Here are 100 books that Too Much Flesh and Jabez fans have personally recommended if you like
Too Much Flesh and Jabez.
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I’ve always been drawn to stories where light trembles on the edge of annihilation. The Deathly Shadow grew from that space—where broken people must still try, even when hope is an ember. I’m especially interested in how violence shapes children—their choices, their trust, and the way they carry themselves through a collapsing world. I strive to write characters with real emotional weight and a filmic sense of presence—where every gesture, glance, and silence means something. I believe the darkest stories, when told with care, can reveal what we most need to protect. This book explores the cost of survival—and whether love, memory, and courage are enough to challenge even the worst of endings.
Jemisin combines geological apocalypse, complex magic, and generational trauma with raw power.
That’s something I explore in my own work, so this trilogy was a strong—if abstract—indirect influence. Few books have stayed with me so viscerally.
The writing is sharp, emotionally devastating, and fearless. It doesn’t just tell a story—it tears through it with tectonic force. It made me want to write braver and more honestly about pain, survival, and what breaks beneath the surface.
At the end of the world, a woman must hide her secret power and find her kidnapped daughter in this "intricate and extraordinary" Hugo Award winning novel of power, oppression, and revolution. (The New York Times)
This is the way the world ends. . .for the last time.
It starts with the great red rift across the heart of the world's sole continent, spewing ash that blots out the sun. It starts with death, with a murdered son and a missing daughter. It starts with betrayal, and long dormant wounds rising up to fester.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’m a non-binary, neurodivergent, queer speculative fiction writer who loves a good revolution story—whether that’s a quiet, personal revolution, or a big, explosive overthrowing of the 1%. These books have helped me create my own odd fictional worlds as well as space for my psyche to survive in. I wanted to represent a variety of perspectives here from writers who are subversive, LGBTQ, BIPOC, and, for lack of a better word, brave. As a university writing teacher, I believe that the written word holds power and drives us closer to a utopia, or at least towards a more colorful future community where all are welcome and supported.
As a fellow genderqueer/non-binary Asian writer, I’m happy to champion the first in Neon Yang’s Tensorate series. A YA novella set in a non-Western fantasy landscape, this book tackles issues of gender identity and choice head-on, introducing us to a society where children are referred to individually using they/them pronouns, and can select one of the binary genders when they come of age or chose to remain non-binary. We see the world through the eyes of twins Mokoya and Akeha as they come into their gender expressions and their powers in a feudal, monastic society largely reminiscent of those found in Asian history.
"Joyously wild stuff. Highly recommended." ―The New York Times
One of the 100 Best Fantasy Books of All Time, according to Time Magazine
A Finalist for the Hugo, Nebula, and World Fantasy Awards for Best Novella
The Black Tides of Heaven is one of a pair of unique, standalone introductions to Neon Yang's Tensorate Series, which Kate Elliott calls "effortlessly fascinating." For more of the story you can read its twin novella The Red Threads of Fortune, available simultaneously.
Mokoya and Akeha, the twin children of the Protector, were sold to the Grand Monastery as infants. While Mokoya developed her…
I look to my bookshelf and can visit with old friends by the simple and profound act of reading. And by reading, I learn of myself and of others. These books have sharpened my attention to life’s particulars, are places of refuge, fortresses or encampments from which I/we can safely view the harsh realities and impenetrable riddles confronting us. Books create sparks. Sparks build into a fire.
The reasons for loving the books I listed below are many: The characters enchant, infuriate, and humble you. They inhabit your mind in a waking dream. Their story is your story and after reading the book, you know something about yourself which you otherwise would not have known.
Risk-taking writers are my heroes, and Katherine Dunn is at the top of my list.
Her astonishing book Geek Love, a cult classic, defiantly celebrates the freakish and bizarre, tearing to shreds the subjective and culturally determined definitions of normality, intelligence, and beauty. Dive into Geek Love, and you’ll be traveling with the Binewski family, owners of the “Carnival Fabulon,” whose “special” offspring are prized for their money-making monstrous endowments.
