Here are 100 books that Too Much Flesh and Jabez fans have personally recommended if you like
Too Much Flesh and Jabez.
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I’ve always been drawn to stories where light trembles on the edge of annihilation. The Deathly Shadow grew from that space—where broken people must still try, even when hope is an ember. I’m especially interested in how violence shapes children—their choices, their trust, and the way they carry themselves through a collapsing world. I strive to write characters with real emotional weight and a filmic sense of presence—where every gesture, glance, and silence means something. I believe the darkest stories, when told with care, can reveal what we most need to protect. This book explores the cost of survival—and whether love, memory, and courage are enough to challenge even the worst of endings.
Jemisin combines geological apocalypse, complex magic, and generational trauma with raw power.
That’s something I explore in my own work, so this trilogy was a strong—if abstract—indirect influence. Few books have stayed with me so viscerally.
The writing is sharp, emotionally devastating, and fearless. It doesn’t just tell a story—it tears through it with tectonic force. It made me want to write braver and more honestly about pain, survival, and what breaks beneath the surface.
At the end of the world, a woman must hide her secret power and find her kidnapped daughter in this "intricate and extraordinary" Hugo Award winning novel of power, oppression, and revolution. (The New York Times)
This is the way the world ends. . .for the last time.
It starts with the great red rift across the heart of the world's sole continent, spewing ash that blots out the sun. It starts with death, with a murdered son and a missing daughter. It starts with betrayal, and long dormant wounds rising up to fester.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’m a non-binary, neurodivergent, queer speculative fiction writer who loves a good revolution story—whether that’s a quiet, personal revolution, or a big, explosive overthrowing of the 1%. These books have helped me create my own odd fictional worlds as well as space for my psyche to survive in. I wanted to represent a variety of perspectives here from writers who are subversive, LGBTQ, BIPOC, and, for lack of a better word, brave. As a university writing teacher, I believe that the written word holds power and drives us closer to a utopia, or at least towards a more colorful future community where all are welcome and supported.
As a fellow genderqueer/non-binary Asian writer, I’m happy to champion the first in Neon Yang’s Tensorate series. A YA novella set in a non-Western fantasy landscape, this book tackles issues of gender identity and choice head-on, introducing us to a society where children are referred to individually using they/them pronouns, and can select one of the binary genders when they come of age or chose to remain non-binary. We see the world through the eyes of twins Mokoya and Akeha as they come into their gender expressions and their powers in a feudal, monastic society largely reminiscent of those found in Asian history.
"Joyously wild stuff. Highly recommended." ―The New York Times
One of the 100 Best Fantasy Books of All Time, according to Time Magazine
A Finalist for the Hugo, Nebula, and World Fantasy Awards for Best Novella
The Black Tides of Heaven is one of a pair of unique, standalone introductions to Neon Yang's Tensorate Series, which Kate Elliott calls "effortlessly fascinating." For more of the story you can read its twin novella The Red Threads of Fortune, available simultaneously.
Mokoya and Akeha, the twin children of the Protector, were sold to the Grand Monastery as infants. While Mokoya developed her…
I look to my bookshelf and can visit with old friends by the simple and profound act of reading. And by reading, I learn of myself and of others. These books have sharpened my attention to life’s particulars, are places of refuge, fortresses or encampments from which I/we can safely view the harsh realities and impenetrable riddles confronting us. Books create sparks. Sparks build into a fire.
The reasons for loving the books I listed below are many: The characters enchant, infuriate, and humble you. They inhabit your mind in a waking dream. Their story is your story and after reading the book, you know something about yourself which you otherwise would not have known.
Risk-taking writers are my heroes, and Katherine Dunn is at the top of my list.
Her astonishing book Geek Love, a cult classic, defiantly celebrates the freakish and bizarre, tearing to shreds the subjective and culturally determined definitions of normality, intelligence, and beauty. Dive into Geek Love, and you’ll be traveling with the Binewski family, owners of the “Carnival Fabulon,” whose “special” offspring are prized for their money-making monstrous endowments.
