Here are 100 books that The Last Berserker fans have personally recommended if you like
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Long before I started my career in journalism I was a voracious reader of historical novels. I devoured epic adventure about medieval Europe and eventually got involved in European martial arts: fighting in full armour in tournaments and melees. My love of history finally won out over my day job of defence reporting and I began penning novels. The books I most enjoy are more than just battle tales, they’re about people. Good historical fiction isn’t just about the history. It needs more than volleys of arrows and swinging swords, it needs characters you care about. These books combine authenticity with passionate, compelling writing and unique characters you won’t soon forget.
Probably the first “modern” medieval adventure novel, a young Doyle published this in 1891, shortly after he had begun his more famous Sherlock Holmes stories. Also set in the Hundred Years War, it follows a band of mercenaries fighting for the Edward the Black Prince against the French.
It’s mild by today’s standards but a rousing adventure nonetheless, and I first read it at the age of 14. It has all the ingredients of old-fashioned epic adventure: precarious battles, friendship, valiant deeds, humor, and a bit of romance. Check it out and see what your grandfather would have read as a boy on a rainy afternoon.
"Now order the ranks, and fling wide the banners, for our souls are God's and our bodies the king's, and our swords for Saint George and for England!" With that rousing proclamation, twelve hundred knights ride into battle, accompanied by the stalwart archers known as the White Company. Fueled by their appetite for glory, this motley crew of freebooters stands united in their unswerving devotion to the company commander, Sir Nigel Loring. Short, bald, and extremely nearsighted, Sir Nigel's unprepossessing appearance belies his warrior's heart and his chivalrous nature. The rollicking adventures of his company during the Hundred Years War…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Long before I started my career in journalism I was a voracious reader of historical novels. I devoured epic adventure about medieval Europe and eventually got involved in European martial arts: fighting in full armour in tournaments and melees. My love of history finally won out over my day job of defence reporting and I began penning novels. The books I most enjoy are more than just battle tales, they’re about people. Good historical fiction isn’t just about the history. It needs more than volleys of arrows and swinging swords, it needs characters you care about. These books combine authenticity with passionate, compelling writing and unique characters you won’t soon forget.
Cornwell is one of the best—if not thebest—historical novelists writing today.
In Azincourt, we follow one English longbowman on an epic adventure that culminates in one of the most famous battles in history. Cornwell deftly weaves in authentic period detail without hitting you over the head with it.
Most importantly, he is a master of characterisation and rich prose who makes you truly care about the people on the page. Leavened with humor, grittiness, and an engaging romance set amidst war, I found it a compelling and moving read.
An extraordinary and dramatic depiction of the legendary battle of Agincourt from the number one historical novelist
Azincourt, fought on October 25th 1415, St Crispin's Day, is one of England's best-known battles, in part through the brilliant depiction of it in Shakespeare's Henry V, in part because it was a brilliant and unexpected English victory and in part because it was the first battle won by the use of the longbow - a weapon developed by the English which enabled them to dominate the European battlefields for the rest of the century.
Bernard Cornwell's Azincourt is a vivid, breathtaking and…
As a lifestyle reporter, my favorite stories were those of ordinary people doing both great and small things that are extraordinary. I've written since I could string sentences together, beginning with a desire to create what I wanted to read. That need has landed me in historical fiction. Nothing else is as satisfying as plunging down rabbit holes of research to come up hours later wondering where the day went. I strive to make my novels as historically accurate as possible because the combination of emotional involvement of fiction is a great way to learn about history. I'm not here to rewrite history but to give my readers a chance to relive it.
I was blown away by the history provided by Gilman in this book about his character Thomas Blackstone. It starts out with Blackstone as a blacksmith apprentice who is recruited to fight in the 100 Years War. He is made an archer with a strong arm, and the reader is transported into battles with Blackstone. The details of the archers, their importance to the army, and their equipment are a true learning experience.
'Like a punch from a mailed fist, MASTER OF WAR gives a true taste of the Hundred Years War. It is a gripping chronicle of pitched battle, treachery and cruelty. The stench and harshness of medieval life is ever present' ROBERT FABBRI, bestselling author of the Vespasian series.
England, 1346: For Thomas Blackstone the choice is easy - dance on the end of a rope for a murder he did not commit, or take up his war bow and join the king's invasion.
