Books like Recipe for a Perfect Wife — picked by fans

Essential Skill #2 for Creatives: Practicality, not Passion

Creative professionals tend to be “passionate practitioners” but if you need to “love” every single aspect of your business, you won’t get very far. That’s why I love Terri’s book. It’s the funniest business book I’ve read! Part comic autobiography, part business handbook, Unfollow Your Passion provides practical, clear, and excellent advice. It also happens to be beautifully written, the stories so compelling and hysterical that you’ll learn the practical skills in spite of yourself. The message of this book – forget about passion – is so important, something I’ve espoused for years, but not nearly as eloquently and clearly as Terri has.

This expertly crafted historical thriller is a masterpiece of suspense, set against the backdrop of the Hanford, Washington, nuclear power plant and its recklessly dangerous expansion during the Cold War. The plant's actions poisoned the environment and led to the illness and deaths of local residents.

The story unfolds as we witness the characters' gradual progression from suspicion to evidence gathering, culminating in their decision to expose the perpetrators. It's a classic confrontation between the faceless, disdainful arrogance of the government—waving a patriotic flag to excuse its flagrant disregard for public safety—and a few determined, unlikely allies. This book is a true page-turner!

Right from the start, I was rooting for Ayana, who lives in this riverboat community in Arkansas. Her only support is her grandmother and brother, Lyle, while all the other men in her story are abusive and cruel. Sadly, no one seems to question their authority, and against this background, illiterate Ayana makes her play.

What I like about this story is the way it is written. At first, Ayana’s voice is presented in dialect, but as the story evolves and her mind clears, so does the text. This is a great structure that accurately represents Ayana’s blossoming personality. 

Sometimes reading eighteenth-century writing can be tedious due to the differing norms and expectations of writing. But Archangela Tarabotti’s essays burn the page.

Her anger is incandescent. She became a cloistered nun without a calling and lived her years trying to make a life of letters. Though she had a couple patrons—men—who brought her books and helped publish her works, she was at their mercy and was later nearly silenced by them. She rails against fathers, priests, and powerful nobles who limit women’s choices and voices. I have never forgotten her anger at injustice.

I had to read this when it came out because it felt ripped from the headlines. Sarah Lai has left behind her Hollywood dreams of filmmaking for a quieter, simpler life. But a journalist reaches out and drags her past to the forefront by asking questions about Sarah’s experiences working with a celebrated producer. There have been… complaints. From women. A lot of women.

Sound familiar? This is a wholly fictional take on past events, but it also forces the reader to examine the ways in which we might be complicit in holding up systems, and what we can do to break bad patterns.

Engaging, timely, and I couldn’t put it down. Again, women find their voices and stand up for other women around them. That’s a narrative I can’t miss. 

This novel caught my eye for one simple reason—the protagonist attempts to destroy her society with a spreadsheet. Although a fantasy in which the modern world (even office life) is divided between heroes and villains, this novel lands on some brutal truths—like the difference between good and evil is mostly marketing and that some people will do anything for the right job. 

It’s a hilarious book that pokes fun at the most absurd bosses, the things we do for work, and the real harm a toxic workplace or system causes everyone. The supervillain/hero context provides food for thought without slowing the story down or causing work-related cold sweats.

A man I was working with recommended this book to me, when he heard about my novel, while it was in the making. I got hold of this book and already after the first chapter I understood why. Janice Radway investigates how Harlequin novels have such a large audience. In essence it is because romance novels always end well, as opposed to life, that keeps being complicated. It taught me that I’m a very romantic person. This was something I had never regarded as a positive trait so of course I failed to see just how important romance was and is to me. By identifying with millions of women who read these romance novels, I gained a respect that I still feel is lacking in our culture: A respect for our emotions and the big role they play in our sense of satisfaction with life.  

It's deeply satisfying to read about our female forebears—women who followed an internal drive to deviate from societal norms and, in doing so, paved the way for an entire future movement. Today, the majority of medical students are female, but a century ago, female doctors were scarce.

Eliza Edwards, the protagonist, immerses us in this turbulent 20th-century period, showcasing its doubts, risks, brave friendships, and the emerging tension between career and marriage/motherhood for women.

While other scholars have focused on how various definitions of womanhood influenced the formation of the United States’ political and legal systems, Mark Kann pays closer attention to how perceptions of manhood shaped the creation of the U.S. during the early republic. In A Republic of Men, Kann contends that the U.S.’s founders sought to establish a republic based on male authority and female subordination. During the early years of the republic, as Kann describes it, political and legal authorities connected white men to productivity and reason while linking all women to inherent weakness and dependency. I found Kann’s book especially helpful for understanding how American political and legal authorities sought to institutionalize rights and privilege for white men only. 

The only male author on this list, Coleman Dowell’s Southern Gothic tale is included because it contains some of the most nuanced writing of female characters I’ve ever encountered. Too Much Flesh tells the narrative of a well-endowed farmer named Jim, his petite wife Effie, and a young man, Jabez, whose mutual obsession with Jim leads to, well, something of a frenetic climax. A story within a story, the tale is told to us by a “spinster schoolteacher” (the book was published in 1977), Miss Ethel, who channels her sexual repression into this story of the farmer.

Neither Miss Ethel nor Jim’s wife, Effie, come across as one-dimensional—they feel and act like real people on the page. Dowell himself was gay and deftly handles this queer narrative in a way that is somehow both quiet and stunning, and makes an interesting case study for the time period and genre. And… show more.