100 Books Like Prints and the Pursuit of Knowledge in Early Modern Europe

An endlessly fascinating and extensive compendium of reproductions of photographs, diagrams, charts, maps, paintings – bizarre, sublime, caustic, illuminating – from the ancients to the modern era. Each image retains something of its historical context, yet they are arrayed with a compelling visual logic by a brilliant visual editor.

Ellcock curated a remarkable selection of images that are provocative, transformative, and universal – an anthology of archetypes, scanning the world’s vast catalog of visual images from cultures, religions, time periods, political viewpoints, and media. I don’t know a more comprehensive anthology of moral, political, environmental, social, and cultural images, all vivid, challenging, and eternally relevant. 

This book brilliantly revives the concept of cosmography, the visual depiction of the universe, from the beginnings of Romanticism to images from the Hubble telescope. By intermingling images from art and science, the book underscores the powerful visual parallels between the two disciplines, their discoveries equally strange, wondrous, and insightful. 

As a printmaker and student of the history and techniques of printmaking, this is my “desert island” volume, the most comprehensive, literate, knowledgeable, and articulate statement on this influential, historically significant, and often overlooked art form. Eichenberg, himself a brilliant and trenchant wood engraver, book illustrator, and political commentator, shows himself to be an eloquent historian, scholar, and interpreter of various printmaking media, not only in Europe and the Americas, but throughout the world, in its long history. 

As Peter Bruegel stands in the Sistine Chapel admiring Michelangelo’s work he realizes he could never compete with one who works in the heavens – above. He will confine himself to the below – the common man. We follow Bruegel and his friends on his journeys, his daily life, and the inspiration he finds in the everyday world around him. His peasants are peasants. Their daily toil is not romanticized. Their feasts consist of rural fare.  Even his religious art is not idealized. It is wonderful to imagine that the author has walked in Bruegel's shoes. Rudy Rucker is a professor of math and computer science but his extensive research has brought to life an artist who left very little of his own life to history.  

Originally published in 1970, this was another foundational text for me and other witchcraft scholars of my generation.

It grew out of Macfarlane’s doctoral thesis focusing on Essex, which had been supervised by Keith Thomas, whose own great book, Religion and the Decline of Magic (much of which dealt with witches), came out the following year. Even then, the historian Macfarlane was on his way to becoming an anthropologist – a transition visible on every page of this fascinating book.

But its overriding character is that of a work of sociology. Social science models helped to impose interpretative order on the kind of archival information dug up by C. L’Estange Ewen, and connected a rise in witchcraft accusations to a number of strains in late-sixteenth- and early seventeenth-century English life, especially economic strains.

Although their interpretations differ in substance and emphasis, Macfarlane and Thomas are still associated with a paradigm… show more.

Finally, you can’t talk about maps and not talk about sea monsters.

Want to buy a sea monster? Van Duzer tells you how! Given my professional (and personal) interest in cartography, water, sailing, and animals, this book absolutely had to appear on my “Best Books” list. It is very richly illustrated (115 color images), but is not simply a picture book.

Van Duzer’s narrative is engaging and informative. He explores terrifying and whimsical marine creatures that peopled Medieval and Renaissance waters (many are imaginary; some are more or less based on actual sea animals). And he situates them within the broader context of the individual maps, their impact, and marine biology.

Van Duzer thus helps his audience read European Medieval and Renaissance Maps more fully and richly. 

Dani​​èle Cybulskie, AKA “the 5 Minute Medievalist,” is a Medieval Influencer with books, a podcast, and blogs, all offering the world quickly digestible knowledge of this millennium in history. In her book, Life in Medieval Europe, Fact and Fiction, she takes us through a fun game of True or False. The grouping of the Middle Ages spans a confusingly long time, from around the late 400s to the late 1400s. Various traditions can be fit into those thousand years, one would think that by sheer probability most of our Medieval stereotypes would fit into one of those centuries. Interestingly enough, a good amount of what films set in Medieval Times is hilariously incorrect. Pick it up and start your guessing.

Like the Vikings? Want to read about real Vikings? Angus Donald’s first in a series takes you to the harsh realities of 8th century Europe and portrays the Vikings in all their aspects, both violent and noble.

He wears his impeccable research lightly though and it’s an explosive journey that is most compelling when dealing with the culture clash between Charlemagne’s growing empire and the Viking Dane warriors who listen to the beat of their own drum.

“Beserkers” were a caste of Vikings who would supposedly work themselves into a fearsome frenzy of blood rage in battle. But Donald goes deeper than stereotypes, showing the mystical and religious underpinnings of this class of warrior and in so doing bringing reason, emotion, and honor to their struggles. 

It takes real historic breadth to write a comprehensive history of the nineteenth century and only a historian of the quality of Evans could pull it off so convincingly. Like his mentor Eric Hobsbawm—but unencumbered by the Marxian straight-jacket—Evans masterfully draws the links not only between decades and between countries and continents but also between the social, the economic, and the political. His book is no demographic history, but it takes demography seriously. This really matters in a century in which the Malthusian bonds were broken for some of humanity, not all of it, making it a period of European global supremacy underpinned by demographic takeoff, the effects of which we are still feeling.