In creating Oly, an albino hunchback, or her brother Arty, born with flippers, or Chick, with telekinetic powers, Dunn risks alienating readers by turning her characters into stereotypes, comic or horrid. Instead, she has written a haunting, humorous, and existentially relevant novel about Otherness, about the afflictions of family life—alternatively claustrophobic and competitive or caring and dear.
In the matrix of family, we learn who we are and how to love. I, too, am a writer driven to explore…
A National Book Award Finalist: This 'wonderfully descriptive' novel from an author with a 'tremendous imagination' tells the unforgettable story of the Binewskis, a carny family whose mater- and paterfamilias have bred their own exhibit of human oddities. (The New York Times Book Review)
The Binewskis arex a circus-geek family whose matriarch and patriarch have bred their own exhibit of human oddities (with the help of amphetamine, arsenic, and radioisotopes). Their offspring include Arturo the Aquaboy, who has flippers for limbs and a megalomaniac ambition worthy of Genghis Khan, Iphy and Elly, the lissome Siamese twins, albino hunchback Oly, and…
These days, I’m an author, but that was long predated by being a reader. I’ve loved fairy tales all my life and spent most of my childhood lugging around a thick paperback copy of the Brothers Grimm's stories. My nationally bestselling second novel, Bear, is a reimagining of my favorite tale: “Snow-White and Rose-Red. " It is about two sisters who live in a cottage with their mother and whose lives are upended when a bear shows up at their door.
Machado is a master storyteller, a writer who plays with form and structure and our narrative expectations to create entirely new ways of telling tales. This collection was her groundbreaking debut.
I’ve always loved fairy tales and folklore for the ways they play with character archetypes, repetition, and deceptively simple story shapes. Machado does the same thing here, upending our ideas about wives, lovers, and monsters with these tales that might trick you into thinking you know what’s coming next—until she flips you over and turns you around. She’s a new Brother Grimm, a fairy-tale writer for the modern age.
SHORTLISTED FOR THE NATIONAL BOOK AWARD FICTION PRIZE 2017 SHORTLISTED FOR THE INTERNATIONAL DYLAN THOMAS PRIZE 2018
'Brilliantly inventive and blazingly smart' Garth Greenwell
'Impossible, imperfect, unforgettable' Roxane Gay
'A wild thing ... covered in sequins and scales, blazing with the influence of fabulists from Angela Carter to Kelly Link and Helen Oyeyemi' New York Times
In her provocative debut, Carmen Maria Machado demolishes the borders between magical realism and science fiction, comedy and horror, fantasy and fabulism. Startling narratives map the realities of women's lives and the violence visited on their bodies, both in myth and in practice.
Since 1996 when my first trip to Venice rearranged my interior life, I have been visiting the city and learning everything I can about it. Most of my reading led me to men’s history, but with some digging, I uncovered the stories of Venice’s inspired, undaunted, hardworking women. Their proto-feminism motivated me to share their stories with others in an attempt to redefine beauty. I’ve also created videos showing sites connected to these women’s lives, and I’ve written four books about Venetians, including extensive research into Giacomo Casanova and two anthologies celebrating Venetian life. Reading and writing about Venice helps me connect more deeply with my favorite city.
Sometimes reading eighteenth-century writing can be tedious due to the differing norms and expectations of writing. But Archangela Tarabotti’s essays burn the page.
Her anger is incandescent. She became a cloistered nun without a calling and lived her years trying to make a life of letters. Though she had a couple patrons—men—who brought her books and helped publish her works, she was at their mercy and was later nearly silenced by them. She rails against fathers, priests, and powerful nobles who limit women’s choices and voices. I have never forgotten her anger at injustice.
