native-American little girl named Turtle along the way, and together, from Oklahoma to Tucson, Arizona, half-Cherokee Taylor and her charge search for a new life in the West.
Written with humour and pathos, this highly praised novel focuses on love and friendship, abandonment and belonging as Taylor, out of money and seemingly…
Books and movies offer unique advantages and challenges when it comes to storytelling. They each appeal to different preferences and engage audiences in different ways. Novels, for instance, leave more room for imagination as readers visualize characters and scenes at their own pace and from their own perspectives. Movies, on the other hand, provide specific visual interpretations that unfold in real-time, producing emotional engagement that is often immediate and visceral. When novels are adapted into movies, significant changes inevitably occur, leading many to conclude that "the book was better." While this is often the case, there are many fine examples where the original source material inspired not only good movies but all-time classics.
Paris pulses with intrigue as a young mail courier becomes entangled with a mysterious opera singer and a series of dangerous encounters. Featuring outstanding descriptions, this stylish thriller weaves together music, romance, and underworld secrets against the backdrop of a vividly depicted cityscape.
The 1981 film adaptation of the same name, directed by Jean-Jacques Beineix, is celebrated for its stylish cinematography and influential soundtrack, which includes opera performances and an electronic score by Vladimir Cosma. Its lush romanticism became a significant cultural phenomenon in the early 1980s and helped popularize France's cinema du look movement.
In 2008, I accidentally started watching The West Wing, and it changed my life–leading me ultimately to start writing seriously and then to move to DC, where I lived for ten years. I would not have ever guessed that a TV show could have such an impact, but I repeatedly met people in DC who had similar stories. I wrote an essay about the fandom for my literary journalism class during my MFA, and that became the starting point for my anthology. I interviewed dozens of fellow fans, many of whom had moving stories of the show’s impact on their lives. It was a really special experience.
If I had to name my one favorite thing about The West Wing, which is nigh on impossible, I would probably, in the end, say that it was the relationship between Josh and Donna, including their more light-hearted shared moments.
This book, written by Al Gore’s daughter (who knows the DC of which she writes), captures some of that flavor in a book that was marketed as Bridget Jones meets The West Wing, which I would say is entirely accurate.
Working as a health-care analyst for Ohio Senator Robert Gary, idealistic young intern and hypochondriac Samantha Joyce struggles to balance her seventy-hour work week, a constantly shifting set of neuroses, and a new romance as she makes her way through the labyrinthine complexities of life in the nation's capital. A first novel. Reprint.