As he fights his way across northern France, Blackstone learns the brutal lessons of war - from…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Long before I started my career in journalism I was a voracious reader of historical novels. I devoured epic adventure about medieval Europe and eventually got involved in European martial arts: fighting in full armour in tournaments and melees. My love of history finally won out over my day job of defence reporting and I began penning novels. The books I most enjoy are more than just battle tales, they’re about people. Good historical fiction isn’t just about the history. It needs more than volleys of arrows and swinging swords, it needs characters you care about. These books combine authenticity with passionate, compelling writing and unique characters you won’t soon forget.
Cameron’s Chivalry series of which this is the first, takes the reader on a thrilling journey across Europe during the Hundred Years War, chronicling the life of a mercenary who comes to serve the great Sir John Hawkwood and eventually is knighted himself.
Cameron is a master of prose description, scene-setting, and dialogue that rings true to the ear. His historical research is impeccable and like me, he has for many years donned full armour in reenactments and tournaments and so truly understands the challenges of medieval combat. A great read.
'Brilliantly evoked' SUNDAY TIMES Discover the first medieval adventure in the action-packed Chivalry series! Perfect for fans of Bernard Cornwell, Simon Scarrow and Conn Iggulden. September, 1356. Poitiers. The greatest knights of the age were ready to give battle.
On the English side, Edward, the Black Prince, who'd earned his spurs at Crecy. On the French side, the King and his son, the Dauphin. With 12,000 knights.
And then there is William Gold. A cook's boy - the lowest of the low - who had once been branded as a thief. William dreams of being a knight, but in this…
At the age of seven, already a devoted bookworm, I came upon a large stack of early-20th century children's magazines filled with stories, poems, and especially fairy tales, some the classic kind, and some weird, scary or unfamiliar. I don't know where those dog-eared, well-thumbed annuals came from, or what happened to them afterward – they were lost or given away when our family moved, I suppose. But I have never forgotten them, or the effect they had on my imagination and longings. I've been searching for those long-lost tales ever since... and it finally led me to decide I would just have to write a few of my own.
When I was young I devoured Bullfinch's Mythology from cover to cover. Looking back, I am amazed that I had the time and the devotion to read the whole 900-odd pages, which give short, matter-of-fact recaps of the Greek and Roman myths, as well as the legends of King Arthur and Charlemagne. You'll find these tales far more beautifully told in the original Ovid or Virgil versions, I suppose, but if you just want the facts, Ma'am, the who's who of it all, then this is a fine place to start.
Legendary tales of myth and romance written so everyone can enjoy the stories!
Can’t keep all your gods and goddesses straight? Wondering about mythological references in classic literature? Bulfinch’s Mythology offers approachable accounts of ancient legends in a compilation of the works of Thomas Bulfinch, banker and Latinist. This volume includes all three of Bulfinch’s original titles: The Age of Fable, The Age of Chivalry, and The Legends of Charlemagne. Bulfinch states his purpose for the book clearly: “Our work is not for the learned, nor for the theologian, nor for the philosopher, but for the reader of English literature...who…
Alice has had a passion for myths ever since reading Greek myths as a small child. Alice's most recent book is a retelling of myths and legends worldwide. As well as editing several anthologies for children, she has published a book on mythology and another on the fantasy writer Mervyn Peake, and she has many scholarly publications on fantasy and children's literature.
This is a vigorous retelling of the last battle of the Norse gods and their enemies, how the gods tried to avert their doom, how they first met those who would kill almost all of them, and what happened after all the slaughter and destruction. The book has the size and format of a typical picture storybook but its powerful illustrations of threat and attack make it more suitable for an older audience.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
An avid reader, and a spec-fiction/fantasy reviewer for CM Canada online, I’ve wanted to tell stories for as long as I can remember. I write “pantser-style” and let the characters run loose, looking at their motivation to steer the tale, often starting with little more than an idea and, if lucky, a character or two. My love of history led me to writing mediaeval or historical fantasy, as my first group of published novels attest, but to avoid stagnation added science fiction and a fantasy detective series of novellas. To date have fourteen novels and three anthologies of my novellas published and have appeared on panels at several cons.
The first volume of a series that eventually ran to three books. It opens with the main character, Ted, caught in an explosion out among the prairie oil rigs and badly shaken up when he faces a Norse fire god who announces he is about to burn the world. Ted wants his old life back, but now the creatures of Norse myology stalk among us.
If you think you might enjoy the characters from Norse mythology in a gritty modern mid-Canada setting, this one is for you. Described as a serious fantasy for grownups. I have to admit I ended up buying all three books as they became available.
In a flash, Ted Callan’s world exploded and amid the flames he saw the incomprehensible, the burning figure of the fire giant Surtur. Before long, Ted learns that the creatures of Norse folklore walk among us and his fate is forever tied to them. Ted wants nothing more than to have his old life back. No more magic. No more smart-ass gods. To get it, Ted is willing to fight his way through any creature of legend. The problem is, if he succeeds, it might just be the end of the world.