Sharp-witted and sharp-tongued, Arcangela Tarabotti (1604-52) yearned to be formally educated and enjoy an independent life in Venetian literary circles. But instead, at sixteen, her father forced her into a Benedictine convent. To protest her confinement, Tarabotti composed polemical works exposing the many injustices perpetrated against women of her day.
Paternal Tyranny, the first of these works, is a fiery but carefully argued manifesto against the oppression of women by the Venetian patriarchy. Denouncing key misogynist texts of the era, Tarabotti shows how despicable it was for Venice, a republic that prided itself on its political liberties, to deprive its…
I was born and raised in Oxford, UK, where, just like the characters in the books listed here, my early childhood taught me to be quiet and submissive. Education liberated me from these restraints, and for that I am extremely grateful. Yet, there is still a long way to go. Even now there are societies that do not educate girls and this is just not right. Sadly, despite the resistance of those who challenge the norm, standing up to the patriarchy doesn’t always succeed. But whether it be triumph or tragedy, it certainly makes a great story, and this is obvious in the books I recommend here.
Right from the start, I was rooting for Ayana, who lives in this riverboat community in Arkansas. Her only support is her grandmother and brother, Lyle, while all the other men in her story are abusive and cruel. Sadly, no one seems to question their authority, and against this background, illiterate Ayana makes her play.
What I like about this story is the way it is written. At first, Ayana’s voice is presented in dialect, but as the story evolves and her mind clears, so does the text. This is a great structure that accurately represents Ayana’s blossoming personality.
Set in a river boat community in Arkansas in the 1930s, this poignant story chronicles Aiyana Weir's spirited determination to break away from a life, like that of the women around her, defined and dominated by brutal patriarchy. Aiyana's voice, unique, hesitant and uneducated, expresses the turmoil of her inner world through the details and rhythms of her beloved river and charts her secret pursuit of literacy - her only means of escape from the abuse of her father and the indifference of the man to whom she is casually given. Her grandmother, a mythical figure steeped in wisdom and…
An Heir of Realms tells the tale of two young heroines—a dragon rider and a portal jumper—who fight dragon-like parasites to save their realms from extinction.
Rhoswen is training as a Realm Rider to work with dragons and burn away the Narxon swarming into her realm. Rhoswen’s dream is to…
A wise (and wily) Jedi once said that “many of the truths we cling to depend greatly on our own point of view,” and I’m fascinated by storytelling that gives you more than one point of view or voice to ponder. Even as a kid, I searched for books that delved into the minds of more than one character. I’ve explored this in my own writing but also as a teacher working with undergraduate students who were finding their own voices while exploring the literary voices of others. I also love so-called genre fiction—the fantasy, sci-fi, and romance of it all—which is definitely reflected in this list, well!
This book grabbed me by the collar and wouldn’t let me go. As in, I read it cover to cover, read it again, and find myself still thinking about it long after I read it. Now, full disclosure: this is not a happy-go-lucky romp. Suspenseful and tense, political and personal—this love story between Dani and Carmen was a can’t put it down, stay up all night reading experience for me.
Told from Dani’s point of view during a tumultuous time, the decisions she faced have all the more resonance for me as the political climate of our country and the world rapidly changes. If you’re thinking, why is this book on a list about more than one point of view, please see my next recommendation!
"We Set the Dark on Fire burns bright. It will light the way for a new generation of rebels and lovers." -NPR
"Mejia pens a compelling, gripping story that mirrors real world issues of immigration and equality." -Buzzfeed
Five starred reviews!!
In this daring and romantic fantasy debut perfect for fans of The Handmaid's Tale and Latinx authors Zoraida Cordova and Anna-Marie McLemore, society wife-in-training Dani has a great awakening after being recruited by rebel spies and falling for her biggest rival.
At the Medio School for Girls, distinguished young women are trained for one of two roles in their…
I love historical stories that challenge the status quo. To me, patriarchy shows up when dominant members of a single group (generally white cisgender men) fiercely grab and hold onto power by erecting systemic barriers based on gender, race, and class. It silences or cuts off anyone in these marginalized groups from having agency and treats these groups as “less than.” Historical stories that overturn patriarchy inspire me.