In creating Oly, an albino hunchback, or her brother Arty, born with flippers, or Chick, with telekinetic powers, Dunn risks alienating readers by turning her characters into stereotypes, comic or horrid. Instead, she has written a haunting, humorous, and existentially relevant novel about Otherness, about the afflictions of family life—alternatively claustrophobic and competitive or caring and dear.
In the matrix of family, we learn who we are and how to love. I, too, am a writer driven to explore…
A National Book Award Finalist: This 'wonderfully descriptive' novel from an author with a 'tremendous imagination' tells the unforgettable story of the Binewskis, a carny family whose mater- and paterfamilias have bred their own exhibit of human oddities. (The New York Times Book Review)
The Binewskis arex a circus-geek family whose matriarch and patriarch have bred their own exhibit of human oddities (with the help of amphetamine, arsenic, and radioisotopes). Their offspring include Arturo the Aquaboy, who has flippers for limbs and a megalomaniac ambition worthy of Genghis Khan, Iphy and Elly, the lissome Siamese twins, albino hunchback Oly, and…
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
These days, I’m an author, but that was long predated by being a reader. I’ve loved fairy tales all my life and spent most of my childhood lugging around a thick paperback copy of the Brothers Grimm's stories. My nationally bestselling second novel, Bear, is a reimagining of my favorite tale: “Snow-White and Rose-Red. " It is about two sisters who live in a cottage with their mother and whose lives are upended when a bear shows up at their door.
Machado is a master storyteller, a writer who plays with form and structure and our narrative expectations to create entirely new ways of telling tales. This collection was her groundbreaking debut.
I’ve always loved fairy tales and folklore for the ways they play with character archetypes, repetition, and deceptively simple story shapes. Machado does the same thing here, upending our ideas about wives, lovers, and monsters with these tales that might trick you into thinking you know what’s coming next—until she flips you over and turns you around. She’s a new Brother Grimm, a fairy-tale writer for the modern age.
SHORTLISTED FOR THE NATIONAL BOOK AWARD FICTION PRIZE 2017 SHORTLISTED FOR THE INTERNATIONAL DYLAN THOMAS PRIZE 2018
'Brilliantly inventive and blazingly smart' Garth Greenwell
'Impossible, imperfect, unforgettable' Roxane Gay
'A wild thing ... covered in sequins and scales, blazing with the influence of fabulists from Angela Carter to Kelly Link and Helen Oyeyemi' New York Times
In her provocative debut, Carmen Maria Machado demolishes the borders between magical realism and science fiction, comedy and horror, fantasy and fabulism. Startling narratives map the realities of women's lives and the violence visited on their bodies, both in myth and in practice.
I love historical stories that challenge the status quo. To me, patriarchy shows up when dominant members of a single group (generally white cisgender men) fiercely grab and hold onto power by erecting systemic barriers based on gender, race, and class. It silences or cuts off anyone in these marginalized groups from having agency and treats these groups as “less than.” Historical stories that overturn patriarchy inspire me.
This unexpected discovery—the story of Meg of St. Michael’s Mead in the 14th century—exemplifies the best of what draws readers to historical fiction. First, there's the heroine, Meg, a young woman coming of age and marked by a facial disfigurement. Immediately, we understand her outsider status, her alienation, and her inevitable struggle against others' scapegoating.
This scapegoating stems not only from typical ignorance but also from the very real fears of the time that she might be a child of the Devil. Meg's life and journey are populated with memorable allies and enemies, but it's her determination to cultivate her talents in women's health—despite the opposition of the male medical elite—that lends her story contemporary relevance.
She struggles against her enemies. But still, they stand in her way.
In 14th century England, Meg of St. Michael's Mead endures a life of abuse and isolation due to her birth deformity. However, her fortunes change when the village wise woman saves her and teaches her the art of healing. After witnessing a shocking birth, Meg discovers her true purpose: to become England's first licensed female physician and provide compassionate care to women.
