I make prints and visual books. I founded Bridge Press, now in Kennebunk, Maine, 1989 to publish limited edition artist's books and etchings. The name of the press underscores the collaborative nature of book making. Visual books offered possibilities for the continuity, connection, and unfolding of imagesâeach image is complete yet linked to every other through the structure of the book. Books seemed an ideal vehicle to assemble and connect my prints, to order and unfold a sequence of images, with defined and recurrent shapes, motifs, and composition, and to create a setting in which each image is complete yet linked to every other through the structure of the binding or enclosure.
An endlessly fascinating and extensive compendium of reproductions of photographs, diagrams, charts, maps, paintings â bizarre, sublime, caustic, illuminating â from the ancients to the modern era. Each image retains something of its historical context, yet they are arrayed with a compelling visual logic by a brilliant visual editor.
An exploration of echoes and resonances across two millennia of visual culture, celebrating ten years of The Public Domain Review.
Gathering a remarkable collection of over 500 public domain images, Affinities is a carefully curated visual journey illuminating connections across more than two thousand years of image-making. Drawing on a decade of archival immersion at The Public Domain Review, the book has been assembled from a vast array of sources: from manuscripts to museum catalogues, ship logs to primers on Victorian magic. The images are arranged in a single captivating sequence which unfurls according to a dreamlike logic, throughâŚ
Ellcock curated a remarkable selection of images that are provocative, transformative, and universal â an anthology of archetypes, scanning the worldâs vast catalog of visual images from cultures, religions, time periods, political viewpoints, and media. I donât know a more comprehensive anthology of moral, political, environmental, social, and cultural images, all vivid, challenging, and eternally relevant.Â
Stephen Ellcock, one of the world's most beloved digital curators, presents a collection of radically beautiful and provocative images designed to inspire reflection, revelation, and transformation.
Stephen Ellcock pairs hundreds of images, icons, and symbols spanning three thousand years of artistic creation with quotes from activists and writers to provoke reflection, revelation, and transformation. This eye-opening compendium highlights the environmental challenges facing our planet and the social injustice rampant in our societies, while offering hope that a better world is within our grasp. The artwork includes archival images from prominent and obscure artists, Renaissance paintings, counter-cultural iconography, documentary photography, andâŚ
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to runâŚ
This book brilliantly revives the concept of cosmography, the visual depiction of the universe, from the beginnings of Romanticism to images from the Hubble telescope. By intermingling images from art and science, the book underscores the powerful visual parallels between the two disciplines, their discoveries equally strange, wondrous, and insightful.Â
From Galileo to Yves Klein the cosmos has been the inspiration for generations of artists, architects and designers. Their multifacetted cosmic visions are the subject of this original volume.
The advent of the exactly repeatable pictorial statement is arguably the most significant technological and cultural innovation in the history of humankind. This book examines in detail the contributions to scientific knowledge made by significant Renaissance artists, Hans Holbein, Albrecht DĂźrer, and Hendrick Goltzius principally among them. In addition to reproducing woodcuts, engravings, and etchings, the book depicts various complex forms of paper engineering from the Renaissance that acted as scientific instruments, maps, simulacra, or utile devices in themselves.Â
An unusual collaboration among distinguished art historians and historians of science, this book demonstrates how printmakers of the Northern Renaissance, far from merely illustrating the ideas of others, contributed to scientific investigations of their time. Hans Holbein, for instance, worked with cosmographers and instrument makers on some of the earliest sundial manuals published; Albrecht Durer produced the first printed maps of the constellations, which astronomers copied for over a century; and Hendrick Goltzius's depiction of the muscle-bound Hercules served as a study aid for students of anatomy. Prints and the Pursuit of Knowledge in Early Modern Europe features fascinating reproductionsâŚ
This is the Inspiring true story of a young girl surviving Mengeleâs hell. This is an incisive, harrowing, and touching memoir of Eva Mozes Kor and her twin sister Miriam, who are sent to Auschwitz only to be torn from their parents and given to Josef Mengele, "The Angel ofâŚ
As a printmaker and student of the history and techniques of printmaking, this is my âdesert islandâ volume, the most comprehensive, literate, knowledgeable, and articulate statement on this influential, historically significant, and often overlooked art form. Eichenberg, himself a brilliant and trenchant wood engraver, book illustrator, and political commentator, shows himself to be an eloquent historian, scholar, and interpreter of various printmaking media, not only in Europe and the Americas, but throughout the world, in its long history.Â
Printmaker Brian D. Cohen and poet Chard deNiord have maintained an ongoing dialogue about animals since their first collaboration on the theme in the artistâs book What the Animals Teach Us. Animals have never ceased calling to artist and poet in silent and strange languages that have beckoned them to listen, observe, and wonder. To Cohen and deNiord, animals offer âtokens of ourselvesâ (Walt Whitman, Song of Myself) as they continue to inspire and surprise. Bestiary pairs over thirty poems and prints of a range of animals in their natural environments.
Carolyn ForchĂŠ has written an introduction to the book in which she places Bestiaryin historical, mythological, moral, and scientific context, and exhorts readers to behold these animate wonders of the world with their full awareness and open hearts.
Known more for his books on Mayas, Aztecs, and Spanish conquistadors, historian Matthew Restall's latest book takes his deepest dive yet into the history of pop music.
In the late-1970s, three music-obsessed, suburban London teenagers set out to make their own kind of pop music: after years of struggle, successâŚ
Ancient Evenings is a study of consciousness presented as a series of fictional philosophical dialogues set at the height of the Roman Empire. These dialoguesâon good and evil, truth and falsehood, life and deathâare historical re-enactments of what persons representing the major Hellenistic schools of philosophy might actually have saidâŚ