This unexpected discovery—the story of Meg of St. Michael’s Mead in the 14th century—exemplifies the best of what draws readers to historical fiction. First, there's the heroine, Meg, a young woman coming of age and marked by a facial disfigurement. Immediately, we understand her outsider status, her alienation, and her inevitable struggle against others' scapegoating.
This scapegoating stems not only from typical ignorance but also from the very real fears of the time that she might be a child of the Devil. Meg's life and journey are populated with memorable allies and enemies, but it's her determination to cultivate her talents in women's health—despite the opposition of the male medical elite—that lends her story contemporary relevance.
She struggles against her enemies. But still, they stand in her way.
In 14th century England, Meg of St. Michael's Mead endures a life of abuse and isolation due to her birth deformity. However, her fortunes change when the village wise woman saves her and teaches her the art of healing. After witnessing a shocking birth, Meg discovers her true purpose: to become England's first licensed female physician and provide compassionate care to women.
To achieve her goal, Meg seeks the tutelage of William of Oxford, a gruff surgeon who agrees to mentor her. But there's a catch. She must…
I am an LA-based author, sociologist, and cultural and political theorist who writes from beyond the surface. A seer since childhood, I have always challenged the official story (even when it got me in trouble), guided by my intuition and a refusal to accept injustice as inevitable. My writing is fueled by a deep curiosity to unravel society’s darkest puzzles—systems of control, violence, collective amnesia—and to imagine what could exist beyond them. Through storytelling, I invite readers to question what they’ve been taught and to see the world not only as it appears, but as it truly is, and reimagine what it could be.
This book came to me when I had survived so much up until that point and really began to realize the need to liberate myself and release social conditioning. I was like, “Goodness, this is the book I need to hold up anytime someone shames me using tropes about a ‘woman’s place’ in the world.”
I enjoyed how it invites you to question why powerful figures in traditional religious institutions have been rendered as men. She pushes us to go farther back in history, before Abrahamic religions, to trace the spread of disinformation about women as leaders, goddesses, and powerful beings.
I love this book because it is useful at any step of your journey to reclaiming personal power.
The landmark exploration of the ancient worship of the Great Goddess and the eventual supression of women's rites.
In the beginning, God was a woman...
How did the shift from matriarchy to patriarchy come about? In fascinating detail, Merlin Stone tells us the story of the Goddess who reigned supreme in the Near and Middle East. Under her reign, societal roles differed markedly from those in patriarchal Judeo-Christian cultures: women bought and sold property, traded in the marketplace, and inherited title and land from their mothers. Documenting the wholesale rewriting of myth and religious dogmas, Merlin Stone describes an ancient…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
Allan D. Hunter came out as genderqueer in 1980, more than 20 years before “genderqueer” was trending. His story is autobiographical: the story of a different kind of male hero, a genderqueer person's tale. It follows the author from his debut as an eighth grader in Los Alamos, New Mexico until his unorthodox coming out at the age of twenty-one on the University of New Mexico campus in Albuquerque.
Leslie Feinberg’s story is a powerful response to the notion that simply discarding sexist gender expectations ought to be enough. Feinberg’s main character Jess was still a young adult when modern feminism exploded onto the scene in the 1970s but Jess isn’t merely androgynous or resisting sexist limitations. She’s butch.
Published in 1993, this brave, original novel is considered to be the finest account ever written of the complexities of a transgendered existence.
Woman or man? That’s the question that rages like a storm around Jess Goldberg, clouding her life and her identity. Growing up differently gendered in a blue--collar town in the 1950’s, coming out as a butch in the bars and factories of the prefeminist ’60s, deciding to pass as a man in order to survive when she is left without work or a community in the early ’70s. This powerful, provocative and deeply moving novel sees Jess…