To achieve her goal, Meg seeks the tutelage of William of Oxford, a gruff surgeon who agrees to mentor her. But there's a catch. She must…
I love historical stories that challenge the status quo. To me, patriarchy shows up when dominant members of a single group (generally white cisgender men) fiercely grab and hold onto power by erecting systemic barriers based on gender, race, and class. It silences or cuts off anyone in these marginalized groups from having agency and treats these groups as “less than.” Historical stories that overturn patriarchy inspire me.
It's deeply satisfying to read about our female forebears—women who followed an internal drive to deviate from societal norms and, in doing so, paved the way for an entire future movement. Today, the majority of medical students are female, but a century ago, female doctors were scarce.
Eliza Edwards, the protagonist, immerses us in this turbulent 20th-century period, showcasing its doubts, risks, brave friendships, and the emerging tension between career and marriage/motherhood for women.
"Flawlessly researched with characters that come alive on the page, debut author Janis Robinson Daly writes with a fresh voice that brings her readers instantly into a story that, in many ways, is shockingly similar to today's world." –Barbara Conrey, USA Today bestselling author of Nowhere Near Goodbye
"An often riveting fictional testament of a doctor's life at the turn of the 20th century." –Kirkus Reviews
The Unlocked Path presents and embraces a "New Woman" of the early 20th century: educated, career-minded, independent. In 1897 Philadelphia, after witnessing her aunt's suicide, Eliza Edwards vows to find ways to help and…
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
Since 1996 when my first trip to Venice rearranged my interior life, I have been visiting the city and learning everything I can about it. Most of my reading led me to men’s history, but with some digging, I uncovered the stories of Venice’s inspired, undaunted, hardworking women. Their proto-feminism motivated me to share their stories with others in an attempt to redefine beauty. I’ve also created videos showing sites connected to these women’s lives, and I’ve written four books about Venetians, including extensive research into Giacomo Casanova and two anthologies celebrating Venetian life. Reading and writing about Venice helps me connect more deeply with my favorite city.
Sometimes reading eighteenth-century writing can be tedious due to the differing norms and expectations of writing. But Archangela Tarabotti’s essays burn the page.
Her anger is incandescent. She became a cloistered nun without a calling and lived her years trying to make a life of letters. Though she had a couple patrons—men—who brought her books and helped publish her works, she was at their mercy and was later nearly silenced by them. She rails against fathers, priests, and powerful nobles who limit women’s choices and voices. I have never forgotten her anger at injustice.
Sharp-witted and sharp-tongued, Arcangela Tarabotti (1604-52) yearned to be formally educated and enjoy an independent life in Venetian literary circles. But instead, at sixteen, her father forced her into a Benedictine convent. To protest her confinement, Tarabotti composed polemical works exposing the many injustices perpetrated against women of her day.
Paternal Tyranny, the first of these works, is a fiery but carefully argued manifesto against the oppression of women by the Venetian patriarchy. Denouncing key misogynist texts of the era, Tarabotti shows how despicable it was for Venice, a republic that prided itself on its political liberties, to deprive its…
Let’s face it—we spend a lot of time at work. Work is a big part of our lives, but sometimes it’s terrible and feels like there is no winning against institutionalized sexism and capitalism. And you really want to win! I love reading about women who are finding ways to overcome massive obstacles at work no matter what gets in their way, whether it’s by destroying an industry with a spreadsheet, breaking a curse, ditching a bad boss, or just finding a way to survive. Because sometimes that’s all you can do—survive it. Stories of women working feel endlessly relatable because we have so many shared experiences, and that’s why what happens at work shows up in my reading and my writing.
This book is full of petty rivalries and hierarchies that seem high stakes in the moment but, with time and distance, seem absurd. Competition between employees at the LA television station where the novel takes place is cutthroat. There’s no trust, no downtime, and something as simple as taking a day off with the flu can destroy your standing.