Like Neil Gaiman, I came to Norse mythology via the Stan Lee/Jack Kirby Marvel comics route. And when I explored the material further I was struck by the darkness and unsanitised oddity of many of the stories. They clearly reflected the Vikings’ view of the world as a cold, hostile, sometimes absurd place that must be met with a strong arm and a hearty laugh if one is to survive not only physically but mentally. There’s something refreshingly honest about such an approach, and when I came to write the third novel in my Pantheon series, The Age of Odin, which recast the myths as a modern military-SF thriller, I leaned heavily into the aspects I found the most appealing as well as the most dramatic, not least the snowy apocalypse that is Ragnarök, while injecting some appropriately ribald humour too.
This is less about the myths themselves and more about the culture that spawned them. Ellis Davidson’s analysis of Nordic pre-Christian religion is sober but accessible, and comparisons are made with other contemporary belief systems such as the Celts’ and the ancient Britons’. The book nicely ties together the disparate tales much as the world tree, Yggdrasil, is said to have tied together the Nine Realms.
Surveys the pre-Christian beliefs of the Scandinavian and Germanic peoples. Provides an introduction to this subject, giving basic outlines to the sagas and stories, and helps identify the charachter traits of not only the well known but also the lesser gods of the age.
I am a historian of the early Middle Ages, focusing mainly on the intellectual and cultural history of the post-Roman Barbarian kingdoms of the West. I have always been fascinated by cultural encounters and clashes of civilizations, and it did not take long before the passage from Antiquity to the Middle Ages, which witnessed the transformation of the Roman World, the rise of Christianity, and the emergence of the Barbarian kingdoms, grabbed my attention and became my main focus of academic interest. I have published and edited several books and numerous papers, most of which challenge perceived notions of early medieval culture and society in one way or another.
This book trace the development of national identities in the early Middle Ages and beyond. In his careful reading of classical historians, their early medieval counterparts, and their modern interpreters, Geary challenges the traditional understanding of early medieval identity formation and its relations to the origins of modern European nations.
Geary demonstrates that the early Middle Ages were marked by a fluid and dynamic sense of identity and that rulers and policymakers deployed a plethora of strategies to create a sense of shared identity among their people. I particularly like Geary’s inference that the modern idea of the nation-state is, in fact, a nineteenth-century invention and any attempt to trace it back to the early Middle Ages is plain historical nonsense.
Modern-day Europeans by the millions proudly trace back their national identities to the Celts, Franks, Gauls, Goths, Huns, or Serbs--or some combination of the various peoples who inhabited, traversed, or pillaged their continent more than a thousand years ago. According to Patrick Geary, this is historical nonsense. The idea that national character is fixed for all time in a simpler, distant past is groundless, he argues in this unflinching reconsideration of European nationhood. Few of the peoples that many Europeans honor as sharing their sense of "nation" had comparably homogeneous identities; even the Huns, he points out, were firmly united…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
In my novels, I aim to present a different vision of early Post-Roman Britain than the one usually imagined in fiction – especially in the future Kingdom of Kent, where my books are set. To show these connections, and to present the greater background for the events in the novels, I first needed to gain knowledge of what Europe itself looked like in this period: a Gaul divided between Gothic, Frankish, and Roman administration, a complex interplay of Romans and Barbarians, a world in transition from Antiquity to the Middle Ages. The story gleaned from the pages of these books proved as fascinating and intriguing as any I’ve ever read.
Peter Heather’s work is one of the broadest in scope on the topic of the European ‘Barbarians’, while still retaining enough detail to keep the reader’s attention pinned. A great starter for this period of history, encompassing the entire first millennium AD, the time when the heart of European civilization gradually moved from the Mediterranean South to the cold Barbarian North. It reads like a novel – but is supported by years of painstaking research. If you can only read one book on Barbarian Europe, this is the book.
At the start of the first millennium AD, southern and western Europe formed part of the Mediterranean-based Roman Empire, the largest state western Eurasia has ever known, and was set firmly on a trajectory towards towns, writing, mosaics, and central heating. Central, northern and eastern Europe was home to subsistence farmers, living in wooden houses with mud floors, whose largest political units weighed in at no more than a few thousand people. By the year 1000, Mediterranean domination of the European landscape had been destroyed. Instead of one huge Empire facing loosely organised subsistence farmers, Europe - from the Atlantic…