This book is chaotic and challenging and somehow perfectly captures the feel of an office in a fast-paced office that takes itself too seriously. I’ve been there, and I felt every moment of this book. Kaplan finds ways to point out how ridiculous our workplaces are while still honouring the experiences of the women who work there. It is highly relatable and wrenching.
The compulsively readable novel about a young woman trying to succeed in Hollywood without selling her soul - perfect for fans of Sweetbitter, My Dark Vanessa and Exciting Times
'Deliciously sharp, ridiculously funny, and surprisingly heartfelt' COCO MELLORS 'A blistering look at the hidden side of Hollywood' GLAMOUR 'Frank, funny and unputdownable' CLAIRE MESSUD 'Glittering. A funny, spiky, compulsive story about toxic workplaces' EVENING STANDARD 'A frank account of leaning in and its inherent filthiness' RAVEN LEILANI ________
You knew Hollywood would be difficult.
So when you land a job in television, you're ready for anything: pulling all-nighters, leaning on…
I was born and raised in Oxford, UK, where, just like the characters in the books listed here, my early childhood taught me to be quiet and submissive. Education liberated me from these restraints, and for that I am extremely grateful. Yet, there is still a long way to go. Even now there are societies that do not educate girls and this is just not right. Sadly, despite the resistance of those who challenge the norm, standing up to the patriarchy doesn’t always succeed. But whether it be triumph or tragedy, it certainly makes a great story, and this is obvious in the books I recommend here.
Samina is a rebel living in a traditional Pakistani community. I loved the tension between the expectations of her extended family set against her intellect and ambition. I found the quiet, subtle support of her mother really appealing, too.
It is a story steeped in drama and tragedy as well as triumph of the spirit. It opened my eyes, made me smile and made me weep. I thoroughly recommend this book for those readers who want quiet voices to be heard.
1st Place Winner PNWA Literary Novel Unpublished Contest 2022
Can a girl who wants to know the world beyond her courtyard walls survive in a country where violence against women is often as near as a male family member?
When wealthy farmer Nasir offers Samina a scholarship to attend primary school her father doesn't approve. He closes doors to her life goals while Nasir opens them. As Samina grows into young womanhood she falls in love with Nasir, who returns her feelings. But soon Samina's family descends into chaos. Her eldest sister who is…
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
I am a historian with a PhD in history from American University. My research has focused on the changing nature of U.S. citizenship after the passage of the Nineteenth Amendment. In particular, my newly released book, Gendered Citizenship, sheds light on the competing civic ideologies embedded in the original conflict over the Equal Rights Amendment (ERA) from the 1920s through the 1960s. My research has won recognition through several grants and fellowships and my writing has appeared in the Washington Post, History News Network, New America Weekly, Gender on the Ballot, and Frontiers.
While other scholars have focused on how various definitions of womanhood influenced the formation of the United States’ political and legal systems, Mark Kann pays closer attention to how perceptions of manhood shaped the creation of the U.S. during the early republic. In A Republic of Men, Kann contends that the U.S.’s founders sought to establish a republic based on male authority and female subordination. During the early years of the republic, as Kann describes it, political and legal authorities connected white men to productivity and reason while linking all women to inherent weakness and dependency. I found Kann’s book especially helpful for understanding how American political and legal authorities sought to institutionalize rights and privilege for white men only.
What role did manhood play in early American Politics? In A Republic of Men, Mark E. Kann argues that the American founders aspired to create a "republic of men" but feared that "disorderly men" threatened its birth, health, and longevity. Kann demonstrates how hegemonic norms of manhood-exemplified by "the Family Man," for instance--were deployed as a means of stigmatizing unworthy men, rewarding responsible men with citizenship, and empowering exceptional men with positions of leadership and authority, while excluding women from public life.
Kann suggests that the founders committed themselves in theory to the democratic proposition that all men were created…
